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Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
Friday, January 15th, 2010
Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.
A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.
A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in .TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips .A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).
A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).
AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia
AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).
A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).
A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.
A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.
A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).
A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200
A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.
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A PORCELAIN BOWL, Worcester, PORCELAIN FIGURES, Derby, Belleek
Friday, January 15th, 2010
A PORCELAIN BOWL, Worcester, PORCELAIN FIGURES, Derby, Belleek
A BROWN STONEWARE FLASK IN THE FORM OF A TIPSTAFF, Stephen Green, Lambeth, circa 1837, the cylindrical sides moulded in relief with a royal coat of arms and initialled ‘V R’, impressed Stephen Green, Imperial Potteries Lambeth, 28cm.; also a Group of four brown glazed Flasks, 20th Century, and a Model of a Salisbury Kettle (9).
A POTTERY VASE, Bretby, circa 1900, modelled with a stork before open bamboo shoots, all covered in a brown glaze, impressed factory mark, 29.25cm.;
cracks to stork’s leg.A PORCELAIN BOWL, Worcester, circa 1780, printed in blue with ‘The Argument’ pattern, printed disguised numeral, 25cm.; 97in. diam., small chip.
A TAZZA, Royal Worcester, circa 1865, the shallow bowl with pierced rim supported on a receded pedestal applied with a pair of cherubs, all raised on a circular base, with three scroll feet, details picked out in gilding, 16.5cm.; 6in., hair crack .
A PAIR OF POTTERY GREYHOUNDS, Staffordshire, late 19th Century, each modelled standing, one with a hare at its feet, the other with a hare in its mouth, 24cm,; 9in., minor flaking of enamels .
A PAIR OF ROYAL LANCASTRIAN
VASES, Pilkington’s, circa 1915, each ovoid
body covered in a blue glaze, impressed marks,
30.5cm.; 12in.; also another Royal Lancastrian
Vase; and a Chameleon ware Vase (4).A PORCELAIN FIGURE OF A LADY,
French, late 19th Century, standing holding
a fan, wearing a plumed hat, turquoise coat
and crinoline dress, raised on a scroll
moulded base, gold anchor mark, 25.5cm.;
small chips; also another porcelain
Figure of a lady wearing a green crinoline
dress (2).A FIGURE GROUP, German or
French, late 19th Century, modelled as a
young man at the side of his companion,
Cupid standing on his back, Harlequin
standing behind, raised on a shaped oval
base, 14cm.; 5in, high, some repair and chips.A FIGURE OF A YOUNG GIRL, Meissen, 19th Century, standing playing a tambourine, wearing a puce bodice and floral skirt, crossed swords mark in under glaze-blue, 12.5cm.; 47in, some damage; also a Continental porcelain Figure of a young girl with basket (2).
A STONE CHINA PART DINNER SERVICE, Spode and Copeland & Garrett, circa 1820 and later, painted with a ‘Japan’ pattern of groups of flowers painted in under glaze-blue, red and gilt, comprising: eighteen Dinner Plates, nine Soup Plates and fifteen Dessert Plates, impressed and printed marks, some chips and cracks (42) .
A SQUIRE’ POTTERY TOBY JUG, Staffordshire, mid-19th Century, of traditional form, seated holding a jug of ale wearing a blue coat, red waist jacket and yellow breeches, 28cm.; high, arm repaired; also a Staffordshire ‘Night watchman’ Toby Jug (2).
A PAIR OF PORCELAIN FIGURES OF MUSICIANS, Derby, circa 1830, a young man and companion standing wearing colourful costume, he blowing a pipe and beating a tambourine, the lady holding a triangle, each raised on a pierced scroll moulded base enriched in gilding, red painted marks, 20cm.; 77in,, chips and some repair.
A SHAMROCK BASKET, Belleek, Second Period, of trefoil form, with four strand base below pierced sides applied at the rim with three groups of flowers, impressed Belleek, Co. Fermanagh, Ireland, 13cm.; 5in. Wide.
AN ABERDEEN VASE, Belleek, Second Period, the squat body moulded with ovals below applied flowers, black printed mark, 15.25cm.; 6in. high, some chips and haircrack; also a Belleek Cup and Saucer (3) .
A SMALL BIRD’S NEST BASKET, Belleek, First Period, the three strand base and sides below a rim encrusted with flowers, impressed Belleek, Co. Fermanagh, 9.5cm.; 33in diam., small chips; also a later Belleek heart-shaped Basket applied with coloured flowers .
A SHAMROCK BASKET, Belleek, First Period, of trefoil form, with three strand base below pierced sides, the rope twist rim applied with three groups of flowers, impressed mark Belleek, Co. Fermanagh, 16cm.; 6in. divide, some damage .
A HENSHALL BASKET, Belleek, Second Period, of oval form, with four strand base beneath pierced sides set with entwined twig handle applied at the ends with groups of flowers, impressed mark Belleek, Co. Fermanagh, Ireland, 28cm.; 11in. long, very minor chips.
A PAIR OF POTTERY SPANIELS, Staffordshire, 2nd half 19th Century, each modelled seated, their fur with orange markings, 25.5cm.; Win.; and a Staffordshire pottery Spaniel with black markings; and a smaller example with copper lustre markings (4).
A PAIR OF POTTERY SPANIELS, Staffordshire, late 19th Century, modelled seated, their fur with copper lustre markings, 24cm.; 9in.; and a similar Pair (4) .
A STONEWARE VASE, Bernard Leach, circa 1950, of wasted cylindrical form, streaked in brown against a pale green ground, impressed St Ives and B L seals, 14.5cm.; 53in.
