Antique Porcelain

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

Friday, January 15th, 2010

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.

A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.

A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.

A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in  .

TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .

A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.

A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips  .

A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).

A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).

AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia

AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).

A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).

A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.

A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).

A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.

GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.

A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).

A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200

A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.

A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.

A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.

ANTIQUE WINE GLASS

Thursday, January 14th, 2010

ANTIQUE WINE GLASS

An attractive Bristol white
opaque glass Tea Caddy, circa 1765,
painted in the manner of Michael Adkins
with a bullfinch perched in a tree
beneath a puce cartouche labeled Green,
the reverse with a spray of flowers
including a rose, the sides and canted
corners with further sprays of flowers
and leaves, the short neck set with an
engine-turned gilt-copper cover
incorporating a contemporary enamel
with figures on a veranda, restored chips to
one corner, 13.2cm.;

For two similarly enameled tea caddies, see W. A. Thorpe, A History of English and Irish Glass, Vol. I, frontispiece. Both the illustrated caddies bear a finch on the front and ’swirled’ flower painting on the reverse. Both specimens (one from the collection of William Eakins, grandson of the painter, the other in the Schreiber Collection), are now in the Victoria and Albert Museum.

A Pair of engraved ‘Jacobi’ Wine
Glasses, circa 1750, each ogee bowl
decorated with a winged insect and rose
spray over a hexagonally faceted stem
and plain foot, 14cm.;

A mixed twist Wine Glass, with
wasted ogee bowl over a pair of
air-spirals about a lace corkscrew, conical
foot, 19cm.;

An engraved air-twist Cordial
Glass, mid-18th Century, the trumpet
bowl rising from a stem containing a pair
of air-spirals.

Two air-twist Wine Glasses, 18th
Century, one with bucket bowl over a
slider inverted baluster stem with a
multiple spiral air-twist, 17.5cm.;

An opaque-twist Wine Glass, circa 1760, with ribbed bucket bowl over a pair of spirals about an opaque gauze, 15.2cm.; 6m.

A double-series opaque-twist Wine Glass, mid-18th Century, with vine engraved funnel bowl over a six-ply spiral band outside a column of three spirals, 15cm.;

A double-series opaque-twist Wine
Glass, mid-18th Century, two pairs of
opaque-twists about a double ribbon
column, beveled, 14.5cm.; 53/4n.; and two
Continental opaque-twist Glasses.

A Group of eight opaque-twist
Wine Glasses, 18th and 19th Centuries,
including a rare Deceptive, all chipped or
restored, 12.5 to 17.5cm.; 5 to 67/sin.

A Group of five trumpet Wine Glasses, various dates, including a pair engraved WTE and one with an enclosed tear over a folded foot, 12 to 20.5cm.; 43A to 8m.

An Ale Glass, mid-18th Century, the narrow bowl on plain stem and folded foot, 20.5cm.; 8in.; and a multiple air-twist spiral Glass, damaged.

Two faceted Wine Glasses, circa 1760, one on short stem, the bowl engraved and polished with an ‘Oxon’ border.

A Group of three engraved Wine Glasses, mid-18th Century, all on a folded foot, approx. 14.5cm.;

A balustrade Wine Glass, 2nd
quarter 18th Century, the drawn
trumpet bowl springing from a central
knap, plain foot, 17cm.;

Four Glasses, 18th/19th Century,
including a Deceptive, a hollow stemmed
Glass and two others, various sizes.

A Drinking Glass, mid-18th Century, the bucket-shaped bowl engraved with a carnation, on double-series opaque-twist stem and conical foot, 15cm.; 6in.

Two trumpet Wine Goblets, early 18th Century, each of slightly flared form rising from plain stem and conical foot, small chip to one, 23cm.; 9in.

An engraved Ale Glass, circa 1750, the straight-sided bowl decorated with hops and barley, on plain stem and folded foot, 20.5cm.; 8m.

A Group of five air-twist stemmed Wine Glasses, mid-18th Century, comprising: two Pairs of Glasses, each trumpet bowl raised on a multiple air-twist stem, one damaged, 16.5cm.; 6V4n. and a heavier air-twist stemmed Glass, chipped.

A Group of three opaque-twist stem Wine Glasses, mid-18th Century, comprising: an ogee Glass on a stem enclosing a fifteen-ply thread band about two spiraling ribbons, chipped foot, 15cm.; 57/8in. and two other Glasses.

A rare Cordial Glass, circa 1760, the double ogee bowl supported on a honeycomb faceted wasted stem over a conical foot, 13.3cm.;

An engraved Wine Glass, 1750’s, the bell bowl cut and part polished with birds perched between baskets of flowers on an elaborate fence, over a honeycomb faceted cusped stem and conical foot, slightly beveled foot, 15.1cm.; 6in.

A Group of three Wine Glasses, mid-18th Century, comprising: a baluster stemmed bell funneled Glass upon a domed foot, 14.8cm, a bell funneled Wine Glass upon a plain stem and folded conical foot and an engraved drawn trumpet Wine Glass on an air-twist stem .

A Group of three Wine Glasses, 18th and early 19th Centuries,
comprising: a rose engraved Glass upon
a cushioned and knapped hollow stem,
a gadrooned and faceted
Wine Glass and a swag engraved Soda
Glass, chips.

A Group of Glasses, 18th and 19th
Centuries, comprising: a Pair of
opaque-twist stemmed Wine Glasses, one
damaged, 16.6cm.; 61hin., two Goblets and
seven small Glasses.

A Group of four trumpet bowl
Wine Glasses, 1st half 19th Century,
including a slider Glass on a folded
conical foot, approx. 15.2cm.; 6in.

A blue glass Cruet Ewer, late 17th
Century, of teardrop form, with
pincer handle and sliders spout with
a flanged mouth, 14cm.;

A Group of six gilt decorated
Liqueur Glasses, early 19th Century,
9.5cm.; 37/dn.; and three other Glasses.

A Facon-de-Venise opalescent Wine Glass, 19th Century, on a hollow lion masked stem, 17cm.; 63/4n.; and a diamond etched Glass, 17th Century, reduced foot. A Group of Glass, various dates, comprising: a Toddy Lifter and a ‘Lace Maker’s Lamp’ .

A glass Tisza, mid-18th Century, the ribbed top on a composite ball and inverted baluster stem above a domed and folded foot, 17.5cm.;

A glass Bowl, 18th Century, of plain shallow form, 36cm.; A glass Bowl, mid-18th Century,
raised on a domed foot, 30cm.;

A Pair of cut-glass Epergne
Dishes, early 19th Century, each of oval
outline with hobnail cut sides under a
denticulate rim, 25cm.;

A Group of five Goblets and
Glasses, 19th Century, including a Pair
of Goblets inscribed Mc.D. over a hollow
stem, each enclosing a silver
three penny-piece, 19.8cm.;

An engraved commemorative Goblet, 1860’s, dedicated to George Parsons, 1852, within patriotic flowers over a hollow stem enclosing an 1866 sixpence, 23.5cm.;

An engraved goblet Glass, early 19th Century, decorated with a hunter pursuing deer and rabbits, on a hollow stem, 27cm.;

A Set of six engraved hollow stemmed Champagne Glasses, early 20th Century.

