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Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
Friday, January 15th, 2010
Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.
A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.
A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in .TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips .A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).
A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).
AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia
AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).
A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).
A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.
A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.
A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).
A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200
A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.
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PORCELAIN MUGS, English, mid-19th Century, A PLATE, Derby, PORCELAIN DESSERT DISH, Ridgway, PORCELAIN FIGURE OF A YOUNG MAN, Derby
Sunday, January 10th, 2010
PORCELAIN MUGS, English, mid-19th Century, A PLATE, Derby, PORCELAIN DESSERT DISH, Ridgway, PORCELAIN FIGURE OF A YOUNG MAN, Derby
A GROUP OF FOUR PORCELAIN MUGS, English, mid-19th Century, comprising: a two-handled Mug painted with a panel of flowers against a puce ground named in gilt ‘Moses Yates
Darlaston 1864′; a two-handled Mug painted with flowers beneath a pink border named in gilt ‘William Perry June 6th 1850′; a smaller Mug painted with flowers within a gilt
border and a Mug painted with flowers and named in gilding ‘Sarah Emma Yates’, tallest Mug 13.5cm.; 5Vfdn., cracks.
A PAIR OF PORCELAIN VASES, Royal Crown Derby, circa 1890, each of bottle form, painted in Imari colours with a ‘Japan’ pattern number 2444′, orange printed marks, each approx.
16cm.; 6′Ain., rim chips; and a Pair of conical Vases, similarly decorated.
A SET OF TWELVE KIDNEY SHAPED DISHES, Royal Worcester, circa 1895, each printed and painted with flower sprays within a gilt rim, puce printed crowned circle mark, ‘Royal
Worcester Vitreous’, Henry Greene & Sons retailer’s mark, each approx. 21cm.; 8′Ain. across.
A BLUE AND WHITE EARTHENWARE OCTAGONAL MEAT DISH, probably Staffordshire, 19th Century, transfer printed with a Chinese family group of five figures on a small grassy mound,
printed mark ‘Mandarin Opaque China’, 48.5cm.; 19in., small restoration to rim; also a Fell blue and white printed oval Meat Dish.
A LARGE PAIR OF PORCELAIN
MUGS, Derby, circa 1820, each painted with
a ‘Japan’ pattern of flowers in underglaze-
blue, red, green and gilt, red painted crowned
‘D’ and crossed batons, 13cm.; 5′/dn., restoration
to one.AN UNUSUAL PEARLWARE
PUZZLE JUG, early 19th Century, of
flattened circular form on a spreading foot,
the centre moulded with a sunburst face
within a pierced border, the handle in the
form of a Figure peering into the pierced
neck, 31.5cm.; 12Vsin., minor chips and
restoration.A PLATE, Derby, circa 1810, painted probably by Robert Brewer, with a central hunting scene, ‘The Kill’, within a blue and gilt garland, the rim with gilt vermicule on a deep
blue ground reserved with an oval panel gilt with a rose, 24.5cm.; 9-Vstn., areas of gilding possibly retouched.
A PAIR OF PEARLWARE FIGURES OF VENUS AND FLORA, early 19th Century, each modelled standing on a square brown line base, wearing floral robes, Venus with a dove perched on her
hand and Flora with a cornucopia of flowers, tallest 27cm.; lOVsin., small chips and some enamel flaking.
A TRIO, Swansea, circa 1820, fluted Paris shape, each piece decorated with a band of gilt shells centring a boar’s head crest, red printed SWANSEA to coffee cup.
A PAIR OF SPILL VASES, Spode, circa 1820, each of cylindrical form on a drum-shaped base, painted en grisaille and picked out in gilding with a Chinoiserie bowl of fruit and
flower vase, gilt rims, red painted SPODE painted pattern no. 3778, 10.5cm.
A POWDER BLUE GROUND CANTED RECTANGULAR PLATE, Bow, circa 1765, with a central oval panel painted with a Chinoiserie riverscape incorporating a figure in a sampan and buildings
on rocky islands, surrounded by smaller alternating fan-shape and circular panels painted with similar subjects, painted pseudo-Chinese six character mark.
A PORCELAIN DESSERT DISH, Ridgway, circa 1810—15, of shaped circular form, the rim moulded with bunches of grapes in low relief, painted with a central circular landscape panel
reserved within a gilt frame against a pale blue marbled ground, gilt rim, painted pattern No. 562, 23cm.; 9in. across.
