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Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
Friday, January 15th, 2010
Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.
A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.
A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in .TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips .A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).
A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).
AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia
AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).
A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).
A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.
A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.
A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).
A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200
A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.
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FACON DE VENISE FILIGREE BOWL, Lowlands, A GLASS EWER, 19th Century GILT AND ENAMEL BOWL
Friday, January 15th, 2010
FACON DE VENISE FILIGREE BOWL, Lowlands, A GLASS EWER, 19th Century GILT AND ENAMEL BOWL
‘VOLUBILIS’: AN OPALESCENT GLASS BOWL, Lalique, circa 1930, the underside moulded with three leaves extending to form the feet, moulded mark R Lalique, 21.5cm.; 8in. diam.
A WINE BOTTLE, early 18th Century, of mallet form, the glass of olive green colour, 29cm.
AN ART DECO FROSTED GLASS CEILING LIGHT SHADE, 1920/30’s, of circular form, moulded with a design of radiating stylised leaves, 40cm.; 153Indiam., with original fittings.
A PAIR OF CUT GLASS SPIRIT DECANTERS AND STOPPERS, early 19th Century, each of oval section, cut with diamonds beneath a stepped shoulder, matching flattened circular stoppers with notched rims, 16.5cm.; 62in., chips (4).
A PAIR OF CUT GLASS SALTS, Irish, early 19th Century, each of boat shape, cut with groups of four diamonds, raised on domed bases, 13cm.; 5m. across, chips (2) .
A GLASS EWER, 19th Century, the shield-shaped body etched and gilt with a formal pattern of medallions and swags, all between slender faceted neck and circular foot, 30cm.; small chip under foot.
A CUT GLASS JUG, 19th Century, the
ovoid body cut with panels of diamonds beneath a slice cut neck, raised on a deep circular foot and star cut base, 25.5cm.; 10in. high, small chips under foot .A GILT GLASS HORS D’OEUVRES SET, 2nd half 19th Century, each piece gilt with a formal border of husks linking lion mask medallions, comprising: circular Tray fitted with six segmented Dishes about a central hexagonal Dish, 40cm.; 15in., chip (8) .
A GROUP OF FIVE DECANTERS AND THREE STOPPERS, 19th Century, comprising: a Pair of Decanters cut with diamonds, a Ewer en suite; an engraved and polished Decanter; and a Continental gilt glass Decanter, tallest 35cm.; 13in., some chips (8).
A LARGE GLASS PIPE, ‘Nail sea-type’, late 19th Century, the opaque white glass streaked in pink, 68.5cm.; 27in., small chips.
A MOULDED ‘MALACHITE’ GLASS VASE, French, 20th Century, of baluster form, moulded in relief with a frieze of naked women dancing beneath grape vines, 12.5cm.; 5in.
A PAPERWEIGHT, Clichy, mid-19th Century, enclosing a sulphide portrait of Queen Victoria against a green ground, 6.5cm.; 2in. diam.; and a Baccarat butterfly and flower Paperweight, dated 1977.
A GROUP OF CUT GLASS BOWLS
AND PLATES, mostly early 19th Century,
comprising: a Pair of rectangular Salts and
Stands; an oval Bowl cut with fan shaped
panels; two circular Plates; and a square Bowl
with shaped corners, largest 22cm.; 85In
diam., minor chips.A FACON DE VENISE FILIGREE BOWL, Lowlands, early 17th Century, in veto a rectory, the ribbed cup-shaped bowl with narrow conical foot and two scroll handles with pincer decoration, 21cm.; 8in., handles repaired.
A MINIATURE OPALESCENT EWER, Venice or Lowlands, late 16th Century, the vertically ribbed ovoid form with flared neck and vermicular collar, shell-mauled spout and double scroll handle with pincer decoration, small disc foot, 11cm.; 43In, handle chipped.
A GILT AND ENAMEL BOWL, possibly Venetian, 17th/18th Century, the flared sides painted with a border of white enamel dots above a gilt band of formal pendant flowers, narrow trailed foot ring, 11.5cm.; 4in., diameter, slight wear to enamels.
AN ENGRAVED ARMORIAL GOBLET, circa 1745, the flared funnel bowl with solid beaded base, engraved with the arms of Anne, daughter of George II, flanked by floral sprays, set on a tea red inverted baluster stem with wide domed foot, dealer’s paper label for Arthur Churchill, 17.5cm.; 6in.
A SWEETMEAT, German, possibly Silesian, circa 1750, the naturalistic shell-shaped bowl cut with polished circles and set on a faceted inverted baluster stem with basal collar and circular foot with rosette-cut base, 12.5cm.; 5m.
A GREEN-TINTED TWO-HANDLED BOWL, possibly Lowlands or German, 17th Century, of greenish straw-tint, the wasted cup-shaped bowl with spiral moulding, translucent blue-tinted trailed rim and two blue-tinted scroll handles, trailed foot ring and kick-in base, 7.7cm.; 3in. high, minute crack.
A PAIR OF OPALINE VASES, French, circa 1850, each of depressed globular form with reverted neck and rim, enamelled with sprays of summer flowers including foxgloves, dahlias and pansies, 20cm.; 77in., gilding rubbed.
A SET OF FIVE SCANDINAVIAN WINE FLUTES, possibly Norwegian, circa 1760, each with a conical bowl above a double-series opaque twist stem and wide conical foot, 21cm.; 8in., two with minor foot rim chips.
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ANTIQUE BRITISH AND CONTINENTAL GLASS
Thursday, January 14th, 2010
ANTIQUE BRITISH AND CONTINENTAL GLASS
A Pair of cut-glass Lustres, late 19th Century, each with a fluted bowl, with a faceted knapped stem raised on a flared faceted stem hung with cut-glass droppers alternating in size, some chipping, 31cm.; 12in. high.
A Bohemian engraved ruby-flash Goblet, circa 1860/80, the tapering cylindrical bowl raised on a scallop-edged flared foot, the bowl engraved with two stags amongst trees and bushes, 12.7cm.; 5in, high.
A Pair of Decalcomania Spheres, late
19th Century, each internally decorated with
cut-out printed children and animal heads on
a speckled white ground, 13cm.; 5in. diam.A gilt-metal mounted filigree Ewer, late 19th Century, the globular body and slender neck in pink and white filigree glass within an elaborate gilt-metal mount embellished with foliage masks and scrolls and set with small jasperware portrait medallions, 37.75cm.; 14m.
A Bohemian amber-flashed Goblet and Cover, circa 1845, the ovoid body amber flashed and cut with oval panels, one engraved with sparring stallions, the reverse with a lens inscribed CWL, raised on a faceted stem with sliced bladed knops and sliced spreading foot with lobed rim, the underside star out, with matching cover, bowl repaired, minor chips to foot and knops, 28cm.
A Bohemian engraved two-handled Bowl and Cover, 18th Century, the cup-shaped bowl engraved with flower and foliate sprays above a moulded base, the slightly domed cover similarly decorated below writhen bowl cracked, 16cm.; 6in.