A German gilt glass Goblet, 1725-1750, the bell-form bowl gilt with a man and woman out hunting, the latter pointing to a deer pursued by a dog, faceted below and on a faceted triple knapped stem over a pedestal foot, chips to rim, 22cm.;

A Bohemian gilt and enameled glass overlay Vase, mid-19th Century, of goblet form, the green glass overlaid with white painted panels rising about the bowl and finely enameled with roses or crises-cross cut, on a knapped stem and domed circular foot, 34.2cm.;

A Pair of enameled and gilt Bohemian overlay glass Luster’s, mid-19th Century, each galleried rim decorated with gilt-ground classical portrait medallions between white-ground flower ovals against the transparent body and hung with prisms down to the spreading circular foot, minor chips to prisms, 31.5cm.;

A color end overlay Bohemian glass Vase, circa 18, of goblet form, the cranberry ground overlaid with white panels alternately hatched and enameled with flowers between gilt borders, 26cm.;

Ten Bohemian engraved and color end cut-glass Goblets, 2nd half 19th Century, comprising: eight small Goblets and two large Goblets, five engraved with allegorical panels representing Faith, Hope, Charity and other virtues and five engrave with flowers within red or amber circular panels, 13 and 19cm.; 5 and 71/2in.

A Bohemian/Austrian enameled
and engraved Goblet, 19th/20th
Century, decorated with goldfish and
insects in circular facets against the clear
glass, 14.5cm.;

A Bohemian engraved amber
flashed Goblet, mid-19th Century, of
hexagonal section and engraved with
five facets of stags and dogs, 17.8cm.;

A Pair of Bohemian pale-blue
and white overlay Vases, circa 1870,
each ovoid body cut with vertical flutes
heightened with gilt scrollwork on a
seeded ground, between a pair of
upright acid etched gilt handles, 32cm.;

A Bohemian enameled and gilt white overlay glass Bottle and Stopper, 2nd half 19th Century, decorated with crises-cross cut lappets between others of painted flowers, 17.8cm.;

A Bohemian engraved blue
flashed Vase and Stand, mid-19th
Century, finely worked by F. Zach, signed,
with a deep intaglio engraving of a stag
attacked by wolves framed by fruiting
vine, the stem possibly reduced, 34cm.;

ANTIQUE BRITISH AND CONTINENTAL GLASS

Thursday, January 14th, 2010

ANTIQUE BRITISH AND CONTINENTAL GLASS

A Pair of cut-glass Lustres, late 19th Century, each with a fluted bowl, with a faceted knapped  stem raised on a flared faceted stem hung with cut-glass droppers alternating in size, some chipping, 31cm.; 12in. high.

A Bohemian engraved ruby-flash Goblet, circa 1860/80, the tapering cylindrical bowl raised on a scallop-edged flared foot, the bowl engraved with two stags amongst trees and bushes, 12.7cm.; 5in, high.

A Pair of Decalcomania Spheres, late
19th Century, each internally decorated with
cut-out printed children and animal heads on
a speckled white ground, 13cm.; 5in. diam.

A gilt-metal mounted filigree Ewer, late 19th Century, the globular body and slender neck in pink and white filigree glass within an elaborate gilt-metal mount embellished with foliage masks and scrolls and set with small jasperware portrait medallions, 37.75cm.; 14m.

A Bohemian amber-flashed Goblet and Cover, circa 1845, the ovoid body amber flashed and cut with oval panels, one engraved with sparring stallions, the reverse with a lens inscribed CWL, raised on a faceted stem with sliced bladed knops and sliced spreading foot with lobed rim, the underside star out, with matching cover, bowl repaired, minor chips to foot and knops, 28cm.

A Bohemian engraved two-handled Bowl and Cover, 18th Century, the cup-shaped bowl engraved with flower and foliate sprays above a moulded base, the slightly domed cover similarly decorated below writhen bowl cracked, 16cm.; 6in.

A St. Louis filigree Scent Bettie, circa 1850, the depressed globular body cut with broad facets in clear glass over swirling red, white and blue threads, applied clear neck ring, 9cm.; 3in.; and a splashed Vase, probably German, 19th Century.

A Bohemian pink flashed Goblet and Cover, circa 1840, the hexagonal bowl with alternate panels of classical figures within foliate oval garland, facet cut  stem, thick foot cut through from the base to form six radiating shields, the faceted cover with flashed faceted finial, chips to rim and cover.

A Wine Glass, 2nd half 18th Century,
the bell bowl raised on a knapped  stem and
domed foot, small chip to foot, 19cm.; 7in.

A Pair of engraved glass Rammers, 19th Century, each conical bowl engraved with flower swags tied by ribbons, raised on a squat knapped  stem and plain foot, 14.5cm.; 53Ain.; and a similar Rammer, engraved with fruiting vine.

An enamelled and gilt white glass Carafe and Stopper, mid-19th Century, probably French, the flattened globular body with tapering neck and dice foot decorated with a central gilt medallion enamelled with the head of a classical warrior in profile within a chain border, reserved on a matt sky-blue ground, matching stopper, 26cm.; Win.

A large black glass Vase, circa 1870, of flattened ovoid form between conical neck and circular foot, the body enamelled in white with a seated classical woman painting a vase between bands of stylised foliage and fleur-de-laves, gilt rims, 49.5cm.; 14in.

A Bohemian ruby glass Beaker, 2nd
half 19th Century, the wasted faceted bowl
enamelled with a formal repeating pattern of
scrolls and foliage beneath a gilt rim, ail
raised on a squat stem and octagonal foot
with deeply cut  base, 14.25cm.

A Pair of Dutch engraved glass
Decanters, late 18th Century, each of
shouldered form and rectangular section,
engraved on either side with a bird within a
star, 24cm.; 9in.

A Pair of Bohemian white overlay
green glass Vases, 20th Century, of thistle
shape, each bowl cut with three rows of
printers and enamelled with floral garlands,
the reverted base and circular foot with bands
of printers and flowers, 23.25cm.

A Group of three pieces of coloured Glass, various dates, comprising: a Nail sea-type opaque white glass Flask combed in purple, 11.5cm.; a filigree glass Flask and a Stopper, 13.5cm.; 5in., and a blue glass hanging Ornament.

A Pair of cut-glass Sweetmeats, early 19th Century, each of octagonal section tapering towards the base, cut with panels of fan shapes and diamonds, star cut base, very minor chips, 10.5cm.; 4in.; and a Pair of cut-glass Salts, early 19th Century, each boat-shaped bowl raised on a stepped lozenge-shaped lemon squeezer foot.

A Pair of Bohemian ruby-flashed Decanters and Stoppers, 2nd half 19th Century, each of mallet form, cut with bands of printers, conical stoppers, 26cm.; 10in.

A cut-glass Water Jug, circa 1820, of squat baluster form, horizontal slice cut with star cut base, 16.5cm.; 6in.
A cut-glass Water Jug, early 19th Century, probably Irish, of shouldered ovoid form beneath wavy rim, cut with a band of diamond and stylised foliage forms between faceted neck and fluted base, loop handle, chip to inner rim, 16.5cm.; 6in.; and a cut-glass Ladle, with slice cut stem and fluted bowl.

A cut-glass Bowl, Cover and Stand, 19th Century, the bowl of circular section and tapering form, with domed cover and deep stand, each piece cut with alternating panels of fine and strawberry diamonds, minor chips, 15cm.; 5in.

A blue glass ‘Gretna Green’ Goblet, early 20th Century, the cup-shaped bowl engraved with oval panels depicting a coach racing to Gretna Green and a marriage taking place over the anvil, interspersed with appropriated mottoes, dated 1642, raised on a squat clear glass knapped  stem and plain foot, 24.5cm.; 9dn.

A Sevres ‘chalcedony’ glass Vase, early 20th Century, of tapering form, decorated in gilding with stylised plant forms, gilt painted Sevres, 19.5cm.

A Pair of Continental grey ground glass two-handled Vases, late 19th Century, each ovoid body enamelled with ducks, set with gilt trellis pattern handles, printed crowned shield mark in red, 12cm.