A POTTERY COW CREAMER AND COVER WITH MILKMAID,
probably Scottish, circa 1800, sponged in
raspberry, green and brown, 13cm.; 5′Ain.,
small chips; also a Staffordshire pottery
Cottage.A GROUP OF SEVEN POT LIDS AND TWO BASES, comprising: ‘The Allied Generals’ (No 168), ‘Albert Edward, Prince of Wales, and Princess Alexandra on their Wredding in 1863′
(Nol57-early edition), ‘Landing the Catch’ (No55), ‘The Meeting of Garibaldi and Victor Emmanuel’ (No211), ‘The Farriers’ (No324), ‘The Flute Player’ (No337) and ‘The Picnic’
(No354), some chips.
A BLUE AND WHITE DELFTWARE BOTTLE, probably Liverpool, circa 1760, painted with baskets of flowers beneath a garlic neck, 23cm.; 9in.
A PORCELAIN FIGURE OF A YOUNG MAN, Derby, circa 1775, standing in 18th Century costume, holding a flower posy in his left hand, grassy mound base, 16cm.; 6′Ain., some
restoration and small.
A PAIR OF BLUE AND WHITE OVAL SAUCEBOATS, Lowestoft, circa 1770, painted with panels of a fenced garden enclosing flowers and a willow tree inside moulded flower cartouches,
16cm.; 6′Ain. long, some damage.
A COW CREAMER AND COVER, circa 1770-90, covered in a mottled brown glaze and standing four-square upon a green glazed rectangular base, 19cm.; 7′Ain long, restored.
A ‘FLORIAN WARE’ VASE, Moorcroft, circa 1902, of waisted form, decorated with the ‘Daisy” pattern in shades of blue and green, green painted signature ‘W Moorcroft Des’, 12cm.:
43Ain., restored.
A PORCELAIN SAUCEBOAT, Lowestoft, circa 1765-70, painted in underglaze-blue with panels of chinoiserie landscape within floral borders moulded in low relief, painted numeral
‘5′, 16cm.; 6′Ain. across, small chip.
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ANTIQUE AUSTRIAN VIENNA PORCELAIN
Thursday, January 7th, 2010
ANTIQUE AUSTRIAN VIENNA PORCELAIN
A Vienna porcelain Cup and
Saucer, 1830, the saucer moulded with
swags and painted Bacchic masks
centring a painted bird on a branch, all
scattered with brightly coloured insects
and flower sprays, the cup similarly
decorated with classical puce and gilt
scroll handle, tiny chip, impressed Beehive
mark, date code and numerals.A ‘Vienna’ arched rectangular
Tea Caddy, late 19th Century, one side
painted with Venus and Cupid, the
reverse painted with a maiden seated and
inscribing the initials ‘AM’ onto a tree
trunk, small chips to gilding, 10.5cm.;
41/sin., shield mark in blue.A ‘Vienna’ Cabinet Tray, late
19th Century, of oval form, with two
pierced handles painted with a lion and a
lioness beside a riverbank surrounded by
date palm trees inside a wide burnished
gilt border, restoration to handles, shield
mark in underglaze-blue, impressed numerals.A ‘Vienna’ porcelain Plate, late
19th/20th Century, painted with a titled
portrait of Lady Hamilton after Romney,
signed Hanats inside a circular gilt frame
and gilt line border, some flaking of
enamels, 24.5cm.; 95/sin., shield mark in
underglaze-blue, impressed Hutschenreuther
shield mark.A Pair of small ‘Vienna’ bottle Vases, late 19th Century, painted with titled panels ‘Hector’ and ‘Venus’, signed Riemer inside an oval gilt frame against a dark blue ground
enriched in gilding and white ‘jewelling’, 14.5cm.; 53Ain., black painted shield mark and titles.