A BLUE JASPERWARE JARDINIERE, Wedgwood, early 19th century, the inverted bell-shape decorated in white relief with Classical Figures beneath swags of fruiting vines suspended from lion mask and ring handles, impressed WEDGWOOD, 23.5cm.; 9in.A GROUP OF FOUR POTTERY
FIGURES, Staffordshire, mid-19th Century,
comprising: a Group of a girl with a rabbit
before a hutch; an inkwell Figure of a Turk;
an inkwell Group of a girl and goat; and an
inkwell Group of a boy and dog, tallest 19cm.;
7in., minor damage and restoration (4). -
‘VIENNA’ PLATES, circa 1900, CIRCULAR BASKET, Meissen, PORCELAIN MIRROR, PORCELAIN CLOCK GARNITURE, German
Sunday, January 10th, 2010
‘VIENNA’ PLATES, circa 1900, CIRCULAR BASKET, Meissen, PORCELAIN MIRROR, PORCELAIN CLOCK GARNITURE, German
A POTTERY FIGURE OF A BOY ON A SEAL, Continental, early 20th Century, signed C.L. Doman, the seal covered in a pale blue glaze, raised on a circular wooden base, incised
signature, 25cm.; 97Ain.; and a pottery Model of the Madonna and Child by the same artist, raised on an ebonised wood base.
A PAIR OF PORCELAIN CORNUCOPIA WALL POCKETS, German, late 19th Century, each applied with two putti amongst encrusted flowers, 31cm.; 12′Ain., some restoration and chips.
FOUR ‘SEVRES’ PLATES, probably Limoges, circa 1900, painted with portraits, putti and figure subjects against blue grounds, various pseudo Sevres marks, largest 33.5cm.:
13′Ain.; also a pair of German porcelain figures of children carrying baskets.
TWO ‘VIENNA’ PLATES, circa 1900, each painted with Classical figure subjects titled Achilles’ and ‘Endymion’, inside deep blue and gilt borders, shield marks in blue, 24cm.: 9
one chipped.
A SET OF THREE ‘VIENNA’ PLATES, circa 1900, each painted with Classical females inside a maroon border enriched in gilding, shield mark in blue. ”
A PORCELAIN GROUP, German or French, circa 1900, modelled as a young woman stepping out of a sedan, attended by three gallants, factory mark in blue, 25.5cm.; Win. high, minor
chips and repair.
A PORCELAIN FLOWER HOLDER, Royal Dux, 1920’s, modelled with a boy and girl seated at either end of a large open basket, typically coloured, applied pink triangle mark, green
printed Made in Czechoslovakia, impressed 2357, 30cm.
A SET OF FIVE PORCELAIN TAZZE, Paris, mid-19th Century, each well painted with a central flower spray, the exteriors with a green ground border reserved with flower vignettes,
gilt rims, comprising: three tall Tazze and two low Tazze, slight gilt rubbing, one with small restored chip.
A CIRCULAR BASKET, Meissen,
19th Century, of circular form painted with a
central flower spray, the pierced sides applied
with small blue flower heads, all between
applied twig handles with flower terminals,
crossed swords in underglaze- blue, impressed
numerals, 21cm.; 8′Ain. diam., small chips and
area of repair.A SET OF FOUR DELFT PLATES,
probably Dutch, 18th/19th Century, each
painted in blue with a different religious
subject, within a scroll border, each approx.
22.5cm.; 87Ain. diam., minor rim chips.A GROUP EMBLEMATIC OF SPRING, Meissen, late 19th Century, depicting four putti seated above a gilt scroll moulded base playing with garlands of flowers, pieced out in bright
enamels, crossed swords in underglaze-blue and incised 2502, 16cm.; 6′Ain., minor restorations on some flowers.
A SET OF SIX PORCELAIN KNIFE HANDLES, Mennecy, circa 1750, of pistol form, moulded and pieced out in puce with scrolls, painted in soft enamels and flower sprays, 7.5cm.; 3in.,
four damaged, one haircracked, silver-mounted and
with contemporary steel blades stamped with
a crowned C poinon.A PORCELAIN MIRROR, Plaue, late 19th Century, of oval form, encrusted with sprays of pink and yellow roses, applied above with two cherubs holding a flower garland, cross mark
in underglaze-blue, 27cm.; lOVxin. high, minor chips.
A PORCELAIN CLOCK GARNITURE, German, circa
1900, comprising: a flower encrusted Clock
Case surmounted by a female figure attended
by two cherubs, and a Pair of Candlesticks
applied with cherubs and flowers on a pink
and green ground, height of clock overall
54.5cm.; 21′Am., chips.A LARGE PLAQUE, Continental,
circa 1898, painted by A. Luzinger after F.B.
Greuze with a scantily-clad maiden looking
heavenwards, script mark A. Luzinger d’apres
F.B. Greuze, Paris, 43 by 34cm.A PLATE, Vienna, circa 1827, painted
with two Classical figures in an interior
within a complex rust red ground border
interrupted by Classical figure panels, richly
gilded, signed with a monogram CH, titled
L’origine delta pittira’, shield mark, impressed date
code, 24cm.; 9′Ain. wide, minor enamel.A ‘SEVRES’ ICE PAIL, late 19th Century, painted with swags of fruit and flowers entwined with green ribbons, set with short scroll and acanthus moulded handles.
A PAIR OF PORCELAIN FIGURES OF A GALLANT AND COMPANION, probably French, late 19th Century, each modelled wearing flowered costume on domed grassy bases, she holding a sheet of
music, he playing a lvre, impressed ML 498, 30.5cm.; 12in., her neck and hands restored, his hands and lyre restored.
A MAJOLICA FLOWER HOLDER
AND STAND, Continental, 2nd half 19th
Century, the circular base modelled with an
African figure accompanied by a large
ostrich, before a palm tree supporting a
cylindrical flower holder, all raised on a
stepped circular base, impressed G&St., incised
2267, 58.5cm.; 23in. overall, some chips and
repair.A FLOWER ENCRUSTED PORCELAIN CENTREPIECE, Sitzendorf, late 19th/early 20th Century, comprising a pierced basket printed with flower sprays supported on a scroll moulded stem
applied with cherubs playing musical instruments, cross mark in underglaze blue, impressed S and numerals, 33cm.; 13in., some damage and repair to applied decoration.
