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Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
Friday, January 15th, 2010
Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.
A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.
A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in .TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips .A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).
A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).
AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia
AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).
A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).
A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.
A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.
A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).
A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200
A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.
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Satsuma ovoid Jars and Covers, Meiji Period, A Pair of Japanese Imari Wine or Tea bowls, early 18th Century, Bizen stoneware shi-shi Water dropper, 19th Century
Friday, January 15th, 2010
Satsuma ovoid Jars and Covers, Meiji Period, A Pair of Japanese Imari Wine or Tea bowls, early 18th Century, Bizen stoneware shi-shi Water dropper, 19th Century
A Pair of Satsuma ovoid Jars and Covers, Meiji Period, panelled and garden scenes separated by brocades, cover repair, 29cm.;
A Satsuma Jardiniere, Meiji Period, well enamelled with a variety of cut chrysanthemum in an iron-red ground, brocaded concave neck, 25cm.;
A Group of Oriental Ceramics and Works of Art, various dates, comprising: a Satsuma Dish, 19cm.; a clobbered two-handled Chinese porcelain Vase,Kanji, 16.5cm.; 6V2in., a reticulated two-handled porcelain Censer and Cover, a miniature blue and white Vase, a cloisonne Censer and Cover and another in the form of an elephant with a pagoda on its back.
A Pair of Imari frill-mouthed club-shaped Vases, Meiji, 24.5cm.;
An Imari Dish, Meiji, the half blue/half iron-red ground reserved with fan and screen panels filled with garden scenes, 36.8cm.;
A Pair of pea-green Satsuma Vases, Meiji Period, each spherical body enamelled with four flower medallions against a continuous white scroll, 13cm.;
A Pair of Satsuma hexagonal Bottles, Meiji Period, each facet filled with a scene of figures under a brocaded neck, one neck repaired, 20cm.;
A Satsuma hexagonal Koro and Cover, Meiji, on three short feet, the sides painted with a continuous procession of figures on horseback and on foot, hair-crack, cover damaged, signed, 17.5cm.;
A Bizen stoneware Figure of Hotel, Meiji Period, a pearl in his raised right hand, 19.8cm.; and an oblong stoneware Dish of crustacean inspiration, 37cm.;
A Pair of Satsuma ovoid Vases,
Meiji/Taisho Period, purple wisteria
descending from a gilt brocade shoulder over
a graduated green ground, signed, 24.5cm.;A Pair of Kutani Dishes, Meiji,
painted in Satsuma style with square rivers cape
panels reserved against an elaborate gilt
brocade ground, each scene showing figures in
vessels or upon rafts, 36.5cm.; black
script mark .A Pair of Japanese Imari Wine or
Tea bowls, early 18th Century, each piece
enamelled with flowers growing from rocks in
a fenced garden, bearing Marryat Collection,
1867 stickers.A Satsuma Koro and Cover, Meiji,
cubical and on circular foot, each facet
painted with maidens and children
out-of-doors, cover repair, 15cm.;A Satsuma earthenware Tea Service, Meiji/Taisho, painted with figures out-of-doors, comprising: Teapot and Cover, cover glued, Sucrier and Cover, Jug and Cover, six Cups and Saucers.
A Satsuma Dish, Meiji, of fluted kuku form, filled with two principal aghast engaging a dragon before other holy men observing from buildings, repair, 25.7cm.; Win., lengthy signature.
A Kinkozan Satsuma Dish, Meiji,
painted and gilt with a meeting of samurai
under an awning within a polygonal reserve
under foliate scroll and key-fret borders,
19cm.;An Imari Dish, Meiji, of kuku flower
outline, darts radiating from a central
medallion of three stylised bat/flower/bird
motifs, 30.8cm.;A Bizen stoneware shi-shi
Water dropper, 19th Century, the beast
squatdng with apertures in back and mouth,
7cm.; and a stoneware Model of a
Rabbit.A large earthenware Vase, Meiji, the
flushed buff to orange ground enamelled with
butterflies hovering amongst fully-blown
flowers under a brocade collar on the shoulder
of the ovoid body, 62.5cm.;A large Imari Vase, Meiji, of club form
with frilled trumpet neck, painted with
panels framed against a ground of scattered owners, small rim repair, 62cm.; -
Pair of Satsuma booted Vases, Meiji Period, An Imari Plate, A Fukagawa Vase
Friday, January 15th, 2010
Pair of Satsuma booted Vases, Meiji Period, An Imari Plate, A Fukagawa Vase
A Pair of Satsuma booted Vases, Meiji Period, each elaborately gilt and enamelled with broad scenes of samurai and begin reserved on a stout globular body under a pair of mask and tongue handles set in the brocade scattered deep blue ground, 30.3cm.; 12in.,
A Pair of Kutani porcelain Jars and
Covers, Meiji Period, each ovoid body
reserved with panels of kingfisher and
travelling entertainers under a pair of standing
boy handles, a third figure seated on the
cover, 28cm.;A Pair of Satsuma Plates, Meiji Period,
painted en grisaille with an eagle in pine tree,
8.5cm.;An Ao Kutani saucer Dish, 19th Century, the earthenware body covered in enamel with a pair of yellow deer upon aubergine ground against a green sky framed by a blue zig-zag under radiating seeded lappets, green underside with black meanders, yellow foot rim, interior bearing green square Kutani mark, 24.6cm.;
An Imari Charger, Meiji Period, the dense iron-red scale and trellis ground reserved with a variety of panels filled with birds, garden and sea scenes, a pine tree growing out of one under a zig-zag blue border, 45.8cm.; 18m.
An Imari Plate, Meiji Period, painted with six scroll brocades about a pomegranate centre, 37cm.;
A Fukagawa shallow Bowl, Meiji Period, of scalloped kiku flower form, the interior filled in under glaze-blue with a convolvulus design about a mallow medallion, 28.5cm.; Fuji mark and signature.
An Imari Stick Stand, Meiji Period,
enamelled with a continuous scene of a
maiden guarded by samurai, 61cm.; 24in.,
wood stand.A lacquered Arita Vase, Meiji Period, reduced to a lamp, of barrel form with panels of birds, flaking.