A St. Louis filigree Scent Bettie, circa 1850, the depressed globular body cut with broad facets in clear glass over swirling red, white and blue threads, applied clear neck ring, 9cm.; 3in.; and a splashed Vase, probably German, 19th Century.
A Bohemian pink flashed Goblet and Cover, circa 1840, the hexagonal bowl with alternate panels of classical figures within foliate oval garland, facet cut stem, thick foot cut through from the base to form six radiating shields, the faceted cover with flashed faceted finial, chips to rim and cover.
A Wine Glass, 2nd half 18th Century,
the bell bowl raised on a knapped stem and
domed foot, small chip to foot, 19cm.; 7in.A Pair of engraved glass Rammers, 19th Century, each conical bowl engraved with flower swags tied by ribbons, raised on a squat knapped stem and plain foot, 14.5cm.; 53Ain.; and a similar Rammer, engraved with fruiting vine.
An enamelled and gilt white glass Carafe and Stopper, mid-19th Century, probably French, the flattened globular body with tapering neck and dice foot decorated with a central gilt medallion enamelled with the head of a classical warrior in profile within a chain border, reserved on a matt sky-blue ground, matching stopper, 26cm.; Win.
A large black glass Vase, circa 1870, of flattened ovoid form between conical neck and circular foot, the body enamelled in white with a seated classical woman painting a vase between bands of stylised foliage and fleur-de-laves, gilt rims, 49.5cm.; 14in.
A Bohemian ruby glass Beaker, 2nd
half 19th Century, the wasted faceted bowl
enamelled with a formal repeating pattern of
scrolls and foliage beneath a gilt rim, ail
raised on a squat stem and octagonal foot
with deeply cut base, 14.25cm.A Pair of Dutch engraved glass
Decanters, late 18th Century, each of
shouldered form and rectangular section,
engraved on either side with a bird within a
star, 24cm.; 9in.A Pair of Bohemian white overlay
green glass Vases, 20th Century, of thistle
shape, each bowl cut with three rows of
printers and enamelled with floral garlands,
the reverted base and circular foot with bands
of printers and flowers, 23.25cm.A Group of three pieces of coloured Glass, various dates, comprising: a Nail sea-type opaque white glass Flask combed in purple, 11.5cm.; a filigree glass Flask and a Stopper, 13.5cm.; 5in., and a blue glass hanging Ornament.
A Pair of cut-glass Sweetmeats, early 19th Century, each of octagonal section tapering towards the base, cut with panels of fan shapes and diamonds, star cut base, very minor chips, 10.5cm.; 4in.; and a Pair of cut-glass Salts, early 19th Century, each boat-shaped bowl raised on a stepped lozenge-shaped lemon squeezer foot.
A Pair of Bohemian ruby-flashed Decanters and Stoppers, 2nd half 19th Century, each of mallet form, cut with bands of printers, conical stoppers, 26cm.; 10in.
A cut-glass Water Jug, circa 1820, of squat baluster form, horizontal slice cut with star cut base, 16.5cm.; 6in.
A cut-glass Water Jug, early 19th Century, probably Irish, of shouldered ovoid form beneath wavy rim, cut with a band of diamond and stylised foliage forms between faceted neck and fluted base, loop handle, chip to inner rim, 16.5cm.; 6in.; and a cut-glass Ladle, with slice cut stem and fluted bowl.A cut-glass Bowl, Cover and Stand, 19th Century, the bowl of circular section and tapering form, with domed cover and deep stand, each piece cut with alternating panels of fine and strawberry diamonds, minor chips, 15cm.; 5in.
A blue glass ‘Gretna Green’ Goblet, early 20th Century, the cup-shaped bowl engraved with oval panels depicting a coach racing to Gretna Green and a marriage taking place over the anvil, interspersed with appropriated mottoes, dated 1642, raised on a squat clear glass knapped stem and plain foot, 24.5cm.; 9dn.
A Sevres ‘chalcedony’ glass Vase, early 20th Century, of tapering form, decorated in gilding with stylised plant forms, gilt painted Sevres, 19.5cm.
A Pair of Continental grey ground glass two-handled Vases, late 19th Century, each ovoid body enamelled with ducks, set with gilt trellis pattern handles, printed crowned shield mark in red, 12cm.
A Pair of cut-glass ovoid Decanters and Stoppers, circa 1820, each cut with a band of raised diamonds above base flutes, triple ring neck and mushroom stopper, one stopper repaired, 23cm.; 9in.
A Pair of cut-glass Jars and Covers, 19th Century, each compressed circular body cut with flutes below a notched rim, step cut domed lid and mushroom knops, small chips, 14cm.; 5m.; also another glass Jar and Cover.
A Pair of cut-glass Sweetmeats, 19th Century, each shallow bowl cut with diamonds below a notched rim, raised on a faceted baluster stem and petal foot, small chips, 15.5cm.; 6in.
An attractive Pair of pink trailed yellow tinted glass Vases, possibly Webb, circa 1890, each of globular form with wasted neck and crimped rim, overlaid with opaque white thread decoration, standing on three clear glass scroll feet, a print overlying the pintail, 11cm.; 4in.
A Lynn Wine Glass, circa 1760, set on a double-series opaque twist stem and conical foot, 14.5cm.
A part Suite of Glasses, early 20th ‘Century, each fluted bowl engraved with a frieze of roses above a faceted base, the stem and foot gilt with spirals, gilt rims, comprising: five large conical Wines, seven medium conical Wines, eight small conical Wines, eight Tumblers, eight Champagnes, eight Liqueurs, eight small Sherries, eight Finger Bowls and eight Stands.
A Clichy sodden snow ground Paperweight, mid- 19th Century, the white ground set with various scattered mille fiery canes, 9cm.; 3in.
A baluster stem Wine, circa 1740, the wasted bowl raised on a knapped baluster stem and plain foot, very small chip to foot, 17.5cm.
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STONE CHINA COFFEE CANS, Spode, PORCELAIN PLAQUE, Coalport, DELFTWARE BOWL, English, mid-18th Century
Sunday, January 10th, 2010
STONE CHINA COFFEE CANS, Spode, PORCELAIN PLAQUE, Coalport, DELFTWARE BOWL, English, mid-18th Century
A PRATT-TYPE COW CREAMER, early 19th Century, sponged in ochre and brown, standing on a green washed base with milkmaid and pail, the rear legs tied in restraint, 16.5cm.;
6′/2in. long, cover lacking, horns chipped.
A MAJOLICA GAME PIE DISH, COVER AND SMALLER LINER, Wedgwood, circa 1862, of oval form, moulded in relief with dead game suspended from fruiting vine on a cream ground, the cover
with crouching rabbit finial, impressed WEDGWOOD, NZQ incised 12.32cm.; 12Vdn., minor chips.
