Antique Porcelain

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

Friday, January 15th, 2010

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.

A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.

A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.

A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in  .

TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .

A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.

A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips  .

A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).

A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).

AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia

AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).

A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).

A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.

A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).

A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.

GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.

A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).

A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200

A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.

A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.

A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.

LAMBETH DELFT PLATE, STAFFORDSHIRE CREAMWARE COFFEE POT AND COVER, STAFFORDSHIRE JUG ANDBASIN, painted with flowers in colours, early 19th Century

Thursday, January 14th, 2010

LAMBETH DELFT PLATE, STAFFORDSHIRE CREAMWARE COFFEE POT AND COVER, STAFFORDSHIRE JUG ANDBASIN, painted with flowers in colours, early 19th Century

A LAMBETH DELFT PLATE
decorated in blue with flowers,chipped, c. 1770; and a Delft Beer
Jug, painted in blue    (2) 31cm. diameter 24 cm.

A DUTCH DELFT TILE painted in  blue with a bedroom scene, framed, mid-18th Century.

OTHER EARTHENWARES

A PAIR OF MAJOLICA PLATES with  classical figures in colours, 19th Century.

A HISPANO-MORESQUE SMALL
CHARGER with scrolling foliage in
ruby lustre, chipped and repair,  18th Century    21cm. Diameter.

A STAFFORDSHIRE CREAMWARE
COFFEE POT AND COVER painted
with foliage in red and green and  a pearl ware Jug with family-rose  style flowers, early 19th Century.
A PAIR OF WHITE POTTERY
BUSTS OF VICTORIAN LADIES on
circular socles    (2)46cm.

A      LARGE      LIVERPOOL
CREAM WARE COMMEMORATIVE JUG,
with prints in black of ‘Washington’
and ‘Rural Pastimes’ and three
pearl ware Artichoke Cups with two
Covers, edged in green, early 19th
Century    (6).

A PEARLWARE BLUE PRINTED
MINIATURE CHILD’S SERVICE,
comprising six plates, four Dishes
and a Tureen and Cover, early 19th
Century    (12).

A STAFFORDSHIRE JUG AND
BASIN, painted with flowers in
colours, early 19th Century,
damaged(2).

A STAFFORDSHIRE EARTHEN-
WARE BASIN, in the form of a  staved tub (40cm. wide) and a 1st period
Belleek Bowl, with raised pink
prunes’ decoration, (damaged) 28cm.
wide, 19th century.

AN INTERESTING STAFFORD-
SHIRE PEARLWARE ARGYLE AND
COVER transfer-printed in blue  with Chinese style flowers, c. 1800,
cracked    (2)19cm.

A STAFFORDSHIRE PLAQUE,
printed with a view of the ‘Green Man Hotel and Tavern’ and a pot
with a lid printed with a view of Strathfield Spayed House, 19th Century    (3).

AN INTERESTING ENGLISH TILE,  inlaid in slip, with a lion  holding a shield, brown glaze
6cm. Square.

A STAFFORDSHIRE FIGURE OF CARDINAL MANNING, standing, his  right arm resting on a velvet  covered plinth, the base  inscribed, 19th century, 42cm.

A RARE STAFFORDSHIRE
SALTGLAZE TEA-POT of small size
with crabstick handle and spout,
painted with two large pink roses  on a green ground, tip of spout
restored, c. 1740    9cm.

A STAFFORDSHIRE PEARLWARE
COFFEE POT AND COVER painted
with Chinese figures; another with
Chinese designs and a Wedgwood
cream ware Tea-Pot and Cover,
impressed mark, 19th Century, some
damage.

THREE COPELAND PARIAN
TAZZE in white, on separate  trefoil stands, the stems formed by  figures of three putty supporting a saucer
shaped dish, and an extra stem of
three putty, impressed mark, mid-19thCentury    (10)
19.5cm.

COMMEMORATIVE: A PAIR OF
DOULTON STONEWARE JUGS
commemorating the Coronation of
Edward VII and Queen Alexandra
in 1902    (2) 19cm. high

A PAIR OF FAIENCE VASES AND COVERS with ram’s head handles,  painted with flowers in colours, probably French, damage to lid
(4)26cm.

A STAFFORDSHIRE PEN HOLDER  gilded and painted with flowers,  and a Continental porcelain Cup  and Saucer, 19th Century     (3).

A STAFFORDSHIRE MOULDED JUG, decorated in colours with a  harp and Erin, base impressed
19cm. High.

A LARGE ENGLISH IRONSTONE HEXAGONAL VASE with double monster  head handles, decorated in under glaze blue with fenced gardens, early 19th Century
47cm. High.