A Pair of Satsuma earthenware Vases, Meiji/Taisho Period, of slender ovoid form, with enamelled birds flying through branches under applied handles, one broken, 58.3cm.; 23in.
An Imari Vase, Meiji Period, of true baluster form, filled with ho-o brocade panels beneath a frilled trumpet rim, 43.5cm.;
A Garniture of three Kutani Vases, Meiji Period, comprising: a Pair of ovoid Vases painted with doves, 19.4cm.; 7Vsin., and a baluster Vase painted with pheasant, 23.8cm.;
An Arita enamelled baluster Jar and Cover, Meiji Period, painted with figures in a garden between lappet and bird filled pink ground borders, 41 cm.; 16in.
A Pair of Kutani beaker Vases, Meiji/Taisho Period, of wasted form, each enamelled with quail amongst millet, 30.8cm.; 12m.A Kutani Vase, Meiji Period, of
slender ovoid form, painted with a continuous garden scene inhabited by birds under applied mask-and-ring handles on the iron-red shoulder, rim repair, 35.8cm.;A Pair of Imari Vases, Meiji Period, of
vertically ribbed ovoid form, panelled with ho-o
between bat/bird medallions, chip, 25 cm.;A Fukagawa Vase, Meiji Period, ovoid
with wasted neck, attractively painted in
under glaze-blue with a ho-o bird amongst
wisteria against a vertically brocaded ground
picked out in enamels, 37.8cm.; 147in., Fuji
rebus.An Imari Jar, Meiji Period, ovoid, brocaded and panelled with a lady with a parasol, a ho-o bird and garden elements, 32cm.;
A Pair of Kutani Vases, Meiji, of wasted form with low angular bodies, typically painted in orangy-red and gilding with figure panels set in a brocade, 33cm.; 13in.
A Satsuma circular Box and Cover,
Meiji Period, the brocade ground reserved
with fan panels of geisha, aghast and samurai,
11cm.;A Pair of Satsuma Vases, Meiji Period,
of slender ovoid form, the richly brocaded ground filled with figure panels of courtiers and samurai, 46.5cm.; -
BELLEEK EARTHENWARE JUG AND BASIN, LARGE BELLEEK MARINE VASE, “SEVRES” TYPE VASE AND COVER, WORCESTER COFFEE CUP
Thursday, January 14th, 2010
BELLEEK EARTHENWARE JUG AND BASIN, LARGE BELLEEK MARINE VASE, “SEVRES” TYPE VASE AND COVER, WORCESTER COFFEE CUP
A BELLEEK EARTHENWARE JUG AND BASIN, moulded with leaf
design, printed mark 1863/1890 and
design registration mark for
1877.The jug 32cm.A BELLEEK PLAIN EARTHENWARE.
BOWL, transfer mark, 1891-1926, 16cm.AN ENGLISH PART DESSERT SERVICE, painted with fruit within green and gilt borders, comprising of six plates and three comports, possibly Kerr and Binns, Worcester, early 19th Century, some damage.
A COALPORT PART TEA SERVICE in white, moulded with shells, gilt ‘coral’ handles, comprising of twelve cups and saucers and a cream jug, c. 1900.
A COPELANDS ‘STATUARY PORCELAIN’ GROUP OF THE RETURNED DOVE after Farrell, the Royal Irish Art Union prize for 1847 31cm.
A LARGE BELLEEK MARINE VASE, the central stem with three smaller stems, on irregular triangle base, with coral moulding, printed mark 1863/90, with restoration 28.5cm.
A BELLEEK FIGURE OF A TOBACCO BREWER, the jolly approved man standing, holding his ample stomach, in front of two large casks, on an irregular simulated stone base covered with matting, lustrous green glaze, printed mark 1891-1926, 20cm.
A FRENCH BISCUIT BUST OF A MAN wearing a high collared coat with an order, early 19th Century 25cm.Two COALPORT CYLINDRICAL MUGS, transfer printed in blue with ‘pine cone’ pattern, early 19th Century.
A PAIR OF BELLEEK SCALLOP PLATES, pink glaze, impressed and printed marks, 1863/90 22cm.
A SMALL BELLEEK MODEL OF A SWAN with moulded bulrush base, picked out in gilt, printed mark 1863/90.
A BELLEEK EARTHENWARE
PART DINNER SERVICE with printed
floral decoration, consisting of four
graduated meat dishes, five dinner plates, pair tureens and lids, a
smaller tureen and ladle,(discolouration, and some damage to
two handles and ladle), printed mark 1891-1926, and a large
Mason’s Ironstone jug with moulded dragon handle, 29cm.Two BARR FLIGHT AND BARR WORCESTER SAUCERS, printed with birds, an oval teapot stand possibly Minton, and four other plates .
A SET OF THREE COALPORT PLATES with crest ‘Japan
type’ pattern, chipped, early 19th Century.A “SEVRES” TYPE VASE AND COVER, painted with romantic scenes with gilt-metal mounts, and a pair similar, c. 1900, 35cm.
A PAIR OF GOOD QUALITY YELLOW GROUND SEVRES STYLE VASES AND COVERS, painted with
panels of merchants on quay sides,
and nautical trophies, gilded decoration, 19th Century .
THREE BEAKERS with gilt decoration, probably Chamberlain’s Worcester, about 1800-1810 .A WORCESTER COFFEE CUP
with stag hunting pattern in colours,
another with Chinese figures, two
with coloured flowers and an early
Worcester blue and white coffee
cup, all c. 1750 .THREE WORCESTER CUPS with
loop handles painted in
‘family-rose’ enamels with Chinese
figures, about 1765-70 .Two WORCESTER COFFEE CUPS with flowers in colours,another with ‘family-rose’ style flowers, another with flowers in black and another with a ‘Japan’ pattern, all about 1760-70.
