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Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
Friday, January 15th, 2010
Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.
A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.
A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in .TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips .A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).
A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).
AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia
AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).
A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).
A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.
A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.
A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).
A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200
A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.
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PORCELAIN MUGS, English, mid-19th Century, A PLATE, Derby, PORCELAIN DESSERT DISH, Ridgway, PORCELAIN FIGURE OF A YOUNG MAN, Derby
Sunday, January 10th, 2010
PORCELAIN MUGS, English, mid-19th Century, A PLATE, Derby, PORCELAIN DESSERT DISH, Ridgway, PORCELAIN FIGURE OF A YOUNG MAN, Derby
A GROUP OF FOUR PORCELAIN MUGS, English, mid-19th Century, comprising: a two-handled Mug painted with a panel of flowers against a puce ground named in gilt ‘Moses Yates
Darlaston 1864′; a two-handled Mug painted with flowers beneath a pink border named in gilt ‘William Perry June 6th 1850′; a smaller Mug painted with flowers within a gilt
border and a Mug painted with flowers and named in gilding ‘Sarah Emma Yates’, tallest Mug 13.5cm.; 5Vfdn., cracks.
A PAIR OF PORCELAIN VASES, Royal Crown Derby, circa 1890, each of bottle form, painted in Imari colours with a ‘Japan’ pattern number 2444′, orange printed marks, each approx.
16cm.; 6′Ain., rim chips; and a Pair of conical Vases, similarly decorated.
A SET OF TWELVE KIDNEY SHAPED DISHES, Royal Worcester, circa 1895, each printed and painted with flower sprays within a gilt rim, puce printed crowned circle mark, ‘Royal
Worcester Vitreous’, Henry Greene & Sons retailer’s mark, each approx. 21cm.; 8′Ain. across.
A BLUE AND WHITE EARTHENWARE OCTAGONAL MEAT DISH, probably Staffordshire, 19th Century, transfer printed with a Chinese family group of five figures on a small grassy mound,
printed mark ‘Mandarin Opaque China’, 48.5cm.; 19in., small restoration to rim; also a Fell blue and white printed oval Meat Dish.
A LARGE PAIR OF PORCELAIN
MUGS, Derby, circa 1820, each painted with
a ‘Japan’ pattern of flowers in underglaze-
blue, red, green and gilt, red painted crowned
‘D’ and crossed batons, 13cm.; 5′/dn., restoration
to one.AN UNUSUAL PEARLWARE
PUZZLE JUG, early 19th Century, of
flattened circular form on a spreading foot,
the centre moulded with a sunburst face
within a pierced border, the handle in the
form of a Figure peering into the pierced
neck, 31.5cm.; 12Vsin., minor chips and
restoration.A PLATE, Derby, circa 1810, painted probably by Robert Brewer, with a central hunting scene, ‘The Kill’, within a blue and gilt garland, the rim with gilt vermicule on a deep
blue ground reserved with an oval panel gilt with a rose, 24.5cm.; 9-Vstn., areas of gilding possibly retouched.
A PAIR OF PEARLWARE FIGURES OF VENUS AND FLORA, early 19th Century, each modelled standing on a square brown line base, wearing floral robes, Venus with a dove perched on her
hand and Flora with a cornucopia of flowers, tallest 27cm.; lOVsin., small chips and some enamel flaking.
A TRIO, Swansea, circa 1820, fluted Paris shape, each piece decorated with a band of gilt shells centring a boar’s head crest, red printed SWANSEA to coffee cup.
A PAIR OF SPILL VASES, Spode, circa 1820, each of cylindrical form on a drum-shaped base, painted en grisaille and picked out in gilding with a Chinoiserie bowl of fruit and
flower vase, gilt rims, red painted SPODE painted pattern no. 3778, 10.5cm.
A POWDER BLUE GROUND CANTED RECTANGULAR PLATE, Bow, circa 1765, with a central oval panel painted with a Chinoiserie riverscape incorporating a figure in a sampan and buildings
on rocky islands, surrounded by smaller alternating fan-shape and circular panels painted with similar subjects, painted pseudo-Chinese six character mark.
A PORCELAIN DESSERT DISH, Ridgway, circa 1810—15, of shaped circular form, the rim moulded with bunches of grapes in low relief, painted with a central circular landscape panel
reserved within a gilt frame against a pale blue marbled ground, gilt rim, painted pattern No. 562, 23cm.; 9in. across.
A POTTERY COW CREAMER AND COVER WITH MILKMAID,
probably Scottish, circa 1800, sponged in
raspberry, green and brown, 13cm.; 5′Ain.,
small chips; also a Staffordshire pottery
Cottage.A GROUP OF SEVEN POT LIDS AND TWO BASES, comprising: ‘The Allied Generals’ (No 168), ‘Albert Edward, Prince of Wales, and Princess Alexandra on their Wredding in 1863′
(Nol57-early edition), ‘Landing the Catch’ (No55), ‘The Meeting of Garibaldi and Victor Emmanuel’ (No211), ‘The Farriers’ (No324), ‘The Flute Player’ (No337) and ‘The Picnic’
(No354), some chips.
A BLUE AND WHITE DELFTWARE BOTTLE, probably Liverpool, circa 1760, painted with baskets of flowers beneath a garlic neck, 23cm.; 9in.
A PORCELAIN FIGURE OF A YOUNG MAN, Derby, circa 1775, standing in 18th Century costume, holding a flower posy in his left hand, grassy mound base, 16cm.; 6′Ain., some
restoration and small.
A PAIR OF BLUE AND WHITE OVAL SAUCEBOATS, Lowestoft, circa 1770, painted with panels of a fenced garden enclosing flowers and a willow tree inside moulded flower cartouches,
16cm.; 6′Ain. long, some damage.
A COW CREAMER AND COVER, circa 1770-90, covered in a mottled brown glaze and standing four-square upon a green glazed rectangular base, 19cm.; 7′Ain long, restored.
A ‘FLORIAN WARE’ VASE, Moorcroft, circa 1902, of waisted form, decorated with the ‘Daisy” pattern in shades of blue and green, green painted signature ‘W Moorcroft Des’, 12cm.:
43Ain., restored.
A PORCELAIN SAUCEBOAT, Lowestoft, circa 1765-70, painted in underglaze-blue with panels of chinoiserie landscape within floral borders moulded in low relief, painted numeral
‘5′, 16cm.; 6′Ain. across, small chip.
