Antique Porcelain

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

Friday, January 15th, 2010

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.

A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.

A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.

A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in  .

TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .

A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.

A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips  .

A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).

A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).

AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia

AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).

A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).

A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.

A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).

A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.

GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.

A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).

A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200

A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.

A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.

A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.

PORCELAIN BASKET, English, FIGURE CANDLESTICK, Royal Worcester, late 19th Century, RECTANGULAR TRAY, Royal Crown Derby, circa 1900

Friday, January 15th, 2010

PORCELAIN BASKET, English, FIGURE CANDLESTICK, Royal Worcester, late 19th Century, RECTANGULAR TRAY, Royal Crown Derby, circa 1900

A PAIR OF PEARLWARE FIGURES OF ANTHONY AND CLEOPATRA, probably Wood & Caldwell, circa 1815, each well coloured and modelled reclining on a shaped oval grassy mound base, 30cm.; long, one arm restored, snake’s head restored, minor chips (2).

A SMALL FOOTED JARDINIERE, Walter Moorcroft, 1960’s, decorated with large pink flowers on a deep blue ground, applied paper label, impressed MOORCROFT MADE IN ENGLAND, painted HM monogram, 12.5cm.; 5in.

A MODEL OF A BEGGING DOG, Brownfield, circa 1863, holding a turquoise glazed basket in its mouth, seated on its hind legs on a turquoise and gilt tasselled cushion, impressed diamond registration mark and BROWNFIELD, 19cm.; 7in., turquoise glaze discoloured.

AN OVOID VASE, Walter Moorcroft, 1960/70’s, decorated with salmon pink flowers on an olive green ground, painted WM monogram, impressed MOORCROFT MADE IN ENGLAND, 17.5cm.; 67In; and a similarly decorated Walter Moorcroft baluster Vase (2).

A PORCELAIN BASKET, English, circa 1825-30, of shaped rectangular form with twig loop handle, painted with a view of Malvern, Worcester, against a gilt vermicular ground and gilt gadroon rim, red painted ‘Malvern Worcester’, 14cm.; 5in. across, handle restored.

A FIGURE CANDLESTICK, Royal Worcester, late 19th Century, in the white, modelled with a child standing before a tree stump topped by a candleholder, impressed crowned circle mark, 19.5cm.; 7dn., chip to candleholder; and a Royal Worcester figure Group, ‘Forest Dance’, after a model by
F. Doughty (2).

AN OVAL BLACK BASALTES PLAQUE, early 19th Century, after a Wedgwood original, vigorously moulded with ‘The Marriage Supper of Pursues and Andromeda’ within a moulded oval frame, 28.5cm.; chip to rim.

A SUCRIER AND COVER, Worcester, circa 1770, gilt with ‘The Queen’s pattern’, the open floral finial picked out in gilding, 12.5cm.; 47In(2).

A ‘BOTANICAL’ MUG, probably Coal port , circa 1830, finely painted with a spray of roses and a hydrangea sprig, 10.5cm.; 4in., hair crack to rim    .

A PAIR OF NEO-ROCOCO VASES AND ONE COVER, probably Coal port  or Minton, circa 1840—60, painted with receded panels of colourful flowers reserved on a green ground between gilt foliate scroll handles, scroll feet, 33cm.; 13in., one handle restored (3).

A TRAY, Wedgwood, circa 1864-1881; also a Minton’s Plate, each painted by W.J. Goode, signed, with a group of naked putt  playing in a river, impressed marks, the tray painted by W.J. Goode June 1864, 42cm.; 16in., the plate 26cm.; Win. diam. 12.

A GROUP OF BLACK BASALTES WARES, early 19th Century, comprising: a Teapot and Cover decorated with vignettes of a mother and child within receded borders: a Bowl with engine turned decoration; a similarly decorated Jug; and a Sugar Box and Cover decorated with panels of figures within formal borders, some minor damage (6).

AN EARTHENWARE JUG, Royal Doulton, early 20th Century, the ovoid body printed in black with a rhyme and the motto ‘The pleasure of doing Good is the only one that never wears out’, printed lion crown and circle mark, 16.5cm.; 6in.; and a Royal Doulton Dewar’s Whisky Flask printed and coloured with Britannia (2).

A PAIR OF VASES, Royal Crown Derby, circa 1889, each of double gourd form, painted with ‘Japan’ pattern ‘1366′ in IMERYS colours, orange printed mark, 16cm.; 6in., neck of one vase repaired (2).

A SHAPED RECTANGULAR TRAY, Royal Crown Derby, circa 1900, painted with ‘Japan’ pattern ‘2451′ in Impair colours, orange printed marks, painted pattern number, 45cm.; 173In.

A GROUP OF PORCELAIN WARES, circa 1770—1800, comprising: a Pennington’s Liverpool Trio; two Christian’s Liverpool Tea bowls; a Worcester pickle leaf Dish; a Staffordshire porcelain Tea bowl and two Saucers; a Chinese saucer Dish; and a cream ware Coffee Can inscribed  Trifle from Lowestoft’, some damage and repair.

A BISCUIT FIGURE OF HANNAH MOORE, Minton, circa 1830-40, seated in an armchair, her left foot on a stool, pierced scroll base, 16.5cm.; 6in.

TWO BISCUIT FIGURES OF A SHEPHERDESS AND A DOG, Minton, circa 1830—40, the dog on a rocky base, the shepherdess kneeling with a iamb and a basket of moss on a domed scroll base, 10cm.; 4in.. the dog with chipped tongue, the shepherdess with minor chips and repaired arm.

A BISCUIT FIGURE GROUP,
Minton, circa 1830—40, modelled with a
young girl watching a kitten at play, on a
rocky base, incised numerals, 10.75cm,;
4in.

A BISCUIT FIGURE, Minton, circa
1830-40, modelled with a young girl seated
on an upturned basket, a begging dog by her
side, domed scroll base, incised ‘N’, 12cm.;
43in, small chip    .

A TWO-HANDLED BOWL AND COVER, Coal brook dale or Minton, circa 1835, painted and encrusted with flowers, set with branch handles, 10cm.; 4in. high, chips (2).

A GROUP OF STUDIO POTTERY, comprising: a Val Barry Dish; four Richard Batterham Bowls; two Mary Rogers Vases; two stoneware Bowls; and a pierced porcelain Bowl, some with impressed and incised marks, between 19.5cm. and 7cm.; lin. and 2in. (10).

A PARIAN FIGURE OF PRINCE ALBERT, Copeland, circa 1862, after a model by G. Abbot, the Prince modelled seated in a chair, raised on a stepped rectangular base, impressed COPELAND and G ABBOT FECIT PUBLISHED MAY 1st 1862 BY RICHARD McMichael AND CO. 5 ADAM ST. EAST PORTMAN SQUARE LONDON, 21cm.; 10in., neck restored, small chip to back corner of base.

A large turquoise Jar, 18th/ 19th Century, Japanese hanging Jardinieres/Censers, Meiji, ivory Okimono

Friday, January 15th, 2010

A large turquoise Jar, 18th/ 19th Century, Japanese hanging Jardinieres/Censers, Meiji, ivory Okimono

A Pair of Japanese hanging Jardinieres/Censers, Meiji, the rounded sides moulded with three panels of birds, approx. 18.5cm.;

An Arita ‘Montgolfier Balloon’ Ewer, Meiji, the galleried gondola with upright prow spout adjoining a spherical balloon, enamelled with seven Immortals, spout broken, 23cm.; 9in.. biscuit base.

