Antique Porcelain

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

Friday, January 15th, 2010

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.

A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.

A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.

A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in  .

TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .

A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.

A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips  .

A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).

A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).

AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia

AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).

A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).

A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.

A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).

A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.

GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.

A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).

A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200

A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.

A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.

A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.

BERLIN AND OTHER ANTIQUE PORCELAIN PLAQUES

Thursday, January 7th, 2010

BERLIN AND OTHER ANTIQUE PORCELAIN PLAQUES

A German porcelain rectangular Plaque, late 19th Century, painted with a young woman in a red dress carrying putti, two in a basket and one in her right hand, all against

a sky blue ground, signed Liebmann, 19 by 12.75cm.; 7V2 by 5in., pencil inscription and paper label.

A German porcelain oval Miniature, 19th Century, painted with a bust-length portrait of a blonde-haired woman, reading, a blue cloak around her bare shoulders,

gilt-metal frame, 8.5cm.; 33/dn. high, impressed numerals.

Two oval German porcelain Miniatures, 19th Century, each painted with a child subject, one a bust portrait of a young blonde-haired boy in fashionable costume, the

other a winged cupid inscribing a tablet with his arrow, gilt-metal frames, 8.25cm.; 3l/4n. high, impressed numerals.

A German porcelain oval Miniature, 19th Century, painted with a bust-length portrait of a scantily-clad female, possibly The Penitent Magdalene, gilt-metal frame,

8.5cm.; 33/sin. high, impressed numerals.

A German porcelain miniature
oval Plaque, 19th Century, painted after
Titian with a head and shoulders portrait
of a young woman, possibly Venus,
depicted sleeping, one arm behind her
head against a blue/grey ground,
gilt-metal frame, 11.1cm.; 43/sin. long,
impressed numerals.

A Royal Worcester bottle
Vase, 1902, the bulbous body painted
with an arrangement of red and pink
roses by Flaxman, signed, beneath
moulded and fluted gilt trumpet neck,
21.5cm.; 8V2in., puce printed mark, Shape
No. HI103, painted 15-54.

A large Continental Plaque, circa
1898, painted by A. Luzinger after J. B.
Greuze with a scantily-clad maiden
looking heavenwards, 43 by 34cm.; 17 by
133/dn., script mark A. Luzinger dapres
F. B. Greuze, Paris 1898.

A Berlin oval Plaque of a ‘Vestalin’, 2nd half 19th Century, after A. Kaufmann, the young woman in gauzy dress and veil, seated holding a lamp, her other hand on her

shoulder, 17.5cm.; 67/8in. long, impressed K.P.M. and sceptre, framed and glazed.

A Berlin porcelain Plaque of Beatrice Cenci, 2nd half 19th Century,
after Guido Reni, oval, the young beauty wearing a silken head-band and shirt and with her head turned towards the artist, 17.5cm.; 67/dn. long, impressed K.P.M. and sceptre

mark, framed and glazed.

A Berlin Plaque, circa 1880,
painted with a monk holding a staff and wearing a folded brown robe consoling a classical maiden dressed in white robes and holding a blue cape, 28 by 22.5cm.; 11 by 87Mn.,

impressed K.P.M. and sceptre.

A Pair of German porcelain oval
Plaques, late 19th Century, painted with
bust-length portraits of an elderly lady
and gentleman in black clothing, each
signed Krantz, in purple velvet frames,
each approx. 11.5cm.; 4*/2in.

A German porcelain oval Plaque,
2nd half 19th Century, painted with a
head and shoulders portrait of ‘The
Penitent Magdalene’ looking upwards,
17 by 12.5cm.; 63A by 5m.

A K.P.M. oval porcelain Plaque, circa 1880, painted with a head and shoulders portrait of St. Paul meditating, after Rembrandt, 18 by 13.25cm.; 7′/s by 5′Ain., framed.

A German porcelain oval Plaque, 2nd half 19th Century, painted with a blue cloaked Madonna, bust-length, her head inclined and her hands clasped, black velvet frame,

slight scratches, 17.2cm.; 63Ain. long, impressed K/3.

An oval German porcelain Plaque, 19th Century, painted with the Madonna and Child, the seated Virgin shown half-length in blue and red robes holding the Child on her

knee, gilt frame, 12.75cm.; 5in. long, impressed Kl12.

A Continental porcelain Plaque, late 19th Century, probably German, painted with a scene of lovers amongst ruins against an extensive landscape vista across a lake, 28

by 21.8cm.; 11 by 89/i6in.

A German rectangular porcelain
Plaque, 2nd half 19th Century, titled on
a paper label Bei Hochwilrten (At the
Rectory), painted with a scene of figures
around a dining room table, a clergyman,
a monk and two gentlemen toast a
woman in a purple dress as she clears
away plates, 22.25 by 14.5cm.; 83A by
53Ain., impressed 324, and paper label,
framed.

A Continental porcelain rectangular Plaque, dated 1884, probably German, painted with a bust portrait of a gipsy lady wearing a maroon cap hung with gold discs over long

black hair, her chin resting on one hand, small chip, 30.25 by 20cm.; HVs by 77/sin., painted monogram S.M.J., framed.

A French rectangular ceramic Plaque, late 19th Century, painted with an inn scene, a cavalier seated at a table eating and drinking, a young woman standing beside

holding a flagon, signed W. Lavigner, 28 by 38.5cm.; 11 by 15′Ain., carved oak frame.

A Pair of Berlin oval Plaques,
2nd half 19th Century, the first painted
after Rembrandt with the artist and his
wife, Saskia, the other painted with a
man seated holding a glass flute, his arm
around a woman sitting holding a plate
of cherries, 23 by 17cm.; 9 by 63Ain.,
impressed sceptre and K.P.M. marks, framed.

A German porcelain rectangular
Plaque, circa 1885, painted by H. Muller
and after Richter with a full-length portrait
of Princess Louise walking down steps in
front of a balustrade wearing a long
white dress and white trimmed blue
cloak, 14.5 by 9.5cm.; 53A by 33Ain.,
framed.

A Berlin rectangular Plaque,
dated 1860’s, painted probably after
Rubens with a half-length portrait of a
fashionable young woman, inscribed
Original copie V. E. Meisel, Munchen
1861(1), 25.5 by 19cm.; 10 by 7V2in.,
impressed K.P.M. and sceptre, impressed
letter ‘H’.

‘Gute Nacht’: A Vienna
decorated Berlin Plaque, 2nd half 19th
Century, painted with a young maid
holding a candle wearing a white chemise
and red skirt, signed overglaze R. Dittrich,
33 by 19.75cm.; 13 by 73Ain., impressed
K.P.M. and sceptre, numerals 33-20, painted
title and shield, framed.

A large Berlin porcelain
rectangular Plaque, late 19th Century,
painted after Murillo with two peasant children seated by ruins counting their takings, a basket of fruit by their side, 31 by 25.25cm.; 12*Aby Win., impressed K.P.M. and

sceptre, framed.