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Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
Friday, January 15th, 2010
Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.
A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.
A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in .TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips .A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).
A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).
AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia
AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).
A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).
A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.
A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.
A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).
A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200
A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.
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‘Sevres’ Plates, late 19th Century, ‘Sevres’ Vase, ‘Sevres’ Chocolate Cup, ‘Sevres’ porcelain Plate
Thursday, January 7th, 2010
‘Sevres’ Plates, late 19th Century, ‘Sevres’ Vase, ‘Sevres’ Chocolate Cup, ‘Sevres’ porcelain Plate
A large French Sevres-style
gilt-metal mounted two-handled Vase
and Cover, late 19th Century.Two ‘Sevres’ blue ground Plates, late 19th Century, one painted with a bust portrait of Louis XVI, the other painted with Watteauesque lovers in a landscape, each border
reserved with three panels enclosing flowers, one with crack, gilding rubbed, 24.5cm.; 9Vsin., pseudo Sevres marks (2) ?100-200
A Pair of ‘Sevres’ blue ground Plates, late 19th Century, each centre painted with two cherubs about a gilt monogram, the border reserved with three gilt framed panels enclosing
flower groups, 24.5cm.
A Pair of ‘Sevres’ gilt-metal
mounted Vases and Covers, late 19th
Century, the cylindrical sides painted
with a frieze of putti playing in water
beneath a deep blue border gilt with
interlaced laurel festoons, set with
gilt-metal angular and ring handles,
raised on a circular base, minor wear to
gilding.A ‘Sevres’ blue ground
two-handled shaped oval Tray, late 19th
Century, the centre painted with a bust
portrait of Louis XVI within a gilt frame
against a blue ground, restored, 44.5cm.;
17in., blue painted interlaced ‘L’s’.A ‘Sevres’ Royal portrait
Plaque, late 19th Century, the centre
painted with a head and shoulders
portrait of Louis XVI within a circular
gilt frame surrounded by eight smaller
panels painted with portraits of ladies,
each titled on reverse against a pink
ground, some wear to gilding, 50cm.;
195/sin., blue painted interlaced ‘L’s’ mark,
black painted titles.A ‘Sevres’ porcelain Inkstandish,
late 19th Century, the domed lidded
inkwell and shaped tray decorated with
gilt oeil de perdix over a mauve ground,
reserved with a circular painted panel of
Bacchic putti, 20.6cm.; 8V8in. across, blue
printed mark.A miniature ‘Sevres’ gilt-metal mounted Vase, 19th Century, the gently flaring urn raised on a short circular foot and decorated with a portrait of a young woman within a gilt
oval frame tooled with vermicule and flanked by gilt foliate scrolls over a bleu celeste ground, the gilt-metal mounts forming three handles running down from the rim, minor
regilding to foot, 7.5cm.; 3in. high, printed mark.
A large ‘Sevres’ porcelain and gilt-metal mounted Bowl, late 19th Century, the hemispherical body painted with a frieze of Watteauesque figures in an extensive landscape against
a pink ground, beneath a pierced and foliate cast gilt-metal gallery, set with caryatid and acanthus cast handles, raised on a socle foot and gilt-metal shaped square base,
restored, 56cm.; 22in. high, blue interlaced’L’s’mark.
A tall ‘Sevres’ two-handled porcelain and gilt-metal mounted Vase, 2nd half 19th Century, adaped as a table lamp, the ovoid body painted with a panel of three figures in a park
inside a gilt frame against a white ground, set with gilt-metal caryatid and acanthus handles, raised on socle and shaped square gilt-metal base, height of vase 66cm.; 26in.,
interlaced ‘L’s’ in blue.
A ‘Sevres’ porcelain Bowl, 19th
Century, painted with three panels of
figures in landscapes inside gilt frames,
alternately with smaller oval panels
enclosing castle turrets inside gilt frames
entwined with gilt roses, the interior
decorated with the monogram CL
beneath an undulating gilt line rim, some
wear, 23.5cm.; 91/4in. diam., crowned
interlaced ‘L’s’ mark and initials CP and PE.A Set of four ‘Sevres’ porcelain
portrait Plates, late 19th Century,
painted with titled head and shoulder portraits of ‘Me du Barry’, ‘Mlle Victoire’, ‘Me de Montesson’ and ‘Jse de Bourgogne’ inside gilt frames, the border reserved with threeflower panels against a deep blue ground enriched in gilding, 23.5cm.; 9V4in., interlaced ‘L’s’ mark in blue.