AN EARLY WORCESTER TEA BOWL
with birds in ‘family -verse’ enamels, about 1755, and an early Worcester blue and white Cream Jug (handle replaced).A LOWESTOFT BLUE AND WHITE TEA BOWL and a pair of early
Bow blue and white coffee cups,
c. 1750 .AN EARLY WORCESTER FLUTED
TEA-POT painted with ‘Beckoning
Chinamen’ decoration, c. 1753 with
non-matching cover and silver tip to
spout, cracked, and a Lowestoft
Tea-Pot and Cover with flowers in
family-rose style, c. 1770,
cracked .A ROYAL CROWN DERBY
MINIATURE COAL SCUTTLE AND A
KETTLE AND COVER, ‘Japan’ pat-
tern, early 20th Century.
A LIVERPOOL HERCULANEUM
PORCELAIN TEAPOT AND COVER,
painted with flowers, cracked, c.
1810. -
ANTIQUE GERMAN PORCELAIN: Potschappel Vases, ‘Dresden’ Basket, late 19th Century
Thursday, January 7th, 2010
ANTIQUE GERMAN PORCELAIN: Potschappel Vases, ‘Dresden’ Basket, late 19th Century
A small Group of German
porcelain Cups and Saucers, late
19th/early 20th Century, comprising:
three Cups and Saucers, each painted
with gilt framed panels of flowers and
figures against a turquoise ground, two
Dresden Cups and Saucers, painted with
flowers against a green scale ground and
a covered Cup and Saucer, decorated
with harbour scenes, minor chips, various
printed and painted marks.A Pair of Potschappel pierced Vases and Covers, 2nd half 19th Century, each pear-form body painted with panels of classical figures framed by encrusted flower swags, set with
female mask handles, the cover with tall floral finial, raised on a trefoil base, some restoration and chips, 33cm.; 13in., factory mark in blue.
A Pair of Volkstedt four-light Candelabra, late 19th Century, a gallant and companion standing holding fruit before a tree stump, a dog and lamb at their feet, below three
flower encrusted scroll arm branches, raised on a scroll moulded base, some damage, 51cm.; 20in., blue printed and impressed marks.
Two German porcelain pagoda
Figures, 2nd half 19th Century, each
corpulent figure seated cross-legged, she
with blue neck ribbon, flowered robe,
blue shoes and bun, he in flowered robe
and green shoes, the heads, hands and
tongues pivoted to rock back and forth,
tiny chips, her foot restored, three hands
detached, 29.25cm.; HV2in. high, impressed
and blue printed marks.A German two-handled Vase, late
19th Century, relief moulded and
coloured with two classical figures riding
in a chariot drawn by swans, the reverse
decorated with a maiden seated on the
back of a sea creature, caryatid handles,
cracks, 20.5cm.; 8in., crossed swords mark in
underglaze-blue; also a Pair of tin glazed
earthenware baluster Vases with
Chinoiserie decoration.A Carl Thieme, Potschappel
Centrepiece, 2nd half 19th Century, two
putti around a flower encrusted column below a pierced basket encrusted and painted with scattered flowers, raised on a scroll moulded base, minor repair and chips, 36cm.;141/4in., factory mark in blue.
A Pair of German porcelain Cassolettes and Stoppers, 2nd half 19th Century, possibly each urn-shaped body with Egyptian thask handles, on a short fluted column on a square base
with bun feet, decorated with scattered floral sprays and small vignettes around a relief moulded swag heightened with yellow and gilt, with reversible candlestick stoppers, one
cracked and with finial missing.
A miniature ‘Dresden’ two-handled pierced Basket, late 19th Century, decorated in the Meissen style, the centre painted with a pair of courtly lovers in an Arcadian landscape
within a gilt scroll frame, the pierced flaring sides moulded on the outside with puce flowerheads, each with a yellow centre, between gilt rope-twist rims and a pair of gilt
twisted loop handles, 9.5cm.; 33Ain. across, crossed swords mark in underglaze-blue.
A Dresden Ecuelle and Cover, late
19th Century, each piece painted with
vignettes of figures in a landscape, set
with gilt scroll moulded handle, the low
domed cover with bird finial, repair and
chip to bird, chips to flower, 20.25cm.; 8in.
wide, blue AR mark.A Dresden two-handled Cup,
Cover and Stand, late 19th Century, of
quatrefoil form, each painted with
alternate panels of figures in a landscape
and flower groups against a turquoise
ground, chips, stand 14cm.; 51/2in. wide,
blue AR mark; also a similar Dresden Cup,
Cover and Stand.A Berlin porcelain two-handled ovoid Vase, 1849-1870, well painted with the Four Evangelists in their guise of Angel, Lion, Ox and Eagle surrounding the figure of God or Christ
supported by two putti against a shaded blue/grey ground, between flaring foot and rim painted with fluting and two applied serpent handles, minor chips and restoration, 42cm.;
161/2in. high, blueprinted mark.
A Pair of Dresden Wall Brackets, late 19th Century, painted with vignettes of Watteauesque lovers and scattered flowers against a green scale ground applied beneath with a
cherub holding grapes or flowers, ebonised wood tops, some chips and restoration.
A Set of nine Volkstedt monkey
Bandsmen, late 19th Century, including
a conductor, each brightly dressed
musician raised on a scroll moulded
circular base highlighted in gilt, some
damage, each approx. 13.5cm.; 51/4in.,
scissors mark in underglaze-blue.A Volkstedt Model of a parrot,
20th Century, the brightly painted bird
perched on a white glazed flower and
branch moulded base, 24.5cm.; 95/sin.,
blue printed E/N/S mark, impressed numerals.A Hohenberg, Bavaria, oval
porcelain Plaque, late 19th Century,
painted with a three-quarter-length portrait of a classically draped woman holding a child and a small goat, framed, 15.9cm.; 61Uin. long, impressed mark.A Pair of Dresden Vases and
Covers, late 19th Century, of tapered
cylindrical form, each side painted with a
military camp scene within an elaborate
gilt frame, set with caryatid handles, the
pierced cover with artichoke finial, raised
on three reeded gilt supports and
rectangular feet, one cover restored, finial
glued, 42cm.; 16′/2in., ‘AR’ marks in blue.A German porcelain Table Mirror, late 19th Century, conceived as two winged putti drawing back a pair of white glazed curtains to reveal an oval mirror, the frame applied with
encrusted roses below, all topped by a flower painted cartouche, chips and restoration, 42cm.; 161/2in. high.