A SET OF SIX STONE CHINA COFFEE CANS, Spode, circa 1820-30, each printed in blue and painted in Imari colours with a Japan’ pattern, blue printed SPODE Stone China, painted
pattern no. 2061, haircracks; and an English porcelain botanical Dessert Dish.
A MODEL OF A BEGGING DOG, Brownfield, circa 1863, holding a turquoise glazed basket in its mouth, seated on its hind legs on a turquoise and gilt tassled cushion, impressed
diamond registration mark and BROWNFIELD, 19cm.; 7′/2in., turquoise glaze discoloured.
A PEARLWARE GROUP OF ‘CHARITY’, Staffordshire, early 19th Century, a female figure modelled standing in pale blue and pink draperies on a titled square base, two children at her
side and a baby in her ams, child’s hands and woman’s thumb restored, 23cm.; 9in.
A CIRCULAR PORCELAIN PLAQUE, Coalport, circa 1830, decorated with a full-length portrait of a Hindu girl after a sketch by Capt. Grindlay, puce printed COALPORT FELSPAR
PORCELAIN circular mark and bearing the inscription ‘A Hindu girl, the frontice piece of the scenery, costumes and architecture chiefly on the western side of India by Capt. R.
N. Grindlay 1826′, 15.5cm.; 6′/nin., visible surface, framed.
A TAZZA ON FLOWERED
PEDESTAL’, Belleek, First Period, the
shallow tazza raised on a bronzed and gilt
pedestal encrusted with flower swags, all on a
square base, black printed harp, hound and tower
mark, 22.25cm.; 83Ain., pieces offlower swags
detached and damaged.A LARGE BISCUIT PORCELAIN
GROUP, possibly Minton, circa 1840,
modelled as a young maiden wearing a long
lace-trimmed dress, jacket and hat, seated in
the bough of a tree a setter by her side, all
on a domed base with scroll border, 30.75cm.;
12′Ain., repairs to dog’s paws, damage to lace.A COMMEMORATIVE POTTERY JUG, Staffordshire, circa 1820, printed in black with a portrait of Queen Caroline, the reverse with a ‘Green-bag’ inscription, all below a wide copper
lustre border, 12.75cm.; 5in.
A DELFTWARE BOWL, English, mid-18th Century, painted in underglaze-blue with Chinoiserie plants and fencing, 21.5cm.; 8 ‘/sin., chip and hair crack.
A FELSPAR PORCELAIN INKSTAND, Copeland & Garrett, circa 1840, the rectangular tray raised on four paw feet, fitted with a central candleholder with two liners and a cover, each
piece painted with flower sprays and gilding, grey printed cartouche mark, gilt pattern no. 5130, tray 30.5cm; 12in. long, some repair.
A ‘PORTLAND VASE’, probably Wedgwood, mid-19th Century, the fully draped figures moulded in white relief against a blue painted ground, 26cm.; 10′Ain., small chip to rim of foot
AN ENCAUSTIC TWO-HANDLED VASE, Swansea Pottery, Dillwyn’s ‘Etruscan Ware’, circa 1847-50, the terracotta fabric with Greek warriors reserved on a black ground, black printedmark, 37cm.; 14′hin., tight haircrack to one handle and small chip to foot.
A POTTERY FIGURE OF OMAR PASHA, Staffordshire, circa 1854, modelled standing beside a column wearing an ermine trimmed cloak, sparsely coloured, gilt script title, 27cm.;
lOVsin.
A PAIR OF EQUESTRIAN FIGURES OF GARIBALDI AND PEARD, Staffordshire, circa 1864, white and gilt with orange tunics, each base titled in raised gilt capitals, 39.5cm.; 15′/2in.,
slight flaking of enamels.
A POTTERY FIGURE OF THE DUKE OF WELLINGTON, Staffordshire, circa 1850, white and gilt modelled seated in a high backed chair, titled in gilt script, 31cm.
A POTTERY MODEL OF A GREYHOUND, Staffordshire, 2nd half 19th Century, modelled seated, a dead hare at its feet, all on a grassy circular base, 28cm.
A MEAT DISH, J. Maddock, circa
1842-55, printed in blue with the ‘Fairy
Villas’ pattern, blue printed cartouche mark,
55.25cm.; 2PAin.; also a Copeland Meat
Plate, restored; and a Furnivals Meat Plate.A PAIR OF PEARLWARE FIGURES
OF ANTHONY AND CLEOPATRA,
probably Wood 8c Caldwell, circa 1815, each
well coloured and modelled reclining on a
shaped oval grassy mound base, 30cm.;
lPAin. long, one arm restored, snake’s head
restored, minor chips.A ‘JEWELLED’ BOWL AND COVER, Coalport, circa 1893, of compressed circular form, the green ground gilt with C scrolls about a central star-shaped gilt panel covered in white
enamel dots, green printed factory mark, gilt mark CHICAGO EXHIBITION 1893′, 10.25cm,; 4m. diam.
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AN ANTIQUE WINE GLASS, A PAIR OF GLASS VASES, CUT GLASS DECANTERS AND STOPPERS, 19th Century, A SET OF SIX CUPS AND SAUCERS, Davenport, mid 19th Century
Sunday, January 10th, 2010
AN ANTIQUE WINE GLASS, A PAIR OF GLASS VASES, CUT GLASS DECANTERS AND STOPPERS, 19th Century, A SET OF SIX CUPS AND SAUCERS, Davenport, mid 19th Century
A PAIR OF TAPERED GLASS
DECANTERS AND STOPPERS, late 19th
Century, overlaid in green and cut with
fluted panels, 36cm.A GROUP OF FOUR SMALL WINE OR CORDIAL GLASSES, late 18th/19th Century, various forms including a pair, some chips; also an engraved drawn trumpet Wine Glass with airtwist stem;
and an airtwist Wine with bell bowl.
A WILLIAMITE GOBLET, 19th Century, the tapered faceted bowl engraved with an equestrian portrait beneath a banner inscribed The Glorious Memory of King William’ the reverse
engraved Boyne 1st July 1690′, 11.75cm.
AN ALE GLASS, circa 1765, the drawn trumpet bowl raised on a double series opaque twist stem and plain foot, 18cm.; 7in,, chip to foot; also a pair of opaque twist Wine Glasses
engraved with cock fighting scenes.
A WINE GLASS, circa 1765, the rounded funnel bowl engraved with fruiting vine raised on a double series opaque twist stem and plain foot, 15cm.; 6in.; also an opaque twist Ale
Glass.
A LARGE WINE GLASS, circa 1765, the ribbed rounded funnel bowl raised on double series opaque twist stem and plain foot, 18cm.; 7 in., minor chips to foot; also a Jacobite-type
Wine Glass, engraved with a rose and two buds on multi-series airtwist stem, chips.
A GLASS JAR AND COVER, mid-
18th Century, the almost cylindrical sides
trailed with chain patterns beneath a spun
rim, 23cm.; 9in., jinial possibly reduced.A GROUP OF OPAQUE WHITE
MOULDED GLASS BOXES AND COVERS,
Continental, 20th Century, comprising: a
pair in the form of artichokes, one as a
pineapple, two as ducks and one as a walnut,
a fly forming the knop, tallest 17cm.A GLASS FRUIT BOWL AND STAND, 19th Century, the overturned rim moulded with flutes, the separate stand with facet stem and star cut base, 31cm.