A ‘Sevres’ Chocolate Cup and
Cover, late 19th Century, the tapering
cylindrical body decorated with birds in a
gilt cartouche on a pale blue ground,
discoloured, all heightened with gilt,
14cm.; 53Ain., interlaced ‘L’s’ mark.A ‘Sevres’ gilt-metal mounted
Box and Cover, late 19th Century, of
quatrefoil form, the hinged cover painted with three figures in a landscape, the sides ‘jewelled’ with formalised flower designs against a bleu celeste ground, Ref. No. 492,17.5cm.
A ‘Sevres’ pink ground and gilt-metal mounted Ewer, late 19th Century, the slender ovoid body painted each side with panels of putti holding baskets of fruit and flowers within
gilt frames, set with a cast dragon and acanthus handle and scroll base.
A Pair of ‘Sevres’ porcelain Dishes, late 19th Century, of cushion shape, the centres painted with two birds holding a flower garland against a bleu celeste ground gilt with
leaves and reserved with four oval panels enclosing single birds, 21.5cm.; 8J/2in., blue painted crossed ‘L’s’ mark.
A ‘Sevres’ porcelain Plate, 19th Century, the centre painted with a yellow plumed bird in landscape within a gilt and flower painted border, 24.1cm.; 91/2in., blue painted mark.
A ‘Sevres’ blue ground Vase, late 19th Century, moulded and painted with four panels of figures and pastoral landscape within gilt frames against a bleu celeste ground, raised
on socle and canted square base, small chips, 35cm.; 133Ain., blue crossed ‘L’s’ mark.
A Pair of ‘Sevres’ gilt-metal mounted Vases, late 19th Century, each urn-shaped body painted with a panel of Watteauesque lovers, the reverse with an extensive landscape within
a gilt frame against a deep blue ground, set with gilt-metal caryatid mask handles below a pierced gallery, raised on socle foot and canted square base, covers lacking, 22cm.;
83Ain., blue interlaced ‘L’s’.
A ‘Sevres’ blue ground
rectangular Casket, late 19th Century,
each side painted with a landscape panel within a scroll moulded gilt frame, the hinged cover painted with a sporting scene, signed Duuvy, the interior decorated with scatteredflowers on a white ground.
A ‘Sevres’ porcelain gilt-metal
mounted two-handled Vase, 19th
Century, the thistle-shaped body painted
with gilt-framed panels of putti and
flowers reserved against a blue ground,
all between gilt-metal acanthus handles
and fruiting vine rim.A good Pair of ‘Sevres’ ormolu
mounted Vases and Covers, 2nd half
19th Century, each tapered body painted
with head and shoulder portraits of
ladies, probably M. Antoinette and Lambelle
inside a gilt frame, the reverse painted
with a panel of flowers and fruit against
a Rose Pompadour ground, set with
fruiting vine and acanthus handles, the
domed cover surmounted by a reclining
cherub, raised on a canted square base.A ‘Sevres’ porcelain and
gilt-metal mounted oval Jardiniere, late
19th Century, painted with a panel of
two cherubs reclining on a cloud, the
reverse with a group of flowers inside an
oval gilt frame against a bleu celeste
ground, the interior painted with flowers
and ribbons, set with acanthus cast
handles and raised on an elaborate
gilt-metal base, 40cm.A French giltwood and porcelain mounted Sewing Table, late 19th Century, the shaped square top inset with a plaque painted with a seated maiden with cupids signed Winer, set on
four cabriole supports fitted with undertier inside with a smaller plaque painted with two classical maidens.
A Pair of ‘Sevres’ gilt-metal mounted two-handled Vases, 20th Century, each ovoid body printed with a panel of lovers in landscape gilt frame, reserved against a blue ground,
the waisted neck and foot similarly decorated beneath domed covers and artichoke finials.
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A ‘Sevres’ gilt-metal mounted Girandole, late 19th Century, Royal Dux Figure, A ‘Sevres’ Teapot and Cover, A Pair of large ‘Sevres’ turquoise ground Chargers
Thursday, January 7th, 2010
A ‘Sevres’ gilt-metal mounted Girandole, late 19th Century, Royal Dux Figure, A ‘Sevres’ Teapot and Cover, A Pair of large ‘Sevres’ turquoise ground Chargers
A ‘Sevres’ gilt-metal mounted
Girandole, late 19th Century, painted with a
panel of two lovers against a maroon ground
reserved with flower panels, the pierced gilt-
metal frame mounted with two candied
sconces, 28cm.; total diam., interlaced ‘L’s
in blue.A Continental pottery rectangular Box and Cover, 19th Century, covered in a dripped green and brown glaze, the sides and cover moulded in relief with classical grotesques and
ivy within a simulated bamboo frame, handle detached, cracks, 39.5cm.; 15in.