A Pair of cut-glass ovoid Decanters and Stoppers, circa 1820, each cut with a band of raised diamonds above base flutes, triple ring neck and mushroom stopper, one stopper repaired, 23cm.; 9in.

A Pair of cut-glass Jars and Covers, 19th Century, each compressed circular body cut with flutes below a notched rim, step cut domed lid and mushroom knops, small chips, 14cm.; 5m.; also another glass Jar and Cover.

A Pair of cut-glass Sweetmeats, 19th Century, each shallow bowl cut with diamonds below a notched rim, raised on a faceted baluster stem and petal foot, small chips, 15.5cm.; 6in.

An attractive Pair of pink trailed yellow tinted glass Vases, possibly Webb, circa 1890, each of globular form with wasted neck and crimped rim, overlaid with opaque white thread decoration, standing on three clear glass scroll feet, a print overlying the pintail, 11cm.; 4in.

A Lynn Wine Glass, circa 1760, set on a double-series opaque twist stem and conical foot, 14.5cm.

A part Suite of Glasses, early 20th ‘Century, each fluted bowl engraved with a frieze of roses above a faceted base, the stem and foot gilt with spirals, gilt rims, comprising: five large conical Wines, seven medium conical Wines, eight small conical Wines, eight Tumblers, eight Champagnes, eight Liqueurs, eight small Sherries, eight Finger Bowls and eight Stands.

A Clichy sodden snow ground Paperweight, mid- 19th Century, the white ground set with various scattered mille fiery canes, 9cm.; 3in.

A baluster stem Wine, circa 1740, the wasted bowl raised on a knapped  baluster stem and plain foot, very small chip to foot, 17.5cm.

ANTIQUE 19th CENTURY CHINESE PORCELAIN.

Thursday, January 14th, 2010

ANTIQUE 19th CENTURY CHINESE PORCELAIN.

A LARGE BOWL, painted in
family-rose enamels with roses and other flowers, chipped, Qianlong
40cm. Diameter.

A PAIR OF OCTAGONAL VASES  with panels of flowers on a white  ground, restoration, 19th Century 44cm. high

A BLUE AND WHITE GINGER JAR AND COVER attractively painted
with ponies among trees, early 19th Century    26cm. High.

A CHINESE LONG-NECKED VASE, painted in family-rose  enamels, with figure scenes, 37cm. high, 19th century.

A COLLECTION OF CHINESE DINNER PLATES, painted in family-rose enamels, some chips to rim,  23cm. diameter, c. 1800  .

A NANKIN BLUE AND WHITE DISH and a collection of Napkin  soup plates (some chips to rims) 23cm. diameter, 19th century     .
A CHINESE BALUSTER JAR AND COVER, painted overall with  peonies, rubbed, with a piece missing from the neck, 41cm. high, 18th century.

A PAIR OF ‘FAMILLE-ROSE’ PLATES with floral borders and a  design of carp swimming, small crack, Qianlong    (2)23cm. Diameter.

A PAIR OF CHINESE BLACK PAINTED VASES, with raised gilded  decoration of shrubs and birds, 19th century, 32cm. High.

AN EARTHENWARE GLAZED ‘GROTTO’ GROUP depicting figures  and houses above a fish-filled  river with craggy tree-covered  hills, damaged, 19th Century.

A PAIR OF LARGE YEN YEN
VASES with baluster bodies and trumpet necks, painted with  figures in under glaze-blue, some chips, 18th Century    (2).

A ‘FAMILLE-ROSE’ JESUIT DISH
painted with a hunter beside an
elephant, cracked and riveted, and
a family-rose Tea Bowl and two Saucers, Qianlong.

A PAIR OF POWDER-BLUE AND FAMILLE-VERTE PLATES with European  gilt-metal mounts, pseudo four  character marks .

A ‘FAMILLE-VERTE’ DISH
decorated overall with flowers, and another with flowers and  butterflies, chipped, Qianlong    27cm. Diameter.

A LARGE ‘FAMILLE-ROSE’ DISH
attractively painted with birds
among flowering shrubs, and another, octagonal, with water
buffaloes grazing, rubbed and chipped, Qianlong    33cm. Diameter.

A PAIR OF ‘FAMILLE-ROSE’  PLATES with attractive petal
decoration picked out in pinks and
greens, Qianlong    (2) 28cm. Diameter.

A LATER COPY OF A BLUE AND
WHITE RECTANGULAR DISH, painted
with a landscape, pseudo mark of
Ch’eng Hua    27cm. Wide.

A PAIR OF SLENDER FLUTED
BALUSTER VASES AND COVERS
painted with blue flowers on a  green ground, 19th Century
50cm. High.

AN ATTRACTIVE BLUE AND
WHITE PLATE, painted pseudo Kang
Hsi marks.

A PAIR OF BISCUIT KYLIN JOSS
STICK HOLDERS in green, yellow and
aubergine glazes.

FUKIEN: A BLANC-DE-CHINE MODEL OF A EUROPEAN FIGURE in Jesuit  style, damaged     75cm. High.

FUKIEN: A BLANC-DE-CHINE
SMALL BOWL AND COVER with raised
prunes’ decoration, converted to a
tea-pot with European silver-mount,
early 18th Century, crack.
A TEAPOT AND COVER with
petal decoration and applied with
flowering branches, damage to
handle and spout and a Teapot, with
European silver mounts engraved
with animals, crack, 18thCentury.

A CHINESE EXPORT PART DINNER SERVICE, decorated with  blue and gilt borders of oak  leaves with a central cornucopia  motif, comprising: Three graduated  meat dishes, one massacring (31cm.),  three deep dishes (36cm.), three  small tureens and two covers, two  small stands, a pair of sauce  boats (damaged), four salad  plates, seven dinner plates, a  square bowl (cracked), early 19th century  .

A COLLECTION OF NANKIN  blue and white and family-rose  plates, early 19th century.
A LARGE ‘POWDER-BLUE’ GROUND BASIN with figures and  flowers in relief in white, 19th Century    47cm. Diameter.

THREE CANTONESE MUGS,  slight damage, 19th Century  .
THREE VARIOUS TEA CADDIES AND TWO COVERS painted in enamels,  early 19th Century     .

A EWER IN EUROPEAN STYLE  decorated in family -verte  enamels, handle repaired, 18th Century 27cm. High.

A CHINESE EXPORT OCTAGONAL PART DINNER SERVICE decorated in  pink with garlands of flowers,  comprising two large tureens,  covers and stands, two dishes,  three small dishes, three plates,  Qianlong.

Another, similarly decorated with scalloped  outlining, comprising, two large  charges, one deep dish, one flat  dish, two plates, one small  tureen, one lid of a large tureen,  Qianlong.

A PAIR OF CHINESE SHALLOW DISHES, with pierced gallery
borders, painted in family-rose
enamels of people seated around
tables, chip to rim, 28cm. diameter,
19th century    .

A CANTONESE ENAMEL
BASIN, the interior with a design  of roses and flowers on a turquoise
background, some loss of enamel,
41cm. high, 19th century.

AN ANTIQUE WINE GLASS, A PAIR OF GLASS VASES, CUT GLASS DECANTERS AND STOPPERS, 19th Century, A SET OF SIX CUPS AND SAUCERS, Davenport, mid 19th Century

Sunday, January 10th, 2010

AN ANTIQUE WINE GLASS, A PAIR OF GLASS VASES, CUT GLASS DECANTERS AND STOPPERS, 19th Century, A SET OF SIX CUPS AND SAUCERS, Davenport, mid 19th Century

A PAIR OF TAPERED GLASS
DECANTERS AND STOPPERS, late 19th
Century, overlaid in green and cut with
fluted panels, 36cm.