A cold-painted Japanese plaster Model of a cat, 20th Century, ears pricked and one paw raised in waving attitude, 61cm.; 21in.

A glaze trailed biscuit Vase, Guangxu.
of pear form, decorated in white crackle glaze
over a Buddhist lion in relief against a spume I
and flame flecked sky, 23cm.; 9in., Chenghua
mark.

An Arita Vase, Edo/Meiji, the
pear-form body enamelled with five entertainers against a brownish ash glaze, one cracking whip, another playing samisen and one on the drums, 30.5cm.; 12in.

A large turquoise Jar, 18th/ 19th
Century, probably Persian, with carved borders
and neck under a blue tin-glaze, degraded glaze
52cm.;

A Pair of glass Vases, 19th Century,
possibly Peking, each of haematite colour and of
Meibing form.

A Peking apple-green glass Vase, 19th Century, of upright baluster form and malachite metal, 20.2cm.; 8in.

A Pair of Peking apple-green glass Bowls, 19th Century, steep-sided with narrow lipped rims, 11cm.;

A Chinese engraved glass Vase, 20th Century, of elongated pear form and aquamarine metal, decorated with a pair of auspicious crane beneath a pine tree, 50.8cm.;  oval seal mark.

A Group of Oriental Porcelain, 19th and 20th Century, comprising: a blue ground ‘Canton’ Bowl, 34.25cm.; 131/2in.; a ‘Canton’ oval Dish; an ‘Imari’ oval Dish; a ‘Canton’ Moonflask; a blue and white Plate; and a small Canton Plate.

A blue and white Jar, 19th Century, of ovoid form, painted with maidens and boys in
a garden, hair-crack, 24.5cm.;

An ivory Netsuke of Okame, 19th
Century, kneeling and looking up to one side.
A pierced ivory menu Netsuke, 19th Century, of drum shape, one side pierced with a mon of a us engulfed by waves, the other with pomegranate, 3.8cm.;

An ivory Netsuke of a hermit sinning, late 18th/ 19th Century, emerging from a winkle shell with sword and beads in hand, 6cm.;

A stag antler Netsuke of a monkey upon a nut, 18th Century, the diminutive animal clasping paw to mouth in surprise at the size of the fruit, 3.8cm.;

An ivory kimono Netsuke, 19th
Century, carved as a skeleton kneeling before
a drum resting on a cushion, good colour and
stain, 3.8cm.;

After Tomotada: A stag under Netsuke, 18th Century, carved as a boy with a flute upon the broad back of a recumbent buffalo, 5.8cm.; signed; and a small ivory Carving of a wine seller .

Two gold lacquer Inro, 19th Century:
one a four-cased Inro, signed Shokosoi,
decorated with cock, hen and chicks, 8.8cm.;
signed Shokosai, the other a four-case
Inro decorated with a figure under a waterfall,
scuffing and chips.

A black lacquer four-case Inro, 19th Century, attractively gilt with insects hovering over flowers, 7cm.; 23/4in., signed Kajikawa; ivory Netsuke.

Two Inro, 19th Century: one three-case Inro carved out of nuts with a figure on horseback crossing to an island, 9.3cm.; the other decorated with crows.

A good ivory Okimono of a
woodcutter and boy, Meiji Period, the man
tightening the twine around a faggot of sticks,
the boy seated with a bag of twigs over one
shoulder, chip to toe and axe, 8.3cm.; signed red lacquer rectangle.

Eight various okimono ivory Carvings, Meiji; and eighteen Netsuke.

A Group of Indian ivory Carvings, circa 1900: two palanquin Processions, a fine dolls’ house corner cupboard or whatnot, a Rickshaw and other pieces.

A Group of Canton ivory Carvings, late 19th Century; and a miscellany of small Objects.

An ivory dragon Ball, Meiji Period, carved with two intercoiled dragons amongst clouds, inlaid eyes.

A good ivory kimono Group of a cabinet maker and boy, Meiji Period, the man drilling holes in a box, a plane and saw by his side, the boy bringing him a hammer, 8.7cm.; 33in., signed, red lacquer rectangle.

A Japanese wood Carving of Kannon, 19th Century, with well carved flowing robes, 24.8cm.;

An ivory Figure of a biding, Meiji Period, standing with parasol, damage to hand and parasol, 22cm.;

A smaller ivory Figure of a biking, Meiji Period, carrying a boat, repairs, 15.5cm.;

An amusing Japanese wood inkwell
Carving, Meiji Period, well carved as a catfish
lurking beneath a floating double gourd with
twin compartments, tortoiseshell inlaid eyes,
one cover missing, chips, 20cm.; 8in.

An ivory Figure of a fisherman, Meiji Period, pulling his net out of water, 18cm.;

An ivory Figure of a man and boy, Meiji Period, a tethered bird perched on the basket on his back, 13.5cm.;  wood stand.

An ivory Figure of a woodcutter, Meiji Period, in one hand a branch of fruit, on his back bundles of faggots, 21cm.;

An ivory Figure of a traveller, Meiji
Period, wearing a wide-brimmed straw hat,
packets slung over one shoulder, pipe and
pouch in his other hand, 21cm.;

An ivory Figure, Meiji Period, a
fisherman with rod and fish upon a rock, chip,
11.8cm.;  wood stand.

A Japanese ivory Figure of a
poultice, Meiji Period, in his hand a basket
of chicks, mother hen looking up from the
ground, on his back a small child, 19.6cm.;

Three Japanese ivory Carvings, Meiji
Period, comprising: an elephant ivory Group
of a man and boy with guards, 16cm.; 6in., a
walrus ivory Group of four fighting figures,
repair, 16.3cm.;  and a sectional ivory
Figure of a man with fans.

A Chinese ivory Group of Butai and
five children, 19th Century, the jovial god
reclining upon a linen bag and delighting in
the onslaught of naked children, 9.2cm.;

A Chinese Ivory of the poet Libo, 19th Century, reclining upon an Artemisia lea with a wine pot at his back, pouring liquor from a ewer as he suspends himself between realities, chip to hat, 14.6cm.;

A Pair of sectional ivory Figures of travellers, Meiji Period, one purveying a basket of clams, the other carrying a faggot of] wood, damage to one base, 22cm.;

Pair of Satsuma booted Vases, Meiji Period, An Imari Plate, A Fukagawa Vase

Friday, January 15th, 2010

Pair of Satsuma booted Vases, Meiji Period, An Imari Plate, A Fukagawa Vase

A Pair of Satsuma booted Vases, Meiji Period, each elaborately gilt and enamelled with broad scenes of samurai and begin reserved on a stout globular body under a pair of mask and tongue handles set in the brocade scattered deep blue ground, 30.3cm.; 12in.,

A Pair of Kutani porcelain Jars and
Covers, Meiji Period, each ovoid body
reserved with panels of kingfisher and
travelling entertainers under a pair of standing
boy handles, a third figure seated on the
cover, 28cm.;

A Pair of Satsuma Plates, Meiji Period,
painted en grisaille with an eagle in pine tree,
8.5cm.;

An Ao Kutani saucer Dish, 19th Century, the earthenware body covered in enamel with a pair of yellow deer upon aubergine ground against a green sky framed by a blue zig-zag under radiating seeded lappets, green underside with black meanders, yellow foot rim, interior bearing green square Kutani mark, 24.6cm.;

An Imari Charger, Meiji Period, the dense iron-red scale and trellis ground reserved with a variety of panels filled with birds, garden and sea scenes, a pine tree growing out of one under a zig-zag blue border, 45.8cm.; 18m.