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ANTIQUE GERMAN PORCELAIN: Dresden, Volkstedt, Possneck, Sitzendorf porcelain
Thursday, January 7th, 2010
ANTIQUE GERMAN PORCELAIN: Dresden, Volkstedt, Possneck, Sitzendorf porcelain
A Berlin Tureen and Cover,
mid- 18th Century, the compressed
circular body painted with panels of
flowers inside scroll and foliate moulded
frames, set with two branch handles, the
domed cover applied with a flower finial,
some damage, 18cm.; 7in. high, sceptre mark
in underglaze-blue.A Pair of Dresden two-tier Cake
Stands, late 19th Century, each plate
painted with birds inside lattice pierced
borders reserved with panels of further
birds, each surmounted by a yellow bird
perched on a branch, 33cm.; 13in., crossed
swords mark in underglaze-blue.A Pair of Volkstedt porcelain pot
pourri Figures, late 19th Century, each
figure seated holding a pierced basket on
their lap, she wearing a pink and blue
dress and flowered apron, he a flowered
jacket and puce breeches, chips and
restoration, underglaze-blue mark.A German white glazed porcelain
Figure of a shepherd, late 19th Century,
a youth standing holding a lamb over his
shoulder, raised on a brown and gilt
mound base, minor chips, 40cm.; 15V4n.,
impressed marks.A Pair of Possneck (Germany)
porcelain Vases, late 19th Century, in
the form of flower encrusted overlapping
leaves, applied with a seated cherub and
a bird, scroll moulded base, some repair
and chips, 29cm.; lVhin., green printed
shield mark.A Pair of Plaue porcelain
three-branch figure Candelabra, late
19th Century, each encrusted with
colourful flowers and fruit and modelled
with a male or female figure, she holding
a watering can, he with a flower basket,
all raised on pierced circular scroll
moulded bases, chips and repairs, 37.5cm.;
143/rin. high, underglaze-blue mark.A Potschappel flower encrusted
porcelain Clock Case and Stand, late
19th Century, the clock case painted with
a scene of lovers and applied with three
flower bearing putti, the stand raised on
four scrolled feet, also painted with a
scene of lovers and flower sprays, fitted
with Smiths electric clock, chipped, clock
damaged, 51.5cm.; 201Min. overall, impressed
and underglaze-blue marks.A Pair of German porcelain
flower encrusted Vases and Covers, late
19th Century, each bulbous waisted body
painted with landscape and flower panels
and applied with two cherubs beneath
leaf handles, all raised on circular scroll
moulded bases and beneath pierced
covers with flower bouquet knops, chips
and repair, 39.4cm.; 151/zin. high, crossed
swords in underglaze-blue.A German porcelain flower
encrusted Table Centrepiece, early 20th
Century, the scroll moulded and pierced
basket raised on a lappet stem applied
with a young boy and girl, a goat and a
sheep, the pierced base raised on six
scrolled feet, all printed with scattered
flower sprays, chipped.A Pair of Plaue porcelain figure Candelabra, late 19th Century, each flower encrusted stem supporting a three-branch candelabra and applied with a male or female rustic figure,
she in flowered skirts and carrying a wheatsheaf, he in blue tunic and carrying a sickle, each raised on pierced flower encrusted bases, small chips, each approx. 50cm.;
193Ain., underglaze-blue mark, impressed numerals 629.
A Potschappel two-handled porcelain Vase and Stand, 2nd half 19th Century, adapted as a table lamp, the urn-shaped body painted with soldiers and classical figures, the reverse
with flower sprays, within frames of encrusted flower and fruit swags, raised on a socle foot and square plinth base, one handle repaired, some chips, vase 33cm.; 13in. high,
blue factory mark.
A Sitzendorf porcelain mounted Mantel Clock, late 19th Century, two
figures of a youth and companion flanking a drum-shaped case encrusted with flowers, raised on a scroll moulded base encrusted with further flowers, minor repair and chips,31.5cm.; 121/2in. high, blue painted factory mark.
A Sitzendorf oval easel Mirror,
late 19th Century, encrusted with flowers
and surmounted by two cherubs holding
a flower garland, some chips, 33cm.; 13in.,
blue factory mark.A German two-light Candelabrum, late 19th Century, in Meissen style, modelled as two children before a tree, two branches rising to support sconces, raised on a scroll moulded
base encrusted with flowers, some restoration and chips, 27cm.; l&Ain., crossed swords in blue.
A German porcelain Group of two gentlemen in 16th Century costume, late 19th Century, one kneeling before the other beside a column, raised on a rectangular plinth base moulded
with laurel swags, 28cm.; llin., painted RI1762 in blue.
A Pair of Furstenberg pierced octagonal two-handled Baskets, each painted with a scene of lovers courting within slatted sides, moulded and pierced to simulate basketwork, minor
chip, one handle restored, 23.5cm.; 91Ain. diam., underglaze-blue mark.
A Pair of Dresden turquoise
ground Vases and Covers, late 19th
Century, each bulbous body painted in
puce camaieu with panels of putti
engaged in various activities within an
oval gilt frame, the shoulders set with
vertical gilt handles, the domed covers
with gilt finial, one finial broken, one handle
repaired, 28cm.; llin., AR mark in
underglaze-blue.A Berlin porcelain Plate, 2nd
quarter 20th Century, the shaped gilt
rim enclosing a painted portrait of a
young child in a blue dress holding a
ball, against a grey ground, 19cm.; 7V2in.,
cancelled Berlin mark, impressed year cypher.A Hohenberg (Bavaria)
rectangular porcelain Plaque, 2nd half
19th Century, painted after Raphael with
the ‘Madonnadi san Sisto’ by R. Friedriche,
signed, 19.25 by 13.75cm.; 73A by 53/sin.,
impressed crowned shield mark, No. 103.Two Potschappel porcelain
miniature Cups and Saucers, late
19th/early 20th Century, one of
quatrelobed form, painted with panels of
figures in landscape and flowers against a
blue ground, the other of shaped oval
form, similarly decorated against a yellow
ground, gilt borders, each approx. 8cm.;
3Vsin. long, crossed swords and ‘T’ in
underglaze-blue. -
Meissen porcelain Cups and Saucers, Meissen Clock, Meissen porcelain Dinner Plate, 20th Century
Thursday, January 7th, 2010
Meissen porcelain Cups and Saucers, Meissen Clock, Meissen porcelain Dinner Plate, 20th Century
A miniature Meissen Turkey, circa 1880, its tail feathers splayed, picked out in grey and brown, the head tucked back and coloured in blue and red, 6.5cm.; 21/2in.; a Meissen
Great Tit, late 19th Century, with white cheeks, black band on the yellow breast and a green back, 13cm.; 5Vsin.; and a Meissen Bullfinch, late 19th Century, after J.J.
Kaendler, with red, brown and black markings, 9.5cm.; 33Ain., some chips and restoration, crossed swords in underglaze-blue, impressed numerals.
A large Meissen green Woodpecker, late 19th Century, crimson crown, bright green upper parts, grey-green under parts, black white-spotted wings, beak restored, some chips,
27cm.; 10V2in., crossed swords in underglaze-blue, impressed and incised numerals.
