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Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
Friday, January 15th, 2010
Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.
A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.
A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in .TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips .A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).
A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).
AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia
AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).
A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).
A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.
A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.
A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).
A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200
A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.
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A POTTERY FIGURE, Staffordshire
Friday, January 15th, 2010
A POTTERY FIGURE, Staffordshire
A PARIAN GROUP OF UNA AND
THE LION, 2nd half 19th Century, the
semi-naked woman modelled seated on the back of the walking animal, all raised on a rectangular base, 26cm.; 10in.A PAIR OF POTTERY FIGURES OF A SHEPHERD AND SHEPHERDESS, Staffordshire, late 19th Century, modelled standing holding either a lamb or a puppy on shaped grassy bases, each approx. 23.5cm.; 9in., some restoration.
A POTTERY UNIFORMED FIGURE, Staffordshire, 2nd half 19th Century, modelled kneeling wearing a pale blue jacket with black insignia, his peaked cap with a green band, 25.5cm.; Win., restoration to hands and knee.
A POTTERY FIGURE OF A HUNTSMAN, Staffordshire, 2nd half 19th Century, modelled standing before an open stump, a dog at his side, 30.5cm.; 12in.; also a Staffordshire Group of lovers; a Figure of a Scotsman and Dog; and a Figure of a Toper seated beside a barrel (4).
A PAIR OF FIGURES OF QUEEN VICTORIA AND PRINCE ALBERT, Staffordshire, mid-19th Century, each figure modelled seated on a mound base, he wearing an under glaze-blue jacket, she a puce blouse and under glaze-blue shirt, each approx. 11.5cm.; 4in., hair crack (2) .
A POTTERY JARDINIERE AND
STAND, Staffordshire, 20th Century, in Art
Nouveau style, moulded in low relief with
stylised flowers and printed in blue with
female heads and orchids, 84cm.; 33in.; and a
Set of three Chargers, printed with a similar
subject (5).A ‘GOLDSTONE’ SINGLE-HANDLED
ISIS JUG, Clarice Cliff, circa 1933, the
ribbed body covered in a textured speckled
brown glaze and enamelled with diagonal
bands in blue, green black and white, black
printed and painted mark, 18cm.; 7in.TWO PAIRS OF POTTERY COW CREAMERS, Staffordshire, late 19th Century, each printed with the ‘Willow’ pattern in blue, each approx. 13cm.; 5in. high, minor chips and cracks (8).
A POTTERY FIGURE OF THE ‘PRINCE OF WALES’, Staffordshire, 2nd half 19th Century, standing wearing a sailor suit, both hands in his pockets, 30.5cm.; 12in., some restoration; also a Group of ‘The Wounded Soldier’, restored; a Figure of ‘Miss F Nightingale’, restored; and a Figure of ‘Field Marshal Roberts’ (4).
A POTTERY FIGURE OF LORD BYRON, Staffordshire, circa 1848, seated in bluejacket and trousers, an orange cloak draped over his shoulders, raised on a canted square base titled in gilt, 19cm.; 7in.
A PAIR OF POTTERY COW AND ATTENDANT GROUPS, Staffordshire, late 19th Century, modelled as a youth and milkmaid standing before a brown and white cow raised on oval base, 26cm.; 10in. high, some restoration; also a smaller Pair of cow and calf Groups (4) .
A PAIR OF POTTERY COW CREAMERS AND COVERS, Staffordshire, 19th Century, each cow modelled standing on a shaped base, its coat splashed with pink lustre, a milkmaid by its side, 13cm.; 5in., tail repaired, minor enamel flaking (4) .
A PORCELLANEOUS GROUP OF AN OLD WOMAN AND CHILD, Staffordshire, mid-19th Century, modelled as an old woman standing with her arm around the shoulder of a young boy, 18cm.; 7in., minor damage; also a Staffordshire Figure of a young man with his arm around
a young lady (2).A PAIR OF POTTERY FIGURES OF A SHEPHERD AND SHEPHERDESS, Staffordshire, mid-19th Century, modelled as a Highlander and companion standing on a rocky mound above lambs, 27cm.; 10in., minor damage; also a Staffordshire Group of a young man and companion; a Figure of ‘Red Riding Hood’; and a Figure of ‘Mother Hubbard’ (5) .
A POTTERY SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as a young man seated in a boat on water below a twin turreted castle, 17cm.; 63Inhigh, some repair; also two Staffordshire pottery Cottages; and a Hen Basket and Cover (5).
FOUR POTTERY FIGURE GROUPS,
Staffordshire, 2nd half 19th Century, each
raised on titled bases, comprising: ‘Fortune
Teller’, ‘Tarn O’Shanter and Sooter Johnny’,
‘Darby and Joan’ and ‘Fortune Teller’, various
sizes (4).A POTTERY FIGURE OF GARIBALDI, Staffordshire, late 19th Century, standing before a horse wearing an orange shirt and white trousers raised on a grassy oval base, 23cm.; 9in. high, restored; also a Staffordshire Figure of ‘Garibaldi at Home’; and two Figures of ‘Will Watch’ and ‘Rob Roy’(4).
TWO POTTERY EQUESTRIAN FIGURES OF TOM KING’ AND ‘DICK TURPIN’, Staffordshire, 2nd half 19th Century, each seated on a horse facing to the left or right on an oval titled base, 28cm.;
1 lin., minor restoration (2).A PAIR OF POTTERY SPANIELS,
Staffordshire, mid-19th Century, each brown
and white animal seated wearing a black
chain and gilt collar, 22cm.; 83In(2).A PAIR OF POTTERY CATS, Staffordshire, circa 1890, each black and white animal seated on a brown and green tasselled cushion, 19cm.; 7in., chips; also a Pair of Staffordshire zebras (4) .
A PEARL WARE GROUP OF A EWE AND LAMB, circa 1820, the lamb standing before a flowering tree, its back painted with the initials ‘RW, oval base, 13cm.; 5in. high, restored; also a pearl ware Figure of Elijah and the Raven (2).
TWO SIMILAR PORCELAIN PLATES, Staffordshire, circa 1840, each painted with flower studies inside a cream and green border enriched in gilding, 23cm.; 9in. (2).
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PORCELAIN BASKET, English, FIGURE CANDLESTICK, Royal Worcester, late 19th Century, RECTANGULAR TRAY, Royal Crown Derby, circa 1900
Friday, January 15th, 2010
PORCELAIN BASKET, English, FIGURE CANDLESTICK, Royal Worcester, late 19th Century, RECTANGULAR TRAY, Royal Crown Derby, circa 1900
A PAIR OF PEARLWARE FIGURES OF ANTHONY AND CLEOPATRA, probably Wood & Caldwell, circa 1815, each well coloured and modelled reclining on a shaped oval grassy mound base, 30cm.; long, one arm restored, snake’s head restored, minor chips (2).
A SMALL FOOTED JARDINIERE, Walter Moorcroft, 1960’s, decorated with large pink flowers on a deep blue ground, applied paper label, impressed MOORCROFT MADE IN ENGLAND, painted HM monogram, 12.5cm.; 5in.
A MODEL OF A BEGGING DOG, Brownfield, circa 1863, holding a turquoise glazed basket in its mouth, seated on its hind legs on a turquoise and gilt tasselled cushion, impressed diamond registration mark and BROWNFIELD, 19cm.; 7in., turquoise glaze discoloured.