A Wedgwood majolica Dish, Staffordshire white salt glazed stoneware Sauceboat, large majolica Jardiniere, late 19th Century

Thursday, January 7th, 2010

A Wedgwood majolica Dish, Staffordshire white salt glazed stoneware Sauceboat, large majolica Jardiniere, late 19th Century

An English porcelain Ointment Pot
and Cover, circa 1830, of circular section,
painted with flower sprays, the cover
encrusted with a pink rose, very minor chips,
4cm.; and a Group of Miniature
Wares, 2nd quarter 19th Century, comprising: a
Cup and Saucer painted with an Impair
pattern, a pink ground Cup and Saucer and
two circular Stands painted with flowers.

An English porcelain Model of a poodle, circa 1840, modelled crouching on a tasselled rectangular base, a bone in its mouth, bone damaged, chip inside base, 11.5cm.; and a

Staffordshire Model of a parrot, brightly coloured, perched on a moss sprigged stump; and a Continental pottery Model of a pug.

A Coal brook dale porcelain Inkwell and Taper stick Cover, circa 1820—30, moulded and painted to simulate flower encrusted shell and coral, the base with an open well and shell

dish flanked by two penholders, the cover with foliate taper holder and coral loop handle, painted in pale pink and green enamels picked out in gilding, minor chips and

hair-cracks, under glaze-blue CD., 14cm.

A part Toilet Set, circa 1900, each piece   of shaped square section, printed in blue and gilding with roses beneath lacy borders, comprising: Jug, Basin, Chamber Pot,

Toothbrush Holder, Soap Dish, Cover and Drainer, and a larger Dish and Drainer, cracks to large drainer, blue printed rosette mark, jug 26cm.; 10-tin.

A Wedgwood majolica Dish, 2nd half 19th Century, modelled as a naked cherub pulling out a large net, ail raised on a lozenge-shaped base glazed in tones of mottled green and

brown, small chip to cherub’s foot, impressed WEDGWOOD and indistinct year code, 21cm.; long.

A majolica Figure of a boy carrying a basket, circa 1870, probably Minton, the young lad wearing a purple jacket and yellow breeches carrying the large basket in front of him,

raised on a mottled green glazed circular base, small chip to buff, basket damaged, painted ‘R’, 20.25cm.; 8in.

An English porcelain Basket, 1830’s, of shaped oval form, on a low scroll moulded foot, the interior painted with a flower spray within a deep puce border, ail below foliate

loop handle picked out in gilding, 14cm.

A Wedgwood ’solid agate’ Game Pie
Dish, Cover and Liner, 2nd quarter 19th
Century, of oval form, the body moulded in
relief with dead game amongst fruiting vine,
the cover similarly decorated with crouching
rabbit knops, chip and hair-crack to liner,
impressed WEDGWOOD and indistinct year code,
19cm.

A Remiss cylindrical Vase, early
20th Century, painted with pink cabbage
roses beneath a green rim, chip and
discolouration, impressed WEMYSS, painted
T. Goode Co., 5cm.; 2in.; and a Group of
Remiss-type Pottery, early  20th Century, each
piece   painted with various fruit subjects,
comprising: five cylindrical Pots, a
Marmalade Pot, two Jugs, a Tizzy and a
Bowl.

A Staffordshire white salt glazed
stoneware Sauceboat, mid-18th Century, the
oval body with wavy rim on three lions’
masks, set with greyhound
handle, chips and hair-crack, 20.25cm.; 8in.
long; also a Continental solid agate Plate, 19th
Century; and a Dutch Delft Plate, 18th
Century, decorated with stylised flowers.

A Pair of Pariah Figures of
classically-draped women, late
19th Century, each modelled standing on a
circular base, one holding a shell up to a bird
perched on her Shoulder, the other holding a
hat by her side, minor chips, impressed ,
each 37cm.; 14in. approx.
A majolica Garden Seat, circa 1870, probably Staffordshire, of Japanese inspiration, hexagonal section, decorated with six arched rectangular panels moulded in low relief with

prunes against a blue ground, riveted, hair-crack, 45cm.

A Minton ironstone Garden Seat, mid-19th Century, of hexagonal section and barrel form, printed in under glaze-blue and enamelled with a repeating pattern of Chinese motifs,

moulded studs and pierced cash handles, minor chip and hair-crack, slight wear, 47cm.; 8in.

A large majolica Jardiniere, late 19th Century, probably Staffordshire, the mottled green glazed bowl applied with two cherub busts terminating in lilac glazed drapery, pink

glazed interior, head of one cherub restored, restored crack to bowl, 51cm.; 20in.

A Pair of English porcelain Models
of Dogs, circa 1840, each hound modelled
seating facing to left or right, on a rocky gilt
line base, their fur with liver and white
markings, one with restored hair-cracks to base,
the other with minor restoration to paws, 9cm.;
3in.