A Meissen Bird, late 19th Century, with a brown and black hooked beak, yellow tips to the wings, the head crested, restored beak, 23cm.; 9in., crossed swords in underglaze-blue
and incised 274X; and a Meissen Bird, late 19th Century, possibly a grasshopper warbler, with long tail and brown and streaked beak, restored beak and tail, 16.5cm.; 6V2in.,
crossed swords in underglaze-blue and incised 11.
A large Meissen Ewer allegorical of ‘Air’, 19th Century, after a model by J. J. Kaendler and J. F. Eberlein, the shoulder surmounted by the crowned figure of Juno with her
peacock, moulded clouds parting to reveal birds of prey pursuing storks and fowl, a winged zephyr blowing a blast of air at cherubs gambolling with a bagpipe above a billowing
scarf handle, the spout and foot moulded with colourful feather gadroons, repairs to two legs, 65cm.; 251/2in., crossed swords in underglaze-blue, incised model No. 327,
impressed 40.
A fine Meissen Clock, 2nd half
19th Century, the circular gilt dial
applied with blue and white enamel
Roman numerals, set in a drum-shaped
case moulded with scrolls and applied
with a border of leaves inhabited by birds
and squirrels surmounted by the figure
of Diana seated with two hounds beside,
the base depicting a hunting party
standing over dead game, raised on scroll
moulded feet, enriched in puce,
turquoise and gilt, some restoration and
chips, 71cm.; 28in., crossed swords mark in
underglaze-blue, impressed No. 137.A Set of eight Meissen porcelain Cups and Saucers, circa 1900, each piece painted with scattered flower sprays, gilt rims, also a matching Side Plate, crossed swords in
underglaze-blue, impressed numerals.
A Meissen ‘kakiemon’ Wall Plate, 20th Century, decorated with a mythological beast amongst a chrysanthemum spray, with a heron, 17cm.; 63Ain. wide, cancelled crossed swords mark
in underglaze-blue.
A Meissen Tete-a-Tete Service, 20th Century, each piece painted with rose sprays, comprising: a Coffee Pot and Cover, a Sugar Bowl and Cover, a Milk Jug, two Cups and Saucers
and two Side Plates, all with cancelled crossed swords mark in underglaze-blue.
A white glazed Meissen moulded Plate, late 19th/early 20th Century, the
folded rim with three scrolled cartouches,
with plain centre, 30.5cm.; 12in. wide,
cancelled crossed swords mark in
underglaze-blue.A Meissen white glazed Figure of
a boy with a bow, early 20th Century,
he crouched naked on a dome holding a bow, 13.5cm.; 51/iin., crossed swords mark in underglaze-blue and impressed numerals.A Meissen Coffee Cup and Saucer, late 19th Century, the tapering bowl with gilt serrated rim, decorated with a floral panel within gilt cartouche on a deep blue ground, with
plain blue saucer, both with crossed swords mark in underglaze-blue.
A Group of three Meissen porcelain Cups and Saucers, 20th Century, comprising: ‘Onion’ pattern Cup and Saucer, a flower painted example and a white leaf moulded Cup and Saucer,
tiny chips to one cup, crossed swords and cancelled crossed swords in underglaze-blue, various impressed numerals.
A Pair of Meissen shaped Dishes,
20th Century, both printed in blue with’
a scene of a German town and cathedral,
one dish with blue line rim, 18.75cm.;
73/dn. long, crossed swords in
underglaze-blue, impressed numerals; and a
flower painted example, gilt rim.A small Group of Meissen porcelain wares, 20th Century, each painted with flower sprays, gilt rims, comprising: Jug, three small Vases, two covered circular Dishes, a shaped Pin
Tray and three circular Pin Trays, cancelled crossed swords in underglaze-blue, various impressed numerals.
A Meissen porcelain egg-shaped Vase and Cover, 20th Century, painted with small flower sprays, raised on three gilt scroll feet, under circular cover with gilt acanthus and
berry knop, 15.5cm.; fr/sin., cancelled crossed swords in underglaze-blue.
A Group of three Meissen white glazed porcelain child Figures, 20th Century, two girls and a boy, each dressed in 18th Century costume and carrying baskets of flowers, on
circular scroll moulded bases, one figure with traces of colour, minor chips, each approx. 13.25cm.; 51Ain., crossed swords and cancelled crossed swords in underglaze-blue,
impressed numerals.
A Meissen porcelain oval Coffee Pot and Cover, 20th Century, painted with purple and yellow flowers beneath short cylindrical neck and circular cover with stylised flower knop,
23.25cm.; 9Vsin., cancelled crossed swords in underglaze-blue, incised and impressed numerals.
A Meissen porcelain Dinner Plate, 20th Century, painted with 6range flowers within shaped rim, 22.25cm.; 83Ain. diam., cancelled crossed swords in underglaze-blue, painted
signature
G. Kemath; and five pieces of Meissen
white glazed Porcelain, 20th Century,
comprising: ovoid Vase, circular Dish
and Cover with rose knop, two Pipe
Bowls and a Thimble.‘Tanzerin’: A Meissen porcelain Figure of a dancer, modern, the young woman wearing a flowered top, ruffled skirt and ballet shoes, modelled with arms outstretched, one foot
raised on an oval base, 27.5cm.; lOVsin. high, crossed swords in underglaze-blue, painted ‘44′, impressed numerals, with Meissen factory certificate.
A Meissen porcelain flower encrusted Bo*-and Cover, early 20th Century, the compressed circular body applied with colourful flower sprays and painted with insects, gilt rims,
tiny chips to flowers, 9.5cm.; 33/4in., crossed swords in underglaze-blue, impressed numerals 81/31.
A Meissen porcelain oval
two-handled pierced Basket, 20th
Century, decorated with the ‘Onion’
pattern within cartouche moulded and
pierced border, 28.5cm.; lVAin., blue
printed mark, impressed Meissen and
numerals. -
19TH CENTURY MEISSEN PORCELAIN
Thursday, January 7th, 2010
19TH CENTURY MEISSEN PORCELAIN
A Meissen porcelain Figure of a dancer, late 19th Century, the young woman in lilac jacket and floral skirt holding sheet music, raised on circular scroll moulded base, chips,
arm repaired, 14.25cm.; 5Vsin., crossed swords in underglaze-blue, incised 99, painted 24.