A Solway Pecs Jug, late 19th/early 20th Century, the compressed spherical body painted with a frieze of flowers outlined in gilding over a shaded peach ground below a band of
flutes, set with a squat cylindrical neck and scroll handle, 17cm.; blue printed factory mark, impressed numerals.
A Royal Dux Figure of a seated bather, early 20th Century, the near naked
female figure modelled seated on a grassy mound, a swirl of pink drapery around her
legs, raised on a square base moulded with a water lily, 47cm.; 18in., applied pink triangle
mark, green printed Made in Czechoslovakia.A ‘Sevres’ Teapot and Cover, 19th Century, of inverted pear form, the turquoise ground reserved with a gilt framed panel enclosing a female bust portrait, the reverse with a
panel enclosing flowers, the slightly domed cover with a gilt fruit knops, cover repaired, 13.25cm.; 5Ain., blue painted ‘ within interlaced ‘L’s.
A Large Continental porcelain musical Group, possibly Rudolph stats, 20th Century, modelled with an elegant young lady seated playing a cello, another young lady accompanied by
her gallant standing beside a grand piano listening to the performance, the shaped oval base strewn with flowers, gilt border, chip to lady’s thumb, 42.5cm.
A Pair of Dresden flower Holders, late 19th Century, each modelled as three putty seated among two open white flowers, some chips and restoration, 19cm.; 7in., blue crossed
swords mark.
A Limoges porcelain oval Plate, late 19th Century, the centre painted by Cutco, signed, with Jupiter in the guise of Diana embracing Calistoga in a grotto, watched by a pair of
sheep and an inquisitive boy, ail within a deep blue border gilt with a crown and a laurel wreath and gilt rim, 35cm.; red and green printed marks .
A ‘Vienna’ shouldered ovoid Vase, late 19th/early 20th Century, printed with a pair of classical figures amongst clouds within a gilt frame enclosed by borders of green, cream
and maroon gilt with scattered flower sprays, 38.5cm.; printed mark Victoria China, Czechoslovakia; and two similarly decorated Vases; a blue and cream decorated Vase; and a
circular Box and Cover.
A ‘Vienna’ blue ground Vase and Cover, late 19th/20th Century, conceived as a two-handled urn raised on a drum-shaped base, the ovoid body printed with a panel of classical
figures reserved within a gilt and white jewelled frame, the domed cover with crown knops, 49cm.; 19in., printed and painted marks.
A Pair of large ‘Sevres’ turquoise ground Chargers, 2nd half 19th Century,
each painted in the centre with figures in a
pastoral landscape reserved within a gilt
foliate frame, one repaired, one cracked, 42cm.;16in. diam., incised mark.A Dutch Delft shaped oval Plaque, 19th Century, painted in blue with an extensive river landscape, a fish vendor in the foreground, ail within a moulded simulated marble frame,
57cm.
A ‘majolica’ Vase and Stand, late 19th Century, of bottle form, moulded with a frieze of swans swimming amongst bulrushes against a brown ground, 23cm.; 9in.
