Antique Porcelain

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

Friday, January 15th, 2010

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.

A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.

A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.

A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in  .

TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .

A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.

A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips  .

A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).

A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).

AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia

AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).

A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).

A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.

A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).

A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.

GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.

A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).

A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200

A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.

A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.

A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.

FACON DE VENISE FILIGREE BOWL, Lowlands, A GLASS EWER, 19th Century GILT AND ENAMEL BOWL

Friday, January 15th, 2010

FACON DE VENISE FILIGREE BOWL, Lowlands, A GLASS EWER, 19th Century GILT AND ENAMEL BOWL

‘VOLUBILIS’: AN OPALESCENT GLASS BOWL, Lalique, circa 1930, the underside moulded with three leaves extending to form the feet, moulded mark R Lalique, 21.5cm.; 8in. diam.

A WINE BOTTLE, early 18th Century, of mallet form, the glass of olive green colour, 29cm.

AN ART DECO FROSTED GLASS CEILING LIGHT SHADE, 1920/30’s, of circular form, moulded with a design of radiating stylised leaves, 40cm.; 153Indiam., with original fittings.

A PAIR OF CUT GLASS SPIRIT DECANTERS AND STOPPERS, early 19th Century, each of oval section, cut with diamonds beneath a stepped shoulder, matching flattened circular stoppers with notched rims, 16.5cm.; 62in., chips (4).

A PAIR OF CUT GLASS SALTS, Irish, early 19th Century, each of boat shape, cut with groups of four diamonds, raised on domed bases, 13cm.; 5m. across, chips (2)    .

A GLASS EWER, 19th Century, the shield-shaped body etched and gilt with a formal pattern of medallions and swags, all between slender faceted neck and circular foot, 30cm.; small chip under foot.

A CUT GLASS JUG, 19th Century, the
ovoid body cut with panels of diamonds beneath a slice cut neck, raised on a deep circular foot and star cut base, 25.5cm.; 10in. high, small chips under foot .

A GILT GLASS HORS D’OEUVRES SET, 2nd half 19th Century, each piece gilt with a formal border of husks linking lion mask medallions, comprising: circular Tray fitted with six segmented Dishes about a central hexagonal Dish, 40cm.; 15in., chip (8)    .

A GROUP OF FIVE DECANTERS AND THREE STOPPERS, 19th Century, comprising: a Pair of Decanters cut with diamonds, a Ewer en suite; an engraved and polished Decanter; and a Continental gilt glass Decanter, tallest 35cm.; 13in., some chips (8).

A LARGE GLASS PIPE, ‘Nail sea-type’, late 19th Century, the opaque white glass streaked in pink, 68.5cm.; 27in., small chips.

A MOULDED ‘MALACHITE’ GLASS VASE, French, 20th Century, of baluster form, moulded in relief with a frieze of naked women dancing beneath grape vines, 12.5cm.; 5in.

A PAPERWEIGHT, Clichy, mid-19th Century, enclosing a sulphide portrait of Queen Victoria against a green ground, 6.5cm.; 2in. diam.; and a Baccarat butterfly and flower Paperweight, dated 1977.

A GROUP OF CUT GLASS BOWLS
AND PLATES, mostly early 19th Century,
comprising: a Pair of rectangular Salts and
Stands; an oval Bowl cut with fan shaped
panels; two circular Plates; and a square Bowl
with shaped corners, largest 22cm.; 85In
diam., minor chips.

A FACON DE VENISE FILIGREE BOWL, Lowlands, early 17th Century, in veto a rectory, the ribbed cup-shaped bowl with narrow conical foot and two scroll handles with pincer decoration, 21cm.; 8in., handles repaired.

A MINIATURE OPALESCENT EWER, Venice or Lowlands, late 16th Century, the vertically ribbed ovoid form with flared neck and vermicular collar, shell-mauled spout and double scroll handle with pincer decoration, small disc foot, 11cm.; 43In, handle chipped.

A GILT AND ENAMEL BOWL, possibly Venetian, 17th/18th Century, the flared sides painted with a border of white enamel dots above a gilt band of formal pendant flowers, narrow trailed foot ring, 11.5cm.; 4in., diameter, slight wear to enamels.

AN ENGRAVED ARMORIAL GOBLET, circa 1745, the flared funnel bowl with solid beaded base, engraved with the arms of Anne, daughter of George II, flanked by floral sprays, set on a tea red inverted baluster stem with wide domed foot, dealer’s paper label for Arthur Churchill, 17.5cm.; 6in.

A SWEETMEAT, German, possibly Silesian, circa 1750, the naturalistic shell-shaped bowl cut with polished circles and set on a faceted inverted baluster stem with basal collar and circular foot with rosette-cut base, 12.5cm.; 5m.

A GREEN-TINTED TWO-HANDLED BOWL, possibly Lowlands or German, 17th Century, of greenish straw-tint, the wasted cup-shaped bowl with spiral moulding, translucent blue-tinted trailed rim and two blue-tinted scroll handles, trailed foot ring and kick-in base, 7.7cm.; 3in. high, minute crack.