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A Paris porcelain Coffee Set, French porcelain Figures, Paris porcelain two-handled Vases, mid-19th Century
Thursday, January 7th, 2010
A Paris porcelain Coffee Set, French porcelain Figures, Paris porcelain two-handled Vases, mid-19th Century
A Paris porcelain Coffee Set,
19th Century, of Empire form, each
piece gilt with borders of stylised leaves,
comprising: Coffee Pot and Cover,
Sucrier and Cover, Milk Jug, four Cups
and four Saucers, one cup handle repaired.A Pair of Paris porcelain Vases
and pierced Covers, 2nd half 19th
Century, each of cylindrical form,
tapering towards the foot beneath shaped
flaring rim, painted with a figure in
landscape amongst flower sprays and
green and maroon gilt framed panels, all
between bearded mask handles, the
covers similarly decorated, pierced with
circles around a central opening, with
short moulded and gilt neck, chips and
repairs.An unusual Pair of Jacob Petit
Figures of the Young Albert and
Victoria, circa 1845, he wearing a long
high-necked jacket, gilt epaulettes and
insignia, standing with his right hand
resting on a cloth-covered pedestal, she
modelled free-standing, wearing a crown,
insignia and full-length ermine-edged
dress, each standing on rectangular
plinths covered with green velvet
gilt-edged cloths, hair-crack across base,
chipped finger.A Pair of French porcelain Figures of a gallant and companion, late 19th Century, each standing holding flowers, wearing colourful 18th Century floral decorated costume, raised
on a circular mound base, some restoration and chips, 43cm.; 17in., crossed swords in underglaze-blue.
A Set of eight Paris porcelain Plates, late 19th Century, each printed and coloured with butterflies between naturalistic sprays of flowers and grass over a white ground within
a shaped gilt rim, chips, brown printed circle mark for 23 Boulevard des Italiens and 20 Rue de Choiseul; also five matching Soup Plates.
A Samson, Paris porcelain Figure ‘Le Medecier’, the black-wigged gentleman wearing a purple coat and holding a stopwatch, raised on a scroll moulded circular base, minor chips,
17.5cm.; 67/dn. high, painted title and ‘BJ’, underglaze-blue mark and impressed numerals.
A Pair of French porcelain Figure Candlesticks, probably Samson, late 19th Century, modelled as Mars and Minerva in uniform, a cockerel and owl at their side, standing before a
flower encrusted tree beside a single sconce, raised on a scroll moulded base, some repair and chips.
A Monterau & Creil (Leboeuf & Milliet) gilt-metal mounted Jewellery Casket, mid- 19th Century, of canted rectangular form, the hinged cover painted with an oval portrait
medallion of a girl amidst elaborated designs including scrollwork, cornucopiae, flowers and leaves against a blue ground, raised on four gilt-metal paw feet, 28cm.; llin. long,
impressed factory marks, painted letter ‘H’.
A Pair of Paris porcelain two-handled Vases, mid-19th Century,
of neo-classical inspiration, each baluster
body painted with pairs of female
figures, titled ‘Thalie/Melpanene’ and
‘Clio/Oranie’ respectively, all over a buff
ground between gilt and moulded
geometric bands and black and gilt
angular handles, each with applied
cameo roundels, minor rim chip.A Paris porcelain Dessert
Service, 19th Century (Jacquel/Rue de la
Paix), each piece painted with a colourful
spray of flowers over a white ground
within a thin gilt band and shaped pink
border gilt with thin lines, comprising:
one Comport, two Tazze and twelve
Plates, minor chip and two hair-cracks, green
painted mark.A Pair of Paris porcelain Vases,
mid-19th Century, each flattened
cylindrical body flaring out at the rim,
moulded and gilt with oak leaf, acorn
and flower forms, damaged, 38cm.; 15in.
high.A French porcelain and
gilt-metal mounted Jardiniere, late 19th
Century, of oval form, painted with two
children with pets, the reverse painted
with an extensive landscape within an
oval gilt frame against a white ground
scattered with flower sprays, set with cast
acanthus gilt-metal handles and
scrollwork pierced base.A Pair of Samson Groups of a gallant and companion, late 19th Century, each couple seated embracing wearing colourful 18th Century costume, set inside a gilt-metal arbor with
single sconce and porcelain flowers, some chips, 30cm.; lVUin. total height, crossed swords and ‘S’ mark in underglaze-blue.
A Pair of Samson Figure
Groups, late 19th Century, each
modelled as a young man and
companion seated before a tree, one
couple draping flower garlands over a
lamb, the other couple with an open
birdcage and a bird, each raised on an
oval scroll moulded base picked out in
gilding, some restoration and chips,
29cm.; lVfcin., crossed swords and ‘S’ in
underglaze-blue.A Paris porcelain Vase, 19th Century, the ovoid body painted with panels of flowers, signed Lenoir against a gilt and maroon ground, set with gilt swan handles, raised on socle
and square base, some wear to gilding, 39cm.; 151/4in., pseudo Sevres marks.
A Limoges two-handled Vase, early 20th Century, the generous ovoid body painted with a head of a lion, signed Lingquist, set with gilt scroll moulded handles, 33cm.; 13in.,
green painted JPIL France, inscribed in black Donated by the Lingquist Art Shop Cor. of Addersen and Sheffield, Chicago III 1915.
A Sevres bisque porcelain
Group, early 19th Century, three
classical nudes around a column
surmounted by two lovers embracing and
cupid beside, some repair and chips.A Pair of Sevres porcelain Plates,
1793-1804, each painted in the centre
and around the rim with sprays of
flowers within blue and gilt borders, rim
chips and small rim restoration, blue painted
RF monogram, Sevres and painters marks.A Sevres Napoleonic Cabinet
Cup and Saucer, circa 1805, the cup
painted with a scene of Napoleon riding into battle, titled underneath ‘Arcole’, the saucer painted with a broken cannon in landscape, all within gilt frames against a mustardorange ground gilt with Napoleonic emblems, red painted M’re Imp’le de Sevres and year code.
A Sevres porcelain presentation
Cabinet Cup and Saucer, circa 1824,
decorated in gilding with a frieze of stylised plant forms over a deep blue ground, the centre of the saucer painted with an inscription of friendship in Dutch, dated 1826, blueprinted mark for 1824, painted 4, Nov/DY and 1 Mai 20.