A George Jones majolica Salmon
Dish and Cover, circa 1880, the base in the
form of a shallow oval basket with pink
glazed interior, the cover moulded with a
scaly grey Fish lying on a bed of ferns, cover
restored, restored chip to base, painted
impressed registration diamond, 48cm.;
19m.

An oval black basalts Portrait Medallion, late 18th/early 19th Century, moulded in relief with a portrait bust of Josiah Wedgwood in profile to Dexter, 9.5cm.

A Continental Clock and Movement, 1880’s, in Oriental style, the circular body applied with loop animal heads surmounted with a dog-of-For, decorated with a turquoise and black

repeated foliate face, the sides with a green and black repeated motif, damaged and chipped teeth, glued ear and foot of stand, impressed factory mark, 42cm.; 16in.

A Booths King George V and Queen
Mary Coronation Beaker, 1911, printed and
coloured with a portrait of the Royal couple,
the reverse with the name BRY.ANSTON, cracked,
10cm.; 4in.; and a Group of three enamel
commemorative Beakers.

A Grainger’s Worcester Mug, circa 1850-60, the cylindrical body painted with a
rectangular panel depicting two greyhounds chasing a hare, with a gilt border, with gilt
foliage either side, cracked and minor gilt rubbing, painted mark Grainger Co., Worcester,
11.5cm.; 4in.

A Pair of English porcelain Models
of hounds, circa 1840, probably Samuel Adcock, each animal with liver and white markings
reclining on a pale yellow rocky base with gilt rim, impressed numerals 115, each approx. 9cm.;
3in. long.

An English porcelain Pod of Peas,
circa 1830, probably Coal port, the naturalistic
green painted pod with one seam split to
reveal the pale cream-coloured peas inside,
minor chips at either end, 9cm.

Chamberlain’s Worcester biscuit porcelain Model, Staffordshire porcelain Figures, Flight Barr and Barr porcelain Vase, English porcelain Jugs

Thursday, January 7th, 2010

Chamberlain’s Worcester biscuit porcelain Model, Staffordshire porcelain Figures, Flight Barr and Barr porcelain Vase,  English porcelain Jugs

An unusual Belled Urn and Cover,
first period, the campanile-shaped bowl
pierced with latticework picked out in ochre
and with blue ‘jewelling’ above a band of
green stylised leaves, raised on a slender
column and circular foot moulded with leaves
and berries, the lattice pierced cover with
pine-cone finial, orange printed dog and harp
mark, incised ‘P’, 14cm.; 5in.

A Chamberlain’s Worcester biscuit
porcelain Model of a poodle, circa 1820,
standing on a rectangular tasselled cushion
holding a basket in its mouth, incised marks
H. Chamberlain & Sons, Royal Porcelain
Manufacturers, Worcester, small chips, 10cm.;
4in.

A Chamberlain’s Worcester
reticulated Jug, circa 1830, of pear form, the
sides pierced with gilt hexagons and iron-red
flowers and reserved with a panel painted
with a bird in a branch beneath key pattern
and foliate borders, the handle modelled as
bamboo, red script mark, 10.5cm.; 4in.

A Pair of English porcelain Models
of pug dogs, probably Derby, early 19th
Century, each animal seated wearing a collar
on a shaped oval base moulded with scrolls,
6.5cm.; 2in.

Two Worcester blue and white shell
moulded Dishes, circa 1760, each painted in
under glaze-blue with ‘The Two-Peony Rock
Bird’ pattern, workmen’s marks, 8cm.; 3in.
high; also a Worcester blue and white leaf
moulded Pickle Dish; and a blue and white
Cream Boat.

Pair of Staffordshire porcelain
Figures of musicians, possibly Lloyd of
Shelton, circa 1825, each seated on a tree-
stump with a dog and a lamb at their feet,
the young man holding a pipe, his
companion playing a lute, raised on a shaped
circular base picked out in gilding, very minor
chips, 15cm.

A Pair of Mason’s ironstone Tami pot pouring Vases and Covers, circa
1890-1900, each located ovoid body with a
flared rim applied with blue and gilt leaf
moulded handles, decorated with typical
Japanese-style flowers and foliage in bands,
surmounted by a high domed pierced lid,
with flower finial and inner lid, one lid glued,
chips to the other lid, chip under rim of a vase,
under glaze-blue printed factory mark, 30in.

A small Flight Barr and Barr porcelain Vase, circa 1813—1840, of cylindrical form with a flared rim, on a square base, applied with birds’ head and ring handles in gilt, painted

with a portrait entitled Saint Cecilia within a gilt border on a blue and gilt foliate ground, a band of beading below the lip, restored, painted mark Flight Barr and Barr,

Royal Porcelain Works Worcester, London House, Coventry Street, Saint Cecilia, 8.6cm.; 3in. high.