A PAIR OF OPALINE VASES, French, circa 1850, each of depressed globular form with reverted neck and rim, enamelled with sprays of summer flowers including foxgloves, dahlias and pansies, 20cm.; 77in., gilding rubbed.

A SET OF FIVE SCANDINAVIAN WINE FLUTES, possibly Norwegian, circa 1760, each with a conical bowl above a double-series opaque twist stem and wide conical foot, 21cm.; 8in., two with minor foot rim chips.

ANTIQUE RED, WHITE AND BLUE WHINE GLASSES

Friday, January 15th, 2010

ANTIQUE RED, WHITE AND BLUE WHINE GLASSES

A PAIR OF GLASS DECANTERS
AND STOPPERS, circa 1840-60, each
shouldered cylindrical form cut with a row of
dottily lappets beneath a triple ring neck, the
stoppers of faceted cushion form, 21cm.;
8in. (4)    .

A ‘FACON DE VENISE’ WINE,
Lowlands, probably 17th Century, the cup-
shaped bowl with spreading reverted rim
raised on an upper blue glass knops sand
fluted triple knapped clear glass baluster
stem, plain foot, 11.5cm.; 4in.

A SWEETMEAT, 18th Century, the
ogee bowl raised on a pedestal stem with
basal triple ring knops sand domed folded foot,
17cm.; and a similar Wine with funnel
bowl (2).

A ‘PRIVATEER’-TYPE GLASS, 19th
Century, the bucket bowl engraved with a
sailing ship and inscribed above ‘Success to the
EAGLE FRIGATE Privateer’, raised on a
double series opaque-twist stem and plain
foot, 17cm.; 6dn; and a ‘Jacobite’-type Wine,
the engraved bowl raised on a double
knapped air twist stem (2).

A GROUP OF FIVE WINE
GLASSES, 18th/19th Century, comprising: a
baluster stemmed Wine with drawn trumpet
bowl; an air twist stem Wine; a drawn
trumpet Wine with plain stem enclosing an
elongated tear; an Ale Glass with short
incised stem; and a cordial Glass with
knapped stem and folded foot, tallest 19cm.;Thin. (5).

A GROUP OF TWELVE GLASSES,
19th/20th Century, including: a Tumbler
engraved with a Stag, two tall Wines, two
fluted Ale Glasses, a Rammer scratch
engraved ‘R Howarth’, and six other various Glasses (12).

A GROUP OF TWELVE PAPERWEIGHTS, English and Continental, 19th and 20th Century, including: a faceted ruby glass Weight, a sulphide Weight with a portrait of Buller, and various flower Weights (12)    .

A PAIR OF CUT
GLASS DECANTERS AND STOPPERS, late 19th Century, each cut with panels of diamonds beneath a faceted neck, matching stoppers, 38cm.; 15in., minor chips (4).

A PAIR OF CUT GLASS EWERS AND STOPPERS AND A MATCHED DECANTER AND STOPPER, circa 1900,
each ewer of slender ovoid form, cut with a pattern of stylised stars beneath notched
faceted neck, the decanter of pear form, similarly cut, ewer 44.5cm.; 17in., minor chips.

‘BLOIS’: A CLEAR GLASS
DECANTER AND STOPPER, Lalique,
1930’s, of almost cylindrical form, the base
and stopper moulded with rows of oval
cabochons, stencilled mark R. Lalique, 29cm.

A GROUP OF RUBY GLASS AND RUBY OVERLAY GLASS WARES, Continental, 2nd half 19th Century, comprising: a Pair of ruby glass table Lustres; a ruby overlay and gilt glass Scent Bottle and Stopper; a red overlay Inkwell; a ruby glass circular Tray gilt with flowers; and a white overlay ruby glass Vase, tallest piece 23cm.; 9in., some damage and repair (7) .

A BLUE GLASS SCENT FLASK, STOPPER AND LEATHER CASE, English, late 18th Century, of faceted arched rectangular form, gilt with a foliate spray, the reverse with a repeating pattern of arrowheads, 6.25cm.; 2in. long, lacking screw top (3).

A SMALL CAMEO GLASS VASE, Galle, early 20th Century, of low bodied form, decorated with berries and leaves on a shaded amber and yellow ground, cameo signature, applied paper label inscribed KUNSTGEWERBE-HAUS/GG LEYKAUFI NURNBERG, 13cm.; 5in.

A PAIR OF ENGRAVED GLASS GOBLETS, 19th Century, each of conical form engraved with a coat-of-arms flanked by the initials W.F. & V.R., raised on stepped bases; a glass Goblet engraved with a figure on a horse entitled Duke of Marlborough at Ramillies; and a Pair of Continental opaque twist Wines, chips (5).

A SET OF SIX RUMMERS, 19th Century, each fluted bowl raised on a squat stem and plain foot; a cut glass Jug; and a Rummer with fluted bucket bowl (8).

A PAIR OF OPALESCENT
DECANTERS AND STOPPERS, probably
Venetian, 19th Century; and a matching Pair
of Goblets; and a similar Pair of Beakers.

A SET OF ELEVEN CUT GLASS WINE COOLERS, 19th Century, decorated with a row of printers below a band of diamonds, some chips and cracks; and another wine glass Cooler (12).