An Imari Plate, Meiji Period, painted with six scroll brocades about a pomegranate centre, 37cm.;

A Fukagawa shallow Bowl, Meiji Period, of scalloped kiku flower form, the interior filled in under glaze-blue with a convolvulus design about a mallow medallion, 28.5cm.; Fuji mark and signature.

An Imari Stick Stand, Meiji Period,
enamelled with a continuous scene of a
maiden guarded by samurai, 61cm.; 24in.,
wood stand.

A lacquered Arita Vase, Meiji Period, reduced to a lamp, of barrel form with panels of birds, flaking.

A Pair of Satsuma earthenware Vases, Meiji/Taisho Period, of slender ovoid form, with enamelled birds flying through branches under applied handles, one broken, 58.3cm.; 23in.

An Imari Vase, Meiji Period, of true baluster form, filled with ho-o brocade panels beneath a frilled trumpet rim, 43.5cm.;

A Garniture of three Kutani Vases, Meiji Period, comprising: a Pair of ovoid Vases painted with doves, 19.4cm.; 7Vsin., and a baluster Vase painted with pheasant, 23.8cm.;

An Arita enamelled baluster Jar and Cover, Meiji Period, painted with figures in a garden between lappet and bird filled pink ground borders, 41 cm.; 16in.
A Pair of Kutani beaker Vases, Meiji/Taisho Period, of wasted form, each enamelled with quail amongst millet, 30.8cm.; 12m.

A Kutani Vase, Meiji Period, of
slender ovoid form, painted with a continuous garden scene inhabited by birds under applied mask-and-ring handles on the iron-red shoulder, rim repair, 35.8cm.;

A Pair of Imari Vases, Meiji Period, of
vertically ribbed ovoid form, panelled with ho-o
between bat/bird medallions, chip, 25 cm.;

A Fukagawa Vase, Meiji Period, ovoid
with wasted neck, attractively painted in
under glaze-blue with a ho-o bird amongst
wisteria against a vertically brocaded ground
picked out in enamels, 37.8cm.; 147in., Fuji
rebus.

An Imari Jar, Meiji Period, ovoid, brocaded and panelled with a lady with a parasol, a ho-o bird and garden elements, 32cm.;

A Pair of Kutani Vases, Meiji, of wasted form with low angular bodies, typically painted in orangy-red and gilding with figure panels set in a brocade, 33cm.; 13in.

A Satsuma circular Box and Cover,
Meiji Period, the brocade ground reserved
with fan panels of geisha, aghast and samurai,
11cm.;

A Pair of Satsuma Vases, Meiji Period,
of slender ovoid form, the richly brocaded ground filled with figure panels of courtiers and samurai, 46.5cm.;

MODEL OF A SWAN, Meissen, PORCELAIN PART DINNER SERVICE, Sevres’, circa 1900, POTTERY PART TEA SERVICE, Staffordshire, DINNER SERVICE, Chamberlains Worcester

Sunday, January 10th, 2010

MODEL OF A SWAN, Meissen, PORCELAIN PART DINNER SERVICE, Sevres’, circa 1900, POTTERY PART TEA SERVICE, Staffordshire, DINNER SERVICE, Chamberlains Worcester

A PORCELAIN LIGHT BOWL AND GILT METAL FITTINGS, French, late 19th Century, the exterior painted with three gilt framed royal portraits, flanked bv flower garlands, 29.5cm.; 775

sin. diam.

A PORCELAIN MODEL OF A SWAN, Meissen, 20th Century, the white bird with black features modelled perched amongst reeds picked out in turquoise enamel, crossed su’ords in

underglaze blue, impressed 1069. 22.75cm.

A PAIR OF OVAL PORCELAIN PLAQUES, German, late 19th Century, each painted with a portrait of a young woman in medieval-style costume, each approx 13.5 by 11cm; 5′A by 4′Ain.;

with gilt wood frames.

TWO SIMILAR MAIOLICA ARMORIAL VASES, probably Abruzzi, 18th Century, of slightly tapered cylindrical form and painted with a crest against a cream ground, 27cm.; 10′Ain.
A FAIENCE JAR AND COVER, possibly French, 19th Century, the cylindrical sides painted in blue with a girl beside a tree, 27cm.; 10′Ain., chip to rim; also a tin glazed

earthenware blue and white Bottle Vase; and an octagonal Dish.

A ‘VIENNA’-STYLE PART FISH SERVICE, Continental, early 20th Century, each piece printed with a different fish subject within a purple ground border reserved with vignettes of

figures in eighteenth century costume, comprising: large oval serving Dish, five Plates and six kidney shaped Dishes, printed beehive mark, green printed factory mark, gilt

decorators mark, minor gilt rubbing.

A BLUE AND WHITE PART TEA SERVICE, German, late 19th Century, painted in underglaze-blue with flower sprigs, comprising: Teapot and Cover, Hot Water Jug and Cover, Milk Jug,

Sugar Bowl and Cover, six Cups and six Saucers, repair to handle of teapot.

A PORCELAIN PART DINNER SERVICE, Sevres’, circa 1900, each piece gilt with a crest, gilt line rims, comprising: twenty six Dinner Plates, seven Soup Bowls and four Saucers, some

damage.

A PORCELAIN PART SERVICE, Derby, 19th Century, each piece painted with scattered flower sprigs in blue, pink and gilding, comprising: four lozenge shaped Dishes, four

quatrelobed Dishes, two shaped oval Dishes, a kidney shaped Dish, two shallow circular Bowls, a Muffin Dish Cover, a slop Bowl, two Sauce Tureens and Covers, twelve Plates, two

large Cups, seven large Saucers, seven Coffee Cups and eight Saucers, some damage.

A PART TEA AND COFFEE SERVICE, Derby, circa 1820, each piece painted with puce and gilt scrolls, comprising: Teapot, Cover and Stand, Slop Bowl, two Sandwich Plates, nine

Teacups, six Coffee Cans and six Saucers, red painted crowned crossed batons and D, some damage and repair; also a part Tea Service decorated with the same pattern, late 19th

Century, comprising: Muffin Dish and Cover, Jug, four Sandwich Plates, two Teacups, twelve Saucers and eleven Side Plates.

A PORCELAIN COMMEMORATIVE
PART TEA SERVICE, circa 1845, each
piece printed in puce with named figures of
Albert and Victoria, the teapot cover with the
Princess Royal and Prince of Wales,
comprising Teapot and Cover; Teacup and
Saucer and a Plate, some repair and cracks.

A PORCELAIN PART TEA SERVICE, Staffordshire, circa 1840, each painted with landscape vignettes inside a maroon and gilt border, comprising: a Milk Jug, six Cups, six Saucers,

six Tea Plates and a Cake Plate.