A GROUP OF FOUR SMALL WINE OR CORDIAL GLASSES, late 18th/19th Century, various forms including a pair, some chips; also an engraved drawn trumpet Wine Glass with airtwist stem;

and an airtwist Wine with bell bowl.

A WILLIAMITE GOBLET, 19th Century, the tapered faceted bowl engraved with an equestrian portrait beneath a banner inscribed The Glorious Memory of King William’ the reverse

engraved Boyne 1st July 1690′, 11.75cm.

AN ALE GLASS, circa 1765, the drawn trumpet bowl raised on a double series opaque twist stem and plain foot, 18cm.; 7in,, chip to foot; also a pair of opaque twist Wine Glasses

engraved with cock fighting scenes.

A WINE GLASS, circa 1765, the rounded funnel bowl engraved with fruiting vine raised on a double series opaque twist stem and plain foot, 15cm.; 6in.; also an opaque twist Ale

Glass.

A LARGE WINE GLASS, circa 1765, the ribbed rounded funnel bowl raised on double series opaque twist stem and plain foot, 18cm.; 7 in., minor chips to foot; also a Jacobite-type

Wine Glass, engraved with a rose and two buds on multi-series airtwist stem, chips.

A GLASS JAR AND COVER, mid-
18th Century, the almost cylindrical sides
trailed with chain patterns beneath a spun
rim, 23cm.; 9in., jinial possibly reduced.

A GROUP OF OPAQUE WHITE
MOULDED GLASS BOXES AND COVERS,
Continental, 20th Century, comprising: a
pair in the form of artichokes, one as a
pineapple, two as ducks and one as a walnut,
a fly forming the knop, tallest 17cm.

A GLASS FRUIT BOWL AND STAND, 19th Century, the overturned rim moulded with flutes, the separate stand with facet stem and star cut base, 31cm.

A PAIR OF GLASS VASES, late 19th/ early 20th Century, each of inverted baluster form, of clear glass with cloudy opalescence, 28.3cm.

A GLASS DRINKING SET, Bohemian, circa 1900, each piece enamelled with coats-of-arms and heraldic shields, comprising: a circular Tray, a Decanter and Stopper and five Wine

Glasses, tray 31cm.; 12′Ain. diameter, small chips.

A BLUE JASPER GROUND PAPERWEIGHT, St. Louis, mid-19th Century, the central small star cane surrounded by three concentric rings on a mottled blue and white ground, 7cm.; 23Ain.

diameter.

A CUT-GLASS OCTAGONAL DISH, probably Irish, circa 1820, cut with panels of raised diamonds below a crenellated rim, 29cm.; ll’Ain. long; also four matching Glasses.

A SET OF THREE CUT GLASS DECANTERS AND STOPPERS, 19th Century, each of ovoid form, cut with a band of diamonds between a fluted neck and base, mushroom stoppers, each 21cm.;

8′Ain., chips.

A SET OF EIGHT WINE GLASS COOLERS, 19th Century, each of cylindrical form, double lipped and cut with a band of flutes, 9.5cm.; 33Ain. minor chips; also a set of five Cut Glass

Salts, and two cut glass Dishes.

A SET OF SIX CUPS AND SAUCERS, Davenport, mid 19th Century, each painted with flower sprays on a richly gilt ground, red printed marks, some damage and repair; and a group of

thirteen English porcelain Cups and ten Saucers.

A LUSTRE BOWL, possibly Sunderland, circa 1820, the interior and exterior enamelled with flowers and berries highlighted in lustre, 29cm.: ll”2in.
diam.

A SUNDERLAND PINK LUSTRE BOWL, Dixon, Phillips and Co., 2nd quarter 19th Century, the interior printed in black with the Mariner’s Compass below the Mariner’s Arms and two

verses, 31cm.; 12′Ain. diam., chip to foot rim; also a small Sunderland pink lustre Jug printed with the Sailor’s Tear; and a splashed lustre Sugar Bowl.

A PINK LUSTRE JUG, Sunderland, 19th Century, transfer printed with a west view of a cast iron bridge over the river weir, the reverse printed and coloured with tall ships

flanking a verse and the inscription Charles and Eliz’h Sennock, 21cm.; 8′Ain.
high.

A PAIR OF POTTERY COW AND
MAID SPILL VASE GROUPS,
Staffordshire, mid-19th Century, each brown
and white animal standing facing to the left
or right, 21cm.; 8′Ain., some repair.

A SILVER LUSTRE JUG, probably
Staffordshire, 2nd quarter 19th Century,
each side bearing two coloured Masonic
prints flanking the inscription John Bradley,
Caledonian Lodge, 351, below a silver lustre
rim, 19cm..

A GROUP OF COPPER LUSTRE
WARES, 19th Century, comprising: a Jug
printed in black ‘The Bird’s Nest’; a Jug
relief moulded with a band of flowers; a
smaller Jug moulded with a band of birds
and flowers; a two-handled Goblet; a Mug
sprigged with groups of flowers; and a
Goblet decorated with two bands of leaves.

A GROUP OF THREE GRADUATED COPPER LUSTRE JUGS, 19th Century, each sprigged in white with groups of cherubs and vases, purple lustre borders, largest 13cm.; 5′Ain. high, rim chip

repair to one.

A LUSTRE JUG, Staffordshire, 19th Century, each side printed in puce with a panel of fallow deer, 16.5 cm.; 6′Ain.; also two blue ground Mugs painted with harts; a purple lustre

Jug relief moulded with sporting hounds; and two other Jugs.

THREE POT LIDS, comprising: ‘Philadelphia Exhibition 1876′; ‘Rifle Contest, Wimbledon 1865′.

A BONE CHINA MODEL OF A LITTLE OWL, Spode, Modern, modelled perched on a rockv mound, printed marks, 22cm.

A LIBATION CUP, probably Chelsea, circa 1755, in the white, of oval form, moulded with a branch of prunus with two five-petalled flowers and a bud, the reverse with a branch of

two other flowers, 10.5cm.;
4′Ann length, chip to rim.

ANTIQUE AUSTRIAN VIENNA PORCELAIN

Thursday, January 7th, 2010

ANTIQUE AUSTRIAN VIENNA PORCELAIN

A Vienna porcelain Cup and
Saucer, 1830, the saucer moulded with
swags and painted Bacchic masks
centring a painted bird on a branch, all
scattered with brightly coloured insects
and flower sprays, the cup similarly
decorated with classical puce and gilt
scroll handle, tiny chip, impressed Beehive
mark, date code and numerals.

A ‘Vienna’ arched rectangular
Tea Caddy, late 19th Century, one side
painted with Venus and Cupid, the
reverse painted with a maiden seated and
inscribing the initials ‘AM’ onto a tree
trunk, small chips to gilding, 10.5cm.;
41/sin., shield mark in blue.

A ‘Vienna’ Cabinet Tray, late
19th Century, of oval form, with two
pierced handles painted with a lion and a
lioness beside a riverbank surrounded by
date palm trees inside a wide burnished
gilt border, restoration to handles, shield
mark in underglaze-blue, impressed numerals.

A ‘Vienna’ porcelain Plate, late
19th/20th Century, painted with a titled
portrait of Lady Hamilton after Romney,
signed Hanats inside a circular gilt frame
and gilt line border, some flaking of
enamels, 24.5cm.; 95/sin., shield mark in
underglaze-blue, impressed Hutschenreuther
shield mark.

A Pair of small ‘Vienna’ bottle Vases, late 19th Century, painted with titled panels ‘Hector’ and ‘Venus’, signed Riemer inside an oval gilt frame against a dark blue ground

enriched in gilding and white ‘jewelling’, 14.5cm.; 53Ain., black painted shield mark and titles.