A Royal Dux Centrepiece, 20th
Century, modelled as a maiden and two
cherubs supporting a large oval shell, raised
on a rocky mound, the base moulded with
lashing waves, 50cm.; applied pink triangle, green printed marks.An English porcelain part Dessert Service, 1860’s, probably Brown, West head
Moore &f Co., each piece decorated in gilding
within a pierced basket border, the tassel with
ornate pierced and scroll moulded stands, comprising: two tall Tizzy, three low Tizzy
and twelve Plates, two damaged, slight
discolouration to tassel, one cracked, printed
retailer’s mark Bacon and Burdett, New Cross, London, painted pattern.A Nant grew part Tea Service, circa 1820, each piece painted with scattered pink
roses inside gilt line borders, comprising: a
Teapot and Cover, a Scarier and Cover, a Milk Jug, a Muffin Dish and Cover, a Slop
Bowl, twelve Cups, six Saucers, a Side Plate and a Dessert Plate, some damage, impressed
marks, Morton Nance Collection labels; also a Foley china Muffin Dish and Cover.An English porcelain ‘London shape’
part Tea Service, circa 1810—20, each piece
painted with colourful flower panels reserved
on a deep blue ground gilt with beaded swags, comprising: Teapot and Cover, Sugar
Bowl and Cover, two Sandwich Plates, six Cups and six Saucers, minor damage, painted.An English porcelain matched part
Tea Service, circa 1820—30, each piece
painted with alternating panels of colourful
flowers and exotic birds within elaborate gilt
frames against a deep blue ground, gilt rims, comprising: circular Teapot, Cover and
Stand, London shape Cream Jug, rectangular Stand, circular Sugar Bowl, Cover and Stand,
Slop Bowl and Stand, four Sandwich Plates, eleven Teacups, ten Coffee Cups and ten
Saucers, minor damage, painted pattern.A Berlin porcelain part Tea and
Coffee Service, 20th Century, moulded and
gilt with a creeper and scroll pattern,
comprising: Teapot and Cover, Coffee Pot
and Cover, Cream Jug, Sugar Bowl and
Cover and twelve Plates, under glaze-blue sceptre
mark, red printed K.P.M. and orb.Derby part Tea and Coffee Service, circa 1810—15, each piece painted with an oval or circular landscape panel, titled on the base, within elaborated gilt borders, comprising:
Teapot and Cover, Cream Jug, three Teacups, three Coffee Cans and five Saucers and a matching Teacup and Saucer, area of repair to body of teapot, minor damage to cups and
saucers, orange painted crowned crossed batons and ‘D’,
and titles.The named landscape views are as follows: ‘In Millers Dale, Derbyshire’, ‘In the River Jiffy, Ireland’, ‘In Germany’, ‘Near Spondee(?), Derbyshire’, ‘In Italy’, ‘Near Duffield,
Derbyshire’, ‘In Cumberland’, ‘In Wales’, ‘Near Twofold, Derbyshire’, ‘Near Loughborough’, ‘Near Enwall, Derbyshire’, ‘Near Dray cot, Derbyshire’, ‘Near Derby’, ‘Near Bread
sale, Derbyshire’.
A Derby porcelain part Tea Service, 1820’s, each piece painted with a Japan pattern in Impair colours and gilding, comprising: Jug, Sugar Bowl and Cover, Slop Bowl, Saucer
Dish, six Cups and six Saucers, dish cracked, handle of cover repaired, some wear, orange painted crowned crossed batons and ‘D’.
An English porcelain part Tea Service, circa 1840, each piece decorated with a border of leaves and flower heads in pale-yellow and gilding over an under glaze-blue ground,
comprising: Teapot and Cover, Sugar Bowl and Cover, Jug, two Stands, seven Teacups, four Coffee Cups and eight Saucers, some damage and repair, painted Pattern No. 217; and a
Set of four matched Coffee Cups.
A French majolica part Dessert Service, late 19th Century, each piece decorated with a central green glazed disc intaglio moulded with a fruit, animal or landscape subject
within a pierced brown glazed border relieved with three vignettes of hunting scenes, comprising: one tall Tizzy, two low Tizzy and thirty-two Plates, plate chipped, impressed
marker’s mark.
A Flight, Barr and Barr part Tea Service, 1813-40, of gadroon shape, each piece enamelled with a crowned ‘B’ reserved within an oval panel against a bright yellow ground, the
border gilt with radiating panels of foliage, comprising: a Dinner Plate, a Breakfast Plate, two Saucers and a Breakfast Cup, minor chips to saucers, the saucers impressed with
a crowned FBB.
An English part ‘Impair ‘ Dinner Service, circa 1820’s, possibly by Coal port, each piece decorated with a band of over glaze-red stylised flowers with gilt foliage withincobalt blue and gilt foliate bands, the oval Sauce Tureens with rams’ head terminal handles, gilt foliate feet and pineapple finial, comprising: two Sauce Boats, Covers and
Stands, a square Dish, ten Side Plates, fifteen Dinner Plates, seven Soup Plates, a two-handled Dish and five graduated oval Meat Plates, several pieces with cracks and rubbed,
painted in red.