A SET OF THREE ENGRAVED WINE FLUTES, circa 1765, each trumpet bowl engraved with flowers raised on a double series opaque twist stem, 18.5cm.;
chips and repair to one foot (3) .

A SUITE OF AMBER COLOURED
TABLE GLASS, Stuart, 1920’s, comprising:
nine Hock Glasses, eight Goblets and six Sherry Glasses, stencilled mark (23) .

AN ENGRAVED WINE GLASS, Dutch or German, mid-18th Century, the faceted bowl engraved with panels of flowers, a dog and a deer, raised on a pedestal stem and folded foot, 21cm.; 8in.

A WINE GLASS, mid-18th Century, the drawn trumpet bowl raised on a multi-series air twist stem and plain foot, 18cm.; 7in.; also a Set of five saucer-topped Rummers engraved with flowers, chips.

TEA SERVICE, Staffordshire, circa 1900, TEA AND COFFEE SERVICE, Coal port, EARTHENWARE DINNER SERVICE, Copeland

Friday, January 15th, 2010

TEA SERVICE, Staffordshire, circa 1900, TEA AND COFFEE SERVICE, Coal port, EARTHENWARE DINNER SERVICE, Copeland

A POTTERY PART TEA SERVICE, Staffordshire, circa 1900, each piece painted with pink roses on a black ground, comprising: Jug, Sugar Bowl, two Sandwich Plates, ten Cups, ten Saucers and ten Plates, printed marks, hair cracks (34).

A PORCELAIN PART TEA AND COFFEE SERVICE, Coal port , circa 1840, of neo-rococo form, each piece decorated with a grey ground border gilt with vine, comprising: Teapot, Cover and Stand, Jug, Slop Bowl, Sugar Box and Cover, two Plates, eight Coffee Cups, ten Teacups and eleven Saucers, gilt pattern , , some cracks and chips (38).

A PORCELAIN PART TEA AND COFFEE SERVICE, English, circa 1820, each piece painted with an Imari-type pattern incorporating large pink and orange flowers, comprising: Sugar Box and Cover, Jug, Slop Bowl, two Plates, six Teacups, eight Coffee Cups and eleven Saucers, red painted pattern, some damage and discoloration.

A CHILD’S PORCELAIN TEA AND COFFEE SERVICE, Wedgwood, 1st quarter
19th Century, each piece decorated with a border of gilt vine, comprising: Kettle and
Cover, Teapot and Cover, Coffee Pot and Cover, Tea Canister and Cover, Jug, three
Teacups, six Coffee Cups and five Saucers, red printed WEDGWOOD, painted pattern no.
541, some damage and repair (23).

A PORCELAIN PART TEA SERVICE, Minton, circa 1840, printed
and coloured with panels of flowers against a
maroon ground picked out in gilding
comprising: Teapot and Cover, Sucrier and
Cover, Milk Jug, Slop Bowl, two Cake Plates,
six Coffee Cups, six Tea Cups and twelve
Saucers, painted pattern, minor
wear .

A BONE CHINA PART DINNER
SERVICE, Spode, 20th Century, each piece
printed and coloured with flower studies
inside a gilt line rim, comprising: three
Sauceboats and two Stands, three Vegetable
Dishes, three graduated Serving Dishes,
twelve two-handled Bowls and twelve Stands,
twelve Soup Bowls, twelve Dessert Plates,
twelve Side Plates and four small Dishes,
green printed marks, minor damage .

A PORCELAIN PART
TEA SERVICE, Ridgway, circa 1820,
decorated with white and blue flowers
enriched in gilding against an apricot
ground, comprising: Teapot, Cover and
Stand, Sucrier and Cover, Milk Jug, Slop
Bowl, two Plates, eighteen Cups and nine
Saucers, some damage.

AN EARTHENWARE DINNER
SERVICE, Copeland, late Spode, circa 1847-
67, each piece printed and hand coloured in
an Imari palette with a central spray of
flowers within a formal floral and diaper cell
border, comprising: one large Soup Tureen
and Cover, one large Vegetable Tureen and
Cover, three low Vegetable Tureens and
Covers, three Sauce Tureens, Stands and two
Covers, one rectangular Meat Dish, two small
rectangular Meat Dishes, two small
rectangular Serving Dishes, six Soup Plates
and twenty-six Dinner Plates, blue printed
mark, impressed crown mark and red painted
pattern number 8748, the soup tureen 28cm.;
high, some staining, chips and cracks.

A PORCELAIN PART TEA SERVICE, English, circa 1835-40, each piece painted with a wide pink ground band gilt with shells, all within foliate moulded gilt rims, comprising: Teapot Cover and Stand, Sugar Bowl and Cover, Cream Jug, Slop Bowl, two Plates, five Coffee Cups, five Teacups and nine Saucers, gilt some damage (27).

A PART TEA SERVICE, Royal Crown Derby, 1920’s, each piece painted in Imari colours with the ‘1128′Japan pattern, comprising: Sugar Bowl, twelve Cups, twelve Saucers and twelve Plates, orange printed marks, painted.