A ‘Vienna’ two-handled maroon ground Vase, circa 1900, the
shield-shaped body painted each side
with classical figures on a solid gilt band
against a maroon ground enriched in
gilding, raised on a square plinth base,
32.5cm.; 123Ain., shield mark in blue, black
painted titles.

A Pair of ‘Vienna’ campana
Vases, circa 1900, each painted with a
panel of Venus and Cupids, signed
Rosier, within an oval gilt frame against a
maroon ground enriched in gilding,
raised on square plinth bases, one base
repaired, 40.5cm.; 16in.

A good ‘Vienna’ porcelain
Cooler, 19th Century, the drum-shaped
body painted with two panels of classical
figures and gods and goddesses amongst
clouds inside octagonal gilt frames
against a purple ground gilt and
enamelled with two panels enclosing
cornucopiae and scrolling foliage, raised
on three fluted gilt monopodia supports
and stepped circular base, the body
surmounted by a separate waisted section
and low domed cover, finial repaired,
47cm.; 18V2in., shield mark in
underglaze-blue.

A large and impressive ‘Vienna’
two-handled Vase and Stand, late 19th
Century, the generous ovoid body
painted with a panel depicting the ‘Toilet
of Venus’, signed G. Sachs, the reverse
painted with Aeneas and Venus by a
military encampment against a complex
ground reserved with two small circular
panels painted en grisaille with Jupiter
riding a chariot, the waisted neck
decorated with two further figurative
panels, set with gilt entwined snake
handles, raised on socle and separate
square plinth base, small chip to base and to
handle, some wear to gilding, 75cm.; 291/2in.,
shield mark in blue.

BERLIN AND OTHER ANTIQUE PORCELAIN PLAQUES

Thursday, January 7th, 2010

BERLIN AND OTHER ANTIQUE PORCELAIN PLAQUES

A German porcelain rectangular Plaque, late 19th Century, painted with a young woman in a red dress carrying putti, two in a basket and one in her right hand, all against

a sky blue ground, signed Liebmann, 19 by 12.75cm.; 7V2 by 5in., pencil inscription and paper label.

A German porcelain oval Miniature, 19th Century, painted with a bust-length portrait of a blonde-haired woman, reading, a blue cloak around her bare shoulders,

gilt-metal frame, 8.5cm.; 33/dn. high, impressed numerals.

Two oval German porcelain Miniatures, 19th Century, each painted with a child subject, one a bust portrait of a young blonde-haired boy in fashionable costume, the

other a winged cupid inscribing a tablet with his arrow, gilt-metal frames, 8.25cm.; 3l/4n. high, impressed numerals.

A German porcelain oval Miniature, 19th Century, painted with a bust-length portrait of a scantily-clad female, possibly The Penitent Magdalene, gilt-metal frame,

8.5cm.; 33/sin. high, impressed numerals.

A German porcelain miniature
oval Plaque, 19th Century, painted after
Titian with a head and shoulders portrait
of a young woman, possibly Venus,
depicted sleeping, one arm behind her
head against a blue/grey ground,
gilt-metal frame, 11.1cm.; 43/sin. long,
impressed numerals.

A Royal Worcester bottle
Vase, 1902, the bulbous body painted
with an arrangement of red and pink
roses by Flaxman, signed, beneath
moulded and fluted gilt trumpet neck,
21.5cm.; 8V2in., puce printed mark, Shape
No. HI103, painted 15-54.

A large Continental Plaque, circa
1898, painted by A. Luzinger after J. B.
Greuze with a scantily-clad maiden
looking heavenwards, 43 by 34cm.; 17 by
133/dn., script mark A. Luzinger dapres
F. B. Greuze, Paris 1898.

A Berlin oval Plaque of a ‘Vestalin’, 2nd half 19th Century, after A. Kaufmann, the young woman in gauzy dress and veil, seated holding a lamp, her other hand on her

shoulder, 17.5cm.; 67/8in. long, impressed K.P.M. and sceptre, framed and glazed.

A Berlin porcelain Plaque of Beatrice Cenci, 2nd half 19th Century,
after Guido Reni, oval, the young beauty wearing a silken head-band and shirt and with her head turned towards the artist, 17.5cm.; 67/dn. long, impressed K.P.M. and sceptre

mark, framed and glazed.

A Berlin Plaque, circa 1880,
painted with a monk holding a staff and wearing a folded brown robe consoling a classical maiden dressed in white robes and holding a blue cape, 28 by 22.5cm.; 11 by 87Mn.,

impressed K.P.M. and sceptre.

A Pair of German porcelain oval
Plaques, late 19th Century, painted with
bust-length portraits of an elderly lady
and gentleman in black clothing, each
signed Krantz, in purple velvet frames,
each approx. 11.5cm.; 4*/2in.

A German porcelain oval Plaque,
2nd half 19th Century, painted with a
head and shoulders portrait of ‘The
Penitent Magdalene’ looking upwards,
17 by 12.5cm.; 63A by 5m.

A K.P.M. oval porcelain Plaque, circa 1880, painted with a head and shoulders portrait of St. Paul meditating, after Rembrandt, 18 by 13.25cm.; 7′/s by 5′Ain., framed.

A German porcelain oval Plaque, 2nd half 19th Century, painted with a blue cloaked Madonna, bust-length, her head inclined and her hands clasped, black velvet frame,

slight scratches, 17.2cm.; 63Ain. long, impressed K/3.

An oval German porcelain Plaque, 19th Century, painted with the Madonna and Child, the seated Virgin shown half-length in blue and red robes holding the Child on her

knee, gilt frame, 12.75cm.; 5in. long, impressed Kl12.

A Continental porcelain Plaque, late 19th Century, probably German, painted with a scene of lovers amongst ruins against an extensive landscape vista across a lake, 28

by 21.8cm.; 11 by 89/i6in.

A German rectangular porcelain
Plaque, 2nd half 19th Century, titled on
a paper label Bei Hochwilrten (At the
Rectory), painted with a scene of figures
around a dining room table, a clergyman,
a monk and two gentlemen toast a
woman in a purple dress as she clears
away plates, 22.25 by 14.5cm.; 83A by
53Ain., impressed 324, and paper label,
framed.

A Continental porcelain rectangular Plaque, dated 1884, probably German, painted with a bust portrait of a gipsy lady wearing a maroon cap hung with gold discs over long

black hair, her chin resting on one hand, small chip, 30.25 by 20cm.; HVs by 77/sin., painted monogram S.M.J., framed.

A French rectangular ceramic Plaque, late 19th Century, painted with an inn scene, a cavalier seated at a table eating and drinking, a young woman standing beside

holding a flagon, signed W. Lavigner, 28 by 38.5cm.; 11 by 15′Ain., carved oak frame.

A Pair of Berlin oval Plaques,
2nd half 19th Century, the first painted
after Rembrandt with the artist and his
wife, Saskia, the other painted with a
man seated holding a glass flute, his arm
around a woman sitting holding a plate
of cherries, 23 by 17cm.; 9 by 63Ain.,
impressed sceptre and K.P.M. marks, framed.

A German porcelain rectangular
Plaque, circa 1885, painted by H. Muller
and after Richter with a full-length portrait
of Princess Louise walking down steps in
front of a balustrade wearing a long
white dress and white trimmed blue
cloak, 14.5 by 9.5cm.; 53A by 33Ain.,
framed.