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A ‘Sevres’ Teapot and Cover, 19th Century, German porcelain Figures, Royal Dux Figure, ‘Sevres’ turquoise ground Chargers
Thursday, January 7th, 2010
A ‘Sevres’ Teapot and Cover, 19th Century, German porcelain Figures, Royal Dux Figure, ‘Sevres’ turquoise ground Chargers
A Pair of Solvay Pecs earthenware Vases, circa 1900, each ovoid body decorated with flowers and scrolling foliage in under glaze-blue, green, red, yellow and gilt against a
cream ground, hair-crack and chips, 30cm.; blue printed marks.
A Pair of German porcelain Figures,
19th Century, the main figure wearing a red
military uniform and carrying a black hat, his
female companion wearing a geometries
patterned skirt and jacket and carrying a
small grey dog under her arm, both figures
with details picked out in gilding, restored,
10.75cm.; interlinked ‘C mark in
under glaze-blue, impressed ‘R’ and 60 .A ‘Sevres’ gilt-metal mounted
Girandole, late 19th Century, painted with a
panel of two lovers against a maroon ground
reserved with flower panels, the pierced gilt-
metal frame mounted with two candied
sconces, 28cm.; Hind. total diam., interlaced ‘L’s in blue .A Continental pottery rectangular Box and Cover, 19th Century, covered in a dripped green and brown glaze, the sides and cover moulded in relief with classical grotesques and
ivy within a simulated bamboo frame, handle detached, cracks, 39.5cm.
A Solway Pecs Jug, late 19th/early 20th Century, the compressed spherical body painted with a frieze of flowers outlined in gilding over a shaded peach ground below a band of
flutes, set with a squat cylindrical neck and scroll handle, 17cm.; 63Ain., blue printed factory mark, impressed numerals.
A Royal Dux Figure of a seated
bather, early 20th Century, the near naked
female figure modelled seated on a grassy
mound, a swirl of pink drapery around her
legs, raised on a square base moulded with a
water lily, 47cm.; applied pink triangle
mark, green printed Made in Czechoslovakia, impressed 1379.A ‘Sevres’ Teapot and Cover, 19th Century, of inverted pear form, the turquoise ground reserved with a gilt framed panel enclosing a female bust portrait, the reverse with a
panel enclosing flowers, the slightly domed cover with a gilt fruit knap, cover repaired, 13.25cm.; blue painted ‘ within interlaced ‘L’s.
A Large Continental porcelain musical Group, possibly Rudolf , 20th Century, modelled with an elegant young lady seated playing a cello, another young lady accompanied by her
gallant standing beside a grand piano listening to the performance, the shaped oval base strewn with flowers, gilt border, chip to lady’s thumb, 42.5cm.; across .
A Pair of Dresden flower Holders, late 19th Century, each modelled as three putty seated among two open white flowers, some chips and restoration, 19cm.; blue crossed swords.
with scattered flower sprays, 38.5cm.; printed mark Victoria China, Czechoslovakia; and two similarly decorated Vases; a blue and cream decorated Vase; and a circular Box andCover .
A ‘Vienna’ blue ground Vase and Cover, late 19th/20th Century, conceived as a two-handled urn raised on a drum-shaped base, the ovoid body printed with a panel of classical
figures reserved within a gilt and white jewelled frame, the domed cover with crown knops, 49cm.; printed and painted marks.
A Pair of large ‘Sevres’ turquoise ground Chargers, 2nd half 19th Century,
each painted in the centre with figures in a
pastoral landscape reserved within a gilt
foliate frame, one repaired, one cracked, 42cm.;
diam., incised mark.A Dutch Delft shaped oval Plaque, 19th Century, painted in blue with an extensive river landscape, a fish vendor in the foreground, ail within a moulded simulated marble frame,
57cm.; long .
A ‘majolica’ Vase and Stand, late 19th Century, of bottle form, moulded with a frieze of swans swimming amongst bulrushes against a brown ground, 23cm.