A ‘Sevres’ maroon ground
gilt-metal mounted Vase and Cover,
early 20th Century, the slender ovoid
body painted with a panel signed
W. Gravey depicting Napoleon on
horseback amidst a battle scene within an
oval gilt frame, the reverse decorated
with a landscape, set with gilt-metal swan
handles, the waisted neck gilt with the
letter TV’, raised on socle and gilt-metal
chamfered square base, 74cm. -
ANTIQUE GERMAN PORCELAIN MEISSEN: Meissen porcelain Figure of a lady, Meissen porcelain Figure of a girl
Thursday, January 7th, 2010
ANTIQUE GERMAN PORCELAIN MEISSEN: Meissen porcelain Figure of a lady, Meissen porcelain Figure of a girl
A Meissen Teabowl, mid-18th
Century, attractively enamelled with two
scenes of figures in an Italianate garden,
a man offering grapes to a bird on his
arm and two girls masquerading,
scattered flowers, gilt laub-undbandelwerk
rim interior, crossed swords in
underglaze-blue, gilder’s numeral 12.A Meissen Figure of a hurdy-gurdy player, 2nd half 18th Century, a woman standing holding the musical instrument at her side, wearing tall conical hat, lilac fur-lined coat and
flower painted dress, chips, 18cm.; 71/sin., crossed swords in underglaze-blue.
A Meissen porcelain Obelisk, 1763-73, the tapering square section obelisk on four ball feet raised on a square pedestal, moulded and gilt with flower panels and surmounted by a
four-mask finial, tiny chips and small firing crack, 20cm.; 77/sin., crossed swords and dot in underglaze-blue.
A Meissen Cabaret Set, circa
1770, each piece painted with scenes of
figures by the water’s edge with boats
and buildings in the distance,
comprising: a shaped oval Tray, a
Teapot and Cover, a Sugar Bowl and
Cover, a Cream Jug, two Cups and two
Saucers, some damage, crossed swords and
dot mark in underglaze-blue, in fitted red
leather travelling case.A German matched Tea Service,
18th Century, comprising: a Meissen
globular Teapot and Cover, painted with
an allegorical scene of ‘Fortuna’ rescuing
a child from falling into a well, the
reverse painted with a young boy in an
apple tree looking at a bearded figure
below holding a paper scroll, chips and
repair to cover, 10cm.; 4in., crossed swords
mark in underglaze-blue, also a Meissen
Fable subject Saucer, painted with the
Fox and the Stork, after Fontaine, and two
matching German Fable subject Cups
and a Saucer, some wear and chips.A Meissen Comport Base, 2nd half 19th Century, modelled as a gallant and companion in 18th Century costume standing about a flower encrusted and leaf moulded column, raised on a
high scroll moulded spreading circular base, chips, 35cm.; l33Ain., crossed swords mark in underglaze-blue, impressed and incised numerals.
A Meissen Cup, Cover and Stand, late 19th Century, each piece painted and encrusted with flowers in high relief, entwined branch handle, chips, 12cm.; 43Ain., crossed swords
mark in underglaze-blue.
A Meissen porcelain Figure of
Cupid in disguise, 2nd half 19th
Century, modelled in the guise of a
lawyer, bewigged, bespectacled and
bearing a document, one knee resting on
a stool as he argues his case, all raised on
a circular moulded and gilt base, some
chips, one wing repaired, 20.25cm.; 8in.
high, crossed swords in underglaze-blue.A Meissen porcelain equestrian
Group of Katharine II, 19th Century,
modelled bearing a sword, in white
gold-trimmed coat, astride a bay horse,
raised on an oval naturalistic base
moulded with scrolls and gilt, chips,
restored, 25.6cm.; lOVdn., crossed swords in
underglaze-blue, impressed 40; also another
Meissen porcelain equestrian Group, the
blue-coated male rider on an
orange/brown horse, chips and restoration,
crossed swords in underglaze-blue, incised
numerals.A large German porcelain ovoid footed Vase, 19th Century, the bright yellow ground reserved with well painted gilt framed panels of flowers and lovers in landscape, the main
panel depicting three ladies and a male companion beneath trees close to a classical fountain, 37.5cm.; 143Ain. high, feint cancelled crossed swords in underglaze-blue, painted
indistinct numerals.
A Meissen porcelain Tete-a-Tete, 2nd quarter 19th Century, each piece finely painted with panels of rustic or military figures in landscape, within gilt scroll borders reserved
against a deep blue ground decorated with elaborate gilding, comprising: Coffee Pot and Cover, Cream Jug, Tray and two Cups and Saucers, some damage and repair, crossed swords
in underglaze-blue, impressed 13 and 19, gilt 10, paper label on tray.
A Meissen porcelain Figure of a lady by a spinning wheel, late 18th/early 19th Century, the elaborately dressed woman reclining in a chair with a book, her spinning wheel by her
side on a cabriole leg table, all raised on a shaped oval flower and leaf scattered base, details picked out in gilding, chips to spinning wheel, 17.1cm.; 63Ain. high, cancelled
crossed swords in underglaze-blue.
A Meissen pierced oval Dish, 2nd
half 19th Century, the centre painted
with two lovers in a park beneath an
intricate pierced border highlighted in
turquoise, pink and gilt,
long, crossed swords mark in underglaze-blue.A Meissen porcelain sphinx
Paperweight, 19th Century, the
crouching figure modelled on a stepped shaped rectangular flower encrusted base, with fitted satin-lined leather case, small chips to flowers, 19.75cm.; 73/4n. long, crossedswords in underglaze-blue.
A Pair of Meissen Figures of a young boy and girl, 19th Century, each in colourful 18th Century-style costume, she holding grapes in a basket on her head and in her skirt, he
eating grapes taken from his hat, circular scroll moulded bases, his head restored, chips, each approx. 13.25cm.; 51/4in., crossed swords in underglaze-blue, impressed numerals
62121.
A Meissen porcelain Figure of ‘Winter’, circa 1760, modelled as a young boy swathed in a purple fur-lined cloak decorated with gilt flowers, wearing ice-skates tied with purple
ribbon, grey stippled rectangular base, restored, 14.25cm.; 5Vsin. high, crossed swords in underglaze-blue.