A Berlin rectangular Plaque,
dated 1860’s, painted probably after
Rubens with a half-length portrait of a
fashionable young woman, inscribed
Original copie V. E. Meisel, Munchen
1861(1), 25.5 by 19cm.; 10 by 7V2in.,
impressed K.P.M. and sceptre, impressed
letter ‘H’.

‘Gute Nacht’: A Vienna
decorated Berlin Plaque, 2nd half 19th
Century, painted with a young maid
holding a candle wearing a white chemise
and red skirt, signed overglaze R. Dittrich,
33 by 19.75cm.; 13 by 73Ain., impressed
K.P.M. and sceptre, numerals 33-20, painted
title and shield, framed.

A large Berlin porcelain
rectangular Plaque, late 19th Century,
painted after Murillo with two peasant children seated by ruins counting their takings, a basket of fruit by their side, 31 by 25.25cm.; 12*Aby Win., impressed K.P.M. and

sceptre, framed.

ANTIQUE GERMAN PORCELAIN: Dresden, Volkstedt, Possneck, Sitzendorf porcelain

Thursday, January 7th, 2010

ANTIQUE GERMAN PORCELAIN: Dresden, Volkstedt, Possneck, Sitzendorf porcelain

A Berlin Tureen and Cover,
mid- 18th Century, the compressed
circular body painted with panels of
flowers inside scroll and foliate moulded
frames, set with two branch handles, the
domed cover applied with a flower finial,
some damage, 18cm.; 7in. high, sceptre mark
in underglaze-blue.

A Pair of Dresden two-tier Cake
Stands, late 19th Century, each plate
painted with birds inside lattice pierced
borders reserved with panels of further
birds, each surmounted by a yellow bird
perched on a branch, 33cm.; 13in., crossed
swords mark in underglaze-blue.

A Pair of Volkstedt porcelain pot
pourri Figures, late 19th Century, each
figure seated holding a pierced basket on
their lap, she wearing a pink and blue
dress and flowered apron, he a flowered
jacket and puce breeches, chips and
restoration, underglaze-blue mark.

A German white glazed porcelain
Figure of a shepherd, late 19th Century,
a youth standing holding a lamb over his
shoulder, raised on a brown and gilt
mound base, minor chips, 40cm.; 15V4n.,
impressed marks.

A Pair of Possneck (Germany)
porcelain Vases, late 19th Century, in
the form of flower encrusted overlapping
leaves, applied with a seated cherub and
a bird, scroll moulded base, some repair
and chips, 29cm.; lVhin., green printed
shield mark.

A Pair of Plaue porcelain
three-branch figure Candelabra, late
19th Century, each encrusted with
colourful flowers and fruit and modelled
with a male or female figure, she holding
a watering can, he with a flower basket,
all raised on pierced circular scroll
moulded bases, chips and repairs, 37.5cm.;
143/rin. high, underglaze-blue mark.

A Potschappel flower encrusted
porcelain Clock Case and Stand, late
19th Century, the clock case painted with
a scene of lovers and applied with three
flower bearing putti, the stand raised on
four scrolled feet, also painted with a
scene of lovers and flower sprays, fitted
with Smiths electric clock, chipped, clock
damaged, 51.5cm.; 201Min. overall, impressed
and underglaze-blue marks.

A Pair of German porcelain
flower encrusted Vases and Covers, late
19th Century, each bulbous waisted body
painted with landscape and flower panels
and applied with two cherubs beneath
leaf handles, all raised on circular scroll
moulded bases and beneath pierced
covers with flower bouquet knops, chips
and repair, 39.4cm.; 151/zin. high, crossed
swords in underglaze-blue.

A German porcelain flower
encrusted Table Centrepiece, early 20th
Century, the scroll moulded and pierced
basket raised on a lappet stem applied
with a young boy and girl, a goat and a
sheep, the pierced base raised on six
scrolled feet, all printed with scattered
flower sprays, chipped.

A Pair of Plaue porcelain figure Candelabra, late 19th Century, each flower encrusted stem supporting a three-branch candelabra and applied with a male or female rustic figure,

she in flowered skirts and carrying a wheatsheaf, he in blue tunic and carrying a sickle, each raised on pierced flower encrusted bases, small chips, each approx. 50cm.;

193Ain., underglaze-blue mark, impressed numerals 629.

A Potschappel two-handled porcelain Vase and Stand, 2nd half 19th Century, adapted as a table lamp, the urn-shaped body painted with soldiers and classical figures, the reverse

with flower sprays, within frames of encrusted flower and fruit swags, raised on a socle foot and square plinth base, one handle repaired, some chips, vase 33cm.; 13in. high,

blue factory mark.

A Sitzendorf porcelain mounted Mantel Clock, late 19th Century, two
figures of a youth and companion flanking a drum-shaped case encrusted with flowers, raised on a scroll moulded base encrusted with further flowers, minor repair and chips,

31.5cm.; 121/2in. high, blue painted factory mark.

A Sitzendorf oval easel Mirror,
late 19th Century, encrusted with flowers
and surmounted by two cherubs holding
a flower garland, some chips, 33cm.; 13in.,
blue factory mark.

A German two-light Candelabrum, late 19th Century, in Meissen style, modelled as two children before a tree, two branches rising to support sconces, raised on a scroll moulded

base encrusted with flowers, some restoration and chips, 27cm.; l&Ain., crossed swords in blue.

A German porcelain Group of two gentlemen in 16th Century costume, late 19th Century, one kneeling before the other beside a column, raised on a rectangular plinth base moulded

with laurel swags, 28cm.; llin., painted RI1762 in blue.

A Pair of Furstenberg pierced octagonal two-handled Baskets, each painted with a scene of lovers courting within slatted sides, moulded and pierced to simulate basketwork, minor

chip, one handle restored, 23.5cm.; 91Ain. diam., underglaze-blue mark.

A Pair of Dresden turquoise
ground Vases and Covers, late 19th
Century, each bulbous body painted in
puce camaieu with panels of putti
engaged in various activities within an
oval gilt frame, the shoulders set with
vertical gilt handles, the domed covers
with gilt finial, one finial broken, one handle
repaired, 28cm.; llin., AR mark in
underglaze-blue.

A Berlin porcelain Plate, 2nd
quarter 20th Century, the shaped gilt
rim enclosing a painted portrait of a
young child in a blue dress holding a
ball, against a grey ground, 19cm.; 7V2in.,
cancelled Berlin mark, impressed year cypher.

A Hohenberg (Bavaria)
rectangular porcelain Plaque, 2nd half
19th Century, painted after Raphael with
the ‘Madonnadi san Sisto’ by R. Friedriche,
signed, 19.25 by 13.75cm.; 73A by 53/sin.,
impressed crowned shield mark, No. 103.

Two Potschappel porcelain
miniature Cups and Saucers, late
19th/early 20th Century, one of
quatrelobed form, painted with panels of
figures in landscape and flowers against a
blue ground, the other of shaped oval
form, similarly decorated against a yellow
ground, gilt borders, each approx. 8cm.;
3Vsin. long, crossed swords and ‘T’ in
underglaze-blue.

ANTIQUE GERMAN PORCELAIN: Potschappel Vases, ‘Dresden’ Basket, late 19th Century

Thursday, January 7th, 2010

ANTIQUE GERMAN PORCELAIN: Potschappel Vases, ‘Dresden’ Basket, late 19th Century

A small Group of German
porcelain Cups and Saucers, late
19th/early 20th Century, comprising:
three Cups and Saucers, each painted
with gilt framed panels of flowers and
figures against a turquoise ground, two
Dresden Cups and Saucers, painted with
flowers against a green scale ground and
a covered Cup and Saucer, decorated
with harbour scenes, minor chips, various
printed and painted marks.