A PAIR OF GLASS VASES, late 19th/ early 20th Century, each of inverted baluster form, of clear glass with cloudy opalescence, 28.3cm.
A GLASS DRINKING SET, Bohemian, circa 1900, each piece enamelled with coats-of-arms and heraldic shields, comprising: a circular Tray, a Decanter and Stopper and five Wine
Glasses, tray 31cm.; 12′Ain. diameter, small chips.
A BLUE JASPER GROUND PAPERWEIGHT, St. Louis, mid-19th Century, the central small star cane surrounded by three concentric rings on a mottled blue and white ground, 7cm.; 23Ain.
diameter.
A CUT-GLASS OCTAGONAL DISH, probably Irish, circa 1820, cut with panels of raised diamonds below a crenellated rim, 29cm.; ll’Ain. long; also four matching Glasses.
A SET OF THREE CUT GLASS DECANTERS AND STOPPERS, 19th Century, each of ovoid form, cut with a band of diamonds between a fluted neck and base, mushroom stoppers, each 21cm.;
8′Ain., chips.
A SET OF EIGHT WINE GLASS COOLERS, 19th Century, each of cylindrical form, double lipped and cut with a band of flutes, 9.5cm.; 33Ain. minor chips; also a set of five Cut Glass
Salts, and two cut glass Dishes.
A SET OF SIX CUPS AND SAUCERS, Davenport, mid 19th Century, each painted with flower sprays on a richly gilt ground, red printed marks, some damage and repair; and a group of
thirteen English porcelain Cups and ten Saucers.
A LUSTRE BOWL, possibly Sunderland, circa 1820, the interior and exterior enamelled with flowers and berries highlighted in lustre, 29cm.: ll”2in.
diam.A SUNDERLAND PINK LUSTRE BOWL, Dixon, Phillips and Co., 2nd quarter 19th Century, the interior printed in black with the Mariner’s Compass below the Mariner’s Arms and two
verses, 31cm.; 12′Ain. diam., chip to foot rim; also a small Sunderland pink lustre Jug printed with the Sailor’s Tear; and a splashed lustre Sugar Bowl.
A PINK LUSTRE JUG, Sunderland, 19th Century, transfer printed with a west view of a cast iron bridge over the river weir, the reverse printed and coloured with tall ships
flanking a verse and the inscription Charles and Eliz’h Sennock, 21cm.; 8′Ain.
high.A PAIR OF POTTERY COW AND
MAID SPILL VASE GROUPS,
Staffordshire, mid-19th Century, each brown
and white animal standing facing to the left
or right, 21cm.; 8′Ain., some repair.A SILVER LUSTRE JUG, probably
Staffordshire, 2nd quarter 19th Century,
each side bearing two coloured Masonic
prints flanking the inscription John Bradley,
Caledonian Lodge, 351, below a silver lustre
rim, 19cm..A GROUP OF COPPER LUSTRE
WARES, 19th Century, comprising: a Jug
printed in black ‘The Bird’s Nest’; a Jug
relief moulded with a band of flowers; a
smaller Jug moulded with a band of birds
and flowers; a two-handled Goblet; a Mug
sprigged with groups of flowers; and a
Goblet decorated with two bands of leaves.A GROUP OF THREE GRADUATED COPPER LUSTRE JUGS, 19th Century, each sprigged in white with groups of cherubs and vases, purple lustre borders, largest 13cm.; 5′Ain. high, rim chip
repair to one.
A LUSTRE JUG, Staffordshire, 19th Century, each side printed in puce with a panel of fallow deer, 16.5 cm.; 6′Ain.; also two blue ground Mugs painted with harts; a purple lustre
Jug relief moulded with sporting hounds; and two other Jugs.
THREE POT LIDS, comprising: ‘Philadelphia Exhibition 1876′; ‘Rifle Contest, Wimbledon 1865′.
A BONE CHINA MODEL OF A LITTLE OWL, Spode, Modern, modelled perched on a rockv mound, printed marks, 22cm.
A LIBATION CUP, probably Chelsea, circa 1755, in the white, of oval form, moulded with a branch of prunus with two five-petalled flowers and a bud, the reverse with a branch of
two other flowers, 10.5cm.;
4′Ann length, chip to rim. -
ANTIQUE GERMAN PORCELAIN: Dresden, Volkstedt, Possneck, Sitzendorf porcelain
Thursday, January 7th, 2010
ANTIQUE GERMAN PORCELAIN: Dresden, Volkstedt, Possneck, Sitzendorf porcelain
A Berlin Tureen and Cover,
mid- 18th Century, the compressed
circular body painted with panels of
flowers inside scroll and foliate moulded
frames, set with two branch handles, the
domed cover applied with a flower finial,
some damage, 18cm.; 7in. high, sceptre mark
in underglaze-blue.A Pair of Dresden two-tier Cake
Stands, late 19th Century, each plate
painted with birds inside lattice pierced
borders reserved with panels of further
birds, each surmounted by a yellow bird
perched on a branch, 33cm.; 13in., crossed
swords mark in underglaze-blue.A Pair of Volkstedt porcelain pot
pourri Figures, late 19th Century, each
figure seated holding a pierced basket on
their lap, she wearing a pink and blue
dress and flowered apron, he a flowered
jacket and puce breeches, chips and
restoration, underglaze-blue mark.A German white glazed porcelain
Figure of a shepherd, late 19th Century,
a youth standing holding a lamb over his
shoulder, raised on a brown and gilt
mound base, minor chips, 40cm.; 15V4n.,
impressed marks.A Pair of Possneck (Germany)
porcelain Vases, late 19th Century, in
the form of flower encrusted overlapping
leaves, applied with a seated cherub and
a bird, scroll moulded base, some repair
and chips, 29cm.; lVhin., green printed
shield mark.A Pair of Plaue porcelain
three-branch figure Candelabra, late
19th Century, each encrusted with
colourful flowers and fruit and modelled
with a male or female figure, she holding
a watering can, he with a flower basket,
all raised on pierced circular scroll
moulded bases, chips and repairs, 37.5cm.;
143/rin. high, underglaze-blue mark.A Potschappel flower encrusted
porcelain Clock Case and Stand, late
19th Century, the clock case painted with
a scene of lovers and applied with three
flower bearing putti, the stand raised on
four scrolled feet, also painted with a
scene of lovers and flower sprays, fitted
with Smiths electric clock, chipped, clock
damaged, 51.5cm.; 201Min. overall, impressed
and underglaze-blue marks.A Pair of German porcelain
flower encrusted Vases and Covers, late
19th Century, each bulbous waisted body
painted with landscape and flower panels
and applied with two cherubs beneath
leaf handles, all raised on circular scroll
moulded bases and beneath pierced
covers with flower bouquet knops, chips
and repair, 39.4cm.; 151/zin. high, crossed
swords in underglaze-blue.A German porcelain flower
encrusted Table Centrepiece, early 20th
Century, the scroll moulded and pierced
basket raised on a lappet stem applied
with a young boy and girl, a goat and a
sheep, the pierced base raised on six
scrolled feet, all printed with scattered
flower sprays, chipped.A Pair of Plaue porcelain figure Candelabra, late 19th Century, each flower encrusted stem supporting a three-branch candelabra and applied with a male or female rustic figure,
she in flowered skirts and carrying a wheatsheaf, he in blue tunic and carrying a sickle, each raised on pierced flower encrusted bases, small chips, each approx. 50cm.;
193Ain., underglaze-blue mark, impressed numerals 629.