AN OVOID VASE, Walter Moorcroft, 1960/70’s, decorated with salmon pink flowers on an olive green ground, painted WM monogram, impressed MOORCROFT MADE IN ENGLAND, 17.5cm.; 67In; and a similarly decorated Walter Moorcroft baluster Vase (2).
A PORCELAIN BASKET, English, circa 1825-30, of shaped rectangular form with twig loop handle, painted with a view of Malvern, Worcester, against a gilt vermicular ground and gilt gadroon rim, red painted ‘Malvern Worcester’, 14cm.; 5in. across, handle restored.
A FIGURE CANDLESTICK, Royal Worcester, late 19th Century, in the white, modelled with a child standing before a tree stump topped by a candleholder, impressed crowned circle mark, 19.5cm.; 7dn., chip to candleholder; and a Royal Worcester figure Group, ‘Forest Dance’, after a model by
F. Doughty (2).AN OVAL BLACK BASALTES PLAQUE, early 19th Century, after a Wedgwood original, vigorously moulded with ‘The Marriage Supper of Pursues and Andromeda’ within a moulded oval frame, 28.5cm.; chip to rim.
A SUCRIER AND COVER, Worcester, circa 1770, gilt with ‘The Queen’s pattern’, the open floral finial picked out in gilding, 12.5cm.; 47In(2).
A ‘BOTANICAL’ MUG, probably Coal port , circa 1830, finely painted with a spray of roses and a hydrangea sprig, 10.5cm.; 4in., hair crack to rim .
A PAIR OF NEO-ROCOCO VASES AND ONE COVER, probably Coal port or Minton, circa 1840—60, painted with receded panels of colourful flowers reserved on a green ground between gilt foliate scroll handles, scroll feet, 33cm.; 13in., one handle restored (3).
A TRAY, Wedgwood, circa 1864-1881; also a Minton’s Plate, each painted by W.J. Goode, signed, with a group of naked putt playing in a river, impressed marks, the tray painted by W.J. Goode June 1864, 42cm.; 16in., the plate 26cm.; Win. diam. 12.
A GROUP OF BLACK BASALTES WARES, early 19th Century, comprising: a Teapot and Cover decorated with vignettes of a mother and child within receded borders: a Bowl with engine turned decoration; a similarly decorated Jug; and a Sugar Box and Cover decorated with panels of figures within formal borders, some minor damage (6).
AN EARTHENWARE JUG, Royal Doulton, early 20th Century, the ovoid body printed in black with a rhyme and the motto ‘The pleasure of doing Good is the only one that never wears out’, printed lion crown and circle mark, 16.5cm.; 6in.; and a Royal Doulton Dewar’s Whisky Flask printed and coloured with Britannia (2).
A PAIR OF VASES, Royal Crown Derby, circa 1889, each of double gourd form, painted with ‘Japan’ pattern ‘1366′ in IMERYS colours, orange printed mark, 16cm.; 6in., neck of one vase repaired (2).
A SHAPED RECTANGULAR TRAY, Royal Crown Derby, circa 1900, painted with ‘Japan’ pattern ‘2451′ in Impair colours, orange printed marks, painted pattern number, 45cm.; 173In.
A GROUP OF PORCELAIN WARES, circa 1770—1800, comprising: a Pennington’s Liverpool Trio; two Christian’s Liverpool Tea bowls; a Worcester pickle leaf Dish; a Staffordshire porcelain Tea bowl and two Saucers; a Chinese saucer Dish; and a cream ware Coffee Can inscribed Trifle from Lowestoft’, some damage and repair.
A BISCUIT FIGURE OF HANNAH MOORE, Minton, circa 1830-40, seated in an armchair, her left foot on a stool, pierced scroll base, 16.5cm.; 6in.
TWO BISCUIT FIGURES OF A SHEPHERDESS AND A DOG, Minton, circa 1830—40, the dog on a rocky base, the shepherdess kneeling with a iamb and a basket of moss on a domed scroll base, 10cm.; 4in.. the dog with chipped tongue, the shepherdess with minor chips and repaired arm.
A BISCUIT FIGURE GROUP,
Minton, circa 1830—40, modelled with a
young girl watching a kitten at play, on a
rocky base, incised numerals, 10.75cm,;
4in.A BISCUIT FIGURE, Minton, circa
1830-40, modelled with a young girl seated
on an upturned basket, a begging dog by her
side, domed scroll base, incised ‘N’, 12cm.;
43in, small chip .A TWO-HANDLED BOWL AND COVER, Coal brook dale or Minton, circa 1835, painted and encrusted with flowers, set with branch handles, 10cm.; 4in. high, chips (2).
A GROUP OF STUDIO POTTERY, comprising: a Val Barry Dish; four Richard Batterham Bowls; two Mary Rogers Vases; two stoneware Bowls; and a pierced porcelain Bowl, some with impressed and incised marks, between 19.5cm. and 7cm.; lin. and 2in. (10).
A PARIAN FIGURE OF PRINCE ALBERT, Copeland, circa 1862, after a model by G. Abbot, the Prince modelled seated in a chair, raised on a stepped rectangular base, impressed COPELAND and G ABBOT FECIT PUBLISHED MAY 1st 1862 BY RICHARD McMichael AND CO. 5 ADAM ST. EAST PORTMAN SQUARE LONDON, 21cm.; 10in., neck restored, small chip to back corner of base.
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CABINET PLATES, ‘Vienna’, ‘NAPLES’ SHAPED OVAL BOX AND COVER, 19th Century, TWO DELFT POLYCHROME CHARGERS, Dutch, 18th/19th Century
Friday, January 15th, 2010
CABINET PLATES, ‘Vienna’, ‘NAPLES’ SHAPED OVAL BOX AND COVER, 19th Century, TWO DELFT POLYCHROME CHARGERS, Dutch, 18th/19th Century
A PORCELAIN EQUESTRIAN GROUP, German, late 19th/20th Century, modelled with a figure wearing green military uniform riding a white horse, a black moor servant at his side, blue printed mark, 19cm.; 1in., small areas of restoration.
A PORCELAIN GROUP OF PUTT , German, late 19th Century, emblematic of the Four Seasons, each modelled holding appropriate attributes on an oval base, under glaze-blue mark, 16.5cm.; 6in., small chips and areas of restoration.
A PAIR OF PORCELAIN FIGURE GROUPS, German, late 19th/20th Century, each modelled as a gallant and companion seated on a scroll moulded base, crowned W mark in under glaze-blue, 11cm.; 4in.
A FLOWER-ENCRUSTED CUP AND SAUCER, Meissen, 19th Century, each piece of lobed form, encrusted and painted with colourful flowers and insects, gilt line rims, crossed swords in under glaze-blue, small chips to applied decoration {2) .
A PAIR OF PORCELAIN CENTREPIECES, Plauen, circa 1900, each pierced rose-encrusted bowl raised on a cornucopia supported by a winged cherub standing on a domed pierced base, coloured in tones of pastel pink and orange, cross mark in under glaze-blue, 22.25cm.; 83in.. minor chips (2).
AN OVAL PORCELAIN PLAQUE, Continental, late 19th Century, painted after A. Kauffman. with a ‘Yestalin’, 12.75 by 10cm.; 5 by 4in.. gilt wood frame.