Three German coloured bisque porcelain female Busts, late 19th Century, each allegorical of a country, comprising: a pair titled ‘Amerika’ and ‘Europa’, each raised on a marble
effect base moulded with three blue ribs, and another, untitled, probably representing Prussia, modelled wearing a crown and eagle crested breastplate, raised on a similar base,
chips, each approx. 28cm.; llin. high, painted ‘RR’ monogram, impressed numerals.
A large Dresden Vase, Cover and Stand, circa 1900, the pear-shaped body painted with Watteauesque figures, the reverse with a flower group, with flower encrusted frames, the
shoulders set with four putti holding garlands, the domed cover surmounted by two putti flanking the arms of Augustus the Strong, the base with painted panels and floral
encrustations, minor damage, 68.5cm.; 27in., blueprinted ‘Dresden’ mark.
A Pair of Dresden double gourd vases, late 19th Century, each painted with colourful birds in branches against a yellow ground, 35cm.; 133/4in., ‘AR’ mark in blue.
A Plaue porcelain Centrepiece, late 19th Century, two mermen emerging out of the waves and supporting a standing scantily draped maiden supporting a shell moulded and latticepierced bowl reserved with tv/o panels of flower sprays, scroll moulded base, minor damage, 53.5cm.; 21in., Factory mark in blue.
A Rosenthal porcel ain Plate, 20th Century, painted with a titled head and shoulders portrait of Mme. Recamier against a white ground elaborately gilt with birds, crowns andflower swags, 25cm.; 97Mn., green printed mark.
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ANTIQUE CONTINENTAL CERAMICS, EARTHENWARE AND STONEWARE: ispano-Moresque Charger, Moresque Dish, A ‘Sevres’ Vase, mid-19th Century
Thursday, January 7th, 2010
ANTIQUE CONTINENTAL CERAMICS, EARTHENWARE AND STONEWARE: ispano-Moresque Charger, Moresque Dish, A ‘Sevres’ Vase, mid-19th Century
An Hispano-Moresque Water
Vessel, 17th Century, probably Valencia,
set with three zoomorphic spouts with
green glazed features springing from the
ovoid body decorated with a ground of
foliate scrolls painted in copper luster
under a grooved strap handle with a
central suspension tube, riveted, one spoutAn Hispano-Moresque Charger,
1911 Century, the central boss painted
with a serpentine motif within a rim
molded with an octagon defined by
overlapping sectors enclosing hatched
and dotted panels, hair-crack, 32.3cm.;Hispano-Moresque
two-handled Vases, Valencia, 17th
Century, each low globular body painted
in copper luster with two large birds on a
typical whorl ground under a narrow
neck supporting a tall galleried mouth,
fluking, approx. 30cm.Another Pair of two-handled Vase to the preceding lot, one
cracked, approx. 30cm.;Hispano-Moresque Charger,
16th I7tti Century, the rim quartered by
blue brokered zigzag panels separating
four leaf motifs on a copper luster
ground enclosing a stylized floral band
about a central boss, restored, 40cm.;Moresque Dish, 16th Century, the rim molded with future flowers bursting from averted leaves about blue lined well incorporating a calligraphic band, hair-crack, chip,
33cm.; 13in.
Moresque Charger,
16th 17ihCemHfy, painted in lustrous
green with bold blue outlines with
three flower sprays in relief about a well
bearing four palmettos against a finely
penciled foliate ground, riveted and chip.Moresque Charger,
crisply molded overall1
with densely interweaving lotus scrolls
enclosing a central star boss picked out
in gold luster against a white ground,
riveted, 23cm.; 9in.Moresque-style Charter, T9th Century, the rim molded with raise gadroons picked out in copper luster and Hue, hair-crack, 43cm.; 17in.; and a near-Eastern lead-glazed Moon flask
and Stopper.
Rehash stoneware Tankard,
circa 1720, the broad spherical body
sprigged with a crowned AR oval
medallion between incised foliate scrolls
picked out in blue and bearing applied
flower heads picked out in manganese
between vertical banding, all under a
short cylindrical neck, small hair-crack.Porcelain Teapot and
the double ogee body
gilt with three overlapping petal bands,
each intersection enameled with an
iron-red spray of leaves, rustic handle,
damaged cover, 18cm.; 71/4in. long, anchor
mark in red.A ‘Sevres’ Vase, mid-19th Century,
the ‘U’-form body surmounted by a
sole-form neck, standing on a spreading
foot and reserved with panels enclosing
a Watteau ensue fete champers’ and a
forest scene within chased gilt laurel and
line borders, 57cm.; -
ANTIQUE PEARL WARE FIGURES
Thursday, January 7th, 2010
ANTIQUE PEARL WARE FIGURES
A rare pearl ware Figure of Van Tromp, circa 10,
standing in black hat, pale-pink jacket and yellow breeches on
a square pale-yellow base, minor restoration to base, 23cm.;A pearl ware Figure of a female
archer, early 19th Century, standing
before a target, dressed in turquoise coat
and spotted dress, an arrow in one hand,
a bow in the other, on grass molded
square base, minor restoration, 19cm.;‘Rural Pastimes’: A pearl ware
Group, early 19th Century, modeled as
young lovers seated on a rocky crag
beneath flowering boscage, he playing
bagpipes, she petting a lamb, on square
titled base, minor chips, impressed 166,
19cm.;A Pair of unusual pearl ware
Figures of musicians, early 19th
Century, each seated on cabriole-legged
chair, he playing a wind instrument,
music resting on his knee, a violin case
and four books beneath his chair, she
playing a stringed instrument, a dog in