A Meissen porcelain Figure of a female ‘monkey singer’, late 19th Century, modelled seated on a box, wearing blue flowered robe and singing from a book of music held open on her
lap, on circular scroll moulded and gilt base, chip to cuff and bow, 12.5cm.; 47/sin., crossed swords in underglaze-blue, painted 49, incised No. 17.
A Meissen porcelain Figure of a girl with a basket of fruit, late 19th Century, seated upon a mossy rock eating fruit from a basket in her right hand, gilt scroll moulded base,
repaired, chips, 12cm.; 43Uin., crossed swords in underglaze-blue, incised 15, impressed 65.
A Meissen porcelain Figure of a
girl holding a doll, late 19th Century,
dressed in yellow with lace-edged gown and apron, holding her doll in her left hand, her right hand outstretched, standing on grassy scroll moulded and gilt circular base,repaired, chips, 13.5cm.; 51Uin., crossed swords in underglaze-blue, incised C?79, impressed 122, painted 19.
A Meissen porcelain Figure of a
boy feeding geese, late 19th Century,
the blue-coated youth offering lettuce
leaves from his hat to a pair of geese and
goslings, all modelled on a naturalistic
circular base moulded with scrolls and
gilt, minor chips, 12.5cm.; 47/sin., crossed
swords in underglaze-blue, incised C41,
impressed 145, painted 41.A Pair of Meissen porcelain
Figures of a boy and girl, late 19th
Century, he modelled against a tree
stump and carrying a wreath of flowers,
she holding up her apron full of
flowerheads, each on a circular base
moulded with scrolls and gilt, minor chips,
11cm.; 43/sin., crossed swords mark in
underglaze-blue, impressed numerals 61136,
painted 20.A Meissen porcelain Figure
allegorical of ‘Smell’ and ‘Touch’, 19th
Century, conceived as a classical female
figure draped in sea-blue and flowered
robes holding aloft a bird, a perfume
casket in her left hand and standing next
to a vase of roses on a pedestal, a dog
and a cherub with more roses at her feet,
all raised on a scrolled and gilt
four-footed base, repairs, chips, 27.25cm.;
103/4in., crossed swords in underglaze-blue,
impressed ‘U.A Meissen porcelain pug dog
Group, 19th Century, the large
cream-coloured dog with brown face and
paws modelled seated, wearing a blue
collar studded with bells, one paw raised
guarding a puppy which lies beneath its
chest, minor restoration, 21.5cm.; 8V2in.
high, crossed swords in underglaze-blue,
incised 1169.A Meissen porcelain baby and dog
Group, 19th Century, the baby lying on
a large flowered cushion on a classical
six-legged couch playing with a large
brown dog, all raised on a canted
rectangular base, chip, minor restoration,
19cm.; 17V2in. long, crossed swords in
underglaze-blue, incised EI77.A Pair of Meissen Figures of faun musicians, late 19th Century, each modelled playing tambourine or bagpipes and seated upon either a rock or a stump, each raised on circular
scroll moulded base, chips, each approx. 17.25cm.; 63/dn., crossed swords in underglaze-blue, incised D49ID46, impressed 107/144, painted 44157.
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ANTIQUE PORCELAIN FIGURES: Derby Figures, Bow Figure, Staffordshire Figures
Thursday, January 7th, 2010
ANTIQUE PORCELAIN FIGURES: Derby Figures, Bow Figure, Staffordshire Figures
A rare Bow Figure of a Thames
waterman, 1753—55, standing in
brown-trimmed yellow cap and coat over
floral waistcoat, his head turned to
sinister, his left arm outstretched before
a tree-stump, on a floral painted base,
cap chipped, left hand restored, 20cm.;Until the construction of Westminster Bridge in 1750 the only two means of crossing the Thames on foot had been by London Bridge and at Kingston. To cross in the intervening gap
one would have to use the horse-ferry or one of the many Thames watermen, their numbers presumably remained much the same since the time of Pepys when about 4,000 were recorded.
Pepys allowed a regular waterman of his to grace his boat with his own coat-of-arms. Is it possible that such a ‘by appointment’ badge accounts for the coat-of-arms on the
waterman’s arm which differs from a similar figure illustrated by Elizabeth Adams and David Redstone, Bow Porcelain, plate 127. Although heraldically incorrect the present
figure’s badge is perhaps intended as the seal of the Navy Office.
A near Pair of Bow Figures, circa
1760, he wearing a pale-puce jacket and
knee-length breeches, finely enameled
in characteristic blue, puce and green
with flower sprays playing the recorder
with a dog at his feet, she striking a
dancing pose, her jacket finely
enameled with flowers over striped
apron and pale-yellow skirt, the scroll
molded base encrusted with flowers,
chip to her hat, restoration to his recorder and
hands, approx. 15.5cm.;A Pair of Bow Busts, circa 1755,
representing ‘Spring’ and ‘Winter’, the
former modeled as a young woman
wearing flowers in her hair and draped
in a puce and yellow flowered robe on a
wasted marbled sole, the latter as a
bearded man wearing ermine-trimmed
yellow cloak on similar base, restored and
chipped, 13cm.;A Bow Model of a Putt, circa 1760, standing garlanded in flowers, on circular base, restored, 13cm.; 5in.
A Pair of Derby Figures of street
vendors, 1760—65, the ‘Jewish peddler’
wearing a fur-lined cap and long green
coat over a long flower sprigged
waistcoat, a basket containing bottles
before him, his companion standing with
an open trinket box and wearing a short
red and green tunic over her purple
robe and yellow skirt, both on typical
Meissen-style bases encrusted with
color full flower sprays, damage to man’s
arms, head and coat, chips to woman’s clothes
and nose, approx. 18.5cm.; 73/sin., patch
marks .A Pair of Derby Figures of a boy
and girl, circa 1765, each seated before
flowering or fruiting boscage, he with a
dog and gun by his side, chips, 11cm.; 5in.A Pair of Derby Figures
representing ‘Autumn’ and ‘Winter’,
circa 1770, the former modeled as a
young grape harvester carrying a full
basket on his back wearing a puce jacket
and flower sprigged knee breeches, the
latter as a young girl with skates on her
feet and wrapped in a fur cape, both on
scroll molded bases, feathered in
turquoise green and picked out in
fielding, his arm glued, chips to both, approx.