AN OVAL PORCELAIN PLAQUE, Continental, 2nd half 19th Century, painted with a portrait of a fashionable woman, 12.25 by 9cm.: 4-A by 3in., gilt wood frame.
A POTTERY JAR, Continental, circa
1900, in the form of a Negro head, wearing a
pink striped turban and black jacket, impressed
numerals, 26cm.; 10in., chips, cover lacking.A LARGE POTTERY JARDINIERE
AND STAND, Continental, circa 1880, the
ovoid jardiniere raised on a tall pedestal
moulded in relief with acanthus scrolls and
stylised flowers, all covered in a pale blue and
ochre glaze, 136cm.; 53in., piece missing from
rim of jardiniere, area of restoration to pedestal.TWO CABINET PLATES, ‘Vienna’, circa 1850—70, one painted with a Bavarian interior scene and the other with a classical scene, each with shield mark in under glaze-blue and script titles, 25cm.; 97/dn. (2) .
A CABINET TRAY, ‘Sevres’, circa 1860, of shaped oval form, well painted after Boucher with a rectangular panel of children playing in a cart, reserved on a yellow cell-pattern ground, interlaced L’s in blue, 33.5cm.; 13in.A PORCELAIN PLAQUE, German, circa 1870, after Nicholas van Negre, painted with an elderly woman warming her hands by hot coals, the reverse with impressed numerals, 16cm by 12.5cm.; 6in by 47In, framed.
A PORCELAIN PART DESSERT SERVICE, Paris, circa 1870, transfer printed and coloured with groups of flowers against a green ground, comprising: three Stands, and fourteen Plates, minor damage (17) .
A MAJOLICA FLOWER HOLDER AND STAND, Continental, 2nd half 19th Century, the circular base modelled with an African figure accompanied by a large ostrich, before a palm tree supporting a cylindrical flower holder, all raised on a stepped circular base, impressed G&St., incised ,58.5cm.; 23in, overall, some chips and repair (2).
A RELIEF-MOULDED PANEL, Italian, mid-19th Century, in Delia Rubbia style, moulded in white with the Madonna and Child below cherubs and a crown, against a blue ground inside an arched frame moulded with flowers and oak leaves, the separate bone china panel moulded with a shield and cornucopia of flowers, main panel 88cm.; 34m. high, some repair (2) .
A ‘NAPLES’ SHAPED OVAL BOX AND COVER, 19th Century, relief moulded and brightly coloured with scenes of classical figures, the knops smoulder as an apple, crowned W in blue, 11cm.; 4in. Long.
TWO DELFT POLYCHROME
CHARGERS, Dutch, 18th/19th Century, one
decorated with a bird perched amongst
flowers, the other with a stylised flower vase,
each approx. 35cm.; 133Indiam., minor rim
chips (2).A PORCELAIN PLATE, ‘Vienna’, late
19th Century, printed with Royal portraits
against a richly gilt yellow, pink and maroon
ground, beehive mark in under glaze-blue,
impressed numerals, 24cm.; 9in. Diam.A PORCELAIN PLATE, ‘Vienna’, late
19th Century, printed with Royal portraits on
a richly gilt yellow, pink and maroon ground,
beehive mark in under glaze-blue, impressed
numerals, 24cm.; 9in.A PORCELAIN MODEL OF A MAGPIE, ‘Naples’, late 19th Century, the
black and white bird modelled perched on a flower encrusted stump, crowned ‘N’ mark in
under glaze-blue, 34cm.; 133In, very minor chips.A LARGE ‘BELLARMINE’ JUG, probably German, 18th Century, the bulbous body covered in a mottled brown glaze, a bearded face moulded in relief on the neck, 38cm.; 15in., cracked.
A TIN-GLAZED METAL-MOUNTED BOX AND COVER, Samson, late 19th Century, of rectangular form, the cover painted with a pastoral scene within a purple border, the base decorated with scattered flower sprays, painted ‘Sceaux’ and interlaced ‘S’ mark, 28.5cm.; long, repair to corner.
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‘Sevres’ Plates, late 19th Century, ‘Sevres’ Vase, ‘Sevres’ Chocolate Cup, ‘Sevres’ porcelain Plate
Thursday, January 7th, 2010
‘Sevres’ Plates, late 19th Century, ‘Sevres’ Vase, ‘Sevres’ Chocolate Cup, ‘Sevres’ porcelain Plate
A large French Sevres-style
gilt-metal mounted two-handled Vase
and Cover, late 19th Century.Two ‘Sevres’ blue ground Plates, late 19th Century, one painted with a bust portrait of Louis XVI, the other painted with Watteauesque lovers in a landscape, each border
reserved with three panels enclosing flowers, one with crack, gilding rubbed, 24.5cm.; 9Vsin., pseudo Sevres marks (2) ?100-200
A Pair of ‘Sevres’ blue ground Plates, late 19th Century, each centre painted with two cherubs about a gilt monogram, the border reserved with three gilt framed panels enclosing
flower groups, 24.5cm.
A Pair of ‘Sevres’ gilt-metal
mounted Vases and Covers, late 19th
Century, the cylindrical sides painted
with a frieze of putti playing in water
beneath a deep blue border gilt with
interlaced laurel festoons, set with
gilt-metal angular and ring handles,
raised on a circular base, minor wear to
gilding.A ‘Sevres’ blue ground
two-handled shaped oval Tray, late 19th
Century, the centre painted with a bust
portrait of Louis XVI within a gilt frame
against a blue ground, restored, 44.5cm.;
17in., blue painted interlaced ‘L’s’.A ‘Sevres’ Royal portrait
Plaque, late 19th Century, the centre
painted with a head and shoulders
portrait of Louis XVI within a circular
gilt frame surrounded by eight smaller
panels painted with portraits of ladies,
each titled on reverse against a pink
ground, some wear to gilding, 50cm.;
195/sin., blue painted interlaced ‘L’s’ mark,
black painted titles.A ‘Sevres’ porcelain Inkstandish,
late 19th Century, the domed lidded
inkwell and shaped tray decorated with
gilt oeil de perdix over a mauve ground,
reserved with a circular painted panel of
Bacchic putti, 20.6cm.; 8V8in. across, blue
printed mark.A miniature ‘Sevres’ gilt-metal mounted Vase, 19th Century, the gently flaring urn raised on a short circular foot and decorated with a portrait of a young woman within a gilt
oval frame tooled with vermicule and flanked by gilt foliate scrolls over a bleu celeste ground, the gilt-metal mounts forming three handles running down from the rim, minor
regilding to foot, 7.5cm.; 3in. high, printed mark.
A large ‘Sevres’ porcelain and gilt-metal mounted Bowl, late 19th Century, the hemispherical body painted with a frieze of Watteauesque figures in an extensive landscape against
a pink ground, beneath a pierced and foliate cast gilt-metal gallery, set with caryatid and acanthus cast handles, raised on a socle foot and gilt-metal shaped square base,
restored, 56cm.; 22in. high, blue interlaced’L’s’mark.
A tall ‘Sevres’ two-handled porcelain and gilt-metal mounted Vase, 2nd half 19th Century, adaped as a table lamp, the ovoid body painted with a panel of three figures in a park
inside a gilt frame against a white ground, set with gilt-metal caryatid and acanthus handles, raised on socle and shaped square gilt-metal base, height of vase 66cm.; 26in.,
interlaced ‘L’s’ in blue.