A Bellied shell moulded Dish, second period, modelled with a shell forming the dish supported on a variety of shells and coral, in cream with a mother-of-pearl lustre interior,

minor chip to the edge of a shell on the base, printed factory mark, 13.5cm.; 5in.

A Pair of attractive English
porcelain Jugs, circa 1830, each bulbous
body and neck profusely painted with
colourful garden flowers between gilt line
border, one with restoration to neck and spout,24cm.; 9in.

A Bellied panel Flower Pot, second period, of octagonal form, raised on four leaf scroll feet with flower encrustation on the shoulder, restored foot and branches, birds

missing, printed factory mark, 28.5cm.; 11in.

A Cant galls majolica Vase, circa 1900, modelled with three dolphins, their tails entwined forming the stem supporting a bulbous vase with an exaggerated flared wavy rim,

painted with a continuous landscape scene, a cherub in the foreground holding the leg of two blackbirds in flight above with some string, glaze chips to the base, to painted

cockerel mark, 29.2cm.

A Vienna two-handled Vase and Cover, late 19th Century, the tapering cylindrical body on a flared foot and a square base, painted with three classical figures in an oval panel,

the reverse with a centaur emerging from a river with a woman in his arms, on a red and gilt floral ground, with a pierced lid, finial and side of body restored, under

glaze-blue shield mark, 28cm.; 1 lin.

A German salt glazed stoneware Bella mine, 17th Century, of swelling ovoid form, applied with a small loop handle on the narrow neck and a bearded face mask below the ringed

rim, the brown glazed body impressed with five horseshoe shapes, 44.2cm.; 17in.

Six Volk steeds Classical Muses, circa 1890, each standing wearing floral patterned drapery holding symbols emblematic of the art, one arm restored, one arm glued and further

small chips, under glaze factory mark, 12 to 13cm. high; to 5in.

A five-piece blue and white Delft Garniture, late 19th Century, each octagonal moulded piece painted with a peacock displaying its tail standing on a fence within a floral and

trellis ground, comprising: three Vases with Covers and two Vases, glaze chips and chips to rims, lids glued, under glaze painted monogram, 35 and 25cm.
A Meissen ‘Japanese’-style Bowl, 19th Century, decorated outside with stylised flowers amongst rocks, cracked and worn, under glaze-blue crossed swords; a Booth’s pottery Bowl,

1930’s, with stylised birds within gilt scroll borders on a blue scale ground, cracked, 24.6cm.; 9in. diam.; three Newhall Tea bowls and two Saucers and a Newhall Bowl, the bowl

and a tea bowl cracked; a Staffordshire blue and white Cup and Cover, cracked and chipped; and a Continental Cup, handle missing.

A French porcelain square Tray, 19th Century, painted in the centre with a cockerel, hens and other birds inside a border gilt with flowers, the rim pierced with blue and gilt

scrollwork, chip, possibly some repainting, 21.5cm.; 8in

A Cozen Tea bowl and Saucer, circa 1770, painted in under glaze-blue, red and gilt with flowers issuing from rocks inside a rim of blue half circles and dots, anchor mark in

red.

A ‘Sevres’ gilt-metal mounted Casket, late 19th Century, of bombe form, painted with gilt-framed panels of figures and landscapes against a pale yellow ground, the interior

painted with scattered flowers, 2ucm.; 7in., pseudo Sevres mark.

A Dutch Delft Jar and Cover, late 18th/19th Century, of gently fluted ovoid form with squat octagonal neck and foot, painted in blue with a young boy and dog beside a harbour,

all within a border of flowers and scrolls flanked by peony sprays, the domed octagonal cover with animal finial, minor glaze chips, 35cm.

A Garniture of five Dutch Dealt Vases, 19th Century, each of canted rectangular section, painted in blue with a girl in landscape within a moulded border flanked by sprays of

peony, comprising: three inverted baluster Vases and Covers and two slender trumpet Vases with bulbous bases, minor chips, one cover with lion finial repaired, painted W,

tallest 44cm.

Chamberlain’s Worcester reticulated Jug, Staffordshire porcelain Figures, Dutch Delft Jar and Cover, late 18th/19th Century

Thursday, January 7th, 2010

Chamberlain’s Worcester reticulated Jug, Staffordshire porcelain Figures, Dutch Delft Jar and Cover, late 18th/19th Century

A Chamberlain’s Worcester biscuit
porcelain Model of a poodle, circa 1820, standing on a rectangular tasselled cushion
holding a basket in its mouth, incised marks H. Chamberlain & Sons, Royal Porcelain
Manufacturers, Worcester, small chips, 10cm.;4in. Long.