3cm.;Three Derby Figures representing
Continents, late 18th Century, ‘Africa’ of
dark complexion wearing an elephant
mask hat, ‘Asia’ standing by a camel,
‘Europe’ by a horse and with attributes
of the Fine Arts, all restored, approx.
13cm.;A Pair of rare Derby ‘Mansion
House Dwarves’, early 19th Century,
each corpulent figure wearing an
extravagant hat and standing on a flower
encrusted green ground, hand glued to
one, approx. 17cmA Derby biscuit Group, circa 10,
modeled as three Cupids beneath a tree
encrusted with leaves, the rocky base
with budding flowers, one arm missing,
27cm.A Pair of Derby Figures of musicians, 1st quarter 19th Century, each seated on a chair, he playing tire flute, an instrument case and musical scores at his feet, she with a
mandolin and a small white dog on her lap, on canted rectangular bases edged in gilding, neck of mandolin broken, crazing, 16cm.;
A Stevenson &: Hancock Derby Figure of a cobbler, 2nd half 19th Century, seated with a shoe in his lap, his workbench on one side and looking up to the caged bird on the wall
behind him, 15.5cm.; 61Ain., crossed batons, ‘S’ and Win purple.
A Staffordshire Group of a girl
and swain with baskets, circa 10, of
clay, both seated before a tree with two yellow parrots among green and turquoise leaves, she wearing a turquoise bodice, her jacket outlined in dark-blue, on a rustic mounddappled in brown, yellow and green, 20.4cm.;
A Pair of ormolu mounted
Minton porcelain candlestick Figures,
1830’s, modeled as an 18th Century
lady and gentleman seated in elaborate
18th Century costume, he holding a
basket of fruit, she a garland of flowers
beneath rococo scroll bower, 33cm.; -
ANTIQUE GERMAN PORCELAN: Niderviller biscuit porcelain, K.P.M. ‘Empire’ Chocolate Cup, Berlin porcelain Vase, Pair of Dresden porcelain Dishes
Sunday, January 3rd, 2010
ANTIQUE GERMAN PORCELAN: Niderviller biscuit porcelain, K.P.M. ‘Empire’ Chocolate Cup, Berlin porcelain Vase, Pair of Dresden porcelain Dishes
A German porcelain Box and a
silver-gilt Top, mid-18th Century, the
sides and base well painted with battle
encampment scenes, 6.5cm.; 2′/nn. diam.A Niderviller biscuit porcelain Group, dated 1782, modelled as Cupid sharpening his arrow on a grindstone, raised on a rectangular base, some chips and restoration
A Hdchst porcelain Box and Cover, 18th Century, of bombe commode form, raised on four scroll feet, painted with scattered sprays of flowers within relief moulded scrolls picked out in puce, grey and brown, the domed cover surmounted by a pale-yellow flower knop, minor chips and restoration to cover, 17cm.; 6Vnin. across, crowned wheel mark in underglaze-blue.
A Ludwigsburg porcelain Jug, 2nd
half 18th Century, the true baluster body
moulded with a scale ground and finely
painted with naturalistic sprays of flowers,
raised on three scroll feet picked out in
gilding, small chip, cover lacking, 17.75cm.;
7in. high, crowned ‘C’s in underglaze-blue,
impressed numerals.A Berlin two-handled Cup and Trembleuse Stand, circa 1740, each piece painted with scenes of couples in a pastoral landscape, within barbed frames against a solid gilt ground, some restoration and wear, hair-crack to cup, sceptre mark in blue, Glides No. 24.
Two large Berlin porcelain Dishes, circa 1780, each white glazed body moulded in relief with a border of floral sprays hung from a sinuous stem, one painted with a pair of lovers in an arcadian landscape centred by scattered flowers, the other painted with a central floral spray and scattered blooms, minor wear, 35.75cm.; 14in. diam., sceptre marks in underglaze-blue.
A K.P.M. ‘Empire’ Chocolate Cup,
1st half 19th Century, the flaring
cylindrical body painted with a central
panel of a child embracing its mother
above the inscription Meine Liebe Mutter!
on a ground of gilt scrolls, raised on three
gilt lion paw feet, 13cm.; 5in., mark in
underglaze-blue.A Pair of Berlin K.P.M. Wall
Pockets, 2nd half 19th Century, of rococo
form, each painted with groups of flowers
within acanthus and scroll moulded
borders enriched in gilding, 33cm.; 13in.
high, printed orb and K.P.M. in iron-red.A Berlin porcelain two-handled
‘Trembleuse’ and Stand, 19th Century,
each painted with scattered sprays of flowers over a white ground, within a basketweave border and shaped gilt rim, the cup of trumpet shape with two gilt handles, the stand with a central pierced supporting gallery picked out in gilding, sceptre marks in underglaze-blue.A Berlin porcelain Vase, late 19th Century, the shouldered urn body beneath a short trumpet neck, painted with colourful sprays of flowers and insects flanked at the shoulders by two goat’s head masks, all between leaf moulded borders picked out in gilding, 16.75cm.; 6Vsin., sceptre mark in underglaze-blue, red printed K.P.M. and orb.
A Berlin porcelain Jug and Cover, 2nd half 19th Century, the true baluster body painted with figures in a landscape within gilt arched foliate panels, moulded in relief and flanked by colourful floral sprays, all beneath a pale-blue rim, the domed cover with gilt pear-shaped knop, restored, 14cm.; 5′hin. high, sceptre mark in underglaze-blue.