A ‘Sevres’ porcelain Bowl, 19th
Century, painted with three panels of
figures in landscapes inside gilt frames,
alternately with smaller oval panels
enclosing castle turrets inside gilt frames
entwined with gilt roses, the interior
decorated with the monogram CL
beneath an undulating gilt line rim, some
wear, 23.5cm.; 91/4in. diam., crowned
interlaced ‘L’s’ mark and initials CP and PE.A Set of four ‘Sevres’ porcelain
portrait Plates, late 19th Century,
painted with titled head and shoulder portraits of ‘Me du Barry’, ‘Mlle Victoire’, ‘Me de Montesson’ and ‘Jse de Bourgogne’ inside gilt frames, the border reserved with threeflower panels against a deep blue ground enriched in gilding, 23.5cm.; 9V4in., interlaced ‘L’s’ mark in blue.
A ‘Sevres’ Chocolate Cup and
Cover, late 19th Century, the tapering
cylindrical body decorated with birds in a
gilt cartouche on a pale blue ground,
discoloured, all heightened with gilt,
14cm.; 53Ain., interlaced ‘L’s’ mark.A ‘Sevres’ gilt-metal mounted
Box and Cover, late 19th Century, of
quatrefoil form, the hinged cover painted with three figures in a landscape, the sides ‘jewelled’ with formalised flower designs against a bleu celeste ground, Ref. No. 492,17.5cm.
A ‘Sevres’ pink ground and gilt-metal mounted Ewer, late 19th Century, the slender ovoid body painted each side with panels of putti holding baskets of fruit and flowers within
gilt frames, set with a cast dragon and acanthus handle and scroll base.
A Pair of ‘Sevres’ porcelain Dishes, late 19th Century, of cushion shape, the centres painted with two birds holding a flower garland against a bleu celeste ground gilt with
leaves and reserved with four oval panels enclosing single birds, 21.5cm.; 8J/2in., blue painted crossed ‘L’s’ mark.
A ‘Sevres’ porcelain Plate, 19th Century, the centre painted with a yellow plumed bird in landscape within a gilt and flower painted border, 24.1cm.; 91/2in., blue painted mark.
A ‘Sevres’ blue ground Vase, late 19th Century, moulded and painted with four panels of figures and pastoral landscape within gilt frames against a bleu celeste ground, raised
on socle and canted square base, small chips, 35cm.; 133Ain., blue crossed ‘L’s’ mark.
A Pair of ‘Sevres’ gilt-metal mounted Vases, late 19th Century, each urn-shaped body painted with a panel of Watteauesque lovers, the reverse with an extensive landscape within
a gilt frame against a deep blue ground, set with gilt-metal caryatid mask handles below a pierced gallery, raised on socle foot and canted square base, covers lacking, 22cm.;
83Ain., blue interlaced ‘L’s’.
A ‘Sevres’ blue ground
rectangular Casket, late 19th Century,
each side painted with a landscape panel within a scroll moulded gilt frame, the hinged cover painted with a sporting scene, signed Duuvy, the interior decorated with scatteredflowers on a white ground.
A ‘Sevres’ porcelain gilt-metal
mounted two-handled Vase, 19th
Century, the thistle-shaped body painted
with gilt-framed panels of putti and
flowers reserved against a blue ground,
all between gilt-metal acanthus handles
and fruiting vine rim.A good Pair of ‘Sevres’ ormolu
mounted Vases and Covers, 2nd half
19th Century, each tapered body painted
with head and shoulder portraits of
ladies, probably M. Antoinette and Lambelle
inside a gilt frame, the reverse painted
with a panel of flowers and fruit against
a Rose Pompadour ground, set with
fruiting vine and acanthus handles, the
domed cover surmounted by a reclining
cherub, raised on a canted square base.A ‘Sevres’ porcelain and
gilt-metal mounted oval Jardiniere, late
19th Century, painted with a panel of
two cherubs reclining on a cloud, the
reverse with a group of flowers inside an
oval gilt frame against a bleu celeste
ground, the interior painted with flowers
and ribbons, set with acanthus cast
handles and raised on an elaborate
gilt-metal base, 40cm.A French giltwood and porcelain mounted Sewing Table, late 19th Century, the shaped square top inset with a plaque painted with a seated maiden with cupids signed Winer, set on
four cabriole supports fitted with undertier inside with a smaller plaque painted with two classical maidens.
A Pair of ‘Sevres’ gilt-metal mounted two-handled Vases, 20th Century, each ovoid body printed with a panel of lovers in landscape gilt frame, reserved against a blue ground,
the waisted neck and foot similarly decorated beneath domed covers and artichoke finials.
-
A Paris porcelain Coffee Set, French porcelain Figures, Paris porcelain two-handled Vases, mid-19th Century
Thursday, January 7th, 2010
A Paris porcelain Coffee Set, French porcelain Figures, Paris porcelain two-handled Vases, mid-19th Century
A Paris porcelain Coffee Set,
19th Century, of Empire form, each
piece gilt with borders of stylised leaves,
comprising: Coffee Pot and Cover,
Sucrier and Cover, Milk Jug, four Cups
and four Saucers, one cup handle repaired.A Pair of Paris porcelain Vases
and pierced Covers, 2nd half 19th
Century, each of cylindrical form,
tapering towards the foot beneath shaped
flaring rim, painted with a figure in
landscape amongst flower sprays and
green and maroon gilt framed panels, all
between bearded mask handles, the
covers similarly decorated, pierced with
circles around a central opening, with
short moulded and gilt neck, chips and
repairs.An unusual Pair of Jacob Petit
Figures of the Young Albert and
Victoria, circa 1845, he wearing a long
high-necked jacket, gilt epaulettes and
insignia, standing with his right hand
resting on a cloth-covered pedestal, she
modelled free-standing, wearing a crown,
insignia and full-length ermine-edged
dress, each standing on rectangular
plinths covered with green velvet
gilt-edged cloths, hair-crack across base,
chipped finger.A Pair of French porcelain Figures of a gallant and companion, late 19th Century, each standing holding flowers, wearing colourful 18th Century floral decorated costume, raised
on a circular mound base, some restoration and chips, 43cm.; 17in., crossed swords in underglaze-blue.
A Set of eight Paris porcelain Plates, late 19th Century, each printed and coloured with butterflies between naturalistic sprays of flowers and grass over a white ground within
a shaped gilt rim, chips, brown printed circle mark for 23 Boulevard des Italiens and 20 Rue de Choiseul; also five matching Soup Plates.
A Samson, Paris porcelain Figure ‘Le Medecier’, the black-wigged gentleman wearing a purple coat and holding a stopwatch, raised on a scroll moulded circular base, minor chips,
17.5cm.; 67/dn. high, painted title and ‘BJ’, underglaze-blue mark and impressed numerals.
A Pair of French porcelain Figure Candlesticks, probably Samson, late 19th Century, modelled as Mars and Minerva in uniform, a cockerel and owl at their side, standing before a
flower encrusted tree beside a single sconce, raised on a scroll moulded base, some repair and chips.
A Monterau & Creil (Leboeuf & Milliet) gilt-metal mounted Jewellery Casket, mid- 19th Century, of canted rectangular form, the hinged cover painted with an oval portrait
medallion of a girl amidst elaborated designs including scrollwork, cornucopiae, flowers and leaves against a blue ground, raised on four gilt-metal paw feet, 28cm.; llin. long,
impressed factory marks, painted letter ‘H’.