A Meissen porcelain Figure of a
boy holding flowers, 19th Century,
wearing elaborate brightly coloured striped and gilt costume, on gilt scroll moulded base, tiny chips, 13.25cm.; 5V4in., crossed swords in underglaze-blue, incised 59.A Meissen Figure allegorical of
‘Winter’, 19th Century, a bearded figure
wrapped in a fur-lined claret-coloured
robe, keeping warm beside a flaming
brazier, a putto chopping wood by his
other side, on a four-footed rococo
scroll-edged square base picked out in
gilding, putto and hand repaired, 29cm.;
incised 691, crossed swords in
underglaze-blue, impressed 145.A Meissen musician Group, late 19th Century, a young man and lady seated on a sofa with a pug dog in between, each in colourful 18th Century attire, he playing the flute while
his companion holds a mandolin, some restoration, 14cm.; 51/2in., crossed swords in underglaze-blue.
A Meissen porcelain shallow circular Bowl, 19th Century, the interior painted with a scene of figures in landscape before a church, within an elaborate gilt scroll border,
24.25cm.; 91/2in., cancelled crossed swords in underglaze-blue, impressed numerals.
A Meissen vine-presser Group,
late 19th Century, seven children about a
wooden press, each in colourful costume,
two holding goblets whilst another two
hold bunches of grapes, raised on a scroll
moulded oval base, one foot broken, some
chips,crossed swords mark in
underglaze-blue, impressed and incised
numerals.A Meissen Group of ‘The Broken
Bridge’, mid- 19th Century, after a model
by Acier, modelled as a maiden urged by a
gallant to cross a broken bridge, one
cupid pushing from behind, another
strewing roses in her path, the whole on
an oval mound base edged with a formal
border, some restoration and small chips,
24.3cm.; 91/2in., crossed swords in
underglaze-blue, incised F63.A Meissen Group of lovers, 19th
Century, dressed as a shepherd and
shepherdess with a dog and a sheep at
their sides, standing before a bust of Pan
flanked by a youth and a small boy
seated above a cradle holding a flower
garland, raised on a circular base
enriched in puce and gilt, minor
restoration and chips, 32.25cm.; 13V2in.,
crossed swords mark in underglaze-blue,
incised G37.A Meissen porcelain flower
encrusted Clock Stand, late 19th
Century, moulded and gilt with scrolls
and flower sprays around a central scene
of lovers, raised on three feet and
surmounted by a putto holding a bell
and wearing a flower garland, damaged,
approx. 28cm.; llin. high, crossed swords in
underglaze-blue, red painted 65.A large Pair of Meissen Figures
of a gallant and companion, 2nd half
19th Century, each standing in brightly
coloured 18th Century costume, both
carrying baskets of flowers, raised on a
square scroll moulded base enriched in
gilding, minor repair and chips, 49cm.;
19V4in., crossed swords mark in
underglaze-blue, incised numerals.A Meissen porcelain ‘Onion’
pattern shaped oval Meat Dish, 19th
Century, characteristically painted in
underglaze-blue, 46cm.; 18J/sin. long,
crossed swords in underglaze-blue, impressed
12912, painted ‘2′.A large Meissen porcelain oval
Tureen and Cover, 20th Century,
painted in blue with the ‘Onion’ pattern,
gilt rims, scroll moulded and gilt handles,
36.25cm.; I41/4in. long, crossed swords in
underglaze-blue.A Pair of Meissen five-light
Candelabra, 2nd half 19th Century,
emblematic of ‘Summer’ and ‘Autumn’,
each with a youth and companion
playing musical instruments amongst
grapes or a sheaf of corn before a scroll
moulded column beneath four encrusted
‘S’-scroll branches, raised on four scroll
moulded supports, some repair and chips,
42cm.; 161/2in., crossed swords in
underglaze-blue.A Meissen Group of Europa and
the Bull, 2nd half 19th Century, the
classical maiden wearing floral robes and a flowing mauve scarf, seated on the sturdy beast with a garland over its horns, raised on a scroll moulded oval base, firing crack tobase, some chips, 24cm.; 9V2in. high, crossed swords in underglaze-blue, incised K. 70.
A Meissen porcelain Stand, 2nd
half 19th Century, of shaped square
form, the top painted with insects and
flowers, raised on four scroll moulded
supports encrusted with flowers, chips,
28cm.; llin., crossed swords mark in
underglaze-blue.A Meissen Group of a mother
and children, 2nd half 19th Century,
the woman seated with one child on her
lap and a young girl seated beside
playing the recorder, on shaped scroll
moulded base enriched in gilding,
16.5cm.; 61/2in., crossed swords in
underglaze-blue, impressed and incised
numerals.A Set of six Meissen blue ground
Plates, 2nd half 19th Century, each
centre painted with flower bouquets
inside a frame of pink twisted ribbon, the
blue border pierced with a band of
adjoining ovals enriched in gilding,
24cm.; crossed swords in
underglaze-blue.A Meissen porcelain Dessert
Service, late 19th Century, each piece
decorated in underglaze-blue with the
‘Onion’ pattern within pierced lattice
borders and gilt rims, comprising: four
Comports, four Bowls and twelve Dessert
Plates, minor chips and hair-cracks, crossed
swords in underglaze-blue and impressed
numerals.A Meissen Onion pattern Oil
Lamp, Shade and two Chimneys, late
19th Century, the base and spherical oil
reservoir typically painted, with brass
mounts and burner, small chip, one
chimney cracked, 43.5cm.; 17V8in. overall,
crossed swords in underglaze-blue, the metal
stamped Hinks fcf Sons, Patent.A tall and impressive Meissen
Candelabrum representing the Four
Elements, late 19th Century, a scroll
moulded baluster column encrusted and
painted with flowers beneath, fitted with
three circular pierced plates below six
scroll arm branches surmounted by a
cherub holding a torch on a dragon, the
scroll moulded trefoil base applied with
three seated putti holding attributes
connected with Earth, Air or Water, some
cracks and repair, 83cm.; 323/dn., crossed
swords in underglaze-blue, impressed and
incised numerals.Two Meissen Quails, circa 1880,
after models by J. J. Kaendler, with light and
dark-brown markings on the wings and
grey and brown markings below, perched
on rockwork bases with green foliage, one
with very minor chip on beak, 9cm.; 31/2in.,
crossed swords in underglaze-blue, incised
428, impressed numerals.