A Berlin porcelain rectangular
Lithophane, 2nd half 19th Century,
decorated with a head and shoulders portrait of a young woman, set with leaded blue glass panels and four smaller corner panels enclosing flowerhead designs, crack to one corner panel, 34.5 by 30.5cm.; 13′/2 by 12m., wood frame.A Collection of ten German
porcelain rectangular Lithophanes, 2nd
half 19th Century, moulded in intaglio,
mostly with figure subjects and including a
titled landscape of Coblenz, one repaired,
largest 19.75 by 15.25cm.;A large Berlin Tureen and Cover,
2nd half 19th Century, of circular form,
each piece painted with panels of 18th
Century gentlemen engaged in scenes of
revelry and festivity and groups of flowers
within osier moulded borders, the domed
cover surmounted by a Bacchic cherub
knop, minor chip to cherub, 35.5cm.; 14in.
high, sceptre mark in blue.A Berlin porcelain Figure of a
young girl, late 19th Century, wearing a
straw hat and colourful dress, standing on
a naturalistic square base holding an oval
wicker basket on her right arm, minor chip,
15cm.; 5Vdn. high, sceptre mark in
underglaze-blue.A good Berlin porcelain octagonal
Dish, circa 1849-70, the interior divided
into panels finely painted with figures of
musicians and courtly lovers in an
arcadian landscape flanked by panels
painted with sprays of flowers over a white
or black ground, gilt line rims, all within a
gilt scroll border and gilt rim, 27.5cm.;A Pair of Berlin porcelain
cylindrical Boxes and Covers, late 19th/
early 20th Century, each cover decorated
in pdte-sur-pdte with a scantily-clad young
maiden seated on a chair over a pale-
green ground, signed M.S., within a gilt
rim, the sides in pale pastel shades picked
out in gilding with panels and foliate
scrollwork, 8.25cm.; 3′Ain. diam., sceptre
mark in underglaze-blue, feint K.P.M. and orb
mark and impressed marks.Four Dresden yellow ground
miniature Cups and Saucers, 2nd half
19th Century, three painted with gilt
framed panels of figures by the water’s
edge, the other painted with a cherub in
puce camaieu, crossed swords in underglaze-
blue.A Pair of Dresden porcelain Dishes, 19th Century, each painted with four differing vistas of figures in landscape settings over a white ground scattered with single sprays of flowers centring a larger floral spray, gilt scroll border and gilt rim, 21.5cm.; 8′Ain. diam., A.R. monogram in underglaze-blue (2) ” ?300-400
A Dresden porcelain two-handled Vase and Cover, late 19th/20th Century,
the footed ovoid body moulded with two
ram’s mask handles and an upper frieze of
swags picked out in gilding, above two
circular panels painted with sprays of
flowers flanked by smaller diamond-
shaped panels painted with fantastic birds,
all picked out in gilding over a mauve
ground, knop restored, 20.5cm.; 8′Ain. high;
together with a ‘Dresden’ two-handled
footed boat-shaped Salt, painted with
alternating panels of floral sprays on a
pale-green ground and lovers in an
arcadian landscape, each within gilt scroll
frames, 15cm.; 5′Ain. across, marks in blue.A Pair of Dresden porcelain bottle Vases, late 19th Century, each painted with panels of lovers in an arcadian landscape within floral gilt frames between pink ground panels painted with sprays of flowers, the long cylindrical necks with similar decoration between a gilt collar and a rim of gilt vermicule, approx. 31cm.; 12′Ain. high, A.R. monogram in underglaze-blue.
A ‘Dresden’ porcelain Table Centre, late 19th Century, the pierced flower encrusted basket painted in the centre with a spray of flowers, raised on a scroll moulded column supported by a young maiden wearing a flowing floral gown who sits in the centre of a domed flower encrusted base, a small scantily-clad child stands on her lap, the subtle pastel tones picked out in gilding, minor chips, 39.5cm.; 15′Ain. high.
Two Dresden miniature Cups and Saucers, late 19th Century, each painted with a central quatrefoil panel of figures in a landscape within a gilt frame, white ground painted with scattered flowers, mauve or blue scale border and gilt rim, cancelled crossed swords in underglaze-blue.
A Dresden porcelain Plate, circa
1900, the centre painted with a head and
shoulders portrait of a young girl within a
circular gilt frame, the border pierced and
gilt with panels of flowers and diaper
work, 24cm.; 9′Ain., blue painted mark,
Dresden below crown.A Dresden porcelain Cruet Set, late 19th Century, each piece brightly painted with birds in branches and scattered insects beneath latticework moulded borders, gilt enrichment, comprising: a shaped oval Tray, an oil and vinegar Bottle, a Jug and Cover and a Caster, some chips and repair, tray 29.5cm.; llVrin. wide, blue and gilt marks.
A Dresden porcelain yellow ground Tete-a-Tete, late 19th Century, each piece decorated with alternating panels of lovers in a landscape and floral sprays over a yellow ground separated by a framework of gilt scrollwork, comprising: a lobed rectangular Tray, Coffee Pot and Cover, Sugar Box and Cover, Cream Jug, two Cups and Saucers, minor chips to spout of jug and cover of coffee pot, crossed swords in underglaze-blue.
A German porcelain Group of a gallant and companion, late 19th Century, each holding flowers and wearing colourful costume, on a shaped oval grassy base, damage to one arm, 23cm.; 9m.
A Plaue porcelain Candlestick, late 19th Century, a young woman and child around a scroll moulded and flower encrusted column, raised on a high base encrusted with further flowers, some chips, 38cm.; 15in., blue factory mark.
A Pair of German porcelain Figures of a gallant and companion, late 19th Century, each dressed in colourful 18th Century costume, he holding a hat, she with a fan, on circular scroll moulded bases, some restoration, 33cm.; 13in.
A German porcelain three-branch, four-light figure Candelabrum, late 19th/ early 20th Century, each sconce supported by a flower encrusted scroll arm, supported on a central scroll column held by a classical maiden who sits in the centre of a domed flower encrusted base wearing a loose floral robe, her arms around a scantily-clad putto, 52cm.; 20′Ain. high, feint marks in underglaze-blue.
A Plaue porcelain Mirror Frame, late 19th/early 20th Century, of rococo inspiration, the scroll moulded form with two scroll feet, coloured in pale-pink and green picked out in gilding and applied with colourful sprays of flowers and fruit, surmounted by two scantily-clad young cherubs, one playing a lyre, minor chips, 34.25cm.; 13lAin. high, crossed lines in underglaze-blue.
A Rudolstadt porcelain Clock Case, late 19th/early 20th Century, of rococo inspiration, the circular timepiece housed in a framework of scrolls applied with flowers and surmounted by a cherub playing a lyre, raised on a column of rocks and a scroll moulded base, upon which sit two scantily-clad cherubs playing a violin and pipe, minor chips, 27cm.; WVsin. high, impressed numerals and mark in underglaze-blue.