A CHILD’S POTTERY PART TEA SERVICE, Staffordshire, mid 19th Century, each piece printed and colured with an Imari pattern, comprising: Teapot and Cover, Sugar Bowl and Cover,

Jug, three Cups and three Saucers, brown printed scroll mark, painted pattern no H99, some chips.

A TEA SERVICE, Royal Crown Derby, circa 1899 and later, each piece printed in blue with the ‘Mikado’ pattern within gilt rims, comprising: Sandwich Plate, six Cups, six Saucers

and six Side Plates, also a Jug and Sugar Basin, similarly decorated, without gilt rims, green printed factory marks.

A PART TEA SERVICE, Royal Crown Derby, circa 1906, each piece printed in blue with sailing boats, comprising: six Cups, six Saucers and six Plates, green printed factory mark,

painted pattern no 4613.

A BONE CHINA TEA SERVICE, Shelley, circa 1930, ‘Mode’ shape, each piece of conical form with solid triangular handles, decorated with a block motif in black and orange enamel,

comprising: Jug. Sugar Bowl. Teaplate, six Cups, six Saucers and six Side Plates, green printed factory mark, Rd 756533, painted pattern no. R 11792, some haircracks.

A BONE-CHINA DESSERT SERVICE, Coalport, circa 1900, each centre painted with a titled landscape inside cream and deep blue borders enriched in gilding comprising: two square

Dishes, two circular Dishes, two oval Dishes and twelve Plates, printed factory mark, pattern XI995′, two dishes cracked.

A PORCELAIN PART DINNER SERVICE, Chamberlains Worcester, circa 1840, each piece painted in underglaze-blue, iron-red and gilding with a ‘Japan’ pattern, comprising: oval Meat

Dish, six Dinner Plates, six Dessert Plates and six Soup Plates, red printed address mark for 155 New Bond St., minor chips.

A PORCELAIN PART COFFEE SERVICE, French, circa 1900, each piece moulded and printed with poppies within gilt rims, comprising: Coffee Pot and Cover, Sugar Bowl and Cover, four

Cups and four Saucers, gilt pattern no. 5516/23, knop repaired, minor chips and hairc racks.

A PORCELAIN PART DESSERT SERVICE, Paris, Lahoche & Pannier, L’Escalier de Cristal, circa 1854-74, each piece painted with a central fruit or flower spray within a purple border

gilt with a monogram, comprising: one large tall Tazza, two smaller tall Tazze, four low Tazze, a Sauce Tureen and Cover, and a shaped oval Stand, red painted and gilt

decorator’s marks Lahoche and Pannier, chips.

A SET OF TWELVE DESSERT
PLATES, Wedgwood, circa 1881, each well
painted with a different orchid subject by
T. Dean, signed and dated ‘81, against a pale
blue ground within a narrow gilt rim, each
titled on the reverse, impressed WEDGWOOD,
gilt pattern no. X415, painted titles, each
23.25cm.

POTTERY AND PORCELAIN PLATES, English, 19th Century, TEABOWLS AND SAUCERS, Worcester, CABINET CUP AND SAUCER, Spode

Sunday, January 10th, 2010

POTTERY AND PORCELAIN PLATES, English, 19th Century, TEABOWLS AND SAUCERS, Worcester, CABINET CUP AND SAUCER, Spode

A PEARLWARE GROUP OF ‘THE SAILORS FAREWELL’, Staffordshire, early 19th Century, the two figures on a grassy mound, all raised on a canted rectangular base, he wearing a dark

blue suit, his companion a cream dress trimmed with a purple scarf, 23cm.; 9in, firing crack across his arm.

A TWO-HANDLED VASE, Derby, circa 1820, of shield shape beneath a waisted neck, painted with a panel of fruit gilt famed against a richly gilt deep blue ground, all raised on a

waisted foot and square base, red painted crowned crossed batons and D, 29cm.

A SPARROW BEAK CREAM JUG,
Worcester, circa 1775-85, printed in blue
with the ‘Fisherman and Cormorant’ pattern,
hatched crescent mark, 9cm.; 3in., small chip to
spout; a pair of Worcester Asparagus Servers,
similarly decorated, and a Saucer, printed
with the ‘Birds in Branches’ pattern.

A PAIR OF OLIVE GREEN GROUND PATE-SUR-PATE VASES, English, 2nd half 19th Century, each of tall flattened rectangular form, decorated in white with classical maidens, one amongst

fruit trees, the other holding a bird in a nest, gilt pattern no 5632, 23.5cm.; 9′Ain., one damaged and repaired.

A GROUP OF TEN POTTERY AND PORCELAIN PLATES, English, 19th Century, comprising: a Copeland and Garrett Dessert Plate decorated in Chinoiserie style, a Coalport Dessert Plate

with relief moulded flowers, a Coalport Plate painted with a bird, a pair of English blue ground Dessert Plates, a Worcester Plate with a floral spray, an English porcelain

Plate with a central landscape, a Bloor Derby landscape Plate, a Coalport Plate with a border of roses, and a Derby named botanical Plate, various marks, some rubbing (10)
A PAIR OF TWO-HANDLED VASES AND COVERS, Royal Crown Derby, circa 1900, each of ovoid form supported on a narrow foot, painted with a ‘Japan’ pattern in Imari colours, unmarked,

red painted pattern no. 1300/1128, 19cm.; 7′Ain., covers repaired.

A PEARLWARE MODEL OF A RAM,
Staffordshire, early 19th Century, standing
on a grassy base, its back painted with the
initials P.B., 7cm.; 23Ain., bocage missing; also a
Staffordshire porcellaneous model of a
Shephered boy seated on a mossy bank, a
Pearlware copper lustre Jug, and a porcelain
Jug.

A GROUP OF PORCELAIN,
comprising: an English Jug, possibly Derby, a
New Hall Jug, a Davenport Jug, a Chinese
Jug and Cover and matching Coffee Cup,
and a German Saucer, various marks, some gilt
rubbing.

A SPARROW BEAK CREAM JUG, Worcester, circa 1770, printed and painted with Chinoiserie figures, 8cm.; 3′Mn., spout restored; also a Lowestoft example painted with a Japan’

pattern, and a smaller Chinese example.

A PAIR OF TEABOWLS AND SAUCERS, Worcester, circa 1770-80, each printed in underglaze blue with the ‘Fence’ pattern, hatched and open crescent marks, small chips to teabowls;

also a Coalport ‘Cabbage Leaf Jug, printed in blue with the ‘Pine Cone’ pattern.

A GROUP OF TWENTY ADVERTISING POT LIDS, comprising: a ‘J.J.Matthias Unrivalled Cherry Toothpaste’ Lid (Dale no T522), and various other Toothpaste Lids, some damage, also four

bases.

A GROUP OF TWENTY SIX ADVERTISING POT LIDS, variously advertising Bears Grease, Shaving Soap, Shaving Cream, Ointment, Lip Salve and other products, some damage.

A PORCELAIN CHAMBERSTICK,
Bloor Derby, circa 1825-40, painted with a
Japan’ pattern in Imari colours and gilding,
red printed crowned D, 13cm.; 5′/sin. diam.,
minor haircrack, some gilt rubbing.

A SQUARE SECTION BOWL, Flight, Barr and Barr, circa 1830, painted with sprays of peonies in Imari colours within a gilt rim, impressed crown EBB, 27cm.