A Potschappel two-handled porcelain Vase and Stand, 2nd half 19th Century, adapted as a table lamp, the urn-shaped body painted with soldiers and classical figures, the reverse
with flower sprays, within frames of encrusted flower and fruit swags, raised on a socle foot and square plinth base, one handle repaired, some chips, vase 33cm.; 13in. high,
blue factory mark.
A Sitzendorf porcelain mounted Mantel Clock, late 19th Century, two
figures of a youth and companion flanking a drum-shaped case encrusted with flowers, raised on a scroll moulded base encrusted with further flowers, minor repair and chips,31.5cm.; 121/2in. high, blue painted factory mark.
A Sitzendorf oval easel Mirror,
late 19th Century, encrusted with flowers
and surmounted by two cherubs holding
a flower garland, some chips, 33cm.; 13in.,
blue factory mark.A German two-light Candelabrum, late 19th Century, in Meissen style, modelled as two children before a tree, two branches rising to support sconces, raised on a scroll moulded
base encrusted with flowers, some restoration and chips, 27cm.; l&Ain., crossed swords in blue.
A German porcelain Group of two gentlemen in 16th Century costume, late 19th Century, one kneeling before the other beside a column, raised on a rectangular plinth base moulded
with laurel swags, 28cm.; llin., painted RI1762 in blue.
A Pair of Furstenberg pierced octagonal two-handled Baskets, each painted with a scene of lovers courting within slatted sides, moulded and pierced to simulate basketwork, minor
chip, one handle restored, 23.5cm.; 91Ain. diam., underglaze-blue mark.
A Pair of Dresden turquoise
ground Vases and Covers, late 19th
Century, each bulbous body painted in
puce camaieu with panels of putti
engaged in various activities within an
oval gilt frame, the shoulders set with
vertical gilt handles, the domed covers
with gilt finial, one finial broken, one handle
repaired, 28cm.; llin., AR mark in
underglaze-blue.A Berlin porcelain Plate, 2nd
quarter 20th Century, the shaped gilt
rim enclosing a painted portrait of a
young child in a blue dress holding a
ball, against a grey ground, 19cm.; 7V2in.,
cancelled Berlin mark, impressed year cypher.A Hohenberg (Bavaria)
rectangular porcelain Plaque, 2nd half
19th Century, painted after Raphael with
the ‘Madonnadi san Sisto’ by R. Friedriche,
signed, 19.25 by 13.75cm.; 73A by 53/sin.,
impressed crowned shield mark, No. 103.Two Potschappel porcelain
miniature Cups and Saucers, late
19th/early 20th Century, one of
quatrelobed form, painted with panels of
figures in landscape and flowers against a
blue ground, the other of shaped oval
form, similarly decorated against a yellow
ground, gilt borders, each approx. 8cm.;
3Vsin. long, crossed swords and ‘T’ in
underglaze-blue. -
ANTIQUE BRITISH EARTHENWARE AND STONEWARE: An enameled cream ware Teapot, Wedgwood Vase, pearl ware shell-shaped Dish
Thursday, January 7th, 2010
ANTIQUE BRITISH EARTHENWARE AND STONEWARE: An enameled cream ware Teapot, Wedgwood Vase, pearl ware shell-shaped Dish
A slip decorated red earthenware
Moneybox, 18th/19th Century, of
compressed beehive form, with a knob
on top trailed with three groups of
honey-color end arks under the
treacle-color end glaze running
two-thirds down the red ware, 9.5cm.;A Wielding-type Figure of a
muse, circa 1760, standing with a lyre
and splashed in green, her eyes detailed
in manganese, 12.4cm.;A Weldon-type Group, mid-18th Century, molded as a toper seated astride a barrel, a bird in one hand, a jug of ale in the other, the buff ware splashed with green and brown
glazes, restored, 7.5cm.; 3in.
An enameled cream ware Teapot
and Cover, circa 17, the globular body
painted in bright iron-red, translucent
green and yellow with sprays of roses
under a floral knops, between foliate
molded spout and strap handle, metal
repair to broken cover, small base crack,
21cm.;A small cream ware Teapot and
Cover, circa 17, probably Norm Country,
the cylindrical sides painted with floral
sprays and sprigs beneath wasted neck
and between beaded borders, the cover
similarly painted beneath floral knops,
leaf molded spout, double strap handle,
chips, 12.5cm.;A Wedgwood cane ware game pie
Tureen, Cover and Liner, 2nd half 19th
Century, the sides molded with dead
game pedant from vine swags, the
cover surmounted by a rabbit knops,
26cm.; impressed marks.A Wedgwood and Bentley ‘porphyry’ Vase, circa 17, the shouldered ovoid body applied with curl handles and husk swags over a black dappled ground washed in a faint green glaze,
square black basalts base, repaired handles and foot, cracks, 27.8cm.; applied circular mark.
A Wedgwood black basalts Teapot and Cover, early 19th Century,
11cm.;A Copeland green glazed
hedgehog Crocus Pot and Stand,
mid-19th Century, the bristly beast
pierced all over his well modeled body
and covered in a lustrous green glaze,
quarter lobed stand, hair-crack to stand,
30.5cm.; 12in. long, stand impressed
‘Copeland’ .A rare white stoneware Bust of
Cupid, circa 1820, possibly Castleford, the
blue lined square plinth enameled on
the front with an oval English landscape,
the sides applied with neo-classical relief
medallions, chipped, glued, 26cm.;A Spode’ stone china’ Basin, circa
1810, of canted rectangular section, the
interior printed and painted in
‘family-rose’-style enamels with peony
and other flowers amongst pierced
rockwork within flower spray borders,
40.8cm.; 16in., printed black mark.Two Mason’s ironstone Jugs, 19th
Century, one printed with dragons
enameled in green, small crack, 17cm.;
printed and painted mark .A Garniture of three ironstone
Vases, circa 1830, comprising: a central
and two smaller flanking vases, each
double ogee body decorated with two
color full birds among leaves between
scroll handles rising to the blue-ground
trumpet neck paneled with flowers, the
blue pedestal foot penciled with gilt
scrolls, 22cm.;A rare pearl ware ‘Mansion House
Dwarf, early 19th Century, inspired by a
Derby original, standing with a staff in his
left hand, wearing a yellow hat and
striped shirt, 16.5cm.;An earthenware Egg Stand and six
Cups, early 19th Century, covered
overall in a splashed pink luster, 12.5cm.;A pearl ware shell-shaped Dish,
late 18th Century, printed with a
formalized fenced garden within a trellis
border, damaged, 14cm.;A Pratt-type pearl ware Group, circa 10, a young boy in yellow breeches, blue coat an brown hat seated beside two sheep before a flowering tree bearing ochre-color end fruit,
11cm.;
A pearl ware Pug, early 19th Century, the pink-color end dog seated on a green cushion with red tassels looking to his right and wearing a black collar with yellow studs,
chipped tassel, 9cm.;
A ‘New Marriage Act’ pearl ware Group, early 19th Century, the parson, happy couple and diminutive witness standing about a yellow-fringed red table before gothic windows
incorporating the title, under a red-bricked arch over a red and blue veined stepped base, couple glued to base, parson’s hand missing, chip, 15cm.; 6m.