nerd lap, a further instrument and books
beneath her chair, on shaped
rectangular bases, some restoration, 14cm.;A pearl ware quintal Vase, early 19th Century, painted in under glaze-blue with a trailing spray of flowers, each ‘mouth’ molded and heightened in blue with acanthus, 17.5cm.;
A ‘Traditional’ pearl ware Toby Jug, circa 10, seated with a pipe and foaming jug, wearing brown coat, yellow waistcoat and knee breeches, chips, flaking enamels, 25cm.;
A brown stoneware Inkstand and
Well, circa 1840, possibly Brampton, the
low cylindrical sides applied with
repeated patriotic flower sprays of
shamrock and thistles centering on roses,
the flat top impressed Mrs. I. Bacon
within grooved borders converging on a
circle of five quill-holes about the
detachable well, chipped well, 15cm.; 6in.Apparently purchased from the Glassier Collection
A rare brown stoneware Bottle
and Stopper, mid-19th Century, in the
form of a ceremonial mallet, the domed
sides molded with cryptic devices about
a meeting of brothers about a table,
puffing pipes and pouring from a jug,
chips to stopper, 26cm.;A Sunderland luster Jug, early
19th Century, the shouldered sides
fronted in black with ‘A west view of the room Bridge over the Wear’, the reverse with a ‘Memento Mori’, 19cm.;A small pearl ware
Figure, circa 1820, modeled as a young
girl wearing spotted skirt, holding
flowers in her skirt, a watering can in
one hand before flowering blockage, on
tided base, glued, 14cm.;A small pearl ware Figure of a male gardener, circa 1820, restored, 14cm.;
A small pearl ware Figure, early 19th Century, modeled as a young girl wearing floral dress and kneeling in prayer, 6.5cm.;
A pearl ware Figure emblematic of War, circa 10, modeled as a classically dressed maiden, an axe, quiver of arrows and helmet at her feet, a torch in her hand, 21.5cm.
An unusual Figure of a
harlequin, mid- 19th Century, dressed in
a yellow suit painted in red and green
with diamond motifs, raised on circular
molded base, restored, 19cm.;A pearl ware Figure of Madame
Vestries as the broom girl, circa 1830,
after the lithograph by Lane, standing by a
bollard with two brooms in one hand,
another in the other, wearing puce
bodice and flower sprigged blue skirt, on
a square base outlined in yellow, restored,
16.1cm.;
Lucia Elizabeth Vestries nee Pestalozzi (1797-1856), an actress and singer, eventually went on to become the manager of Covent Garden and The Lyceum.A salt-glazed stoneware
Moneybox, 1842, of shouldered ovoid
form, the sides sprigged with ivy,
fruiting vine and a group of putty above
a hunting frieze impressed George
Goodwin, 19th, 1842 beneath a
stepped circular knops, knops damaged,
15cm.; 6in.A rare Frederick, Duke of York in memoriam porcelain Tea Cup and Saucer, circa 1815, each piece printed with a soldier mourning at the bannered tomb of the Duke, the cup with a
further vignette of Britannia in doleful pose.
A rare ‘Orangemen’
commemorative Jug, circa 1820, the
ovoid body color fully enameled with
two blue jacketed, yellow trouser
brothers shaking hands beneath the
crown ciphered G.i ., the other side with
the equestrian portrait of William III, all ^
within an orangey-red printed outline
under a meandering ruby luster border,
chip to rim, 14cm.;A George III and Queen
Caroline commemorative pearl ware
Punch-Bowl, early 19th Century, the
centre printed in blue with overlapping
portrait busts of King and Queen
between the words A King Revered, a
Queen beloved and Long may they live
within six rose sprays under a complex
oriental brocade border, the exterior
decorated with four oriental landscapes,
stress crack, 28cm.; 11 in.A Group of Princess Charlotte in memoriam tea wares, circa 1817, comprising: a Cup and Saucer, printed with an oval portrait of the Queen superimposed on a weeping willow within
ruby luster borders, and a Tea Cup with the apotheosis of the lamented Princess.
A King George IV in memoriam lusted earthenware Jug, circa 1830, the bombe sides finely printed with a portrait of the late King, a summary of his dates of accession, the Royal
coat-of-arms and patriotic flower sprays, all under a wash of ruby-color end luster, 11.8cm.; a Queen Caroline Milk Jug; and a Queen Caroline Coffee Can .
A William IV and Queen Adelaide Jug, circa 1831, of elaborate double ogee form, finely printed in puce with titled portraits of Their Gracious Majesties’ flanking the crowned
sprig of patriotic flowers, glued handle, 20.5cm.; and a William IV earthenware Mug.
Two William IV and Queen Adelaide Coronation Jugs, circa 1831, one printed in puce, the other in blue with crowned portraits of the King and Queen flanking the Order of the
Garter under a rim or patriotic flowers, one restored, the other chipped, 10.7 and 13.8cm.;
A Victoria portraits of the young Queen flanking
the words Victoria Regina, born 25th of
May 1819, proclaimed 20th of June 1837
between bands and National
flowers, inscribed in gilding D. Hooker,
20cm.;A Victoria and Albert Marriage Jiff circa 1840, the bombe sides panned win a portrait of the Royal couple,
chorea’s coat-of-arms and a spray of patriotic flowers, 16.5cm.;Victoria and Albert
Marriage Jug, circa 1840, printed in red
with portraits similar to the preceding
lot, stained, 13.5cm.; 5lAin.; and a Queen
Victoria Coronation Can, printed in
puce, restored .Victorian Albert earthenware
1840, printed in blue
Royal couple, a crown and an inscription, restored.