A THREE-HANDLED BONE CHINA LOVING CUP, Coalport, circa 1900, the fluted bell shaped bowl painted with three small oval landscape panels on a richly gilded pale yellow and blue

ground, raised on a tall knopped pedstal foot, green printed mark, 22.5cm.; 83Ain., repairs to stem and one handle.

A GROUP OF FOUR POTTERY ANIMAL MODELS, probably English, early 20th Century, comprising: two models of Deer reclining amongst foliage, a group of a Deer and Fawn and a model of

a Donkey, painted initials D.M.W. to the base of the donkey, tallest 14cm.; 5′fan., some repair.

A MINIATURE CABINET CUP AND SAUCER, Spode, circa 1820, the cup of footed form with a high gilt loop handle, painted with a basket of flowers against a brown ground, the matching

saucer similarly decorated, black painted ‘Spode’, height of cup 6cm.

A STONE CHINA PUNCH BOWL Hicks & Meigh, circa 1835, printed and coloured in underglaze blue, red and gilt with vases amongst scattered flowers beneath a scalloped rim, blue

printed mark.

AN IRONSTONE PART TOILET SET, Masons, 19th Century, each piece printed and coloured with a bird beside a vase of flowers, comprising: an hexagonal Jug, a Basin and two Chamber

Pots, printed mark Masons Patent Ironstone China, handle of jug repaired.

A LARGE SLIPWARE BAKING DISH, probably Staffordshire, 18th/early 19th Century, of oval form, the brown ground with a central motif in combed cream slip, 41cm.

A MINIATURE TEAPOT AND
COVER, Minton, circa 1830-40, of low
bodied form, encrusted with colourful
flowers, within gilt rims, the spout and
handle picked out in green enamel, crossed
swords mark in underglaze blue, 5cm.; 2in. high,
small chips to flowers, chip under rim of cover.

STONE CHINA COFFEE CANS, Spode, PORCELAIN PLAQUE, Coalport, DELFTWARE BOWL, English, mid-18th Century

Sunday, January 10th, 2010

STONE CHINA COFFEE CANS, Spode, PORCELAIN PLAQUE, Coalport, DELFTWARE BOWL, English, mid-18th Century

A PRATT-TYPE COW CREAMER, early 19th Century, sponged in ochre and brown, standing on a green washed base with milkmaid and pail, the rear legs tied in restraint, 16.5cm.;

6′/2in. long, cover lacking, horns chipped.

A MAJOLICA GAME PIE DISH, COVER AND SMALLER LINER, Wedgwood, circa 1862, of oval form, moulded in relief with dead game suspended from fruiting vine on a cream ground, the cover

with crouching rabbit finial, impressed WEDGWOOD, NZQ incised 12.32cm.; 12Vdn., minor chips.

A SET OF SIX STONE CHINA COFFEE CANS, Spode, circa 1820-30, each printed in blue and painted in Imari colours with a Japan’ pattern, blue printed SPODE Stone China, painted

pattern no. 2061, haircracks; and an English porcelain botanical Dessert Dish.

A MODEL OF A BEGGING DOG, Brownfield, circa 1863, holding a turquoise glazed basket in its mouth, seated on its hind legs on a turquoise and gilt tassled cushion, impressed

diamond registration mark and BROWNFIELD, 19cm.; 7′/2in., turquoise glaze discoloured.

A PEARLWARE GROUP OF ‘CHARITY’, Staffordshire, early 19th Century, a female figure modelled standing in pale blue and pink draperies on a titled square base, two children at her

side and a baby in her ams, child’s hands and woman’s thumb restored, 23cm.; 9in.

A CIRCULAR PORCELAIN PLAQUE, Coalport, circa 1830, decorated with a full-length portrait of a Hindu girl after a sketch by Capt. Grindlay, puce printed COALPORT FELSPAR

PORCELAIN circular mark and bearing the inscription ‘A Hindu girl, the frontice piece of the scenery, costumes and architecture chiefly on the western side of India by Capt. R.

N. Grindlay 1826′, 15.5cm.; 6′/nin., visible surface, framed.

A TAZZA ON FLOWERED
PEDESTAL’, Belleek, First Period, the
shallow tazza raised on a bronzed and gilt
pedestal encrusted with flower swags, all on a
square base, black printed harp, hound and tower
mark, 22.25cm.; 83Ain., pieces offlower swags
detached and damaged.

A LARGE BISCUIT PORCELAIN
GROUP, possibly Minton, circa 1840,
modelled as a young maiden wearing a long
lace-trimmed dress, jacket and hat, seated in
the bough of a tree a setter by her side, all
on a domed base with scroll border, 30.75cm.;
12′Ain., repairs to dog’s paws, damage to lace.

A COMMEMORATIVE POTTERY JUG, Staffordshire, circa 1820, printed in black with a portrait of Queen Caroline, the reverse with a ‘Green-bag’ inscription, all below a wide copper

lustre border, 12.75cm.; 5in.

A DELFTWARE BOWL, English, mid-18th Century, painted in underglaze-blue with Chinoiserie plants and fencing, 21.5cm.; 8 ‘/sin., chip and hair crack.

A FELSPAR PORCELAIN INKSTAND, Copeland & Garrett, circa 1840, the rectangular tray raised on four paw feet, fitted with a central candleholder with two liners and a cover, each

piece painted with flower sprays and gilding, grey printed cartouche mark, gilt pattern no. 5130, tray 30.5cm; 12in. long, some repair.

A ‘PORTLAND VASE’, probably Wedgwood, mid-19th Century, the fully draped figures moulded in white relief against a blue painted ground, 26cm.; 10′Ain., small chip to rim of foot
AN ENCAUSTIC TWO-HANDLED VASE, Swansea Pottery, Dillwyn’s ‘Etruscan Ware’, circa 1847-50, the terracotta fabric with Greek warriors reserved on a black ground, black printed

mark, 37cm.; 14′hin., tight haircrack to one handle and small chip to foot.

A POTTERY FIGURE OF OMAR PASHA, Staffordshire, circa 1854, modelled standing beside a column wearing an ermine trimmed cloak, sparsely coloured, gilt script title, 27cm.;

lOVsin.

A PAIR OF EQUESTRIAN FIGURES OF GARIBALDI AND PEARD, Staffordshire, circa 1864, white and gilt with orange tunics, each base titled in raised gilt capitals, 39.5cm.; 15′/2in.,

slight flaking of enamels.

A POTTERY FIGURE OF THE DUKE OF WELLINGTON, Staffordshire, circa 1850, white and gilt modelled seated in a high backed chair, titled in gilt script, 31cm.

A POTTERY MODEL OF A GREYHOUND, Staffordshire, 2nd half 19th Century, modelled seated, a dead hare at its feet, all on a grassy circular base, 28cm.

A MEAT DISH, J. Maddock, circa
1842-55, printed in blue with the ‘Fairy
Villas’ pattern, blue printed cartouche mark,
55.25cm.; 2PAin.; also a Copeland Meat
Plate, restored; and a Furnivals Meat Plate.

A PAIR OF PEARLWARE FIGURES
OF ANTHONY AND CLEOPATRA,
probably Wood 8c Caldwell, circa 1815, each
well coloured and modelled reclining on a
shaped oval grassy mound base, 30cm.;
lPAin. long, one arm restored, snake’s head
restored, minor chips.