A Pair of Paris porcelain two-handled Vases, mid-19th Century,
of neo-classical inspiration, each baluster
body painted with pairs of female
figures, titled ‘Thalie/Melpanene’ and
‘Clio/Oranie’ respectively, all over a buff
ground between gilt and moulded
geometric bands and black and gilt
angular handles, each with applied
cameo roundels, minor rim chip.A Paris porcelain Dessert
Service, 19th Century (Jacquel/Rue de la
Paix), each piece painted with a colourful
spray of flowers over a white ground
within a thin gilt band and shaped pink
border gilt with thin lines, comprising:
one Comport, two Tazze and twelve
Plates, minor chip and two hair-cracks, green
painted mark.A Pair of Paris porcelain Vases,
mid-19th Century, each flattened
cylindrical body flaring out at the rim,
moulded and gilt with oak leaf, acorn
and flower forms, damaged, 38cm.; 15in.
high.A French porcelain and
gilt-metal mounted Jardiniere, late 19th
Century, of oval form, painted with two
children with pets, the reverse painted
with an extensive landscape within an
oval gilt frame against a white ground
scattered with flower sprays, set with cast
acanthus gilt-metal handles and
scrollwork pierced base.A Pair of Samson Groups of a gallant and companion, late 19th Century, each couple seated embracing wearing colourful 18th Century costume, set inside a gilt-metal arbor with
single sconce and porcelain flowers, some chips, 30cm.; lVUin. total height, crossed swords and ‘S’ mark in underglaze-blue.
A Pair of Samson Figure
Groups, late 19th Century, each
modelled as a young man and
companion seated before a tree, one
couple draping flower garlands over a
lamb, the other couple with an open
birdcage and a bird, each raised on an
oval scroll moulded base picked out in
gilding, some restoration and chips,
29cm.; lVfcin., crossed swords and ‘S’ in
underglaze-blue.A Paris porcelain Vase, 19th Century, the ovoid body painted with panels of flowers, signed Lenoir against a gilt and maroon ground, set with gilt swan handles, raised on socle
and square base, some wear to gilding, 39cm.; 151/4in., pseudo Sevres marks.
A Limoges two-handled Vase, early 20th Century, the generous ovoid body painted with a head of a lion, signed Lingquist, set with gilt scroll moulded handles, 33cm.; 13in.,
green painted JPIL France, inscribed in black Donated by the Lingquist Art Shop Cor. of Addersen and Sheffield, Chicago III 1915.
A Sevres bisque porcelain
Group, early 19th Century, three
classical nudes around a column
surmounted by two lovers embracing and
cupid beside, some repair and chips.A Pair of Sevres porcelain Plates,
1793-1804, each painted in the centre
and around the rim with sprays of
flowers within blue and gilt borders, rim
chips and small rim restoration, blue painted
RF monogram, Sevres and painters marks.A Sevres Napoleonic Cabinet
Cup and Saucer, circa 1805, the cup
painted with a scene of Napoleon riding into battle, titled underneath ‘Arcole’, the saucer painted with a broken cannon in landscape, all within gilt frames against a mustardorange ground gilt with Napoleonic emblems, red painted M’re Imp’le de Sevres and year code.
A Sevres porcelain presentation
Cabinet Cup and Saucer, circa 1824,
decorated in gilding with a frieze of stylised plant forms over a deep blue ground, the centre of the saucer painted with an inscription of friendship in Dutch, dated 1826, blueprinted mark for 1824, painted 4, Nov/DY and 1 Mai 20.
A ‘Sevres’ maroon ground
gilt-metal mounted Vase and Cover,
early 20th Century, the slender ovoid
body painted with a panel signed
W. Gravey depicting Napoleon on
horseback amidst a battle scene within an
oval gilt frame, the reverse decorated
with a landscape, set with gilt-metal swan
handles, the waisted neck gilt with the
letter TV’, raised on socle and gilt-metal
chamfered square base, 74cm. -
A Wedgwood majolica Dish, Staffordshire white salt glazed stoneware Sauceboat, large majolica Jardiniere, late 19th Century
Thursday, January 7th, 2010
A Wedgwood majolica Dish, Staffordshire white salt glazed stoneware Sauceboat, large majolica Jardiniere, late 19th Century
An English porcelain Ointment Pot
and Cover, circa 1830, of circular section,
painted with flower sprays, the cover
encrusted with a pink rose, very minor chips,
4cm.; and a Group of Miniature
Wares, 2nd quarter 19th Century, comprising: a
Cup and Saucer painted with an Impair
pattern, a pink ground Cup and Saucer and
two circular Stands painted with flowers.An English porcelain Model of a poodle, circa 1840, modelled crouching on a tasselled rectangular base, a bone in its mouth, bone damaged, chip inside base, 11.5cm.; and a
Staffordshire Model of a parrot, brightly coloured, perched on a moss sprigged stump; and a Continental pottery Model of a pug.
A Coal brook dale porcelain Inkwell and Taper stick Cover, circa 1820—30, moulded and painted to simulate flower encrusted shell and coral, the base with an open well and shell
dish flanked by two penholders, the cover with foliate taper holder and coral loop handle, painted in pale pink and green enamels picked out in gilding, minor chips and
hair-cracks, under glaze-blue CD., 14cm.
A part Toilet Set, circa 1900, each piece of shaped square section, printed in blue and gilding with roses beneath lacy borders, comprising: Jug, Basin, Chamber Pot,
Toothbrush Holder, Soap Dish, Cover and Drainer, and a larger Dish and Drainer, cracks to large drainer, blue printed rosette mark, jug 26cm.; 10-tin.
A Wedgwood majolica Dish, 2nd half 19th Century, modelled as a naked cherub pulling out a large net, ail raised on a lozenge-shaped base glazed in tones of mottled green and
brown, small chip to cherub’s foot, impressed WEDGWOOD and indistinct year code, 21cm.; long.
A majolica Figure of a boy carrying a basket, circa 1870, probably Minton, the young lad wearing a purple jacket and yellow breeches carrying the large basket in front of him,
raised on a mottled green glazed circular base, small chip to buff, basket damaged, painted ‘R’, 20.25cm.; 8in.
An English porcelain Basket, 1830’s, of shaped oval form, on a low scroll moulded foot, the interior painted with a flower spray within a deep puce border, ail below foliate
loop handle picked out in gilding, 14cm.
A Wedgwood ’solid agate’ Game Pie
Dish, Cover and Liner, 2nd quarter 19th
Century, of oval form, the body moulded in
relief with dead game amongst fruiting vine,
the cover similarly decorated with crouching
rabbit knops, chip and hair-crack to liner,
impressed WEDGWOOD and indistinct year code,
19cm.A Remiss cylindrical Vase, early
20th Century, painted with pink cabbage
roses beneath a green rim, chip and
discolouration, impressed WEMYSS, painted
T. Goode Co., 5cm.; 2in.; and a Group of
Remiss-type Pottery, early 20th Century, each
piece painted with various fruit subjects,
comprising: five cylindrical Pots, a
Marmalade Pot, two Jugs, a Tizzy and a
Bowl.A Staffordshire white salt glazed
stoneware Sauceboat, mid-18th Century, the
oval body with wavy rim on three lions’
masks, set with greyhound
handle, chips and hair-crack, 20.25cm.; 8in.
long; also a Continental solid agate Plate, 19th
Century; and a Dutch Delft Plate, 18th
Century, decorated with stylised flowers.A Pair of Pariah Figures of
classically-draped women, late
19th Century, each modelled standing on a
circular base, one holding a shell up to a bird
perched on her Shoulder, the other holding a
hat by her side, minor chips, impressed ,
each 37cm.; 14in. approx.