A Queen Victoria Coronation
Temperance Jug, circa 1838,
in educe black with a portrait of the
Queen and with an angel
upholding the virtues of sobriety,
beneath the inscription The drunkard shall
not enter the Kingdom of God between
purple luster borders, pineapple
molded spout, chip and crack, 14cm.;
portraits of the
Princess Alexandra
above their respective coats-of-arms
above garlands of oak and lilies, 21.5cm.;
and a rare black printed earthenware
Mug of the Princess Royal riding in a
pony-drawn carriage before Windsor
Castle, cracks . -
ANTIQUE BRITISH EARTHENWARE AND STONEWARE: An enameled cream ware Teapot, Wedgwood Vase, pearl ware shell-shaped Dish
Thursday, January 7th, 2010
ANTIQUE BRITISH EARTHENWARE AND STONEWARE: An enameled cream ware Teapot, Wedgwood Vase, pearl ware shell-shaped Dish
A slip decorated red earthenware
Moneybox, 18th/19th Century, of
compressed beehive form, with a knob
on top trailed with three groups of
honey-color end arks under the
treacle-color end glaze running
two-thirds down the red ware, 9.5cm.;A Wielding-type Figure of a
muse, circa 1760, standing with a lyre
and splashed in green, her eyes detailed
in manganese, 12.4cm.;A Weldon-type Group, mid-18th Century, molded as a toper seated astride a barrel, a bird in one hand, a jug of ale in the other, the buff ware splashed with green and brown
glazes, restored, 7.5cm.; 3in.
An enameled cream ware Teapot
and Cover, circa 17, the globular body
painted in bright iron-red, translucent
green and yellow with sprays of roses
under a floral knops, between foliate
molded spout and strap handle, metal
repair to broken cover, small base crack,
21cm.;A small cream ware Teapot and
Cover, circa 17, probably Norm Country,
the cylindrical sides painted with floral
sprays and sprigs beneath wasted neck
and between beaded borders, the cover
similarly painted beneath floral knops,
leaf molded spout, double strap handle,
chips, 12.5cm.;A Wedgwood cane ware game pie
Tureen, Cover and Liner, 2nd half 19th
Century, the sides molded with dead
game pedant from vine swags, the
cover surmounted by a rabbit knops,
26cm.; impressed marks.A Wedgwood and Bentley ‘porphyry’ Vase, circa 17, the shouldered ovoid body applied with curl handles and husk swags over a black dappled ground washed in a faint green glaze,
square black basalts base, repaired handles and foot, cracks, 27.8cm.; applied circular mark.
A Wedgwood black basalts Teapot and Cover, early 19th Century,
11cm.;A Copeland green glazed
hedgehog Crocus Pot and Stand,
mid-19th Century, the bristly beast
pierced all over his well modeled body
and covered in a lustrous green glaze,
quarter lobed stand, hair-crack to stand,
30.5cm.; 12in. long, stand impressed
‘Copeland’ .A rare white stoneware Bust of
Cupid, circa 1820, possibly Castleford, the
blue lined square plinth enameled on
the front with an oval English landscape,
the sides applied with neo-classical relief
medallions, chipped, glued, 26cm.;A Spode’ stone china’ Basin, circa
1810, of canted rectangular section, the
interior printed and painted in
‘family-rose’-style enamels with peony
and other flowers amongst pierced
rockwork within flower spray borders,
40.8cm.; 16in., printed black mark.Two Mason’s ironstone Jugs, 19th
Century, one printed with dragons
enameled in green, small crack, 17cm.;
printed and painted mark .A Garniture of three ironstone
Vases, circa 1830, comprising: a central
and two smaller flanking vases, each
double ogee body decorated with two
color full birds among leaves between
scroll handles rising to the blue-ground
trumpet neck paneled with flowers, the
blue pedestal foot penciled with gilt
scrolls, 22cm.;A rare pearl ware ‘Mansion House
Dwarf, early 19th Century, inspired by a
Derby original, standing with a staff in his
left hand, wearing a yellow hat and
striped shirt, 16.5cm.;An earthenware Egg Stand and six
Cups, early 19th Century, covered
overall in a splashed pink luster, 12.5cm.;A pearl ware shell-shaped Dish,
late 18th Century, printed with a
formalized fenced garden within a trellis
border, damaged, 14cm.;A Pratt-type pearl ware Group, circa 10, a young boy in yellow breeches, blue coat an brown hat seated beside two sheep before a flowering tree bearing ochre-color end fruit,
11cm.;
A pearl ware Pug, early 19th Century, the pink-color end dog seated on a green cushion with red tassels looking to his right and wearing a black collar with yellow studs,
chipped tassel, 9cm.;
A ‘New Marriage Act’ pearl ware Group, early 19th Century, the parson, happy couple and diminutive witness standing about a yellow-fringed red table before gothic windows
incorporating the title, under a red-bricked arch over a red and blue veined stepped base, couple glued to base, parson’s hand missing, chip, 15cm.; 6m.
A Pratt-type Model of a deer, late 18th Century, of hollow construction, at lodge on a green mound and looking over its back, sponged in ochre, restoration to horns, ears and
neck, crack, 14cm.; 51/2in.