A ‘JEWELLED’ BOWL AND COVER, Coalport, circa 1893, of compressed circular form, the green ground gilt with C scrolls about a central star-shaped gilt panel covered in white

enamel dots, green printed factory mark, gilt mark CHICAGO EXHIBITION 1893′, 10.25cm,; 4m. diam.

‘Sevres’ Plates, late 19th Century, ‘Sevres’ Vase, ‘Sevres’ Chocolate Cup, ‘Sevres’ porcelain Plate

Thursday, January 7th, 2010

‘Sevres’ Plates, late 19th Century, ‘Sevres’ Vase, ‘Sevres’ Chocolate Cup, ‘Sevres’ porcelain Plate

A large French Sevres-style
gilt-metal mounted two-handled Vase
and Cover, late 19th Century.

Two ‘Sevres’ blue ground Plates, late 19th Century, one painted with a bust portrait of Louis XVI, the other painted with Watteauesque lovers in a landscape, each border

reserved with three panels enclosing flowers, one with crack, gilding rubbed, 24.5cm.; 9Vsin., pseudo Sevres marks (2)    ?100-200

A Pair of ‘Sevres’ blue ground Plates, late 19th Century, each centre painted with two cherubs about a gilt monogram, the border reserved with three gilt framed panels enclosing

flower groups, 24.5cm.

A Pair of ‘Sevres’ gilt-metal
mounted Vases and Covers, late 19th
Century, the cylindrical sides painted
with a frieze of putti playing in water
beneath a deep blue border gilt with
interlaced laurel festoons, set with
gilt-metal angular and ring handles,
raised on a circular base, minor wear to
gilding.

A ‘Sevres’ blue ground
two-handled shaped oval Tray, late 19th
Century, the centre painted with a bust
portrait of Louis XVI within a gilt frame
against a blue ground, restored, 44.5cm.;
17in., blue painted interlaced ‘L’s’.

A ‘Sevres’ Royal portrait
Plaque, late 19th Century, the centre
painted with a head and shoulders
portrait of Louis XVI within a circular
gilt frame surrounded by eight smaller
panels painted with portraits of ladies,
each titled on reverse against a pink
ground, some wear to gilding, 50cm.;
195/sin., blue painted interlaced ‘L’s’ mark,
black painted titles.

A ‘Sevres’ porcelain Inkstandish,
late 19th Century, the domed lidded
inkwell and shaped tray decorated with
gilt oeil de perdix over a mauve ground,
reserved with a circular painted panel of
Bacchic putti, 20.6cm.; 8V8in. across, blue
printed mark.

A miniature ‘Sevres’ gilt-metal mounted Vase, 19th Century, the gently flaring urn raised on a short circular foot and decorated with a portrait of a young woman within a gilt

oval frame tooled with vermicule and flanked by gilt foliate scrolls over a bleu celeste ground, the gilt-metal mounts forming three handles running down from the rim, minor

regilding to foot, 7.5cm.; 3in. high, printed mark.

A large ‘Sevres’ porcelain and gilt-metal mounted Bowl, late 19th Century, the hemispherical body painted with a frieze of Watteauesque figures in an extensive landscape against

a pink ground, beneath a pierced and foliate cast gilt-metal gallery, set with caryatid and acanthus cast handles, raised on a socle foot and gilt-metal shaped square base,

restored, 56cm.; 22in. high, blue interlaced’L’s’mark.

A tall ‘Sevres’ two-handled porcelain and gilt-metal mounted Vase, 2nd half 19th Century, adaped as a table lamp, the ovoid body painted with a panel of three figures in a park

inside a gilt frame against a white ground, set with gilt-metal caryatid and acanthus handles, raised on socle and shaped square gilt-metal base, height of vase 66cm.; 26in.,

interlaced ‘L’s’ in blue.

A ‘Sevres’ porcelain Bowl, 19th
Century, painted with three panels of
figures in landscapes inside gilt frames,
alternately with smaller oval panels
enclosing castle turrets inside gilt frames
entwined with gilt roses, the interior
decorated with the monogram CL
beneath an undulating gilt line rim, some
wear, 23.5cm.; 91/4in. diam., crowned
interlaced ‘L’s’ mark and initials CP and PE.

A Set of four ‘Sevres’ porcelain
portrait Plates, late 19th Century,
painted with titled head and shoulder portraits of ‘Me du Barry’, ‘Mlle Victoire’, ‘Me de Montesson’ and ‘Jse de Bourgogne’ inside gilt frames, the border reserved with three

flower panels against a deep blue ground enriched in gilding, 23.5cm.; 9V4in., interlaced ‘L’s’ mark in blue.

A ‘Sevres’ Chocolate Cup and
Cover, late 19th Century, the tapering
cylindrical body decorated with birds in a
gilt cartouche on a pale blue ground,
discoloured, all heightened with gilt,
14cm.; 53Ain., interlaced ‘L’s’ mark.

A ‘Sevres’ gilt-metal mounted
Box and Cover, late 19th Century, of
quatrefoil form, the hinged cover painted with three figures in a landscape, the sides ‘jewelled’ with formalised flower designs against a bleu celeste ground, Ref. No. 492,

17.5cm.

A ‘Sevres’ pink ground and gilt-metal mounted Ewer, late 19th Century, the slender ovoid body painted each side with panels of putti holding baskets of fruit and flowers within

gilt frames, set with a cast dragon and acanthus handle and scroll base.

A Pair of ‘Sevres’ porcelain Dishes, late 19th Century, of cushion shape, the centres painted with two birds holding a flower garland against a bleu celeste ground gilt with

leaves and reserved with four oval panels enclosing single birds, 21.5cm.; 8J/2in., blue painted crossed ‘L’s’ mark.

A ‘Sevres’ porcelain Plate, 19th Century, the centre painted with a yellow plumed bird in landscape within a gilt and flower painted border, 24.1cm.; 91/2in., blue painted mark.

A ‘Sevres’ blue ground Vase, late 19th Century, moulded and painted with four panels of figures and pastoral landscape within gilt frames against a bleu celeste ground, raised

on socle and canted square base, small chips, 35cm.; 133Ain., blue crossed ‘L’s’ mark.

A Pair of ‘Sevres’ gilt-metal mounted Vases, late 19th Century, each urn-shaped body painted with a panel of Watteauesque lovers, the reverse with an extensive landscape within

a gilt frame against a deep blue ground, set with gilt-metal caryatid mask handles below a pierced gallery, raised on socle foot and canted square base, covers lacking, 22cm.;

83Ain., blue interlaced ‘L’s’.

A ‘Sevres’ blue ground
rectangular Casket, late 19th Century,
each side painted with a landscape panel within a scroll moulded gilt frame, the hinged cover painted with a sporting scene, signed Duuvy, the interior decorated with scattered

flowers on a white ground.

A ‘Sevres’ porcelain gilt-metal
mounted two-handled Vase, 19th
Century, the thistle-shaped body painted
with gilt-framed panels of putti and
flowers reserved against a blue ground,
all between gilt-metal acanthus handles
and fruiting vine rim.