Compare with the 18th Century model illustrated in R. Ruckert, Meissener Porzellan, p. 280, pi. 1141. -
ANTIQUE CONTINENTAL CERAMICS, EARTHENWARE AND STONEWARE: ispano-Moresque Charger, Moresque Dish, A ‘Sevres’ Vase, mid-19th Century
Thursday, January 7th, 2010
ANTIQUE CONTINENTAL CERAMICS, EARTHENWARE AND STONEWARE: ispano-Moresque Charger, Moresque Dish, A ‘Sevres’ Vase, mid-19th Century
An Hispano-Moresque Water
Vessel, 17th Century, probably Valencia,
set with three zoomorphic spouts with
green glazed features springing from the
ovoid body decorated with a ground of
foliate scrolls painted in copper luster
under a grooved strap handle with a
central suspension tube, riveted, one spoutAn Hispano-Moresque Charger,
1911 Century, the central boss painted
with a serpentine motif within a rim
molded with an octagon defined by
overlapping sectors enclosing hatched
and dotted panels, hair-crack, 32.3cm.;Hispano-Moresque
two-handled Vases, Valencia, 17th
Century, each low globular body painted
in copper luster with two large birds on a
typical whorl ground under a narrow
neck supporting a tall galleried mouth,
fluking, approx. 30cm.Another Pair of two-handled Vase to the preceding lot, one
cracked, approx. 30cm.;Hispano-Moresque Charger,
16th I7tti Century, the rim quartered by
blue brokered zigzag panels separating
four leaf motifs on a copper luster
ground enclosing a stylized floral band
about a central boss, restored, 40cm.;Moresque Dish, 16th Century, the rim molded with future flowers bursting from averted leaves about blue lined well incorporating a calligraphic band, hair-crack, chip,
33cm.; 13in.
Moresque Charger,
16th 17ihCemHfy, painted in lustrous
green with bold blue outlines with
three flower sprays in relief about a well
bearing four palmettos against a finely
penciled foliate ground, riveted and chip.Moresque Charger,
crisply molded overall1
with densely interweaving lotus scrolls
enclosing a central star boss picked out
in gold luster against a white ground,
riveted, 23cm.; 9in.Moresque-style Charter, T9th Century, the rim molded with raise gadroons picked out in copper luster and Hue, hair-crack, 43cm.; 17in.; and a near-Eastern lead-glazed Moon flask
and Stopper.
Rehash stoneware Tankard,
circa 1720, the broad spherical body
sprigged with a crowned AR oval
medallion between incised foliate scrolls
picked out in blue and bearing applied
flower heads picked out in manganese
between vertical banding, all under a
short cylindrical neck, small hair-crack.Porcelain Teapot and
the double ogee body
gilt with three overlapping petal bands,
each intersection enameled with an
iron-red spray of leaves, rustic handle,
damaged cover, 18cm.; 71/4in. long, anchor
mark in red.A ‘Sevres’ Vase, mid-19th Century,
the ‘U’-form body surmounted by a
sole-form neck, standing on a spreading
foot and reserved with panels enclosing
a Watteau ensue fete champers’ and a
forest scene within chased gilt laurel and
line borders, 57cm.; -
ANTIQUE BRITISH EARTHENWARE AND STONEWARE: Bristol delftware Plate, London delftware Drug Jar, blue and white delftware Mug, blue and white delftware Dish
Thursday, January 7th, 2010
ANTIQUE BRITISH EARTHENWARE AND STONEWARE: Bristol delftware Plate, London delftware Drug Jar, blue and white delftware Mug, blue and white delftware Dish
A rare Agateware Cat, circa 1740,
seated and looking to its left with pricked
ears picked out in blue, beady brown slip
eyes and nostrils, its white coat inlaid
with vertical and horizontal bands
striped in dark-chocolate-brown and
dabbed with two dark-blue patches, small
chip to one ear, 11.7cm.;A blue and manganese Bristol delftware Plate, circa 1770, painted in blue with an oriental hut beneath a willow tree within three single flower head panels reserved on a
manganese ‘cracked ice’ ground, 23cm.;
A Bristol delftware Plate, circa 1765, painted with two figures in a boat and a fisherman on a promontory before a cluster of houses, beneath a conical tree within a
bianco-sopra-bianco flower and fruit border, 22.8cm.;
A polychrome delftware Plate,
circa 1750, probably Lambent, painted with
pale iron-red and manganese flowers
among green and blue leaves
occasionally touched in egg-yolk yellow
within a rim bearing five cross-hatched
panels separated by further flowers, row-edged rim, 22.8cm.;A polychrome delftware Plate,
circa 1750, probably Liverpool, painted in
manganese with a large tree towering
above an oriental pavilion and bearing
yellow flower heads on its lower
branches, further structures
floating in the distance, 23cm.;An attractive polychrome
delftware Plate, mid-18th Century,
painted in strong color s with an
oriental gentleman seated on a
manganese rock upon a green mound
before yellow-leafed bamboo by a blue
fence behind, the rim bearing a band of
blue flashes between evenly spaced
panels cross-hatched in manganese,
20cm.;A manganese delftware Plate,
2nd quarter 18th Century, painted with
a central flower whorl within a band of
eight fruits placed alternately on the
inner and outer border lines under a
narrow rim painted with continuous
chevrons, 22.4cm.; 83Ain.A London delftware Drug Jar,
circa 17′20, possibly Lambert, the ovoid
sides bearing a label titled
:CFL.AURANT: in scroll borders
embellished with shell and flower motifs
and ‘marine’, crack and frit-chipping,
18.5cm.;An English delftware Puzzle Jug, circa 1760, the low body painted in blue with a spray of peony under a pierced cylindrical neck and an overhanging triple-spouted rim, chips to
spouts, crack to base, 19cm.;
A Pair of delftware flower Bricks, circa 1750, probably Bristol, of rectangular form, painted with flowers before a distant Church, the ends with flower heads, the pierced top
washed in blue, minor chips, 12.5cm.;
An English delftware Plate,
mid-18th Century, painted in
polychrome with a peacock strutting
amongst sponged manganese trees,
minor chips to nm, 22cm.;A delftware blue and white
Sweetmeat Dish, circa 1750, divided into
three compartments, each penciled with
a peony within a raised divider and
undulating rim with whorl border, on
three conical feet, 17cm.;A Pair of blue and white delftware shipping subject Plates, circa 1730, each painted with a gaff-rigged barge, further boats on the horizon, the border painted with three
demy-florets, 21.5cm.;
A blue and white delftware Mug, late 17th Century, of stoneware inspiration, with baluster body and ribbed cylindrical neck, painted with a stylized spray of flowers, chips,
13.8cm.;
A blue and white delftware
Punch-Bowl, circa 1750, inscribed One
bowl more and then, the exterior with
flower sprays, chips and crack, 23cm.; 9in.An English delftware Plate,
mid-18th Century, painted in blue with
peony and bamboo amongst stylized
pierced rocks within floral border, 23cm.;A Sadler & Green printed
delftware Tile, circa 1765, a corpulent
butcher standing beside a vat and a
foaming mug of beer, joints of meat
round about, printed in black/sepia,
12.5cm.;A rare Sadler & Green printed
delftware Tile, circa 1765, a woman
leaning out of a window to observe a
troop of children play-acting before
other figures, printed in a
greenish-brown, 12.8cm.; 5in.A Group of sixteen blue and white Tiles, musty 18th Century, each painted with figures, shipping or mills within a dotted frame and flower spandrel corners or within an
octagonal panel on a powder-blue ground with carnation corners, 13cm.; 5in.