A Pair of pearl ware Deer, circa
10, each spotted iron-red doe or stag
standing before a short tree growing
from an oblong base molded with
flowers picked out in blue and yellow,
one head restored, minor restoration and chips
to tree . -
ANTIQUE BRITISH EARTHENWARE AND STONEWARE: Bristol delftware Plate, London delftware Drug Jar, blue and white delftware Mug, blue and white delftware Dish
Thursday, January 7th, 2010
ANTIQUE BRITISH EARTHENWARE AND STONEWARE: Bristol delftware Plate, London delftware Drug Jar, blue and white delftware Mug, blue and white delftware Dish
A rare Agateware Cat, circa 1740,
seated and looking to its left with pricked
ears picked out in blue, beady brown slip
eyes and nostrils, its white coat inlaid
with vertical and horizontal bands
striped in dark-chocolate-brown and
dabbed with two dark-blue patches, small
chip to one ear, 11.7cm.;A blue and manganese Bristol delftware Plate, circa 1770, painted in blue with an oriental hut beneath a willow tree within three single flower head panels reserved on a
manganese ‘cracked ice’ ground, 23cm.;
A Bristol delftware Plate, circa 1765, painted with two figures in a boat and a fisherman on a promontory before a cluster of houses, beneath a conical tree within a
bianco-sopra-bianco flower and fruit border, 22.8cm.;
A polychrome delftware Plate,
circa 1750, probably Lambent, painted with
pale iron-red and manganese flowers
among green and blue leaves
occasionally touched in egg-yolk yellow
within a rim bearing five cross-hatched
panels separated by further flowers, row-edged rim, 22.8cm.;A polychrome delftware Plate,
circa 1750, probably Liverpool, painted in
manganese with a large tree towering
above an oriental pavilion and bearing
yellow flower heads on its lower
branches, further structures
floating in the distance, 23cm.;An attractive polychrome
delftware Plate, mid-18th Century,
painted in strong color s with an
oriental gentleman seated on a
manganese rock upon a green mound
before yellow-leafed bamboo by a blue
fence behind, the rim bearing a band of
blue flashes between evenly spaced
panels cross-hatched in manganese,
20cm.;A manganese delftware Plate,
2nd quarter 18th Century, painted with
a central flower whorl within a band of
eight fruits placed alternately on the
inner and outer border lines under a
narrow rim painted with continuous
chevrons, 22.4cm.; 83Ain.A London delftware Drug Jar,
circa 17′20, possibly Lambert, the ovoid
sides bearing a label titled
:CFL.AURANT: in scroll borders
embellished with shell and flower motifs
and ‘marine’, crack and frit-chipping,
18.5cm.;An English delftware Puzzle Jug, circa 1760, the low body painted in blue with a spray of peony under a pierced cylindrical neck and an overhanging triple-spouted rim, chips to
spouts, crack to base, 19cm.;
A Pair of delftware flower Bricks, circa 1750, probably Bristol, of rectangular form, painted with flowers before a distant Church, the ends with flower heads, the pierced top
washed in blue, minor chips, 12.5cm.;
An English delftware Plate,
mid-18th Century, painted in
polychrome with a peacock strutting
amongst sponged manganese trees,
minor chips to nm, 22cm.;A delftware blue and white
Sweetmeat Dish, circa 1750, divided into
three compartments, each penciled with
a peony within a raised divider and
undulating rim with whorl border, on
three conical feet, 17cm.;A Pair of blue and white delftware shipping subject Plates, circa 1730, each painted with a gaff-rigged barge, further boats on the horizon, the border painted with three
demy-florets, 21.5cm.;
A blue and white delftware Mug, late 17th Century, of stoneware inspiration, with baluster body and ribbed cylindrical neck, painted with a stylized spray of flowers, chips,
13.8cm.;
A blue and white delftware
Punch-Bowl, circa 1750, inscribed One
bowl more and then, the exterior with
flower sprays, chips and crack, 23cm.; 9in.An English delftware Plate,
mid-18th Century, painted in blue with
peony and bamboo amongst stylized
pierced rocks within floral border, 23cm.;A Sadler & Green printed
delftware Tile, circa 1765, a corpulent
butcher standing beside a vat and a
foaming mug of beer, joints of meat
round about, printed in black/sepia,
12.5cm.;A rare Sadler & Green printed
delftware Tile, circa 1765, a woman
leaning out of a window to observe a
troop of children play-acting before
other figures, printed in a
greenish-brown, 12.8cm.; 5in.A Group of sixteen blue and white Tiles, musty 18th Century, each painted with figures, shipping or mills within a dotted frame and flower spandrel corners or within an
octagonal panel on a powder-blue ground with carnation corners, 13cm.; 5in.
Twelve blue and white tin-glazed Tiles, 18th/19th Century, each painted with a fisherman or women in an octagonal panel reserved on a trellis ground, 12.5cm.; 5in.
A blue and white delftware Dish, circa 1750, freely painted in a Chinese manner with giant peony and chrysanthemum growing under a pine an above a fence enclosing a rock beside
a pool of lotus, 39.3cm.;
-
ANTIQUE PORCELAIN SERVICES: Mason’s ironstone Dessert Service, mid-19th Century, Spode New Stone part Dinner Service, English porcelain Tea Service
Thursday, January 7th, 2010
ANTIQUE PORCELAIN SERVICES: Mason’s ironstone Dessert Service, mid-19th Century, Spode New Stone part Dinner Service, English porcelain Tea Service
A Mason’s ironstone Dessert Service, mid-19th Century, each piece printed and enameled with a pair of comical birds amongst flowers growing from pierced rockwork within complex
floral and diaper border, comprising: large Comport, two Sauce Tureens, Covers and Stands, four two-handled oval Dishes, four two-handled square Dishes, four two-handled oval
Dishes and twenty-two Plates, minor damage, printed marks.
An ironstone Dinner Service, mid-19th Century, each piece printed in greenish-blue and brightly enameled with flowers in a fenced garden within floral border, comprising: six
graduated Meat Dishes, one tree and well Dish, Soup Tureen, Cover and Stand, Vegetable Tureen, Cover and Stand, Cheese Dish, two Sauce Tureens, Covers and Stands, twenty-six
Dinner Plates, seven Soup Plates and twenty Side Plates, some damage, printed and impressed marks, painted pattern.
A Wedgwood pearl ware part
Service, early 19th Century and later,
each piece molded as a shell, shaded in
tones of pink, comprising: four
cockle-shaped Plates, a similar later Plate
and a mussel-shaped Dish, chips,
impressed marks.A Wedgwood pearl ware Dessert
Service, early 19th Century, each piece
finely enameled and printed with
oriental flowers in a ‘family-rose’-style
within trellised salmon borders
incorporating further flower sprays,
comprising: twenty Dessert Plates, four
square Dishes, two rectangular Dishes,
four oval Dishes, two large oval Dishes
and one footed oval Dish, impressed
marks.A Spode New Stone part Dinner Service, 1820’s, each piece printed in black and enameled in ‘family-rose’-style with a central flower spray within a border of flowers on a whorl
diaper ground, comprising: five rectangular Dishes, Egg-Cup Stand, Sauce Tureen with gilt butterfly handles and three graduated Meat Plates, some damage, printed marks.