A PART TEA SERVICE, Royal Crown Derby, 1920/30’s, each piece painted in Imari colours with the ‘1128′Japan pattern, comprising: six Cups, six Saucers, eight shaped circular Side Plates and four circular Side Plates, orange printed marks.

A PORCELAIN PART DINNER SERVICE, Chamberlains Worcester, circa 1840, each piece painted in under glaze-blue, iron-red and gilding with a ‘Japan’ pattern, comprising: oval Meat Dish, six Dinner Plates, six Dessert Plates and six Soup Plates, red printed address mark for 155 New Bond St., minor chips .

A PORCELAIN PART DESSERT SERVICE, Samuel Alcock, 1840’s, the centres painted with bouquets of flowers inside pierced blue and yellow borders enriched in gilding, comprising: four circular Dishes, two oval Dishes, a square Dish, and fourteen Plates, some damage .

Antique and Decorative Furniture.
Antique and Modern Silver and Plate.

A SET OF FOUR FRENCH TABLE
CANDLESTICKS, mid 19th Century,
circular bases, with mask, leaf and swag
electrotyped flared stems, urn shaped sconces
and base domes, 11 an.

ASSORTED PLATE, comprising: two Entree Dishes, oval and octagonal; Siphon Stand; three Salvers, sizes between 9 and 12in; pair of Table Candlesticks; Teapot; Caster; Toast rack; Sauce Boat; Bottle Stand; Cruet Frame, (bottles wanting); Coffee Tray; Cocktail Shaker; three piece Tea Set and a small quantity of Flatware.

ASSORTED PLATE, comprising: Wine Cooler, company shaped, loop handles above a spreading foot, gadroon rim, 9in; Rose Bowl, girdle moulded hemispherical, lion mask and drop ring handles, waved rim above a spreading foot, 9in; Biscuit Box, plain cylindrical; and a Chamber stick, circular, later nozzle and extinguisher.

TWO TEA TRAYS, one armorial engraved oblong, gadroon borders with foliate shell clusters at the angles, the other crest and scroll band engraved shaped oval, beaded border, both with loop handles, 28 and 30in.

AN 80 PIECE CANTEEN, husk bordered pointed terminals, twelve place setting, including knives, incomplete, (wood case); and twelve Fish Knives with eleven Forks, Old English pattern, (case).

TWO PAIRS OF ENTREE DISHES, oval, beaded borders, ring handles; circular example with receded leaf borders; and a Dessert Basket, vine embossed and pierced circular, (liner).

ASSORTED PLATE, comprising: oval Basket, pale pierced, gadroon border, 11 in; another, compressed circular, palmettos border, angled handles, 11m; Entree Dish, part fluted, gadroon borders, oval Entree Dish; Bowl, pierced circular, wire handle; Bottle Holder; cased flatware sets, comprising: three pairs of Fish Servers, six pairs of Fish Knives and Forks, with mother o’ pearl handles and twelve pairs of Fish Knives and Forks, engraved blades and bone handles.

WINE COASTERS, VICTORIAN TEA TRAY, WINE COOLER, circa 1850, SET OF FOUR CANDLESTICKS

Friday, January 15th, 2010

WINE COASTERS, VICTORIAN TEA TRAY, WINE COOLER, circa 1850,  SET OF FOUR CANDLESTICKS

A PAIR OF WINE COASTERS, swirl foliate pierced sides, turned wood bases; 5in.

A PLATE-MOUNTED GLASS CLARET JUG, circa 1880, the cut and vine etched compressed globular body with plated vine scroll handle, collar, cover and bud finial, 11 in.

A DECORATIVE EWER AND PAIR OF MUGS, late 19th-century, Bacchanal chased ovoid on spreading leafy foot, female nude handle, the mugs tapered cylindrical with chased tavern scenes after Teniers, conforming handles, ewer 16in.

A PAIR OF COASTERS, arch motif pierced circular, shaped rims, turned wood bases with vacant central bosses, 53in.

A VICTORIAN TEA TRAY, diaper, scroll and recalled chased rectangular, matted foliage border and leaf-wrapped handles, 291/2in.

ASSORTED PLATE, comprising: glass Claret Jug, flower etched tapering with flared base, plain mount and ebony baton handle, Win; Coffee Big gin, cylindrical, detachable cover with spherical button, wood scroll handle, 8in; Candelabrum Branch, for three lights with fluted urn sockets, Win; novelty Toast Rack, the five bars formed as crossed golf clubs; triangular Napkin Ring; model of a Courser in 19th Century costume with two alert Greyhounds, (chains and base wanting); shaped circular Dish, the centre containing a Pot Lid entitled ‘The Enthusiast’; and a Victorian Lamp Base in the form of the Grocers’ Company crest, the laden recumbent camel with three sockets above a black marble plinth, 7in.

ASSORTED PLATE, comprising: Entree Dish, beaded oblong with pierced cradle liner and bayonet fitted handle, 10in; Sugar Box, shaped square section with domed cover, 5in; Vegetable Dish and liner, beaded circular with ring handle to cover, (side handle wanting); half pint Mug, enamel pennant applied; Cream Jug, engaged tapering oval, circa 1880; Victorian Sugar Bowl, chased melon fluted, scroll handles; gilt metal cigarette Box; and a Stilton Scoop with spiral carved bone handle    .