Twelve blue and white tin-glazed Tiles, 18th/19th Century, each painted with a fisherman or women in an octagonal panel reserved on a trellis ground, 12.5cm.; 5in.
A blue and white delftware Dish, circa 1750, freely painted in a Chinese manner with giant peony and chrysanthemum growing under a pine an above a fence enclosing a rock beside
a pool of lotus, 39.3cm.;
-
ANTIQUE PORCELAIN SERVICES: Mason’s ironstone Dessert Service, mid-19th Century, Spode New Stone part Dinner Service, English porcelain Tea Service
Thursday, January 7th, 2010
ANTIQUE PORCELAIN SERVICES: Mason’s ironstone Dessert Service, mid-19th Century, Spode New Stone part Dinner Service, English porcelain Tea Service
A Mason’s ironstone Dessert Service, mid-19th Century, each piece printed and enameled with a pair of comical birds amongst flowers growing from pierced rockwork within complex
floral and diaper border, comprising: large Comport, two Sauce Tureens, Covers and Stands, four two-handled oval Dishes, four two-handled square Dishes, four two-handled oval
Dishes and twenty-two Plates, minor damage, printed marks.
An ironstone Dinner Service, mid-19th Century, each piece printed in greenish-blue and brightly enameled with flowers in a fenced garden within floral border, comprising: six
graduated Meat Dishes, one tree and well Dish, Soup Tureen, Cover and Stand, Vegetable Tureen, Cover and Stand, Cheese Dish, two Sauce Tureens, Covers and Stands, twenty-six
Dinner Plates, seven Soup Plates and twenty Side Plates, some damage, printed and impressed marks, painted pattern.
A Wedgwood pearl ware part
Service, early 19th Century and later,
each piece molded as a shell, shaded in
tones of pink, comprising: four
cockle-shaped Plates, a similar later Plate
and a mussel-shaped Dish, chips,
impressed marks.A Wedgwood pearl ware Dessert
Service, early 19th Century, each piece
finely enameled and printed with
oriental flowers in a ‘family-rose’-style
within trellised salmon borders
incorporating further flower sprays,
comprising: twenty Dessert Plates, four
square Dishes, two rectangular Dishes,
four oval Dishes, two large oval Dishes
and one footed oval Dish, impressed
marks.A Spode New Stone part Dinner Service, 1820’s, each piece printed in black and enameled in ‘family-rose’-style with a central flower spray within a border of flowers on a whorl
diaper ground, comprising: five rectangular Dishes, Egg-Cup Stand, Sauce Tureen with gilt butterfly handles and three graduated Meat Plates, some damage, printed marks.
A Spode blue printed earthenware residue Dinner Service, late 1820’s, each decorated with a central basket of flowers within six radiating panels of flowers on the leaf-strewn
blue ground, comprising: nineteen Plates in three sizes (three Copeland replacements), two Meat Dishes, two Sauce Tureens, Covers and Stands, small Tureen and Soup Tureen and
Cover, some chips and cracks, impressed and printed marks.
A Collection of green glazed earthenware Dishes, 19th/20th Century, each molded with leaves, flowers or fruit, comprising: two footed Dishes, three double-handled rectangular
Dishes, six Plates, two leaf-shaped Dishes, three canted rectangular Dishes, five leaf-shaped Pickle Dishes and a small circular Dish, some damage, some impressed marks.
A Collection of green glazed leaf molded earthenware Plates, 19th/20fh Century, some damage.
A Worcester porcelain Dessert Service, circa 18, each piece enameled with wild flower sprays within a turquoise border picked out with husk and chain borders in raised gilding,
comprising: four high Tazze, four low Tazze and nine Plates, impressed marks, pattern No.
A Royal Crown Derby Cabaret Set, circa 1883, each piece brightly enameled and gilt with a Japan pattern, comprising: Tray, four Cups an Saucers, Teapot and Cover, Saucier and
Cover and a Jug, teapot spout repaired, iron-red printed marks .
An English porcelain Dessert Service, circa 1870, each piece painted with a landscape within a pink-ground border printed in brown with stylized flowers, comprising: two tall
Tazze, four low Tazze and twelve Plates, pattern.
An English porcelain Tea Service,
circa 10, each piece painted with two
dark-blue rocks in a fenced oriental
ardent, comprising: Teapot and Cover,
lop Bowl, Sugar Bowl, eleven Tea bowls
and twelve Saucers, staining and minor
cracks.An English porcelain Tea Service,
circa 1810, each piece decorated with an
iron-red band gilt with leaves,
comprising: Teapot, Cover and Stand,
Saucier and Cover, Milk Jug, twelve
Coffee Cans, twelve Tea bowls, twelve
Saucers, two Saucer Dishes and a Slop
Bowl, some damage.A Flight Barr & Barr Tea Service,
circa 1820, each piece decorated with a
pink band within a delicate gilt
scroll worked border and gadrooned rim,
comprising: thirteen Saucers, ten Tea
Cups, six Coffee Cups, two Bread and
Butter Plates, Slop Basin, Sugar Bowl
and Cream Jug, some damage, impressed
marks .An English porcelain Tea Service,
circa 1820, each piece painted with a
Japan’ pattern of blue and iron-red
plants between quartered blue panels
under salmon-pink bands, comprising:
Teapot, Cover and Stand, Jug, Slop
Bowl, two Bread and Butter Plates,
Sucrier and Cover and thirteen Cups
and six Saucers, some damaged .A Bloor Derby Dinner Service,
circa 1830, each piece enameled and gilt
with a band of roses and cornflowers
within a gadrooned rim, comprising:
Soup Tureen and Cover, two Vegetable
Tureens and Covers, one cover restored
and the other hair-cracked, Sauce Tureen,
Cover and Stand, tureen cracked, six
Dishes in sizes, four cracked, eight Soup
Plates, eight smaller Soup Plates, two
hair-cracked, twenty-four Dinner Plates,
two hair-cracked and sixteen smaller Plates
in two sizes, seven hair-cracked, printed
marks in red .An English porcelain Dessert
Service, probably Coalport, circa 1840,
each piece enameled with a central
bouquet of flowers within a gilt enriched
grey Dorder, comprising: twelve Plates
and three shaped Dishes, some damage.An English porcelain Tea
Service, circa 1840, each piece printed
and enameled with flowers amongst
scrolls, comprising: Teapot and Cover,
Cups and Saucers in sizes, Slop Bowl,
Jug and Bread and Butter Plates, some
damage .A Staffordshire porcelain
Dessert Service, circa 1830, each piece
molded with long-tailed birds amongst
vines about brightly color end sprays of
roses enameled within a puce printed
outline, comprising: eight Dishes in sizes,
Comport and twelve Plates, seven
discolor end or damaged, painted pattern.An attractive Spode and Copeland Garrett porcelain part Dessert Service, 1830’s, each piece enameled with a spray of flowers within a gross-bleu cavetto and a salmon-ground rim
enhanced in burnished gilding with foliate scrolls and passion flowers under molded vine clusters, comprising: Comport, Dish and twelve Plates, in iron-red and printed marks.