A majolica Garden Seat, circa 1870, probably Staffordshire, of Japanese inspiration, hexagonal section, decorated with six arched rectangular panels moulded in low relief withprunes against a blue ground, riveted, hair-crack, 45cm.
A Minton ironstone Garden Seat, mid-19th Century, of hexagonal section and barrel form, printed in under glaze-blue and enamelled with a repeating pattern of Chinese motifs,
moulded studs and pierced cash handles, minor chip and hair-crack, slight wear, 47cm.; 8in.
A large majolica Jardiniere, late 19th Century, probably Staffordshire, the mottled green glazed bowl applied with two cherub busts terminating in lilac glazed drapery, pink
glazed interior, head of one cherub restored, restored crack to bowl, 51cm.; 20in.
A Pair of English porcelain Models
of Dogs, circa 1840, each hound modelled
seating facing to left or right, on a rocky gilt
line base, their fur with liver and white
markings, one with restored hair-cracks to base,
the other with minor restoration to paws, 9cm.;
3in.A George Jones majolica Salmon
Dish and Cover, circa 1880, the base in the
form of a shallow oval basket with pink
glazed interior, the cover moulded with a
scaly grey Fish lying on a bed of ferns, cover
restored, restored chip to base, painted
impressed registration diamond, 48cm.;
19m.An oval black basalts Portrait Medallion, late 18th/early 19th Century, moulded in relief with a portrait bust of Josiah Wedgwood in profile to Dexter, 9.5cm.
A Continental Clock and Movement, 1880’s, in Oriental style, the circular body applied with loop animal heads surmounted with a dog-of-For, decorated with a turquoise and black
repeated foliate face, the sides with a green and black repeated motif, damaged and chipped teeth, glued ear and foot of stand, impressed factory mark, 42cm.; 16in.
A Booths King George V and Queen
Mary Coronation Beaker, 1911, printed and
coloured with a portrait of the Royal couple,
the reverse with the name BRY.ANSTON, cracked,
10cm.; 4in.; and a Group of three enamel
commemorative Beakers.A Grainger’s Worcester Mug, circa 1850-60, the cylindrical body painted with a
rectangular panel depicting two greyhounds chasing a hare, with a gilt border, with gilt
foliage either side, cracked and minor gilt rubbing, painted mark Grainger Co., Worcester,
11.5cm.; 4in.A Pair of English porcelain Models
of hounds, circa 1840, probably Samuel Adcock, each animal with liver and white markings
reclining on a pale yellow rocky base with gilt rim, impressed numerals 115, each approx. 9cm.;
3in. long.An English porcelain Pod of Peas,
circa 1830, probably Coal port, the naturalistic
green painted pod with one seam split to
reveal the pale cream-coloured peas inside,
minor chips at either end, 9cm. -
English porcelain Model, Wedgwood majolica Dish, English porcelain Basket, 1830’s, English porcelain Models of Dogs
Thursday, January 7th, 2010
English porcelain Model, Wedgwood majolica Dish, English porcelain Basket, 1830’s, English porcelain Models of Dogs
An English porcelain Model of a poodle, circa 1840, modelled crouching on a tasselled rectangular base, a bone in its mouth, bone damaged, chip inside base, 11.5cm.; and a
Staffordshire Model of a parrot, brightly coloured, perched on a moss sprigged stump; and a Continental pottery Model of a pug.
A Coal brook dale porcelain Inkwell and Taper stick Cover, circa 1820—30, moulded and painted to simulate flower encrusted shell and coral, the base with an open well and shell
dish flanked by two penholders, the cover with foliate taper holder and coral loop handle, painted in pale pink and green enamels picked out in gilding, minor chips and
hair-cracks, under glaze-blue CD., 14cm.
A Dolton Burse part Toilet Set, circa 1900, each piece of shaped square section, printed in blue and gilding with roses beneath lacy borders, comprising: Jug, Basin, Chamber
Pot, Toothbrush Holder, Soap Dish, Cover and Drainer, and a larger Dish and Drainer, cracks to large drainer, blue printed rosette mark, jug 26cm.
A Wedgwood majolica Dish, 2nd half 19th Century, modelled as a naked cherub pulling out a large net, ail raised on a lozenge-shaped base glazed in tones of mottled green and
brown, small chip to cherub’s foot, impressed WEDGWOOD and indistinct year code, 21cm.
A majolica Figure of a boy carrying a basket, circa 1870, probably Minton, the young lad wearing a purple jacket and yellow breeches carrying the large basket in front of him,raised on a mottled green glazed circular base, small chip to duff, basket damaged, painted ‘R’, 20.25cm.; 8in.
An English porcelain Basket, 1830’s, of shaped oval form, on a low scroll moulded foot, the interior painted with a flower spray within a deep puce border, ail below foliate
loop handle picked out in gilding, 14cm.
A Wedgwood ’solid agate’ Game Pie
Dish, Cover and Liner, 2nd quarter 19th
Century, of oval form, the body moulded in
relief with dead game amongst fruiting vine,
the cover similarly decorated with crouching
rabbit knap, chip and hair-crack to liner,
impressed WEDGWOOD and indistinct year code,19cm.A Weems cylindrical Vase, early
20th Century, painted with pink cabbage
roses beneath a green rim, chip and
discolouration, impressed WEMYSS, painted
T. Goode Co., 5cm.; 2in.; and a Group of
Weems-type Pottery, early 2th Century, each
piece painted with various fruit subjects,
comprising: five cylindrical Pots, a
Marmalade Pot, two Jugs, a Tisza and a Bowl.A Staffordshire white salt glazed
stoneware Sauceboat, mid-18th Century, the
oval body with wavy rim on three lions’
masks, set with greyhound
handle, chips and hair-crack, 20.25cm.; 8in.long; also a Continental solid agate Plate, 19th
Century; and a Dutch Delft Plate, 18th Century, decorated with stylised flowers.A Pair of Pariah Figures of classically-draped women, late 19th Century, each modelled standing on a
circular base, one holding a shell up to a bird perched on her Shoulder, the other holding a
hat by her side, minor chips.A majolica Garden Seat, circa 1870, probably Staffordshire, of Japanese inspiration, hexagonal section, decorated with six arched rectangular panels moulded in low relief with
prunes’ against a blue ground, riveted, hair-crack, 45cm.
A Minton ironstone Garden Seat, mid-19th Century, of hexagonal section and barrel form, printed in under glaze-blue and enamelled with a repeating pattern of Chinese motifs,
moulded studs and pierced cash handles, minor chip and hair-crack, slight wear, 47cm.
A large majolica Jardiniere, late 19th Century, probably Staffordshire, the mottled green glazed bowl applied with two cherub busts terminating in lilac glazed drapery, pink
glazed interior, head of one cherub restored, restored crack to bowl, 51cm.; 20in. Across.