A Chamberlain’s Worcester reticulated Jug, circa 1830, of pear form, the
sides pierced with gilt hexagons and iron-red flowers and reserved with a panel painted
with a bird in a branch beneath key pattern
and foliate borders, the handle modelled as bamboo, red script mark, 10.5cm.

A Pair of English porcelain Models
of pug dogs, probably Derby, early 19th
Century, each animal seated wearing a collar
on a shaped oval base moulded with scrolls,6.5cm.

Two Worcester blue and white shell
moulded Dishes, circa 1760, each painted in
under glaze-blue with ‘The Two-Peony Rock
Bird’ pattern, workmen’s marks, 8cm.; 3in.
high; also a Worcester blue and white leaf
moulded Pickle Dish; and a blue and white Cream Boat.

A Pair of Staffordshire porcelain
Figures of musicians, possibly Lloyd of
Shelton, circa 1825, each seated on a tree-
stump with a dog and a lamb at their feet,
the young man holding a pipe, his
companion playing a lute, raised on a shaped
circular base picked out in gilding, very minor chips, 15cm.

A Pair of Mason’s ironstone Tami’
pot poured Vases and Covers, circa
1890-1900, each located ovoid body with a
flared rim applied with blue and gilt leaf
moulded handles, decorated with typical
Japanese-style flowers and foliage in bands,
surmounted by a high domed pierced lid,
with flower finial and inner lid, one lid glued,
chips to the other lid, chip under rim of a vase,
under glaze-blue printed factory mark, 30in.;

A small Flight Barr and Barr porcelain Vase, circa 1813—1840, of cylindrical form with a flared rim, on a square base, applied with birds’ head and ring handles in gilt, painted

with a portrait entitled Saint Cecilia within a gilt border on a blue and gilt foliate ground, a band of beading below the lip, restored, painted mark Flight Barr and Barr,

Royal Porcelain Works Worcester, London House, Coventry Street, Saint Cecilia, 8.6cm.

A Belles shell moulded Dish, second period, modelled with a shell forming the dish supported on a variety of shells and coral, in cream with a mother-of-pearl lustre interior,

minor chip to the edge of a shell on the base, printed factory mark, 13.5cm.

A Pair of attractive English porcelain Jugs, circa 1830, each bulbous
body and neck profusely painted with colourful garden flowers between gilt line
border, one with restoration to neck and spout,24cm.

A Belles panel Flower Pot, second period, of octagonal form, raised on four leaf scroll feet with flower encrustation on the shoulder, restored foot and branches, birds missing,

printed factory mark, 28.5cm.; 11in. high.

A majolica Vase, circa 1900, modelled with three dolphins, their tails entwined forming the stem supporting a bulbous vase with an exaggerated flared wavy rim, painted with a

continuous landscape scene, a cherub in the foreground holding the leg of two blackbirds in flight above with some string, glaze chips to the base, to painted cockerel mark,

29.2cm.

A Vienna two-handled Vase and Cover, late 19th Century, the tapering cylindrical body on a flared foot and a square base, painted with three classical figures in an oval panel,

the reverse with a centaur emerging from a river with a woman in his arms, on a red and gilt floral ground, with a pierced lid, finial and side of body restored, under

glaze-blue shield mark, 28cm.; 1 in. high.

A German salt glazed stoneware Bella mine, 17th Century, of swelling ovoid form, applied with a small loop handle on the narrow neck and a bearded face mask below the ringed

rim, the brown glazed body impressed with five horseshoe shapes, 44.2cm.

Six Classical Muses, circa 1890, each standing wearing floral patterned drapery holding symbols emblematic of the art, one arm restored, one arm glued and further small chips,

under glaze factoid mark, 12 to 13cm. High.

A five-piece blue and white Delft Garniture, late 19th Century, each octagonal moulded piece painted with a peacock displaying its tail standing on a fence within a floral and

trellis ground, comprising: three Vases with Covers and two Vases, glaze chips and chips to rims, lids glued, under glaze painted monogram, 35 and 25cm.

A Meissen ‘Japanese’-style Bowl, 19th Century, decorated outside with stylised flowers amongst rocks, cracked and worn, under glaze-blue crossed swords; a Booth’s pottery Bowl,

1930’s, with stylised birds within gilt scroll borders on a blue scale ground, cracked, 24.6cm.; 9′in. diam.; three Newhall Tea bowls and two Saucers and a Newhall Bowl, the

bowl and a tea bowl cracked; a Staffordshire blue and white Cup and Cover, cracked and chipped; and a Continental Cup, handle missing.

A French porcelain square Tray, 19th Century, painted in the centre with a cockerel, hens and other birds inside a border gilt with flowers, the rim pierced with blue and gilt

scrollwork, chip, possibly some repainting, 21.5cm.