A NEF, fully rigged, three masts, cast crew and deck cannons, dolphin supports, 16in; and a Soup Tureen, part fluted oval, receded loop handles and spreading foot, 13m.

A COFFEE POT, circa 1790, foliate band engraved oval vase shaped, pedestal foot, domed cover with ball finial, wood scroll handle, Snuffers Tray and pair of Snuffers.

TWO PAIRS OF TABLE CANDLESTICKS, the first with circular bases, baluster stems and foliate borders, I2in., the others with shaped circular bases, telescopic stems and foliate borders; and a Dessert Basket, part pierced naivete shaped, spreading foot.

ASSORTED PLATE, comprising: two Trays, oval and shaped oblong, gallery borders, 1 PA and 18in; two pairs of Entree Dishes, oval and oblong; Tea Kettle on lamp stand, with burner; Teapot with Hot Water Jug and Sugar Basin en suite; Hot Water Jug, c.1780, vase shaped, pedestal foot; Flagon, tapered cylindrical; and two Serving Implements, (case)    .

A WINE COOLER, circa 1850, crested cylindrical, fluted at intervals above panel supports, detachable convolvulus collar, scroll loop side handles.

ASSORTED PLATE, comprising: Sheffield Plate Decanter Frame, circa 1820, shaped square gadrooned, later cut-glass Decanters, (handle mount detached, one foot wanting); Tazza, set with paste cabochons, moulded rim and spreading foot; 9in; a square based Toast rack with eight side mounted divisions; a four bottle Cruet Frame; a similar Frame for six bottles; a three piece Tea Set; two Fruit Baskets; two Tea Pots; a Claret Jug mount; two pewter pint Mugs, (one glass bottom broken); various other items.

A VICTORIAN TEA TRAY, shell and foliate engraved oblong, gadroon border with shell and scroll corners, fluted side handles, 29in., (wooden case).

A SET OF FOUR CANDLESTICKS, stop-fluted columnar on gadrooned square bases, with palmettos Corinthian sconces and gadroon nozzles, 9in; and a pair of Victorian Entree Dishes, Smith, Soissons and Co., circa 1860, foliate engraved oval, with flower corded borders and bayonet fitted handles, 12m.

ASSORTED PLATE, comprising: Coffee Tray, Aesthetic movement engraved octagonal; four cup Egg Frame, with cups and spoons; and Cased Sets, comprising: three piece Carving Set, set of twelve Napkin Rings, pair of Fish Servers and six pairs of Fish Knives and Forks    .

ASSORTED FRENCH PLATE, comprising: Tray, foliate scroll engraved shaped oblong, 15in.; three Serving Dishes, circular and shaped oval, sizes between 1 PA and 15in.; and a Sauce Boat on stand, shaped oval, all with receded borders.

A SET OF FOUR CANDLESTICKS, Blagden, Hodgson & Co., circa 1830, leaf knapped tapering on circular bases, urn shaped sconces, two fitted for electricity with light extensions, 9in.

ASSORTED PLATE, comprising:
Meat Dish, gadrooned oval, 16in; Coffee Jug,
leaf and gadroon banded tapering cylindrical,
C scroll handle, sprig finial, Thin; Muffin
Dish, with liner; pair of Sauce Boats; pair of
Toast Racks, heart divisions; another Toast
Rack; Wine Funnel; pair of Knife Rests;
Sugar Bowl; Scent Funnel; cased pair of Fish
Servers, stag’s head and foliated panel chased
silver terminals, stained bone handles;
Victorian Wine Cup and a quantity of
Flatware, mainly Fiddle pattern .

A VICTORIAN WINE JUG, circa
1860, the interlaced strap work and leaf tip
banded ovoid body engraved with panels of
grape harvesting Fauns, scroll and claw
handle above mask of Bacchus, the spout
over a chased mask, 13 Van.

wood Netsuke, 19th Century, Japanese ivory cane Handle, Meiji Period, Chinese ivory reclining female Figure, Guangxu

Friday, January 15th, 2010

wood Netsuke, 19th Century, Japanese ivory cane Handle, Meiji Period, Chinese ivory reclining female Figure, Guangxu

A Japanese ivory Box and Cover, Meiji Period, well carved as an army of auspicious rats invading Daikoku’s bag, his mallet forming the finial, inlaid eyes, 9.8cm.;

A Canton ivory wrist Rest, 19th Century, of curved oblong outline based upon I a us pad, the interior carved in relief with a spirited group of aquatic life including frogs, crabs, catfish and winkles under millet and dragonflies, 11.3cm.;  wood stand.

A Japanese ivory cane Handle, Meiji Period, carved as an alligator overcoming a snake upon a rock, 9.5cm.;

A bone Chess Set, 19th Century, red and natural, each piece and pawn lathe turned, some with bobbin stems, minor repairs. 4.2 to 11cm.;

An ivory kimono Figure, Meiji Period, a man seated with a tobacco pouch, wearing a wide-brimmed straw hat, 5.3cm.; signed Soko.