A Pair of English porcelain Models of Dogs, circa 1840, each hound modelled
seating facing to left or right, on a rocky gilt
line base, their fur with liver and white
markings, one with restored hair-cracks to base, the other with minor restoration to paws, 9cm..A George Jones majolica Salmon
Dish and Cover, circa 1880, the base in the form of a shallow oval basket with pink
glazed interior, the cover moulded with a scaly grey Fish lying on a bed of ferns, cover
restored, restored chip to base, painted ,impressed registration diamond, 48cm.;19m. long.An oval black basalts Portrait Medallion, late 18th/early 19th Century, moulded in relief with a portrait bust of Josiah Wedgwood in profile to Dexter, 9.5cm.
A Continental Clock and Movement, 1880’s, in Oriental style, the circular body applied with loop animal heads surmounted with a dog-of-For, decorated with a turquoise and black
repeated foliate face, the sides with a green and black repeated motif, damaged and chipped teeth, glued ear and foot of stand, impressed factory mark, 42cm.
A Booths King George V and Queen
Mary Coronation Beaker, 1911, printed and
coloured with a portrait of the Royal couple,
the reverse with the name BRY.ANSTON, cracked,
10cm.; 4in.; and a Group of three enamel
commemorative Beakers.A Grainger’s Worcester Mug, circa
1850-60, the cylindrical body painted with a
rectangular panel depicting two greyhounds
chasing a hare, with a gilt border, with gilt
foliage either side, cracked and minor gilt
rubbing, painted mark Grainger Co., Worcester,11.5cm.A Pair of English porcelain Models
of hounds, circa 1840, probably Samuel Adcock,
each animal with liver and white markings
reclining on a pale yellow rocky base with gilt
rim, impressed numerals 115, each approx. 9cm.An English porcelain Pod of Peas,
circa 1830, probably Coal port, the naturalistic
green painted pod with one seam split to
reveal the pale cream-coloured peas inside, minor chips at either end, 9cm.An unusual Belles Urn and Cover,
first period, the Campania-shaped bowl
pierced with latticework picked out in ochre
and with blue ‘jewelling’ above a band of
green stylised leaves, raised on a slender
column and circular foot moulded with leaves
and berries, the lattice pierced cover with
pine-cone finial, orange printed dog and harp mark, incised ‘P’, 14cm. -
Wedgwood black basalts silver mounted Tea Service, 19th Century, Minton majolica Ewer, English porcelain Candlesticks
Thursday, January 7th, 2010
Wedgwood black basalts silver mounted Tea Service, 19th Century, Minton majolica Ewer, English porcelain Candlesticks
A Wedgwood black basalts silver
mounted Tea Service, 19th Century,
comprising: Teapot, Sugar Basin and Jug,
each piece sprigged in black with laurel
swags, the silver mounts Sheffield 1856,
engraved with a crown above the monogram
M.F.S., impressed Wedgwood; also a Pair of
Wedgwood black basalts Cups and Saucers,
19th Century, sprigged with putty vignettes;
and a silver-plated circular Tray with pierced
gallery, bearing the same monogram and
retailer’s mark William Lewis.A Pair of Coal port Jardinieres, circa 1861—70, each shaped oval body with tall scroll handles and pierced borders, supported on three square feet, painted with panels of fruit
and flowers reserved on a pink ground with gilded scrolling foliage, some chips and one crack, 17.5cm.; ampersand mark in gold.
An impressive Minton majolica Ewer, circa 1870, of classical form, the handle modelled as a satyr whose lower part extends into scrolling foliage, a similar figure of a female
beneath the spout, the body moulded with oval turquoise panels beneath a fruiting oak border applied with two horned grotesque masks, all picked out with typical majolica
glazes, wooden base, repair to handle, crack to body, 73.7cm.; 29m. A similar example is illustrated in the Minton Exhibition Catalogue, Victoria and Albert Museum, 1976.
A small Derby Model of a parrot, early 19th Century, the colourful bird chained to a tree stump, raised on a square base enriched in gilding, chips, 7cm.A Set of ten Derby Dessert Plates, circa 1820, each of gadroon shape, painted with a wide ‘Japan’ pattern border in Impair colours picked out in gilding, damage and
discolouration, 22.5cm.; red painted crowned crossed batons and ‘D’.
A Copeland Pariah Model of a greyhound, 2nd half 19th Century, reclining on a rectangular base with canted corners, front paw repaired, 29cm.; impressed Copeland .
A Wedgwood black basalts bulb
Pot, late 18th Century, the serpentine sides
modelled in relief with panels of putty
carrying wreaths, raised on four scroll
supports, cover lacking, some repair, 21cm.;
long, impressed Wedgwood in lower case.An English porcelain two-handled Vase, probably Coal port, 1830’s, adapted as a table lamp, the ovoid body applied in high relief with flowers, set with acanthus moulded
handles, gilt-metal mounts, chips, 24cm.
A Bloor Derby Dinner Plate, circa 1820-40, from a service made for the Earl of Shrewsbury, the crest within an elaborate gilt frame, the border finely painted with sprays of
fruit and foliage divided by single gilt insects, all reserved on a dark green ground, shaped gilt rim, two riveted hair-cracks, 26cm.; 10in. diam., red printed circle mark .
A Pair of English porcelain Candlesticks, circa 1830—40, each modelled as an alert sportswoman holding a gun and wearing a TRICOR hat, green jacket and gilt spotted yellow
skirt, before a gnarled tree encrusted with flowers and supporting a single candle sconce, scroll feet picked out in gilding, some damage and repair, 16.9cm.
A Wedgwood black basalts oval Plaque, 19th Century, modelled in relief with the Three Graces, 12cm.; high, impressed Wedgwood in upper case, framed .
A Worcester Coffee Pot and Cover,
circa 1770, of baluster form with domed
cover, enamelled in black, green, red and
pink with peony sprays amidst gilt-edged
starbursts, 23.75cm and two
matching Tea bowls.A Pair of Staffordshire pottery Models of seated spaniels, late 19th/early 20th Century, modelled facing to left or right, each with liver and white markings, set with red glass
eyes, each approx. 31.5cm.
A Group of twelve Derby porcelain Plates, circa 1880, decorated with various enamelled and gilt border patterns, 26.5cm.; 103dn., printed and impressed marks.
A Pair of Bow blue and white shell
Salts, circa 1755, each of fluted form with
scroll handle, supported on three whelk shells
with smaller shells and coral between, the
exterior painted in under glaze-blue with
flower sprays in the grooves of the shell,
extensive restoration, 8cm,high.A Worcester blue scale ground
Plate, circa 1770, decorated with gilt framed
mirror and vase-shaped panels enclosing
colourful flower sprays, all within gilt rim,
tiny restored rim chip, 22.5cm.; fretted
square mark in under glaze-blue; and a similarly
decorated Worcester blue scale Soup Plate,
circa 1770, with fluted rim, two tiny rim chips,
21cm.; open crescent mark in under glaze-blue.A Pair of Wedgwood-type jasperware
Vases, 19th Century, each shield-shaped
body sprigged in white with swags of fruiting
vine enclosing oval classical medallions
against a jade green ground, 21cm.;
also a similar taller oviform Vase, sprigged
with ‘Night’ and ‘Day’An English porcelain Plate, early
19th Century, decorated in the Worcester
style with mirror and vase-shaped panels
painted with exotic birds and butterflies
reserved against a blue scale ground, gilt rim,21.5cm.A Spode two-handled Cache Pot,
early 19th Century, of ‘U’ form, painted on
each side with a named flower subject, titled
underneath in puce ‘Purple Bind-Weed’ and
‘Pease Earth-Nut’, gilt rims, handles lacking,
some wear, 19cm,; 7′in. diam., puce painted
Spode and titles.A Pair of Pariah two-handled Vases, late 19th Century, each shield-shaped body moulded in high relief with fruiting vine extending to form twin branch handles, some restoration,
37cm.; 14in.