A Spode blue printed earthenware residue Dinner Service, late 1820’s, each decorated with a central basket of flowers within six radiating panels of flowers on the leaf-strewn
blue ground, comprising: nineteen Plates in three sizes (three Copeland replacements), two Meat Dishes, two Sauce Tureens, Covers and Stands, small Tureen and Soup Tureen and
Cover, some chips and cracks, impressed and printed marks.
A Collection of green glazed earthenware Dishes, 19th/20th Century, each molded with leaves, flowers or fruit, comprising: two footed Dishes, three double-handled rectangular
Dishes, six Plates, two leaf-shaped Dishes, three canted rectangular Dishes, five leaf-shaped Pickle Dishes and a small circular Dish, some damage, some impressed marks.
A Collection of green glazed leaf molded earthenware Plates, 19th/20fh Century, some damage.
A Worcester porcelain Dessert Service, circa 18, each piece enameled with wild flower sprays within a turquoise border picked out with husk and chain borders in raised gilding,
comprising: four high Tazze, four low Tazze and nine Plates, impressed marks, pattern No.
A Royal Crown Derby Cabaret Set, circa 1883, each piece brightly enameled and gilt with a Japan pattern, comprising: Tray, four Cups an Saucers, Teapot and Cover, Saucier and
Cover and a Jug, teapot spout repaired, iron-red printed marks .
An English porcelain Dessert Service, circa 1870, each piece painted with a landscape within a pink-ground border printed in brown with stylized flowers, comprising: two tall
Tazze, four low Tazze and twelve Plates, pattern.
An English porcelain Tea Service,
circa 10, each piece painted with two
dark-blue rocks in a fenced oriental
ardent, comprising: Teapot and Cover,
lop Bowl, Sugar Bowl, eleven Tea bowls
and twelve Saucers, staining and minor
cracks.An English porcelain Tea Service,
circa 1810, each piece decorated with an
iron-red band gilt with leaves,
comprising: Teapot, Cover and Stand,
Saucier and Cover, Milk Jug, twelve
Coffee Cans, twelve Tea bowls, twelve
Saucers, two Saucer Dishes and a Slop
Bowl, some damage.A Flight Barr & Barr Tea Service,
circa 1820, each piece decorated with a
pink band within a delicate gilt
scroll worked border and gadrooned rim,
comprising: thirteen Saucers, ten Tea
Cups, six Coffee Cups, two Bread and
Butter Plates, Slop Basin, Sugar Bowl
and Cream Jug, some damage, impressed
marks .An English porcelain Tea Service,
circa 1820, each piece painted with a
Japan’ pattern of blue and iron-red
plants between quartered blue panels
under salmon-pink bands, comprising:
Teapot, Cover and Stand, Jug, Slop
Bowl, two Bread and Butter Plates,
Sucrier and Cover and thirteen Cups
and six Saucers, some damaged .A Bloor Derby Dinner Service,
circa 1830, each piece enameled and gilt
with a band of roses and cornflowers
within a gadrooned rim, comprising:
Soup Tureen and Cover, two Vegetable
Tureens and Covers, one cover restored
and the other hair-cracked, Sauce Tureen,
Cover and Stand, tureen cracked, six
Dishes in sizes, four cracked, eight Soup
Plates, eight smaller Soup Plates, two
hair-cracked, twenty-four Dinner Plates,
two hair-cracked and sixteen smaller Plates
in two sizes, seven hair-cracked, printed
marks in red .An English porcelain Dessert
Service, probably Coalport, circa 1840,
each piece enameled with a central
bouquet of flowers within a gilt enriched
grey Dorder, comprising: twelve Plates
and three shaped Dishes, some damage.An English porcelain Tea
Service, circa 1840, each piece printed
and enameled with flowers amongst
scrolls, comprising: Teapot and Cover,
Cups and Saucers in sizes, Slop Bowl,
Jug and Bread and Butter Plates, some
damage .A Staffordshire porcelain
Dessert Service, circa 1830, each piece
molded with long-tailed birds amongst
vines about brightly color end sprays of
roses enameled within a puce printed
outline, comprising: eight Dishes in sizes,
Comport and twelve Plates, seven
discolor end or damaged, painted pattern.An attractive Spode and Copeland Garrett porcelain part Dessert Service, 1830’s, each piece enameled with a spray of flowers within a gross-bleu cavetto and a salmon-ground rim
enhanced in burnished gilding with foliate scrolls and passion flowers under molded vine clusters, comprising: Comport, Dish and twelve Plates, in iron-red and printed marks.
A part Dessert Service, circa
1820, each piece painted with flowers
within a molded border, comprising:
Sauce Tureen, Cover and two Stands,
four square Dishes, four oval Dishes,
four shell-shaped Dishes and seventeen
Dessert Plates, some staining.An important Spode porcelain topographical Service, 1820’s, each piece painted with a British scene, titled on the reverse, within gilt foliate scroll borders and a gadrooned
rim, comprising: a large Comport: ‘Tewkesbury Church’, a Pair of shell-shaped Dishes:
‘Dropping Well, Knaresboro, Yorkshire’ and ‘Oxford Castle, Suffolk’, a Pair of oval Dishes: ‘Wide marsh Gate, Hereford’, riveted and ‘Fisher’s Gate, Sandwich’, a two-handledBowl: ‘. . . Bridge’, an oblong Dish: ‘Ethan Bridge, Kent’ and twelve Plates: ‘Teeny, South Wales’, ‘Yarmouth, Isle of Wight’, ‘Remains of Hospital, Audile Ed, Essex’,
‘Elizabeth Castle, Isle of Jersey’, ‘Fisher Gate, Sandwich, Kent’, ‘St. Mary’s Church, Dover’, ‘Hone Cross, Clearwell, Glostershire ‘(sic),
‘Athcarne Castle, County of Eastmeath’, ‘Ancient Gateway, St. Andrew’s’, ‘Waltham Abbey, Essex’, ‘Part of St. Augustine’s Chapel, Canterbury’ and
‘View on the Thames near Vauxhall’,
titles and ‘Spode’ in purple, impressed ‘6′ and
wheel marks.