A Pratt-type Model of a deer, late 18th Century, of hollow construction, at lodge on a green mound and looking over its back, sponged in ochre, restoration to horns, ears and
neck, crack, 14cm.; 51/2in.
A Pair of pearl ware Deer, circa
10, each spotted iron-red doe or stag
standing before a short tree growing
from an oblong base molded with
flowers picked out in blue and yellow,
one head restored, minor restoration and chips
to tree . -
ANTIQUE BRITISH EARTHENWARE AND STONEWARE: Bristol delftware Plate, London delftware Drug Jar, blue and white delftware Mug, blue and white delftware Dish
Thursday, January 7th, 2010
ANTIQUE BRITISH EARTHENWARE AND STONEWARE: Bristol delftware Plate, London delftware Drug Jar, blue and white delftware Mug, blue and white delftware Dish
A rare Agateware Cat, circa 1740,
seated and looking to its left with pricked
ears picked out in blue, beady brown slip
eyes and nostrils, its white coat inlaid
with vertical and horizontal bands
striped in dark-chocolate-brown and
dabbed with two dark-blue patches, small
chip to one ear, 11.7cm.;A blue and manganese Bristol delftware Plate, circa 1770, painted in blue with an oriental hut beneath a willow tree within three single flower head panels reserved on a
manganese ‘cracked ice’ ground, 23cm.;
A Bristol delftware Plate, circa 1765, painted with two figures in a boat and a fisherman on a promontory before a cluster of houses, beneath a conical tree within a
bianco-sopra-bianco flower and fruit border, 22.8cm.;
A polychrome delftware Plate,
circa 1750, probably Lambent, painted with
pale iron-red and manganese flowers
among green and blue leaves
occasionally touched in egg-yolk yellow
within a rim bearing five cross-hatched
panels separated by further flowers, row-edged rim, 22.8cm.;A polychrome delftware Plate,
circa 1750, probably Liverpool, painted in
manganese with a large tree towering
above an oriental pavilion and bearing
yellow flower heads on its lower
branches, further structures
floating in the distance, 23cm.;An attractive polychrome
delftware Plate, mid-18th Century,
painted in strong color s with an
oriental gentleman seated on a
manganese rock upon a green mound
before yellow-leafed bamboo by a blue
fence behind, the rim bearing a band of
blue flashes between evenly spaced
panels cross-hatched in manganese,
20cm.;A manganese delftware Plate,
2nd quarter 18th Century, painted with
a central flower whorl within a band of
eight fruits placed alternately on the
inner and outer border lines under a
narrow rim painted with continuous
chevrons, 22.4cm.; 83Ain.A London delftware Drug Jar,
circa 17′20, possibly Lambert, the ovoid
sides bearing a label titled
:CFL.AURANT: in scroll borders
embellished with shell and flower motifs
and ‘marine’, crack and frit-chipping,
18.5cm.;An English delftware Puzzle Jug, circa 1760, the low body painted in blue with a spray of peony under a pierced cylindrical neck and an overhanging triple-spouted rim, chips to
spouts, crack to base, 19cm.;
A Pair of delftware flower Bricks, circa 1750, probably Bristol, of rectangular form, painted with flowers before a distant Church, the ends with flower heads, the pierced top
washed in blue, minor chips, 12.5cm.;
An English delftware Plate,
mid-18th Century, painted in
polychrome with a peacock strutting
amongst sponged manganese trees,
minor chips to nm, 22cm.;A delftware blue and white
Sweetmeat Dish, circa 1750, divided into
three compartments, each penciled with
a peony within a raised divider and
undulating rim with whorl border, on
three conical feet, 17cm.;A Pair of blue and white delftware shipping subject Plates, circa 1730, each painted with a gaff-rigged barge, further boats on the horizon, the border painted with three
demy-florets, 21.5cm.;
A blue and white delftware Mug, late 17th Century, of stoneware inspiration, with baluster body and ribbed cylindrical neck, painted with a stylized spray of flowers, chips,
13.8cm.;
A blue and white delftware
Punch-Bowl, circa 1750, inscribed One
bowl more and then, the exterior with
flower sprays, chips and crack, 23cm.; 9in.An English delftware Plate,
mid-18th Century, painted in blue with
peony and bamboo amongst stylized
pierced rocks within floral border, 23cm.;A Sadler & Green printed
delftware Tile, circa 1765, a corpulent
butcher standing beside a vat and a
foaming mug of beer, joints of meat
round about, printed in black/sepia,
12.5cm.;A rare Sadler & Green printed
delftware Tile, circa 1765, a woman
leaning out of a window to observe a
troop of children play-acting before
other figures, printed in a
greenish-brown, 12.8cm.; 5in.A Group of sixteen blue and white Tiles, musty 18th Century, each painted with figures, shipping or mills within a dotted frame and flower spandrel corners or within an
octagonal panel on a powder-blue ground with carnation corners, 13cm.; 5in.
Twelve blue and white tin-glazed Tiles, 18th/19th Century, each painted with a fisherman or women in an octagonal panel reserved on a trellis ground, 12.5cm.; 5in.
A blue and white delftware Dish, circa 1750, freely painted in a Chinese manner with giant peony and chrysanthemum growing under a pine an above a fence enclosing a rock beside
a pool of lotus, 39.3cm.;
-
ANTIQUE PORCELAIN FIGURES: Derby Figures, Bow Figure, Staffordshire Figures
Thursday, January 7th, 2010
ANTIQUE PORCELAIN FIGURES: Derby Figures, Bow Figure, Staffordshire Figures
A rare Bow Figure of a Thames
waterman, 1753—55, standing in
brown-trimmed yellow cap and coat over
floral waistcoat, his head turned to
sinister, his left arm outstretched before
a tree-stump, on a floral painted base,
cap chipped, left hand restored, 20cm.;Until the construction of Westminster Bridge in 1750 the only two means of crossing the Thames on foot had been by London Bridge and at Kingston. To cross in the intervening gap
one would have to use the horse-ferry or one of the many Thames watermen, their numbers presumably remained much the same since the time of Pepys when about 4,000 were recorded.