A Worcester blue scale Trio, circa 1770, each piece painted with gilt framed vase and mirror-shaped panels enclosing Oriental flowers against a blue ground, fretted square
mark in under glaze-blue.
A Robinson & Lead beater coloured Pariah Group titled ‘Little Neil and Her Grandfather’, late 19th Century, the elderly man seated on a rocky mound holding a Walking stick, the
girl seated below, a basket at her feet, oval titled base, very minor chips, 36cm.; impressed mark R & L.
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Antique Porcelain Jardinieres and Cabinet Objects
Monday, December 14th, 2009
Antique Porcelain Jardinieres and Cabinet Objects
The jardiniere is a bowl, usually with a flat base, in which to grow plants indoors, whereas a cache-pot is of a more fixed being a tapering cylinder in which to hide the common or garden earthenware flowerpot. TTiis enables one to have a succession of flowering plants ail the year round in the same decorative container. Both are found with stands.
A bowl, usually oval, with a wavy rim was either a glass cooler or has 1 its form from one. The set of glasses was inverted in the bowl of later, the stems resting in the notches, to chill before drinking k or other white wines. These are now more usually found described as jardinieres.Moore 1868-1875.
A well cast jardiniere with lilies against a turquoise ground, the neck with black and gilt key-fret. Much better quality than most of Moore’s production which tends to be left uncoloured, exposing a finely crackled creamy glaze. This example bears the retailer’s mark of Thomas Goode which may account for the higher standard.Swansea c 1820.
Although unmarked, the form, without the feet, is known. The decoration is loosely based on a Chinese original and is in a famille-rose palette.Royal Worcester 1901.
Another large cache-pot, printed and coloured with flowers on a yellowish ground, the shoulders with lightly moulded panels of masks and scrolls slightly gilt. A similar example entirely hand-painted with flowers would be 150-200 and with scenes by H. Stinton.Pseudo Sevres interlaced of a good pair of ormolu-mounted jardinieres, the bowl after Sevres original with well painted flowers reserved on a gilt-pebbled, sky-blue ground. There has been much inconclusive discussion on the factory(s) that produced this imitation Sevres. At one time it was ought to be original 18th century Sevres porcelain decorated in this country, though this now seems unlikely; certainly a great deal of old evres was redecorated in France. Otherwise it can be attributed tadeley, Minton, Coalport or several other possibilites, ail of which made similar pastes.
Samuel Alcock and Co.
Rare pair of busts of George IV and the Duke of Yo uncoloured and unglazed, but the plinths glazed and with matt gilt lin Busts of this quality at this date are not frequently met with and ai mainly collected by the devotees of portrait and commemorative wares. These would appeal also to those interested in ceramic history as they were recalled shortly after issue for ‘the infringement of certain rights’.John Bevington 1872-92: Painted in underglaze blue.
of the smaller factories that in the second half of the 19th century in good copies of other, earlier products, these being afi ruinais The figures well-modelled and coloured, and with gilt.
1899 Height llins:28cm. Printed globes and date code
A late flowering of the Japanese taste in the form of two vases attended by geishas, all in pale enamels and gilding. The standard of production is high and the subject is mildly amusing but Brownfield is not a highly ited or collected factory, although they were much praised in the Art tournais of the time.
This section includes ail the small pieces, usually of exceptional quality, which were never intended for use. It also includes items such as cups and saucers from services or
small vases and figures which have since become typical cabinet objects. The Derby miniatures are examples. There are devoted collectors of the small and the fine who are prepared to pay over the odds for good examples, and priees in this section may appear on the high side. It is arguable that many other pieces in the rest of the book could fall into this category and time will no doubt increase the numbers.
This section includes ail the small pieces, usually of exceptional quality, which were never intended for use. It also includes items such as cups and saucers from services or small vases and figures which have since become typical cabinet objects. The Derby miniatures are examples. There are devoted collectors of the small and the fine who are prepared to pay over the odds for good examples, and m priees in this section may appear on the high side. It is arguable that I many other pieces in the rest of the book could fall into this category and time will no doubt increase the numbers.Chamberlain & Co. c.1820
A good cup and saucer with a salmon ground enclosing scenes of Ullswater Lake and Tonbridge Castle, probably by Thomas Baxter.
Rubbed gildingwould reduce the price to 40-80.Royal Crown Derby C.1910-C.1920.
Great changes have been wrought in people’s collecting habits by their housing habits. Since the end of the first world war increasing numbers of people have taken to living in small flats and houses, restricting the space devotable to a collection. This has led to a miniaturization of taste and objects such as pot-lids, snuff bottles, hat pins, Goss porcelain have become very popular. The Derby Imari miniatures are now very collectable and becoming more expensive. Examples: scuttle; saucepan; caddy; casserole; jug; coffee-pot; teapot; milk churn; iron and stand; watering-can.G. Grainger & Co. c 1840
An uncommon biscuit porcelain bower, being decked with glazed and coloured flowers by cupids. Because of the delicate nature of the encrustation obviously difficult to find in good State. With a few leaves damaged 150-200, more damaged 80.Rockingham 1830-42.
Printed griffin in puce.An example of a bottle with well executed relief flowers, and made in other sizes and shapes.
Swansea early 19th Century.
A very rare cabinet cup painted by Thomas Baxter with a named view of Beaufort Cottage which was next to a Quaker meeting house. Despite damage and restoration to the scroll handle and the.naive (bad) painting of the scene, this is a very desirable cup because of its factory and association value.Royal Worcester 1878 Diameter of saucer.
A Japanese taste cup and saucer probably not made as a cabinet item but now rarely found in services. The handle as a chocolate and gilt dragon.Royal Worcester 1881/2. Elaborate printed mark including crowned circle and registration exceptionally rare teapot poking fun at the Aesthetic movemei and based on costumes from the Gilbert and Sullivan opera Patience. The cover in the form of two heads, one female, one male. The pot h unusually thinly cast and is of a high technical standard, the delicacy oi the whole probably contributive to its scarcity. A badly damage< example sold in 1973 for 230.
Royal Worcester 1890.
A well-pierced vase by George Owen but lacking his signature. Had been incised on the base, 250-300.Royal Worcester 1907. Printed crowned circle, date code.
A rare pierced slipper by George Owen and signed on the base, the cutting is exceptionally sharp and the gilding, composed of minute dots, very fine. An ideal cabinet object.Royal Worcester 1924 Printed crowned circle and date code
A good pierced cup and saucer by George Owen, the double-walled cup with his incised signature. The gilding, as always on Owen pieces, of good quality. A box and coyer with piercing similar to Owen’s work has been seen with a printed gilt signature but the authenticity of the piece is open to some doubt.