A part Dessert Service, circa
1820, each piece painted with flowers
within a molded border, comprising:
Sauce Tureen, Cover and two Stands,
four square Dishes, four oval Dishes,
four shell-shaped Dishes and seventeen
Dessert Plates, some staining.An important Spode porcelain topographical Service, 1820’s, each piece painted with a British scene, titled on the reverse, within gilt foliate scroll borders and a gadrooned
rim, comprising: a large Comport: ‘Tewkesbury Church’, a Pair of shell-shaped Dishes:
‘Dropping Well, Knaresboro, Yorkshire’ and ‘Oxford Castle, Suffolk’, a Pair of oval Dishes: ‘Wide marsh Gate, Hereford’, riveted and ‘Fisher’s Gate, Sandwich’, a two-handledBowl: ‘. . . Bridge’, an oblong Dish: ‘Ethan Bridge, Kent’ and twelve Plates: ‘Teeny, South Wales’, ‘Yarmouth, Isle of Wight’, ‘Remains of Hospital, Audile Ed, Essex’,
‘Elizabeth Castle, Isle of Jersey’, ‘Fisher Gate, Sandwich, Kent’, ‘St. Mary’s Church, Dover’, ‘Hone Cross, Clearwell, Glostershire ‘(sic),
‘Athcarne Castle, County of Eastmeath’, ‘Ancient Gateway, St. Andrew’s’, ‘Waltham Abbey, Essex’, ‘Part of St. Augustine’s Chapel, Canterbury’ and
‘View on the Thames near Vauxhall’,
titles and ‘Spode’ in purple, impressed ‘6′ and
wheel marks. -
ANTIQUE PORCELAIN FIGURES: Derby Figures, Bow Figure, Staffordshire Figures
Thursday, January 7th, 2010
ANTIQUE PORCELAIN FIGURES: Derby Figures, Bow Figure, Staffordshire Figures
A rare Bow Figure of a Thames
waterman, 1753—55, standing in
brown-trimmed yellow cap and coat over
floral waistcoat, his head turned to
sinister, his left arm outstretched before
a tree-stump, on a floral painted base,
cap chipped, left hand restored, 20cm.;Until the construction of Westminster Bridge in 1750 the only two means of crossing the Thames on foot had been by London Bridge and at Kingston. To cross in the intervening gap
one would have to use the horse-ferry or one of the many Thames watermen, their numbers presumably remained much the same since the time of Pepys when about 4,000 were recorded.
Pepys allowed a regular waterman of his to grace his boat with his own coat-of-arms. Is it possible that such a ‘by appointment’ badge accounts for the coat-of-arms on the
waterman’s arm which differs from a similar figure illustrated by Elizabeth Adams and David Redstone, Bow Porcelain, plate 127. Although heraldically incorrect the present
figure’s badge is perhaps intended as the seal of the Navy Office.
A near Pair of Bow Figures, circa
1760, he wearing a pale-puce jacket and
knee-length breeches, finely enameled
in characteristic blue, puce and green
with flower sprays playing the recorder
with a dog at his feet, she striking a
dancing pose, her jacket finely
enameled with flowers over striped
apron and pale-yellow skirt, the scroll
molded base encrusted with flowers,
chip to her hat, restoration to his recorder and
hands, approx. 15.5cm.;A Pair of Bow Busts, circa 1755,
representing ‘Spring’ and ‘Winter’, the
former modeled as a young woman
wearing flowers in her hair and draped
in a puce and yellow flowered robe on a
wasted marbled sole, the latter as a
bearded man wearing ermine-trimmed
yellow cloak on similar base, restored and
chipped, 13cm.;A Bow Model of a Putt, circa 1760, standing garlanded in flowers, on circular base, restored, 13cm.; 5in.
A Pair of Derby Figures of street
vendors, 1760—65, the ‘Jewish peddler’
wearing a fur-lined cap and long green
coat over a long flower sprigged
waistcoat, a basket containing bottles
before him, his companion standing with
an open trinket box and wearing a short
red and green tunic over her purple
robe and yellow skirt, both on typical
Meissen-style bases encrusted with
color full flower sprays, damage to man’s
arms, head and coat, chips to woman’s clothes
and nose, approx. 18.5cm.; 73/sin., patch
marks .A Pair of Derby Figures of a boy
and girl, circa 1765, each seated before
flowering or fruiting boscage, he with a
dog and gun by his side, chips, 11cm.; 5in.A Pair of Derby Figures
representing ‘Autumn’ and ‘Winter’,
circa 1770, the former modeled as a
young grape harvester carrying a full
basket on his back wearing a puce jacket
and flower sprigged knee breeches, the
latter as a young girl with skates on her
feet and wrapped in a fur cape, both on
scroll molded bases, feathered in
turquoise green and picked out in
fielding, his arm glued, chips to both, approx.
3cm.;Three Derby Figures representing
Continents, late 18th Century, ‘Africa’ of
dark complexion wearing an elephant
mask hat, ‘Asia’ standing by a camel,
‘Europe’ by a horse and with attributes
of the Fine Arts, all restored, approx.
13cm.;A Pair of rare Derby ‘Mansion
House Dwarves’, early 19th Century,
each corpulent figure wearing an
extravagant hat and standing on a flower
encrusted green ground, hand glued to
one, approx. 17cmA Derby biscuit Group, circa 10,
modeled as three Cupids beneath a tree
encrusted with leaves, the rocky base
with budding flowers, one arm missing,
27cm.A Pair of Derby Figures of musicians, 1st quarter 19th Century, each seated on a chair, he playing tire flute, an instrument case and musical scores at his feet, she with a
mandolin and a small white dog on her lap, on canted rectangular bases edged in gilding, neck of mandolin broken, crazing, 16cm.;
A Stevenson &: Hancock Derby Figure of a cobbler, 2nd half 19th Century, seated with a shoe in his lap, his workbench on one side and looking up to the caged bird on the wall
behind him, 15.5cm.; 61Ain., crossed batons, ‘S’ and Win purple.