A Cozen Tea bowl and Saucer, circa 1770, painted in under glaze-blue, red and gilt with flowers issuing from rocks inside a rim of blue half circles and dots, anchor mark in red

A ‘Sevres’ gilt-metal mounted Casket, late 19th Century, of bombed form, painted with gilt-framed panels of figures and landscapes against a pale yellow ground, the interior

painted with scattered flowers, 2ucm., pseudo Sevres mark.

A Dutch Delft Jar and Cover, late 18th/19th Century, of gently fluted ovoid form with squat octagonal neck and foot, painted in blue with a young boy and dog beside a harbour,

all within a border of flowers and scrolls flanked by peony sprays, the domed octagonal cover with animal finial, minor glaze chips, 35cm..

A Garniture of five Dutch Delta Vases, 19th Century, each of canted rectangular section, painted in blue with a girl in landscape within a moulded border flanked by sprays of

peony, comprising: three inverted baluster Vases and Covers and two slender trumpet Vases with bulbous bases, minor chips, one cover with lion finial repaired, painted W,

tallest 44cm.

English porcelain Model, Wedgwood majolica Dish, English porcelain Basket, 1830’s, English porcelain Models of Dogs

Thursday, January 7th, 2010

English porcelain Model,  Wedgwood majolica Dish, English porcelain Basket, 1830’s, English porcelain Models of Dogs

An English porcelain Model of a poodle, circa 1840, modelled crouching on a tasselled rectangular base, a bone in its mouth, bone damaged, chip inside base, 11.5cm.; and a

Staffordshire Model of a parrot, brightly coloured, perched on a moss sprigged stump; and a Continental pottery Model of a pug.

A Coal brook dale porcelain Inkwell and Taper stick Cover, circa 1820—30, moulded and painted to simulate flower encrusted shell and coral, the base with an open well and shell

dish flanked by two penholders, the cover with foliate taper holder and coral loop handle, painted in pale pink and green enamels picked out in gilding, minor chips and

hair-cracks, under glaze-blue CD., 14cm.

A Dolton Burse part Toilet Set, circa 1900, each piece   of shaped square section, printed in blue and gilding with roses beneath lacy borders, comprising: Jug, Basin, Chamber

Pot, Toothbrush Holder, Soap Dish, Cover and Drainer, and a larger Dish and Drainer, cracks to large drainer, blue printed rosette mark, jug 26cm.

A Wedgwood majolica Dish, 2nd half 19th Century, modelled as a naked cherub pulling out a large net, ail raised on a lozenge-shaped base glazed in tones of mottled green and

brown, small chip to cherub’s foot, impressed WEDGWOOD and indistinct year code, 21cm.
A majolica Figure of a boy carrying a basket, circa 1870, probably Minton, the young lad wearing a purple jacket and yellow breeches carrying the large basket in front of him,

raised on a mottled green glazed circular base, small chip to duff, basket damaged, painted ‘R’, 20.25cm.; 8in.

An English porcelain Basket, 1830’s, of shaped oval form, on a low scroll moulded foot, the interior painted with a flower spray within a deep puce border, ail below foliate

loop handle picked out in gilding, 14cm.

A Wedgwood ’solid agate’ Game Pie
Dish, Cover and Liner, 2nd quarter 19th
Century, of oval form, the body moulded in
relief with dead game amongst fruiting vine,
the cover similarly decorated with crouching
rabbit knap, chip and hair-crack to liner,
impressed WEDGWOOD and indistinct year code,19cm.

A Weems cylindrical Vase, early
20th Century, painted with pink cabbage
roses beneath a green rim, chip and
discolouration, impressed WEMYSS, painted
T. Goode Co., 5cm.; 2in.; and a Group of
Weems-type Pottery, early 2th Century, each
piece   painted with various fruit subjects,
comprising: five cylindrical Pots, a
Marmalade Pot, two Jugs, a Tisza and a Bowl.

A Staffordshire white salt glazed
stoneware Sauceboat, mid-18th Century, the
oval body with wavy rim on three lions’
masks, set with greyhound
handle, chips and hair-crack, 20.25cm.; 8in.long; also a Continental solid agate Plate, 19th
Century; and a Dutch Delft Plate, 18th Century, decorated with stylised flowers.

A Pair of Pariah Figures of classically-draped women, late 19th Century, each modelled standing on a
circular base, one holding a shell up to a bird perched on her Shoulder, the other holding a
hat by her side, minor chips.

A majolica Garden Seat, circa 1870, probably Staffordshire, of Japanese inspiration, hexagonal section, decorated with six arched rectangular panels moulded in low relief with

prunes’ against a blue ground, riveted, hair-crack, 45cm.

A Minton ironstone Garden Seat, mid-19th Century, of hexagonal section and barrel form, printed in under glaze-blue and enamelled with a repeating pattern of Chinese motifs,

moulded studs and pierced cash handles, minor chip and hair-crack, slight wear, 47cm.