A good ivory Carving of Hofei, Meiji
Period, of portly but robust build, a fan slung
over his shoulder from a cord attached to his
gnarled staff, in his other hand a large linen
bag, well textured cloak, 13cm.;

A Canton carved ivory gentleman’s
Card Case, 19th Century, well carved with a
myriad of figures out-of-doors in gardens
dotted with pleasure huts, 11.5cm.;

A Chinese ivory reclining female Figure, Guangxu or later, of euphemistic medicine figure type, naked but for her shoes, head resting upon a raised hand, 15.5 m.; 6in.

A sectional ivory Figure of a peasant, Meiji, geese and other produce in his basket, distressed, 25cm.;

An ivory Okimono, Meiji, of a man eating noodles, chopsticks raised, 4cm.;

An ivory Figure of a dancer, Meiji, ii full kimono with hat and fan raised in her right | hand, finely incised detail, 14cm.;

An ivory Group, Meiji, a monk and attendant holding aloft a basket over which numerous small one scramble, minor chips, 16cm.;

An ivory kimono of Figures with an
elephant, Meiji, the juvenile beast coaxed over
a stone bridge, children climbing on its back,
one sounding a shell, all looking skyward,
9cm.;

An ivory kimono Group of seven sages, Meiji, with scrolls, fans, texts and two boy attendants serving wine, minor chip, 8.5cm.;

An ivory Figure of a biking, Meiji, kneeling as if for the Tea ceremony, hands collected on her lap, finely detailed kimono and obi, 7.5cm.;

An ivory kimono Netsuke, Meiji, four blind men carrying a fish on a yoke, one knocked to the ground by its flapping, 4.8cm.;

An ivory okimono Netsuke of Ebisu and Daikoku, Meiji, seated on a giant fish with abacus and accounts, hand repair, 4.2cm.;

A walrus tusk Carving of elephants, Meiji, forming a mountain, 39cm.;

Two stag antler Ojime, 19th Century,
one of a puppy sitting with raised paw upon a shell, inlaid eyes, 1.8cm.; V2in., the other of a cat, inlaid eyes and collar bell.

Two wood Netsuke, 19th Century, one
a red ebony sushi-type Netsuke of Tenaga and
Ashinaga standing on a squid, 12.4cm.;
the other of Gama Sennin, a frog crawling
over his leafy collar, inlaid eyes, 11.2cm.;

Two wood Netsuke, 19th Century, one
of a figure with an alms bowl, a small boy clambering on his shoulders, 5.4cm.; the other of Shoki tugging his beard, a halberd in his right hand, 8.4cm.;

Five ivory Carvings, Meiji, two of
seated figures with loose heads, one of a man
seated with a fan, one of a man carrying a
lantern and one of a snake and a water pot.

Three ceramic Netsuke: one a red
stoneware mask, one an oblong Manju painted in under glaze-blue with a dragon, the other of kuku form, painted in under glaze-blue.

A wood Netsuke, 19th Century, a
peasant rolling a large container while carrying a mallet on his back, 4.5cm.;

An ivory Okimono, Meiji, a young
monk seated with a covered bowl, smiling and
with inlaid eyes, flower incised robes, 4.9cm.;

A wood and ivory Netsuke, 19th Century, a boy entertainer seated with a fox mask raised to his face, the lion mask of his shish costume hanging back over his shoulders, small repair to foot, 3.5cm.;

An ivory okimono Group of eight figures, Meiji, carrying musical instruments and various attributes, minor chips, 4.8cm.;

An ivory Okimono of Hotel, 19th Century, with characterised features and with gaping mouth, 6cm.;

A bone Model of a pagoda, Meiji Period, with five graduated stages, the lower one enclosing a Buddha, carved throughout with dragons and hung with bells, one bell missing, 55.5cm.; 22in.

A Collection of miniature metalwork Plaques, Meiji, circular, octagonal, cinque- and quatrefoil, each embellished with a scene of people or birds .

A bronze tripod Censer, 17th Century, the rounded sides cast with a low relief frieze of sea dragons clutching at pearls, between upstanding ring handles held in the trunks of inverted elephant heads, three further elephant heads forming feet, 29cm.;

Ando Jubei: A cloisonne Box and Cover, 20th Century, apple green, the cover filled with a stylised flower head, six petals overlapping six more picked out in greens and amber, fitted interior, 12.5cm.; 5in., cased.

A bronze Figure of a seated warlord,
Meiji, sitting cross-legged, wearing full armour
and clasping a scroll in his right hand.

A bronze Figure of a warrior, Meiji,
standing with a large club, the other hand
residing on the pommel of his sword, leg repair,
29.5cm.;

A Chinese bronze Model of a recumbent buffalo, Ming Dynasty, 11cm.;

A Japanese bronze Figure, Meiji, a man leaning back with hands held in the action of flying a kite, his head tied with a scarf against the wind, 18.8cm.;

A bronze Censer, early Qing Dynasty,
of stout sided bombe form, a pair of elephant
heads forming handles, their ears turned to
us leaves, their trunks to lengthy fungus
stalks, 15.8cm.; cast Xuande marks within
and underneath.

A Chinese archaistic bronze Bell, of
traditional form, cast with character panels
between clusters of nipples under an integral
shaft, 33cm.; 13in.