A Pair of Potschappel pierced Vases and Covers, 2nd half 19th Century, each pear-form body painted with panels of classical figures framed by encrusted flower swags, set with

female mask handles, the cover with tall floral finial, raised on a trefoil base, some restoration and chips, 33cm.; 13in., factory mark in blue.

A Pair of Volkstedt four-light Candelabra, late 19th Century, a gallant and companion standing holding fruit before a tree stump, a dog and lamb at their feet, below three

flower encrusted scroll arm branches, raised on a scroll moulded base, some damage, 51cm.; 20in., blue printed and impressed marks.

Two German porcelain pagoda
Figures, 2nd half 19th Century, each
corpulent figure seated cross-legged, she
with blue neck ribbon, flowered robe,
blue shoes and bun, he in flowered robe
and green shoes, the heads, hands and
tongues pivoted to rock back and forth,
tiny chips, her foot restored, three hands
detached, 29.25cm.; HV2in. high, impressed
and blue printed marks.

A German two-handled Vase, late
19th Century, relief moulded and
coloured with two classical figures riding
in a chariot drawn by swans, the reverse
decorated with a maiden seated on the
back of a sea creature, caryatid handles,
cracks, 20.5cm.; 8in., crossed swords mark in
underglaze-blue; also a Pair of tin glazed
earthenware baluster Vases with
Chinoiserie decoration.

A Carl Thieme, Potschappel
Centrepiece, 2nd half 19th Century, two
putti around a flower encrusted column below a pierced basket encrusted and painted with scattered flowers, raised on a scroll moulded base, minor repair and chips, 36cm.;

141/4in., factory mark in blue.

A Pair of German porcelain Cassolettes and Stoppers, 2nd half 19th Century, possibly each urn-shaped body with Egyptian thask handles, on a short fluted column on a square base

with bun feet, decorated with scattered floral sprays and small vignettes around a relief moulded swag heightened with yellow and gilt, with reversible candlestick stoppers, one

cracked and with finial missing.

A miniature ‘Dresden’ two-handled pierced Basket, late 19th Century, decorated in the Meissen style, the centre painted with a pair of courtly lovers in an Arcadian landscape

within a gilt scroll frame, the pierced flaring sides moulded on the outside with puce flowerheads, each with a yellow centre, between gilt rope-twist rims and a pair of gilt

twisted loop handles, 9.5cm.; 33Ain. across, crossed swords mark in underglaze-blue.

A Dresden Ecuelle and Cover, late
19th Century, each piece painted with
vignettes of figures in a landscape, set
with gilt scroll moulded handle, the low
domed cover with bird finial, repair and
chip to bird, chips to flower, 20.25cm.; 8in.
wide, blue AR mark.

A Dresden two-handled Cup,
Cover and Stand, late 19th Century, of
quatrefoil form, each painted with
alternate panels of figures in a landscape
and flower groups against a turquoise
ground, chips, stand 14cm.; 51/2in. wide,
blue AR mark; also a similar Dresden Cup,
Cover and Stand.

A Berlin porcelain two-handled ovoid Vase, 1849-1870, well painted with the Four Evangelists in their guise of Angel, Lion, Ox and Eagle surrounding the figure of God or Christ

supported by two putti against a shaded blue/grey ground, between flaring foot and rim painted with fluting and two applied serpent handles, minor chips and restoration, 42cm.;

161/2in. high, blueprinted mark.

A Pair of Dresden Wall Brackets, late 19th Century, painted with vignettes of Watteauesque lovers and scattered flowers against a green scale ground applied beneath with a

cherub holding grapes or flowers, ebonised wood tops, some chips and restoration.

A Set of nine Volkstedt monkey
Bandsmen, late 19th Century, including
a conductor, each brightly dressed
musician raised on a scroll moulded
circular base highlighted in gilt, some
damage, each approx. 13.5cm.; 51/4in.,
scissors mark in underglaze-blue.

A Volkstedt Model of a parrot,
20th Century, the brightly painted bird
perched on a white glazed flower and
branch moulded base, 24.5cm.; 95/sin.,
blue printed E/N/S mark, impressed numerals.

A Hohenberg, Bavaria, oval
porcelain Plaque, late 19th Century,
painted with a three-quarter-length portrait of a classically draped woman holding a child and a small goat, framed, 15.9cm.; 61Uin. long, impressed mark.

A Pair of Dresden Vases and
Covers, late 19th Century, of tapered
cylindrical form, each side painted with a
military camp scene within an elaborate
gilt frame, set with caryatid handles, the
pierced cover with artichoke finial, raised
on three reeded gilt supports and
rectangular feet, one cover restored, finial
glued, 42cm.; 16′/2in., ‘AR’ marks in blue.

A German porcelain Table Mirror, late 19th Century, conceived as two winged putti drawing back a pair of white glazed curtains to reveal an oval mirror, the frame applied with

encrusted roses below, all topped by a flower painted cartouche, chips and restoration, 42cm.; 161/2in. high.

Three German coloured bisque porcelain female Busts, late 19th Century, each allegorical of a country, comprising: a pair titled ‘Amerika’ and ‘Europa’, each raised on a marble

effect base moulded with three blue ribs, and another, untitled, probably representing Prussia, modelled wearing a crown and eagle crested breastplate, raised on a similar base,

chips, each approx. 28cm.; llin. high, painted ‘RR’ monogram, impressed numerals.

A large Dresden Vase, Cover and Stand, circa 1900, the pear-shaped body painted with Watteauesque figures, the reverse with a flower group, with flower encrusted frames, the

shoulders set with four putti holding garlands, the domed cover surmounted by two putti flanking the arms of Augustus the Strong, the base with painted panels and floral

encrustations, minor damage, 68.5cm.; 27in., blueprinted ‘Dresden’ mark.

A Pair of Dresden double gourd vases, late 19th Century, each painted with colourful birds in branches against a yellow ground, 35cm.; 133/4in., ‘AR’ mark in blue.
A Plaue porcelain Centrepiece, late 19th Century, two mermen emerging out of the waves and supporting a standing scantily draped maiden supporting a shell moulded and lattice

pierced bowl reserved with tv/o panels of flower sprays, scroll moulded base, minor damage, 53.5cm.; 21in., Factory mark in blue.
A Rosenthal porcel ain Plate, 20th Century, painted with a titled head and shoulders portrait of Mme. Recamier against a white ground elaborately gilt with birds, crowns and

flower swags, 25cm.; 97Mn., green printed mark.

ANTIQUE GERMAN PORCELAIN MEISSEN: Meissen porcelain Figure of a lady, Meissen porcelain Figure of a girl

Thursday, January 7th, 2010

ANTIQUE GERMAN PORCELAIN MEISSEN: Meissen porcelain Figure of a lady, Meissen porcelain Figure of a girl

A Meissen Teabowl, mid-18th
Century, attractively enamelled with two
scenes of figures in an Italianate garden,
a man offering grapes to a bird on his
arm and two girls masquerading,
scattered flowers, gilt laub-undbandelwerk
rim interior, crossed swords in
underglaze-blue, gilder’s numeral 12.

A Meissen Figure of a hurdy-gurdy player, 2nd half 18th Century, a woman standing holding the musical instrument at her side, wearing tall conical hat, lilac fur-lined coat and

flower painted dress, chips, 18cm.; 71/sin., crossed swords in underglaze-blue.

A Meissen porcelain Obelisk, 1763-73, the tapering square section obelisk on four ball feet raised on a square pedestal, moulded and gilt with flower panels and surmounted by a

four-mask finial, tiny chips and small firing crack, 20cm.; 77/sin., crossed swords and dot in underglaze-blue.