A large majolica Jardiniere, late 19th Century, probably Staffordshire, the mottled green glazed bowl applied with two cherub busts terminating in lilac glazed drapery, pink

glazed interior, head of one cherub restored, restored crack to bowl, 51cm.; 20in. Across.

A Pair of English porcelain Models of Dogs, circa 1840, each hound modelled
seating facing to left or right, on a rocky gilt
line base, their fur with liver and white
markings, one with restored hair-cracks to base, the other with minor restoration to paws, 9cm..

A George Jones majolica Salmon
Dish and Cover, circa 1880, the base in the form of a shallow oval basket with pink
glazed interior, the cover moulded with a scaly grey Fish lying on a bed of ferns, cover
restored, restored chip to base, painted ,impressed registration diamond, 48cm.;19m. long.

An oval black basalts Portrait Medallion, late 18th/early 19th Century, moulded in relief with a portrait bust of Josiah Wedgwood in profile to Dexter, 9.5cm.

A Continental Clock and Movement, 1880’s, in Oriental style, the circular body applied with loop animal heads surmounted with a dog-of-For, decorated with a turquoise and black

repeated foliate face, the sides with a green and black repeated motif, damaged and chipped teeth, glued ear and foot of stand, impressed factory mark, 42cm.

A Booths King George V and Queen
Mary Coronation Beaker, 1911, printed and
coloured with a portrait of the Royal couple,
the reverse with the name BRY.ANSTON, cracked,
10cm.; 4in.; and a Group of three enamel
commemorative Beakers.

A Grainger’s Worcester Mug, circa
1850-60, the cylindrical body painted with a
rectangular panel depicting two greyhounds
chasing a hare, with a gilt border, with gilt
foliage either side, cracked and minor gilt
rubbing, painted mark Grainger Co., Worcester,11.5cm.

A Pair of English porcelain Models
of hounds, circa 1840, probably Samuel Adcock,
each animal with liver and white markings
reclining on a pale yellow rocky base with gilt
rim, impressed numerals 115, each approx. 9cm.

An English porcelain Pod of Peas,
circa 1830, probably Coal port, the naturalistic
green painted pod with one seam split to
reveal the pale cream-coloured peas inside, minor chips at either end, 9cm.

An unusual Belles Urn and Cover,
first period, the Campania-shaped bowl
pierced with latticework picked out in ochre
and with blue ‘jewelling’ above a band of
green stylised leaves, raised on a slender
column and circular foot moulded with leaves
and berries, the lattice pierced cover with
pine-cone finial, orange printed dog and harp mark, incised ‘P’, 14cm.

A Doulton stoneware Jug - A Staffordshire majolica Pedestal - A Set of three English porcelain Cups and Saucers - A Wedgwood dragon lustre Bowl

Wednesday, December 2nd, 2009

A Doulton stoneware Jug - A Staffordshire majolica Pedestal - A Set of three English porcelain Cups and Saucers - A Wedgwood dragon lustre Bowl