A German porcelain Plate, circa 1900, painted with Venus standing on a clam-shell being drawn by two putti and a dolphin against a deep blue ground enriched in gilding, 24cm.; 9′Ain., inscribed in black, Geburt der Venus nach Bongerau.
A large Rudolstadt Volkstedt
porcelain Figure of a monkey, late 19th/
early 20th Century, the startled creature
climbing on a rocky outcrop with few leafy
plants, an apple in his left hand, his
mouth and glass eyes wide open, all
coloured in naturalistic tones, small hair-
crack to base, 62cm.; 243/sin. high, impressed
BBS and Shape No. 2479.A Volkstedt white biscuit Group of dancers, early 20th Century, two men and
companions in 18th Century costume
standing in a circular formation, raised on
a circular gilt-metal mounted base, some
damage and restoration, 28cm.A German porcelain Model of an
elephant, 19th Century, the grey coloured
creature with deep set eyes, ears back,
standing four-square, his pale-pink trunk
curled under his chin, 8.75cm.; 3Vsin. high.A matched Pair of German porcelain Wall Brackets, late 19th Century, each with a single cherub holding a swag of flowers over a scrolling ground applied with sprays of flowers and picked out in gilding, minor chips and restoration, 21cm.; 8′Ain. high, marks in underglaze-blue.
A Pair of Plaue porcelain Stands, late 19th Century, of rococo inspiration and square section, the spreading scroll frieze raised on four scroll feet and applied on two corners with sprays of flowers and fruit, the other two corners with a gilt kidney-shaped panel painted with flowers, 17.25cm.; 6V4n. across, crossed lines in underglaze-blue, impressed numerals 2984.
A Carl Thieme, Potschappel two-handled Bowl, Cover and Stand, 2nd half 19th Century, each piece painted with a shepherd or shepherdess with animals in a landscape on a ground decorated with scattered flowers, the domed cover with fruit finial, 12.5cm.; 5in. high, crossed swords and T* mark in underglaze-blue.
A Rudolstadt Volkstedt Vase, 20th Century, decorated in the earlier Naples style, the flaring cylindrical body modelled in relief with a semi-naked god and goddess being pulled across the water in a gilt shell surrounded by an entourage of maidens, cherubs and mermaids, minor chips, 14cm.; 5Vnn. high, crowned AEN monogram in underglaze-blue.
A Sitzendorf oval Mirror, late 19th Century, the flower encrusted frame applied with three cherubs, some damage, 32cm.; 16′/sin., blue factory mark.
A Pair of Sitzendorf porcelain Wall Brackets, late 19th/early 20th Century,
each scroll moulded form with a scantily-clad cherub coloured in flesh tones amongst applied flowers and foliage washed in blue and gilt, each holding a swag of flowers, 20.5cm.; 8′Mn. high, crossed lines in underglaze-blue.A Pair of Sitzendorf porcelain
three-branch, four-light Candelabra, late
19th/early 20th Century, each sconce on a
slender flower encrusted branch, raised on
a scrolling stem and flower encrusted base,
each with three scroll feet and a scantily-
clad boy and girl that sit waving to each
other, the pale-pastel tones picked out in
gilding, some restoration, 36cm.; 14′/sin. high,
crossed lines in underglaze-blue.A Pair of Sitzendorf porcelain
figure Candlesticks, late 19th/early 20th
Century, each modelled as a young boy
and girl standing on a scroll moulded base
harvesting grapes in front of a scrolling
arrangement of flower encrusted branches
that supports two candle sconces, painted
with insects, minor chips, 16.75cm.; 6Vtrin.
high, crossed lines mark in underglaze-blue.A good Sitzendorf porcelain and
glass Oil Lamp, late 19th Century,
modelled as three scantily-clad cherubs
standing on a flower encrusted naturalistic
circular base supporting a large flower
encrusted basket, the ovoid frosted glass
shade cut with birds in branches between
relief moulded wavy leaves, small chip,
51cm.; 20in. overall, crossed lines in
underglaze-blue, impressed numerals 235112.A Pair of Sitzendorf porcelain oval Wall Mirrors, late 19th Century, each oval frame applied with a coloured wreath of roses surmounted by a pair of cherubs holding a garland of flowers and flanked by two candle sconces, mounted on flower encrusted ‘S’-scroll brackets, minor chips and restoration, approx. 36.25cm.; 14′Ain., crossed lines in underglaze-blue.
A Pair of Sitzendorf porcelain figure Candlesticks, late 19th/early 20th Century, each modelled as a scantily-clad young cherub, one holding a bird, the other a bow, each standing in front of a flowering bocage that supports two sconces, all on a naturalistic scroll moulded base picked out in gilding, 21.5cm.; 8l/nn. high, crossed lines in underglaze-blue, impressed numerals 396.
An impressive Sitzendorf
porcelain musical Group, 20th Century,
of ‘The six-year-old Mozart playing the piano at the Court of the Empress Maria Theresa of Austria’, the whole group assembled on a tiled oval base with scroll moulded frieze, picked out in gilding and centred with a Royal coat-of-Arms flanked by two cherubs, narrow stress crack to base, 56.5cm.; 22′Ain. across, crowned ‘S’ in underglaze-blue, separate title panel.A Pair of K.P.M. porcelain
sweetmeat figure Groups, late 19th/20th
Century, each modelled as a young boy
and girl seated on the ends of an open
flower encrusted basket, minor chips,
22.25cm.; 83Ain., blue printed KPM,
impressed numerals.A Pair of large Carl Thieme,
Potschappel porcelain botde Vases, last
quarter 19th Century, each footed
globular body beneath a tall cylindrical
neck, painted in the Chinese ‘famille-
rose’ style with exotic birds, insects and a
dog about colourful flowering bushes
growing on a pale-blue rocky ground, all
between gilt rims, 52.5cm.; 203Ain. high,
cross mark and ‘7′ in underglaze-blue, over-gilt
with foliage.A Group of twelve various
German porcelain Fairings, some chips.