A Royal Dux Centrepiece, 20th
Century, modelled as a maiden and two
cherubs supporting a large oval shell, raised
on a rocky mound, the base moulded with
lashing waves, 50cm.; applied pink
triangle, green printed marks.An English porcelain part Dessert Service, 1860’s, probably Brown, West head
Moore &f Co., each piece decorated in gilding within a pierced basket border, the faze with
ornate pierced and scroll moulded stands, comprising: two tall Tizzy, three low Tizzy
and twelve Plates, two damaged, slight
discolouration to tizzy, one cracked, printed
retailer’s mark Bacon and Burdett, New Cross,
London, painted pattern.A Natta part Tea Service, circa
1820, each piece painted with scattered pink
roses inside gilt line borders, comprising: a
Teapot and Cover, a Saucier and Cover, a
Milk Jug, a Muffin Dish and Cover, a Slop
Bowl, twelve Cups, six Saucers, a Side Plate
and a Dessert Plate, some damage, impressed
marks, Morton Nance Collection labels; also a
Foley china Muffin Dish and Cover.An English porcelain ‘London shape’
part Tea Service, circa 1810—20, each piece
painted with colourful flower panels reserved
on a deep blue ground gilt with beaded
swags, comprising: Teapot and Cover, Sugar
Bowl and Cover, two Sandwich Plates, six
Cups and six Saucers, minor damage, painted pattern.An English porcelain matched part
Tea Service, circa 1820—30, each piece
painted with alternating panels of colourful
flowers and exotic birds within elaborate gilt
rams against a deep blue ground, gilt rims,
comprising: circular Teapot, Cover and
Stand, London shape Cream Jug, rectangular
Stand, circular Sugar Bowl, Cover and Stand,
Slop Bowl and Stand, four Sandwich ^Plates,
eleven Teacups, ten Coffee Cups and ten
Saucers, minor damage, painted pattern.A Berlin porcelain part Tea and Coffee Service, 20th Century, moulded and
gilt with a creeper and scroll pattern, comprising: Teapot and Cover, Coffee Pot
and Cover, Cream Jug, Sugar Bowl and Cover and twelve Plates, under glaze-blue sceptre
mark, red printed K.P.M. and orb, painted, impressed ‘S’.A Derby part Tea and Coffee Service, circa 1810—15, each piece painted with an oval or circular landscape panel, titled on the base, within elaborated gilt borders, comprising:
Teapot and Cover, Cream Jug, three Teacups, three Coffee Cans and five Saucers and a matching Teacup and Saucer, area of repair to body of teapot, minor damage to cups and
saucers, orange painted crowned crossed batons and ‘D’, and titles.
The named landscape views are as follows: ‘In Millers Dale, Derbyshire’, ‘In the River Leafy, Ireland’, ‘In Germany’, ‘Near Spondee(?), Derbyshire’, ‘In Italy’, ‘Near Duffield,
Derbyshire’, ‘In Cumberland’, ‘In Wales’, ‘Near Twofold, Derbyshire’, ‘Near Loughborough’, ‘Near Enwall, Derbyshire’, ‘Near Dray cot, Derbyshire’, ‘Near Derby’, ‘Near Bread
sale, Derbyshire’.
A Derby porcelain part Tea Service, 1820’s, each piece painted with a Japan pattern in Impair colours and gilding, comprising: Jug, Sugar Bowl and Cover, Slop Bowl, Saucer Dish,
six Cups and six Saucers, dish cracked, handle of cover repaired, some wear, orange painted crowned crossed batons and ‘D’.
An English porcelain part Tea Service, circa 1840, each piece decorated with a border of leaves and flower heads in pale-yellow and gilding over an under glaze-blue ground,
comprising: Teapot and Cover, Sugar Bowl and Cover, Jug, two Stands, seven Teacups, four Coffee Cups and eight Saucers, some damage and repair, painted Pattern and a Set of
four matched Coffee Cups.
A French majolica part Dessert Service, late 19th Century, each piece decorated with a central green glazed disc intaglio moulded with a fruit, animal or landscape subject
within a pierced brown glazed border relieved with three vignettes of hunting scenes, comprising: one tall Tisza, two low Tizzy and thirty-two Plates, plate chipped, impressed
marker’s mark.
A Flight, Barr and Barr part Tea Service, 1813-40, of gadroon shape, each piece enamelled with a crowned ‘B’ reserved within an oval panel against a bright yellow ground, the
border gilt with radiating panels of foliage, comprising: a Dinner Plate, a Breakfast Plate, two Saucers and a Breakfast Cup, minor chips to saucers, the saucers impressed with
a crowned FBB.
An English part ‘Impair’ Dinner Service, circa 1820’s, possibly by Coal port, each piece decorated with a band of over glaze-red stylised flowers with gilt foliage within cobalt
blue and gilt foliate bands, the oval Sauce Tureens with rams’ head terminal handles, gilt foliate feet and pineapple finial, comprising: two Sauce Boats, Covers and Stands, a
square Dish, ten Side Plates, fifteen Dinner Plates, seven Soup Plates, a two-handled Dish and five graduated oval Meat Plates, several pieces with cracks and rubbed, painted
in red.