A Doulton stoneware Jug, 1890’s, the shouldered sides decorated with Coptic motifs, 18cm.; 7in.; a miniature hunting subject Bowl; and a red Wemyss Basket
Five Prattware dessert Plates, comprising: ‘11 Penseroso’ (235), ‘The Cavalier’ (356), ‘Lend a Bite’ (316), ‘Deer Drinking’ (321) and ‘Cattle and Ruins’ (315), each with the ‘123′ border; together with a Comport ‘The Spanish Dancers’ (431), haircrack (6)
A Royal Worcester candle snuffer Figure of a Monk, 1911, the peach coloured body standing reading an open book picked out in gilding, 12.5cm.; 47/sin.; and a smaller Royal Worcester candle snuffer Figure of a Nun,
1917
A large Thomas Parr pottery Figure of Little Red Riding Hood, 1860’s, the girl wearing red cloak and carrying a basket under her arm, modelled seated with a wolf at her side, on oval grassy base, restored, An English
pottery relish Pot, mid-19th Century, of churn shape, with a polychrome print of a fish market scene, in the style of F. & R. Pratt, I 1.5cm.; 41/2in.; a pearlware Mug, printed with a polychrome oriental scene, restored;
and a maiolica-type Jug, chipped
A Minton’s majolica Jardiniere, 1873, of bell form, the body moulded and painted with white flowers against a deep blue ground, raised on three scrolled supports and circular base, cracks to bowl, impressed marks
A Staffordshire majolica Pedestal, 1870’s, the fluted cylindrical column moulded and coloured with leaves against a deep blue ground between borders of white palmettos outlined in ochre, on circular spreading base
Two Staffordshire spaniel Groups, late 19th Century, each moulded as two dogs, one seated on a barrel, both facing forward, with orange muzzles and shaggy white coats spotted in gilding coats
A Pair of unusual English porcelain Inkwells, circa 1830, each in the form of a mound of brightly coloured shells, on octagonal gilt lined base, cracks to bases, slight chips
A Pair of English porcelain baluster Vases, early 19th Century, each painted in the Imari style with flowering shrubs in underglaze-blue, red, green and gilt
A Mason’s ironstone sauce Tureen, Cover and Stand, 1830’s, painted in the Imari palette with a vase of flowers, bird and flower designs, flower knop, knop repaired, 17cm.; 63/4in., puce printed marks (3)    A rare Goss portrait Bust of H.R.H. Prince of Wales on his Investiture at Caernarvon, 1911, the young boy finely modelled in the bisque in sailor’s uniform, on a glazed podium, printed in black with a view of Caernarvon Castle and painted with the Arms of Caernarvon, 14.4cm.; 57/8in., printed title, date and Gosshawk mark
A Set of three Dewsbury Derby Cups and two Saucers, late 18th Century, painted with cornflower sprays against an incised whorl ground, crowned batons
A Set of three English porcelain Cups and Saucers, circa 1790; and nine Saucers
Eleven English ‘Compagnie-des-Indes’- style Saucers, circa 1800, including a set of four; and four Teabowls
Three Caughley blue printed Teabowls and Saucers, circa No, printed with classical ruins, disguised numeral marks; and five other English Teabowls and three Saucers
A Worcester slop Bowl, circa 1770, possibly painted in the atelier of James Giles, with four carmine sprays of flowers, two in gilt ,mirror’ frames, amongst scattered insects, chip to rim
See, G. Coke, In Search of James Giles, p. 178, and S. Spero, Worcester Porcelain in the Kiepser Collection.
A Set of four Belleek Cups and five Saucers, late 19th Century, moulded with reeds and bulrushes picked out in colours,
printed marks in black; a Bowl en suite; and a Pair of Cups decorated with shamrock
A Pair of Royal Worcester Figures `Liberty’ and ‘Captivity’, circa 1880, each modelled as a classical maiden wearing a long brown robe, both holding aloft a dove, on circular gilt lined bases, one arm broken and
repaired, chips
A Spode ‘Beaded New Shape Jar’, circa 1810-20, the baluster body painted with brightly coloured flowers and foliage against a blue and gilt scale ground, the loop handles with mask terminals, handles restored,
A Paragon bone-china Loving Cup, made to commemorate the Coronation of Edward VIII, 1937, the sides printed and coloured with a crown within a wreath amidst flags of the nations, the reverse bearing the Royal
coat-of-arms, set with gilt lion handles
A Copeland’s bone-china beaded Vase, modern, of flared form, decorated with a panel of flowers and scattered sprays on a deep blue ground enriched with gilt leaves, raised on three gilt paw feet, chip to one foot, printed and painted marks A Set of three Royal Worcester Cups and Saucers, circa 1870, each painted with flower sprays on a green, apricot or yellow ground, impressed and puce printed marks
A ’scratch blue’ salt-glazed white stoneware Jug, mid-18th Century, of barrel form, sprigged with an oval medallion
moulded with a GR cypher under a crown centrein& an incised flowerhead between leafy fronds picked out in blue between turned hoops, strap handle, small chip to spout
A Wedgwood black basaltes portrait Medallion of Lord Jervis, Earl St. Vincent, circa 1800, modelled by John de Vaere, crisply modelled*    file to sinister, impressed Xygzlod
A Bailey stoneware Jardiniere and Stand, dated 1894, the flared sides applied with a pair of female masks hung with laurel festoons
A Wedgwood fairyland lustre Bowl, 1920’s, the exterior decorated with the `Firbolgs’ pattern of elves, hobgoblins and other creatures amongst trees against a vivid blue/green ground, the interior decorated with the ‘Thumbelina’ pattern on a green ground beneath a floral border, chip to rim, 20cm.; 8in., printed urn mark
A Wedgwood dragon lustre Bowl, circa 1920’s, of octagonal form, the exterior painted with dragons on mottled blue ground between gilt key pattern borders, 10cm.; 4in., printed urn mark; together with a lustre Vase, circa 1920’s, decorated with butterflies, neck repaired, 14cm.; 51/2in., with Printed urn mark
A Rogers blue and white oval meat Dish, early 19th Century, printed with the `Elephant’ pattern within floral border, impressed marks; together with four similar Plates, all chipped
A tin-glazed pottery Study, 1926, by Stanley Nicholson-Babb, a young woman seated wearing sleeveless dress, her hair bobbed, on wooden base, incised S. Nicholson-Babb