A Staffordshire Group of a girl
and swain with baskets, circa 10, of
clay, both seated before a tree with two yellow parrots among green and turquoise leaves, she wearing a turquoise bodice, her jacket outlined in dark-blue, on a rustic mounddappled in brown, yellow and green, 20.4cm.;
A Pair of ormolu mounted
Minton porcelain candlestick Figures,
1830’s, modeled as an 18th Century
lady and gentleman seated in elaborate
18th Century costume, he holding a
basket of fruit, she a garland of flowers
beneath rococo scroll bower, 33cm.; -
A Chamberlain’s Worcester Vase, early 19th Century, A Pair of Coughed Dishes, Spode ‘Japan’ pattern Spill Vase, circa 1820, Staffordshire porcelain Pastille Burner
Thursday, January 7th, 2010
A Chamberlain’s Worcester Vase, early 19th Century, A Pair of Coughed Dishes, Spode ‘Japan’ pattern Spill Vase, circa 1820, Staffordshire porcelain Pastille Burner
A Worcester ‘hop trellis’ Cup and Saucer, circa 1765, each ribbed piece enameled with flowering vine between lapis and turquoise borders, outlined in gilding, saucer restored.
A Pair of Flight Barr & Ban-
Dessert Plates, circa 1815, each painted
with a lobed panel of shells, seaweed and
coral within a waved green and gilt
border and gadrooned rim, minor
scratching to enamels, 22.2cm.; impressed crown and FBB, circular printed
mark.A Chamberlain’s Worcester Vase, early 19th Century, the pink-ground body set with swan handles over an encrusted band of flowers, restored handle, 17.2cm.; inscribed mark in
puce script.
A Chamberlain’s Worcester Ice Pail, Liner and Cover, circa 1840, the company body enameled with flower sprays over gilt gadroons, all under a sloping gallery paneled with
flowers on a pale-blue ground, restored crack, 34cm. printed mark in black.
An important Chamberlain’s
Worcester Vase and Cover, 2nd quarter
19th Century, the ovoid body finely
painted with ‘fancy birds’ within two gilt
scroll-edged panels, under a fluted
shoulder reserved with smaller panels
against the dark-blue ground between
gut griffin handles under an over-turned
rim, the slider acanthus molded foot
spreading onto the square base and
decorated with birds and butterfly
vignettes, the matching cover
surmounted by a floral knops, minor
rubbing to gilding, 53cmcover
inscribed ‘Chamberlain’s Worcester’ in grey
puce script.A vase of similar form and apparently painted by the same hand was sold at Sotheby’s, Bond Street and is illustrated by G. Godden, Chamberlain Worcester Porcelain, p. 304, fig.
. The present piece differs in a number of details, principally in having vignettes on the cover, neck, shoulder, foot and base.
A Coughed cabbage leaf Jug,
1770’s, the sides printed in blue with
three floral bouquets, 24cm.; 91/2in.A Pair of Coughed Dishes, circa
17, each printed in blue with the
Fisherman pattern within a waved gilt
rim, 25cm.; 10in., impressed marks.A Plymouth bell-shaped Mug,
1768—70, the broad sides enameled with
sprays of puce and iron-red roses among
pale-green leaves outlined in black and
with other cut flowers, handle missing,
14.5cm.; 55/sin., chemist’s mark for tin in
under glaze-blue.S A Lowest Coffee Pot and
Cover, circa 17, the pear-form body
enameled in ‘family-rose’-style with
floral sprays beneath a band of trellis
diaper cartouches and swags, domed
cover and button knops, crack, 26.5cm.;Seven English porcelain Tea bowls
and Saucers, early 19th Century, probably
John Rose, Coal port, each writhen
molded piece enameled in puce and
green with floral meanders; and two
larger Bowls en suite, minor damage.A Garniture of three Plant Pots
and Stands, circa 10, probably Coal port,
each of tapering form, on a sole base
and molded with integral ‘ring’ handles
over hexagonal blue-ground panels
enclosing cornflowers between roses in
vertical diamond panels outlined in
burnished gilding, one base damaged, small
crack to another, crack to largest pot,
14.8 and 17.5cm.;A Spode ‘Japan’ pattern Spill Vase, circa 1820, decorated with a stylized fenced garden within beaded borders, 10cm.; 4in., red painted mark and pattern .
A similar Spode Vase, circa 1820,
10.2cm.; 41Mn., red painted mark and
Pattern.A Pair of Spode ‘New Shape’
Cachepots and Stands, 1820’s, the flared
sides painted with a gilt-ground panel of
summer flowers on the white and gilt
foliate scrollwork ground, flanked by gilt
animal mask handles and raised on
wasted circular foot and three gilt paw
feet, one pot chipped, both bases chipped,
17cm.;A Rockingham Scent Bottle and Stopper, circa 1835, the bulbous body encrusted with summer flowers and enameled and gilt with butterflies beneath a full-blown rose stopper, minor
flaking to enamels, stopper chipped, 11.5cm.; 41/zin., puce griffon mark.
An English porcelain Dessert Plate, circa 1820, the centre gilt with a G.L. monogram within a solid gilt band painted with summer flowers, gilding slightly rubbed, 21.5cm.;
An English porcelain Dessert Plate, circa 1820, painted with two bullfinches at their nest amongst roses on a solid gilt ground, gilding slightly rubbed, 22cm.;
An English porcelain Soup Tureen and Cover, 1820’s, the scalloped bombe sides painted and gilt with bands of stylized flowers between molded leaf handles and beneath scroll
handled cover, crack, 32cm.;
A Pair of English porcelain Vases, circa 1820, each ovoid body painted with two figures in a winter landscape on a dark-blue ground, the reverse gilt with figures, the
shoulders applied with a pair of gilt scroll handles between wasted neck and sole base on square foot, damaged, 20cm.;
A Copeland & Garret porcelain Ewer, circa 1840, the pale-yellow ovoid body enameled with rib boned bouquets of wild English flowers under a jeweled’ neck and dragon handle,
restored, 28.5cm.; printed mark in green .
A flower encrusted Vase, circa 1840, of flattened pear form, the blue
ground reserved with panels of birds in
ranches surrounded by color full
flowers under gilt handles, restored,
27.5cm. and a neo-rococo Vase.A Staffordshire porcelain
Pastille Burner, circa 1835/40, modeled
as a fruit, flower and moss encrusted
church, on a detachable rounded
rectangular base, some restoration and
chips, 14cm.; 51/iin.A Staffordshire porcelain
Pastille Burner, circa 1835/40, modeled
as a two-storey cottage, the windows
picked out in gilding beneath a pierced
thatched roof encrusted with flowers, on
detachable shaped base, restored, 12.5cm.;An impressive Staffordshire
porcelain Pastille Burner, circa 1835/40,
modeled as a four-chimney thatched
house, the pierced windows edged in
gilding and encrusted overall with moss
and flowers, a sliding ‘wing’ forming the
detachable pastille tray, restored, 23cm.;