Pepys allowed a regular waterman of his to grace his boat with his own coat-of-arms. Is it possible that such a ‘by appointment’ badge accounts for the coat-of-arms on the
waterman’s arm which differs from a similar figure illustrated by Elizabeth Adams and David Redstone, Bow Porcelain, plate 127. Although heraldically incorrect the present
figure’s badge is perhaps intended as the seal of the Navy Office.
A near Pair of Bow Figures, circa
1760, he wearing a pale-puce jacket and
knee-length breeches, finely enameled
in characteristic blue, puce and green
with flower sprays playing the recorder
with a dog at his feet, she striking a
dancing pose, her jacket finely
enameled with flowers over striped
apron and pale-yellow skirt, the scroll
molded base encrusted with flowers,
chip to her hat, restoration to his recorder and
hands, approx. 15.5cm.;A Pair of Bow Busts, circa 1755,
representing ‘Spring’ and ‘Winter’, the
former modeled as a young woman
wearing flowers in her hair and draped
in a puce and yellow flowered robe on a
wasted marbled sole, the latter as a
bearded man wearing ermine-trimmed
yellow cloak on similar base, restored and
chipped, 13cm.;A Bow Model of a Putt, circa 1760, standing garlanded in flowers, on circular base, restored, 13cm.; 5in.
A Pair of Derby Figures of street
vendors, 1760—65, the ‘Jewish peddler’
wearing a fur-lined cap and long green
coat over a long flower sprigged
waistcoat, a basket containing bottles
before him, his companion standing with
an open trinket box and wearing a short
red and green tunic over her purple
robe and yellow skirt, both on typical
Meissen-style bases encrusted with
color full flower sprays, damage to man’s
arms, head and coat, chips to woman’s clothes
and nose, approx. 18.5cm.; 73/sin., patch
marks .A Pair of Derby Figures of a boy
and girl, circa 1765, each seated before
flowering or fruiting boscage, he with a
dog and gun by his side, chips, 11cm.; 5in.A Pair of Derby Figures
representing ‘Autumn’ and ‘Winter’,
circa 1770, the former modeled as a
young grape harvester carrying a full
basket on his back wearing a puce jacket
and flower sprigged knee breeches, the
latter as a young girl with skates on her
feet and wrapped in a fur cape, both on
scroll molded bases, feathered in
turquoise green and picked out in
fielding, his arm glued, chips to both, approx.
3cm.;Three Derby Figures representing
Continents, late 18th Century, ‘Africa’ of
dark complexion wearing an elephant
mask hat, ‘Asia’ standing by a camel,
‘Europe’ by a horse and with attributes
of the Fine Arts, all restored, approx.
13cm.;A Pair of rare Derby ‘Mansion
House Dwarves’, early 19th Century,
each corpulent figure wearing an
extravagant hat and standing on a flower
encrusted green ground, hand glued to
one, approx. 17cmA Derby biscuit Group, circa 10,
modeled as three Cupids beneath a tree
encrusted with leaves, the rocky base
with budding flowers, one arm missing,
27cm.A Pair of Derby Figures of musicians, 1st quarter 19th Century, each seated on a chair, he playing tire flute, an instrument case and musical scores at his feet, she with a
mandolin and a small white dog on her lap, on canted rectangular bases edged in gilding, neck of mandolin broken, crazing, 16cm.;
A Stevenson &: Hancock Derby Figure of a cobbler, 2nd half 19th Century, seated with a shoe in his lap, his workbench on one side and looking up to the caged bird on the wall
behind him, 15.5cm.; 61Ain., crossed batons, ‘S’ and Win purple.
A Staffordshire Group of a girl
and swain with baskets, circa 10, of
clay, both seated before a tree with two yellow parrots among green and turquoise leaves, she wearing a turquoise bodice, her jacket outlined in dark-blue, on a rustic mounddappled in brown, yellow and green, 20.4cm.;
A Pair of ormolu mounted
Minton porcelain candlestick Figures,
1830’s, modeled as an 18th Century
lady and gentleman seated in elaborate
18th Century costume, he holding a
basket of fruit, she a garland of flowers
beneath rococo scroll bower, 33cm.; -
Paris porcelain drum-shaped Inkpot, Pair of blue ground Paris porcelain ‘neo-rococo’ Vases, French biscuit porcelain figure Group, 18th Century, ‘Sevres’ porcelain Trembleuse
Sunday, January 3rd, 2010
Paris porcelain drum-shaped Inkpot, Pair of blue ground Paris porcelain ‘neo-rococo’ Vases, French biscuit porcelain figure Group, 18th Century, ‘Sevres’ porcelain Trembleuse
A large and impressive Paris
porcelain Vase, mid-19th Century, the
flattened baluster body painted with an oval portrait of two young girls in a garden framed by an entwined plant form in green and gilt over the claret ground between gilt rims,the verso painted with a shaped oval panel with colourful floral sprays within a gilt painted frame, all beneath the shaped gilt scroll rim moulded at the front with gilt
foliage and berries, minor chips, 60.5cm.; 233Ain. high
A Paris porcelain drum-shaped
Inkpot, Cover and Liner, 19th Century,
probably Rue Thiroux, the squat cylindrical
body with central well, the outside applied
with three tubular pen holders, one
concealed in the handle flanked by two
lobed reservoirs, all over a deep blue
ground decorated in gilding with leafy
scrollwork, the flat-topped cover with
similar decoration centring a gilt ring
handle, some minor restoration, 18.5cm.;
7′Ain. across, faint crowned A’ mark in gildingA Paris porcelain gilt-metal
mounted two-handled Comport, mid- 19th
Century, the broad bowl painted on the
interior with scattered sprays of flowers
over a white ground, the exterior with
exotic birds in flight between floral swags,
raised gilt scrolls and foliate motifs, raised
on a reeded stem painted with swags of
flowers flanked by two gilt-metal ram’s
head motifs, all beneath a pierced gilt-
metal rim, minor re-gilding, 37cm.; 14Vmn.
across.A Pair of French gilt-metal
mounted biscuit porcelain Figures of
dancers, 19th Century, each female figure
wearing long flowing robes and dancing
bare-foot on a flower encrusted domed
circular base, supported on a domed gilt-
metal foot applied with a frieze of floral
swags hung from ribbons, minor chips,
approx. 25.75cm.; 10′/sin.A Pair of blue ground Paris
porcelain ‘neo-rococo’ Vases, 2nd half
19th Century, in the Jacob Petit style, each
ovoid body painted with Watteauesque
panels of lovers in a landscape within a
moulded gilt scroll frame that connects to
a pair of elaborate scroll handles, each
surmounted by a bird, the flared neck
pierced and gilt with scrolls, all raised on a
spreading base with gilt scroll feet, minor
stress crack, approx. 43cm.; 17in. high (2)A Paris porcelain flower encrusted
Bowl/Table Centre, 2nd half 19th
Century, the square basketweave body
raised on an arched base with pale-pink
rims, applied with a colourful upper frieze
of flowers, a scantily-clad cherub sits at
either end holding a floral swag, minor
chips, 34.5cm.; 13Vsin. across, incised
numerals, feint mark in underglaze-blueA French biscuit porcelain figure Group, 18th Century, probably Sevres, modelled as a young man with two young girls, he is seated on a bench with one girl across his knee,
lifting her skirt in preparation to beat her with a whisk that he holds in his left hand, the other girl stands to one side holding a book trying to ignore what is happening,
some restoration, 21cm.; 8′Ain. high.