A Meissen Cabaret Set, circa
1770, each piece painted with scenes of
figures by the water’s edge with boats
and buildings in the distance,
comprising: a shaped oval Tray, a
Teapot and Cover, a Sugar Bowl and
Cover, a Cream Jug, two Cups and two
Saucers, some damage, crossed swords and
dot mark in underglaze-blue, in fitted red
leather travelling case.

A German matched Tea Service,
18th Century, comprising: a Meissen
globular Teapot and Cover, painted with
an allegorical scene of ‘Fortuna’ rescuing
a child from falling into a well, the
reverse painted with a young boy in an
apple tree looking at a bearded figure
below holding a paper scroll, chips and
repair to cover, 10cm.; 4in., crossed swords
mark in underglaze-blue, also a Meissen
Fable subject Saucer, painted with the
Fox and the Stork, after Fontaine, and two
matching German Fable subject Cups
and a Saucer, some wear and chips.

A Meissen Comport Base, 2nd half 19th Century, modelled as a gallant and companion in 18th Century costume standing about a flower encrusted and leaf moulded column, raised on a

high scroll moulded spreading circular base, chips, 35cm.; l33Ain., crossed swords mark in underglaze-blue, impressed and incised numerals.

A Meissen Cup, Cover and Stand, late 19th Century, each piece painted and encrusted with flowers in high relief, entwined branch handle, chips, 12cm.; 43Ain., crossed swords

mark in underglaze-blue.

A Meissen porcelain Figure of
Cupid in disguise, 2nd half 19th
Century, modelled in the guise of a
lawyer, bewigged, bespectacled and
bearing a document, one knee resting on
a stool as he argues his case, all raised on
a circular moulded and gilt base, some
chips, one wing repaired, 20.25cm.; 8in.
high, crossed swords in underglaze-blue.

A Meissen porcelain equestrian
Group of Katharine II, 19th Century,
modelled bearing a sword, in white
gold-trimmed coat, astride a bay horse,
raised on an oval naturalistic base
moulded with scrolls and gilt, chips,
restored, 25.6cm.; lOVdn., crossed swords in
underglaze-blue, impressed 40; also another
Meissen porcelain equestrian Group, the
blue-coated male rider on an
orange/brown horse, chips and restoration,
crossed swords in underglaze-blue, incised
numerals.

A large German porcelain ovoid footed Vase, 19th Century, the bright yellow ground reserved with well painted gilt framed panels of flowers and lovers in landscape, the main

panel depicting three ladies and a male companion beneath trees close to a classical fountain, 37.5cm.; 143Ain. high, feint cancelled crossed swords in underglaze-blue, painted

indistinct numerals.

A Meissen porcelain Tete-a-Tete, 2nd quarter 19th Century, each piece finely painted with panels of rustic or military figures in landscape, within gilt scroll borders reserved

against a deep blue ground decorated with elaborate gilding, comprising: Coffee Pot and Cover, Cream Jug, Tray and two Cups and Saucers, some damage and repair, crossed swords

in underglaze-blue, impressed 13 and 19, gilt 10, paper label on tray.

A Meissen porcelain Figure of a lady by a spinning wheel, late 18th/early 19th Century, the elaborately dressed woman reclining in a chair with a book, her spinning wheel by her

side on a cabriole leg table, all raised on a shaped oval flower and leaf scattered base, details picked out in gilding, chips to spinning wheel, 17.1cm.; 63Ain. high, cancelled

crossed swords in underglaze-blue.

A Meissen pierced oval Dish, 2nd
half 19th Century, the centre painted
with two lovers in a park beneath an
intricate pierced border highlighted in
turquoise, pink and gilt,
long, crossed swords mark in underglaze-blue.

A Meissen porcelain sphinx
Paperweight, 19th Century, the
crouching figure modelled on a stepped shaped rectangular flower encrusted base, with fitted satin-lined leather case, small chips to flowers, 19.75cm.; 73/4n. long, crossed

swords in underglaze-blue.

A Pair of Meissen Figures of a young boy and girl, 19th Century, each in colourful 18th Century-style costume, she holding grapes in a basket on her head and in her skirt, he

eating grapes taken from his hat, circular scroll moulded bases, his head restored, chips, each approx. 13.25cm.; 51/4in., crossed swords in underglaze-blue, impressed numerals

62121.

A Meissen porcelain Figure of ‘Winter’, circa 1760, modelled as a young boy swathed in a purple fur-lined cloak decorated with gilt flowers, wearing ice-skates tied with purple

ribbon, grey stippled rectangular base, restored, 14.25cm.; 5Vsin. high, crossed swords in underglaze-blue.

A Meissen porcelain Figure of a female ‘monkey singer’, late 19th Century, modelled seated on a box, wearing blue flowered robe and singing from a book of music held open on her

lap, on circular scroll moulded and gilt base, chip to cuff and bow, 12.5cm.; 47/sin., crossed swords in underglaze-blue, painted 49, incised No. 17.

A Meissen porcelain Figure of a girl with a basket of fruit, late 19th Century, seated upon a mossy rock eating fruit from a basket in her right hand, gilt scroll moulded base,

repaired, chips, 12cm.; 43Uin., crossed swords in underglaze-blue, incised 15, impressed 65.

A Meissen porcelain Figure of a
girl holding a doll, late 19th Century,
dressed in yellow with lace-edged gown and apron, holding her doll in her left hand, her right hand outstretched, standing on grassy scroll moulded and gilt circular base,

repaired, chips, 13.5cm.; 51Uin., crossed swords in underglaze-blue, incised C?79, impressed 122, painted 19.

A Meissen porcelain Figure of a
boy feeding geese, late 19th Century,
the blue-coated youth offering lettuce
leaves from his hat to a pair of geese and
goslings, all modelled on a naturalistic
circular base moulded with scrolls and
gilt, minor chips, 12.5cm.; 47/sin., crossed
swords in underglaze-blue, incised C41,
impressed 145, painted 41.

A Pair of Meissen porcelain
Figures of a boy and girl, late 19th
Century, he modelled against a tree
stump and carrying a wreath of flowers,
she holding up her apron full of
flowerheads, each on a circular base
moulded with scrolls and gilt, minor chips,
11cm.; 43/sin., crossed swords mark in
underglaze-blue, impressed numerals 61136,
painted 20.

A Meissen porcelain Figure
allegorical of ‘Smell’ and ‘Touch’, 19th
Century, conceived as a classical female
figure draped in sea-blue and flowered
robes holding aloft a bird, a perfume
casket in her left hand and standing next
to a vase of roses on a pedestal, a dog
and a cherub with more roses at her feet,
all raised on a scrolled and gilt
four-footed base, repairs, chips, 27.25cm.;
103/4in., crossed swords in underglaze-blue,
impressed ‘U.

A Meissen porcelain pug dog
Group, 19th Century, the large
cream-coloured dog with brown face and
paws modelled seated, wearing a blue
collar studded with bells, one paw raised
guarding a puppy which lies beneath its
chest, minor restoration, 21.5cm.; 8V2in.
high, crossed swords in underglaze-blue,
incised 1169.

A Meissen porcelain baby and dog
Group, 19th Century, the baby lying on
a large flowered cushion on a classical
six-legged couch playing with a large
brown dog, all raised on a canted
rectangular base, chip, minor restoration,
19cm.; 17V2in. long, crossed swords in
underglaze-blue, incised EI77.

A Pair of Meissen Figures of faun musicians, late 19th Century, each modelled playing tambourine or bagpipes and seated upon either a rock or a stump, each raised on circular

scroll moulded base, chips, each approx. 17.25cm.; 63/dn., crossed swords in underglaze-blue, incised D49ID46, impressed 107/144, painted 44157.