A Japanese cloisonne Vase, Meiji, of ovoid form and oblong section, finely decorated with four cranes against a midnight-blue ground, stress cracks in neck, 14.8cm.; impressed mark    .

A Japanese bronze Koro, Meiji, on tripod lion mask and tongue feet, the sides and applied in high relief with a dragon clutching the ‘flaming pearl’, another surmounting the cover, 30cm.;

A graduated Set of five Bells, 19th
Century, each of dome form, hung upon a
common string, 15 to 8cm.; 6 to 31in.

Pair of Satsuma booted Vases, Meiji Period, An Imari Plate, A Fukagawa Vase

Friday, January 15th, 2010

Pair of Satsuma booted Vases, Meiji Period, An Imari Plate, A Fukagawa Vase

A Pair of Satsuma booted Vases, Meiji Period, each elaborately gilt and enamelled with broad scenes of samurai and begin reserved on a stout globular body under a pair of mask and tongue handles set in the brocade scattered deep blue ground, 30.3cm.; 12in.,

A Pair of Kutani porcelain Jars and
Covers, Meiji Period, each ovoid body
reserved with panels of kingfisher and
travelling entertainers under a pair of standing
boy handles, a third figure seated on the
cover, 28cm.;

A Pair of Satsuma Plates, Meiji Period,
painted en grisaille with an eagle in pine tree,
8.5cm.;

An Ao Kutani saucer Dish, 19th Century, the earthenware body covered in enamel with a pair of yellow deer upon aubergine ground against a green sky framed by a blue zig-zag under radiating seeded lappets, green underside with black meanders, yellow foot rim, interior bearing green square Kutani mark, 24.6cm.;

An Imari Charger, Meiji Period, the dense iron-red scale and trellis ground reserved with a variety of panels filled with birds, garden and sea scenes, a pine tree growing out of one under a zig-zag blue border, 45.8cm.; 18m.

An Imari Plate, Meiji Period, painted with six scroll brocades about a pomegranate centre, 37cm.;

A Fukagawa shallow Bowl, Meiji Period, of scalloped kiku flower form, the interior filled in under glaze-blue with a convolvulus design about a mallow medallion, 28.5cm.; Fuji mark and signature.

An Imari Stick Stand, Meiji Period,
enamelled with a continuous scene of a
maiden guarded by samurai, 61cm.; 24in.,
wood stand.

A lacquered Arita Vase, Meiji Period, reduced to a lamp, of barrel form with panels of birds, flaking.

A Pair of Satsuma earthenware Vases, Meiji/Taisho Period, of slender ovoid form, with enamelled birds flying through branches under applied handles, one broken, 58.3cm.; 23in.

An Imari Vase, Meiji Period, of true baluster form, filled with ho-o brocade panels beneath a frilled trumpet rim, 43.5cm.;

A Garniture of three Kutani Vases, Meiji Period, comprising: a Pair of ovoid Vases painted with doves, 19.4cm.; 7Vsin., and a baluster Vase painted with pheasant, 23.8cm.;

An Arita enamelled baluster Jar and Cover, Meiji Period, painted with figures in a garden between lappet and bird filled pink ground borders, 41 cm.; 16in.
A Pair of Kutani beaker Vases, Meiji/Taisho Period, of wasted form, each enamelled with quail amongst millet, 30.8cm.; 12m.

A Kutani Vase, Meiji Period, of
slender ovoid form, painted with a continuous garden scene inhabited by birds under applied mask-and-ring handles on the iron-red shoulder, rim repair, 35.8cm.;

A Pair of Imari Vases, Meiji Period, of
vertically ribbed ovoid form, panelled with ho-o
between bat/bird medallions, chip, 25 cm.;

A Fukagawa Vase, Meiji Period, ovoid
with wasted neck, attractively painted in
under glaze-blue with a ho-o bird amongst
wisteria against a vertically brocaded ground
picked out in enamels, 37.8cm.; 147in., Fuji
rebus.

An Imari Jar, Meiji Period, ovoid, brocaded and panelled with a lady with a parasol, a ho-o bird and garden elements, 32cm.;

A Pair of Kutani Vases, Meiji, of wasted form with low angular bodies, typically painted in orangy-red and gilding with figure panels set in a brocade, 33cm.; 13in.

A Satsuma circular Box and Cover,
Meiji Period, the brocade ground reserved
with fan panels of geisha, aghast and samurai,
11cm.;

A Pair of Satsuma Vases, Meiji Period,
of slender ovoid form, the richly brocaded ground filled with figure panels of courtiers and samurai, 46.5cm.;

‘VIENNA’ PLATES, circa 1900, CIRCULAR BASKET, Meissen, PORCELAIN MIRROR, PORCELAIN CLOCK GARNITURE, German

Sunday, January 10th, 2010

‘VIENNA’ PLATES, circa 1900, CIRCULAR BASKET, Meissen, PORCELAIN MIRROR, PORCELAIN CLOCK GARNITURE, German

A POTTERY FIGURE OF A BOY ON A SEAL, Continental, early 20th Century, signed C.L. Doman, the seal covered in a pale blue glaze, raised on a circular wooden base, incised

signature, 25cm.; 97Ain.; and a pottery Model of the Madonna and Child by the same artist, raised on an ebonised wood base.