A ‘Jacob Petit’ Paris porcelain arbour Candelabrum, 2nd half 19th Century, the pierced hemispherical floral form painted on the inside with scattered sprays of flowers over a
pale-yellow ground surmounted by three floral sconces picked out in gilding flanked by gilt leaves, all raised on a pierced scroll moulded oval base picked out in gilding, minor
chip, 29.75cm.; lPAin. high, J.P. mark in underglaze-blue
A Pair of Continental coloured bisque porcelain Figures, 2nd half 19th Century, probably French, modelled as a young gallant and female companion, each standing on a
naturalistic circular base being buffeted by a strong wind, he about to lose his tricorn hat, she with her parasol blown inside out and about to lose her bonnet, minor
restoration, 38cm.; 15in. high, incised A.M. in scroll frame.
A Set of nine Limoges (Guerin &
Co.) Plates, late 19th Century, each
painted in the centre with a study of a
bird or a wild boar within a blue and gilt
border, some cracks and repair, 24cm.; 9Viin.,
red printed marks.A Set of eleven Limoges (Guerin 8c Co.) porcelain Plates, late 19th Century, each painted with fish studies within a dark-blue and gilt border, some chips, red printed mark W.G.
A Continental porcelain Group, late
19th Century, probably French, modelled as
three children about a table, brightly
coloured, on oval base, some repair and
chips, 18cm.; 7Vain.A Continental porcelain double-shell Table Salt, early 19th Century,
probably Paris, conceived as two burnished
gilt cockle shells back-to-back, mounted on
the heads of a pair of biscuit porcelain
sphinx seated back-to-back on an oval gilt
base finely tooled with vermicule, all
mounted on an oval gilt wooden plinth,
13.75cm.; 53/sin. high overall.A Pair of Continental coloured bwfcuit porcelain Vases, 19th Century.
probably Paris, each true baluster body with gilt frill rim, applied at the neck with three pale-blue eagle heads above a central frieze of three oval portraits within giltframes and painted bands of forget-me-nots between pale-puce and green scrolls, all over a black ground picked out in gilding, raised on three foliate scroll and claw feet, each
clasping a green tortoise, on a trefoil base with floral centre, some restoration, 37cm.; 14Vsin. high, impressed numerals 275, red painted 435.
A Pair of French porcelain and gilt-metal mounted Vases, late 19th Century, each slender ovoid body painted with Venus being attended by cherubs, signed Amblet, against a
pale-yellow ground, the waisted neck and foot gilt with scrolling foliage, raised on a canted square gilt-metal base, 82.5cm.;
A Pair of ‘Sevres’ gilt-metal
mounted biscuit porcelain Vases, 19th
Century, each shouldered ovoid body
raised on a circular pedestal foot sprigged
with swags of fruiting vine, suspended
between two finely detailed rams’ heads,
each short trumpet neck sprigged with
delicate swags of small flowers beneath the
moulded dentil rim, minor chips, 19.75cm.;
73/in. high, incised interlaced ‘Us and letter ‘F’A Group of twelve Sevres and Paris
porcelain Plates, 18th Century and later,
various designs, some damage, each approx. 24cm.; 9′/2in.; also a Hague Plate, painted with a bird in a landscape (13) ?100—150
955 A Sevres-type porcelain Plate, late
19th Century, the centre painted with
three exotic birds in branches, the deep
blue border reserved with three gilt
framed panels enclosing single birds,
25.5cm.; Win., gilt signature to base Lahoche,
Palais Royal.
A Pair of ‘Sevres’ gilt-metal
mounted Vases and Covers, late 19th
Century, each slender ovoid body painted
with panels of exotic birds within a leaf
frame against a white ground decorated
with a trelliswork design of roses, set with
acanthus moulded handles, each domed
cover with artichoke finial, one cover
repaired, chips to handles, blue interlaced ‘L’s
mark.A rare Sevres tomato-red two-
handled Ecuelle, Cover and Stand, circa
1788, each piece finely painted with a
border of slanting foliate ovolos centring
the speckled red ground, painted in deep-
puce with delicate bands of acanthus
leaves, gilt rims and gilt ball knop, small
chip and hair-crack to rim, stand 18cm.; 7′/sin.
diam., crowned interlaced ‘L’s’ in blue, ‘KK’
date cypher.A ‘Sevres’ porcelain Trembleuse,
Cover and Stand, 19th Century, the
flaring cylindrical body painted with a portrait of Louis XIV within gilt and jewelled’ frames over a bleu celeste ground hung with gilt and jewelled lambrequins, the stand withtwo kidney-shaped panels containing flowers, musical instruments and ribbons, all over a matching ground, script title, interlaced ‘L’s, L in blue.
A ‘Sevres’ porcelain Ewer and
Stand, 19th Century, both the true
baluster ewer with hinged cover and the
shaped oval tray moulded in relief with
vivid green leaves and rockwork picked
out in gilding with caioulte framing gilt
mirror panels finely painted with fantastic
birds in landscapes and a central
arrangement of seashells, all over a deep
blue ground within a gilt dentil rim, handle
restored, 23cm.; 9in. across, interlaced ‘L’s in
blue, paper label for Santarelli Collection,
Buenos Ayres.A ‘Sevres’ cased porcelain ‘Solitaire’ Set, 19th Century, each piece painted with a circular panel of courtly children at play in an arcadian landscape, the verso with a white
panel painted with a colourful spray of flowers, each within a white ‘jewelled’ frame over a bleu celeste ground, gilt with flowers and scrollwork, comprising: low Tazza, Teapot
and Cover, Sucrier and Cover, baluster Milk Jug, cylindrical Cup and Saucer, minor chip to jug, complete with fitted travelling Case, interlaced ‘Us in blue and incised numeral.
A ‘Sevres’ porcelain and gilt-metal
Casket, late 19th Century, of shaped
bombe form, the cover painted with a
panel of courtly gentlefolk in an arcadian
landscape within an elaborate gilt border
over a deep blue ground, the base painted
with four kidney-shaped landscape panels
within ornate raised gilt frames flanked by
gilt vases, scrolls and swags, all over a deep
blue ground, the interior padded with a
tapestry lining, 33cm.; 13in. across, interlaced
‘L’s painted in blue.