A good Pair of ‘Sevres’ ormolu
mounted Vases and Covers, 2nd half
19th Century, each tapered body painted
with head and shoulder portraits of
ladies, probably M. Antoinette and Lambelle
inside a gilt frame, the reverse painted
with a panel of flowers and fruit against
a Rose Pompadour ground, set with
fruiting vine and acanthus handles, the
domed cover surmounted by a reclining
cherub, raised on a canted square base.

A ‘Sevres’ porcelain and
gilt-metal mounted oval Jardiniere, late
19th Century, painted with a panel of
two cherubs reclining on a cloud, the
reverse with a group of flowers inside an
oval gilt frame against a bleu celeste
ground, the interior painted with flowers
and ribbons, set with acanthus cast
handles and raised on an elaborate
gilt-metal base, 40cm.

A French giltwood and porcelain mounted Sewing Table, late 19th Century, the shaped square top inset with a plaque painted with a seated maiden with cupids signed Winer, set on

four cabriole supports fitted with undertier inside with a smaller plaque painted with two classical maidens.

A Pair of ‘Sevres’ gilt-metal mounted two-handled Vases, 20th Century, each ovoid body printed with a panel of lovers in landscape gilt frame, reserved against a blue ground,

the waisted neck and foot similarly decorated beneath domed covers and artichoke finials.

A Paris porcelain Coffee Set, French porcelain Figures, Paris porcelain two-handled Vases, mid-19th Century

Thursday, January 7th, 2010

A Paris porcelain Coffee Set, French porcelain Figures, Paris porcelain two-handled Vases, mid-19th Century

A Paris porcelain Coffee Set,
19th Century, of Empire form, each
piece gilt with borders of stylised leaves,
comprising: Coffee Pot and Cover,
Sucrier and Cover, Milk Jug, four Cups
and four Saucers, one cup handle repaired.

A Pair of Paris porcelain Vases
and pierced Covers, 2nd half 19th
Century, each of cylindrical form,
tapering towards the foot beneath shaped
flaring rim, painted with a figure in
landscape amongst flower sprays and
green and maroon gilt framed panels, all
between bearded mask handles, the
covers similarly decorated, pierced with
circles around a central opening, with
short moulded and gilt neck, chips and
repairs.

An unusual Pair of Jacob Petit
Figures of the Young Albert and
Victoria, circa 1845, he wearing a long
high-necked jacket, gilt epaulettes and
insignia, standing with his right hand
resting on a cloth-covered pedestal, she
modelled free-standing, wearing a crown,
insignia and full-length ermine-edged
dress, each standing on rectangular
plinths covered with green velvet
gilt-edged cloths, hair-crack across base,
chipped finger.

A Pair of French porcelain Figures of a gallant and companion, late 19th Century, each standing holding flowers, wearing colourful 18th Century floral decorated costume, raised

on a circular mound base, some restoration and chips, 43cm.; 17in., crossed swords in underglaze-blue.

A Set of eight Paris porcelain Plates, late 19th Century, each printed and coloured with butterflies between naturalistic sprays of flowers and grass over a white ground within

a shaped gilt rim, chips, brown printed circle mark for 23 Boulevard des Italiens and 20 Rue de Choiseul; also five matching Soup Plates.

A Samson, Paris porcelain Figure ‘Le Medecier’, the black-wigged gentleman wearing a purple coat and holding a stopwatch, raised on a scroll moulded circular base, minor chips,

17.5cm.; 67/dn. high, painted title and ‘BJ’, underglaze-blue mark and impressed numerals.

A Pair of French porcelain Figure Candlesticks, probably Samson, late 19th Century, modelled as Mars and Minerva in uniform, a cockerel and owl at their side, standing before a

flower encrusted tree beside a single sconce, raised on a scroll moulded base, some repair and chips.

A Monterau & Creil (Leboeuf & Milliet) gilt-metal mounted Jewellery Casket, mid- 19th Century, of canted rectangular form, the hinged cover painted with an oval portrait

medallion of a girl amidst elaborated designs including scrollwork, cornucopiae, flowers and leaves against a blue ground, raised on four gilt-metal paw feet, 28cm.; llin. long,

impressed factory marks, painted letter ‘H’.

A Pair of Paris porcelain two-handled Vases, mid-19th Century,
of neo-classical inspiration, each baluster
body painted with pairs of female
figures, titled ‘Thalie/Melpanene’ and
‘Clio/Oranie’ respectively, all over a buff
ground between gilt and moulded
geometric bands and black and gilt
angular handles, each with applied
cameo roundels, minor rim chip.

A Paris porcelain Dessert
Service, 19th Century (Jacquel/Rue de la
Paix), each piece painted with a colourful
spray of flowers over a white ground
within a thin gilt band and shaped pink
border gilt with thin lines, comprising:
one Comport, two Tazze and twelve
Plates, minor chip and two hair-cracks, green
painted mark.

A Pair of Paris porcelain Vases,
mid-19th Century, each flattened
cylindrical body flaring out at the rim,
moulded and gilt with oak leaf, acorn
and flower forms, damaged, 38cm.; 15in.
high.

A French porcelain and
gilt-metal mounted Jardiniere, late 19th
Century, of oval form, painted with two
children with pets, the reverse painted
with an extensive landscape within an
oval gilt frame against a white ground
scattered with flower sprays, set with cast
acanthus gilt-metal handles and
scrollwork pierced base.

A Pair of Samson Groups of a gallant and companion, late 19th Century, each couple seated embracing wearing colourful 18th Century costume, set inside a gilt-metal arbor with

single sconce and porcelain flowers, some chips, 30cm.; lVUin. total height, crossed swords and ‘S’ mark in underglaze-blue.

A Pair of Samson Figure
Groups, late 19th Century, each
modelled as a young man and
companion seated before a tree, one
couple draping flower garlands over a
lamb, the other couple with an open
birdcage and a bird, each raised on an
oval scroll moulded base picked out in
gilding, some restoration and chips,
29cm.; lVfcin., crossed swords and ‘S’ in
underglaze-blue.

A Paris porcelain Vase, 19th Century, the ovoid body painted with panels of flowers, signed Lenoir against a gilt and maroon ground, set with gilt swan handles, raised on socle

and square base, some wear to gilding, 39cm.; 151/4in., pseudo Sevres marks.

A Limoges two-handled Vase, early 20th Century, the generous ovoid body painted with a head of a lion, signed Lingquist, set with gilt scroll moulded handles, 33cm.; 13in.,

green painted JPIL France, inscribed in black Donated by the Lingquist Art Shop Cor. of Addersen and Sheffield, Chicago III 1915.

A Sevres bisque porcelain
Group, early 19th Century, three
classical nudes around a column
surmounted by two lovers embracing and
cupid beside, some repair and chips.

A Pair of Sevres porcelain Plates,
1793-1804, each painted in the centre
and around the rim with sprays of
flowers within blue and gilt borders, rim
chips and small rim restoration, blue painted
RF monogram, Sevres and painters marks.

A Sevres Napoleonic Cabinet
Cup and Saucer, circa 1805, the cup
painted with a scene of Napoleon riding into battle, titled underneath ‘Arcole’, the saucer painted with a broken cannon in landscape, all within gilt frames against a mustard

orange ground gilt with Napoleonic emblems, red painted M’re Imp’le de Sevres and year code.