A PAIR OF PORCELAIN CORNUCOPIA WALL POCKETS, German, late 19th Century, each applied with two putti amongst encrusted flowers, 31cm.; 12′Ain., some restoration and chips.

FOUR ‘SEVRES’ PLATES, probably Limoges, circa 1900, painted with portraits, putti and figure subjects against blue grounds, various pseudo Sevres marks, largest 33.5cm.:

13′Ain.; also a pair of German porcelain figures of children carrying baskets.

TWO ‘VIENNA’ PLATES, circa 1900, each painted with Classical figure subjects titled Achilles’ and ‘Endymion’, inside deep blue and gilt borders, shield marks in blue, 24cm.: 9

one chipped.

A SET OF THREE ‘VIENNA’ PLATES, circa 1900, each painted with Classical females inside a maroon border enriched in gilding, shield mark in blue.    ”

A PORCELAIN GROUP, German or French, circa 1900, modelled as a young woman stepping out of a sedan, attended by three gallants, factory mark in blue, 25.5cm.; Win. high, minor

chips and repair.

A PORCELAIN FLOWER HOLDER, Royal Dux, 1920’s, modelled with a boy and girl seated at either end of a large open basket, typically coloured, applied pink triangle mark, green

printed Made in Czechoslovakia, impressed 2357, 30cm.

A SET OF FIVE PORCELAIN TAZZE, Paris, mid-19th Century, each well painted with a central flower spray, the exteriors with a green ground border reserved with flower vignettes,

gilt rims, comprising: three tall Tazze and two low Tazze, slight gilt rubbing, one with small restored chip.

A CIRCULAR BASKET, Meissen,
19th Century, of circular form painted with a
central flower spray, the pierced sides applied
with small blue flower heads, all between
applied twig handles with flower terminals,
crossed swords in underglaze- blue, impressed
numerals, 21cm.; 8′Ain. diam., small chips and
area of repair.

A SET OF FOUR DELFT PLATES,
probably Dutch, 18th/19th Century, each
painted in blue with a different religious
subject, within a scroll border, each approx.
22.5cm.; 87Ain. diam., minor rim chips.

A GROUP EMBLEMATIC OF SPRING, Meissen, late 19th Century, depicting four putti seated above a gilt scroll moulded base playing with garlands of flowers, pieced out in bright

enamels, crossed swords in underglaze-blue and incised 2502, 16cm.; 6′Ain., minor restorations on some flowers.

A SET OF SIX PORCELAIN KNIFE HANDLES, Mennecy, circa 1750, of pistol form, moulded and pieced out in puce with scrolls, painted in soft enamels and flower sprays, 7.5cm.; 3in.,

four damaged, one haircracked, silver-mounted and
with contemporary steel blades stamped with
a crowned C poinon.

A PORCELAIN MIRROR, Plaue, late 19th Century, of oval form, encrusted with sprays of pink and yellow roses, applied above with two cherubs holding a flower garland, cross mark

in underglaze-blue, 27cm.; lOVxin. high, minor chips.

A PORCELAIN CLOCK GARNITURE, German, circa
1900, comprising: a flower encrusted Clock
Case surmounted by a female figure attended
by two cherubs, and a Pair of Candlesticks
applied with cherubs and flowers on a pink
and green ground, height of clock overall
54.5cm.; 21′Am., chips.

A LARGE PLAQUE, Continental,
circa 1898, painted by A. Luzinger after F.B.
Greuze with a scantily-clad maiden looking
heavenwards, script mark A. Luzinger d’apres
F.B. Greuze, Paris, 43 by 34cm.

A PLATE, Vienna, circa 1827, painted
with two Classical figures in an interior
within a complex rust red ground border
interrupted by Classical figure panels, richly
gilded, signed with a monogram CH, titled
L’origine delta pittira’, shield mark, impressed date
code, 24cm.; 9′Ain. wide, minor enamel.

A ‘SEVRES’ ICE PAIL, late 19th Century, painted with swags of fruit and flowers entwined with green ribbons, set with short scroll and acanthus moulded handles.

A PAIR OF PORCELAIN FIGURES OF A GALLANT AND COMPANION, probably French, late 19th Century, each modelled wearing flowered costume on domed grassy bases, she holding a sheet of

music, he playing a lvre, impressed ML 498, 30.5cm.; 12in., her neck and hands restored, his hands and lyre restored.

A MAJOLICA FLOWER HOLDER
AND STAND, Continental, 2nd half 19th
Century, the circular base modelled with an
African figure accompanied by a large
ostrich, before a palm tree supporting a
cylindrical flower holder, all raised on a
stepped circular base, impressed G&St., incised
2267, 58.5cm.; 23in. overall, some chips and
repair.

A FLOWER ENCRUSTED PORCELAIN CENTREPIECE, Sitzendorf, late 19th/early 20th Century, comprising a pierced basket printed with flower sprays supported on a scroll moulded stem

applied with cherubs playing musical instruments, cross mark in underglaze blue, impressed S and numerals, 33cm.; 13in., some damage and repair to applied decoration.