A Sevres porcelain presentation
Cabinet Cup and Saucer, circa 1824,
decorated in gilding with a frieze of stylised plant forms over a deep blue ground, the centre of the saucer painted with an inscription of friendship in Dutch, dated 1826, blue

printed mark for 1824, painted 4, Nov/DY and 1 Mai 20.

A ‘Sevres’ maroon ground
gilt-metal mounted Vase and Cover,
early 20th Century, the slender ovoid
body painted with a panel signed
W. Gravey depicting Napoleon on
horseback amidst a battle scene within an
oval gilt frame, the reverse decorated
with a landscape, set with gilt-metal swan
handles, the waisted neck gilt with the
letter TV’, raised on socle and gilt-metal
chamfered square base, 74cm.

BERLIN AND OTHER ANTIQUE PORCELAIN PLAQUES

Thursday, January 7th, 2010

BERLIN AND OTHER ANTIQUE PORCELAIN PLAQUES

A German porcelain rectangular Plaque, late 19th Century, painted with a young woman in a red dress carrying putti, two in a basket and one in her right hand, all against

a sky blue ground, signed Liebmann, 19 by 12.75cm.; 7V2 by 5in., pencil inscription and paper label.

A German porcelain oval Miniature, 19th Century, painted with a bust-length portrait of a blonde-haired woman, reading, a blue cloak around her bare shoulders,

gilt-metal frame, 8.5cm.; 33/dn. high, impressed numerals.

Two oval German porcelain Miniatures, 19th Century, each painted with a child subject, one a bust portrait of a young blonde-haired boy in fashionable costume, the

other a winged cupid inscribing a tablet with his arrow, gilt-metal frames, 8.25cm.; 3l/4n. high, impressed numerals.

A German porcelain oval Miniature, 19th Century, painted with a bust-length portrait of a scantily-clad female, possibly The Penitent Magdalene, gilt-metal frame,

8.5cm.; 33/sin. high, impressed numerals.

A German porcelain miniature
oval Plaque, 19th Century, painted after
Titian with a head and shoulders portrait
of a young woman, possibly Venus,
depicted sleeping, one arm behind her
head against a blue/grey ground,
gilt-metal frame, 11.1cm.; 43/sin. long,
impressed numerals.

A Royal Worcester bottle
Vase, 1902, the bulbous body painted
with an arrangement of red and pink
roses by Flaxman, signed, beneath
moulded and fluted gilt trumpet neck,
21.5cm.; 8V2in., puce printed mark, Shape
No. HI103, painted 15-54.

A large Continental Plaque, circa
1898, painted by A. Luzinger after J. B.
Greuze with a scantily-clad maiden
looking heavenwards, 43 by 34cm.; 17 by
133/dn., script mark A. Luzinger dapres
F. B. Greuze, Paris 1898.

A Berlin oval Plaque of a ‘Vestalin’, 2nd half 19th Century, after A. Kaufmann, the young woman in gauzy dress and veil, seated holding a lamp, her other hand on her

shoulder, 17.5cm.; 67/8in. long, impressed K.P.M. and sceptre, framed and glazed.

A Berlin porcelain Plaque of Beatrice Cenci, 2nd half 19th Century,
after Guido Reni, oval, the young beauty wearing a silken head-band and shirt and with her head turned towards the artist, 17.5cm.; 67/dn. long, impressed K.P.M. and sceptre

mark, framed and glazed.

A Berlin Plaque, circa 1880,
painted with a monk holding a staff and wearing a folded brown robe consoling a classical maiden dressed in white robes and holding a blue cape, 28 by 22.5cm.; 11 by 87Mn.,

impressed K.P.M. and sceptre.

A Pair of German porcelain oval
Plaques, late 19th Century, painted with
bust-length portraits of an elderly lady
and gentleman in black clothing, each
signed Krantz, in purple velvet frames,
each approx. 11.5cm.; 4*/2in.

A German porcelain oval Plaque,
2nd half 19th Century, painted with a
head and shoulders portrait of ‘The
Penitent Magdalene’ looking upwards,
17 by 12.5cm.; 63A by 5m.

A K.P.M. oval porcelain Plaque, circa 1880, painted with a head and shoulders portrait of St. Paul meditating, after Rembrandt, 18 by 13.25cm.; 7′/s by 5′Ain., framed.

A German porcelain oval Plaque, 2nd half 19th Century, painted with a blue cloaked Madonna, bust-length, her head inclined and her hands clasped, black velvet frame,

slight scratches, 17.2cm.; 63Ain. long, impressed K/3.

An oval German porcelain Plaque, 19th Century, painted with the Madonna and Child, the seated Virgin shown half-length in blue and red robes holding the Child on her

knee, gilt frame, 12.75cm.; 5in. long, impressed Kl12.

A Continental porcelain Plaque, late 19th Century, probably German, painted with a scene of lovers amongst ruins against an extensive landscape vista across a lake, 28

by 21.8cm.; 11 by 89/i6in.

A German rectangular porcelain
Plaque, 2nd half 19th Century, titled on
a paper label Bei Hochwilrten (At the
Rectory), painted with a scene of figures
around a dining room table, a clergyman,
a monk and two gentlemen toast a
woman in a purple dress as she clears
away plates, 22.25 by 14.5cm.; 83A by
53Ain., impressed 324, and paper label,
framed.

A Continental porcelain rectangular Plaque, dated 1884, probably German, painted with a bust portrait of a gipsy lady wearing a maroon cap hung with gold discs over long

black hair, her chin resting on one hand, small chip, 30.25 by 20cm.; HVs by 77/sin., painted monogram S.M.J., framed.

A French rectangular ceramic Plaque, late 19th Century, painted with an inn scene, a cavalier seated at a table eating and drinking, a young woman standing beside

holding a flagon, signed W. Lavigner, 28 by 38.5cm.; 11 by 15′Ain., carved oak frame.

A Pair of Berlin oval Plaques,
2nd half 19th Century, the first painted
after Rembrandt with the artist and his
wife, Saskia, the other painted with a
man seated holding a glass flute, his arm
around a woman sitting holding a plate
of cherries, 23 by 17cm.; 9 by 63Ain.,
impressed sceptre and K.P.M. marks, framed.

A German porcelain rectangular
Plaque, circa 1885, painted by H. Muller
and after Richter with a full-length portrait
of Princess Louise walking down steps in
front of a balustrade wearing a long
white dress and white trimmed blue
cloak, 14.5 by 9.5cm.; 53A by 33Ain.,
framed.

A Berlin rectangular Plaque,
dated 1860’s, painted probably after
Rubens with a half-length portrait of a
fashionable young woman, inscribed
Original copie V. E. Meisel, Munchen
1861(1), 25.5 by 19cm.; 10 by 7V2in.,
impressed K.P.M. and sceptre, impressed
letter ‘H’.

‘Gute Nacht’: A Vienna
decorated Berlin Plaque, 2nd half 19th
Century, painted with a young maid
holding a candle wearing a white chemise
and red skirt, signed overglaze R. Dittrich,
33 by 19.75cm.; 13 by 73Ain., impressed
K.P.M. and sceptre, numerals 33-20, painted
title and shield, framed.

A large Berlin porcelain
rectangular Plaque, late 19th Century,
painted after Murillo with two peasant children seated by ruins counting their takings, a basket of fruit by their side, 31 by 25.25cm.; 12*Aby Win., impressed K.P.M. and

sceptre, framed.