A ‘Vienna’ two-handled maroon ground Vase, circa 1900, the
shield-shaped body painted each side
with classical figures on a solid gilt band
against a maroon ground enriched in
gilding, raised on a square plinth base,
32.5cm.; 123Ain., shield mark in blue, black
painted titles.A Pair of ‘Vienna’ campana
Vases, circa 1900, each painted with a
panel of Venus and Cupids, signed
Rosier, within an oval gilt frame against a
maroon ground enriched in gilding,
raised on square plinth bases, one base
repaired, 40.5cm.; 16in.A good ‘Vienna’ porcelain
Cooler, 19th Century, the drum-shaped
body painted with two panels of classical
figures and gods and goddesses amongst
clouds inside octagonal gilt frames
against a purple ground gilt and
enamelled with two panels enclosing
cornucopiae and scrolling foliage, raised
on three fluted gilt monopodia supports
and stepped circular base, the body
surmounted by a separate waisted section
and low domed cover, finial repaired,
47cm.; 18V2in., shield mark in
underglaze-blue.A large and impressive ‘Vienna’
two-handled Vase and Stand, late 19th
Century, the generous ovoid body
painted with a panel depicting the ‘Toilet
of Venus’, signed G. Sachs, the reverse
painted with Aeneas and Venus by a
military encampment against a complex
ground reserved with two small circular
panels painted en grisaille with Jupiter
riding a chariot, the waisted neck
decorated with two further figurative
panels, set with gilt entwined snake
handles, raised on socle and separate
square plinth base, small chip to base and to
handle, some wear to gilding, 75cm.; 291/2in.,
shield mark in blue. -
Chamberlain’s Worcester biscuit porcelain Model, Staffordshire porcelain Figures, Flight Barr and Barr porcelain Vase, English porcelain Jugs
Thursday, January 7th, 2010
Chamberlain’s Worcester biscuit porcelain Model, Staffordshire porcelain Figures, Flight Barr and Barr porcelain Vase, English porcelain Jugs
An unusual Belled Urn and Cover,
first period, the campanile-shaped bowl
pierced with latticework picked out in ochre
and with blue ‘jewelling’ above a band of
green stylised leaves, raised on a slender
column and circular foot moulded with leaves
and berries, the lattice pierced cover with
pine-cone finial, orange printed dog and harp
mark, incised ‘P’, 14cm.; 5in.A Chamberlain’s Worcester biscuit
porcelain Model of a poodle, circa 1820,
standing on a rectangular tasselled cushion
holding a basket in its mouth, incised marks
H. Chamberlain & Sons, Royal Porcelain
Manufacturers, Worcester, small chips, 10cm.;
4in.A Chamberlain’s Worcester
reticulated Jug, circa 1830, of pear form, the
sides pierced with gilt hexagons and iron-red
flowers and reserved with a panel painted
with a bird in a branch beneath key pattern
and foliate borders, the handle modelled as
bamboo, red script mark, 10.5cm.; 4in.A Pair of English porcelain Models
of pug dogs, probably Derby, early 19th
Century, each animal seated wearing a collar
on a shaped oval base moulded with scrolls,
6.5cm.; 2in.Two Worcester blue and white shell
moulded Dishes, circa 1760, each painted in
under glaze-blue with ‘The Two-Peony Rock
Bird’ pattern, workmen’s marks, 8cm.; 3in.
high; also a Worcester blue and white leaf
moulded Pickle Dish; and a blue and white
Cream Boat.Pair of Staffordshire porcelain
Figures of musicians, possibly Lloyd of
Shelton, circa 1825, each seated on a tree-
stump with a dog and a lamb at their feet,
the young man holding a pipe, his
companion playing a lute, raised on a shaped
circular base picked out in gilding, very minor
chips, 15cm.A Pair of Mason’s ironstone Tami pot pouring Vases and Covers, circa
1890-1900, each located ovoid body with a
flared rim applied with blue and gilt leaf
moulded handles, decorated with typical
Japanese-style flowers and foliage in bands,
surmounted by a high domed pierced lid,
with flower finial and inner lid, one lid glued,
chips to the other lid, chip under rim of a vase,
under glaze-blue printed factory mark, 30in.A small Flight Barr and Barr porcelain Vase, circa 1813—1840, of cylindrical form with a flared rim, on a square base, applied with birds’ head and ring handles in gilt, painted
with a portrait entitled Saint Cecilia within a gilt border on a blue and gilt foliate ground, a band of beading below the lip, restored, painted mark Flight Barr and Barr,
Royal Porcelain Works Worcester, London House, Coventry Street, Saint Cecilia, 8.6cm.; 3in. high.
A Bellied shell moulded Dish, second period, modelled with a shell forming the dish supported on a variety of shells and coral, in cream with a mother-of-pearl lustre interior,
minor chip to the edge of a shell on the base, printed factory mark, 13.5cm.; 5in.
A Pair of attractive English
porcelain Jugs, circa 1830, each bulbous
body and neck profusely painted with
colourful garden flowers between gilt line
border, one with restoration to neck and spout,24cm.; 9in.A Bellied panel Flower Pot, second period, of octagonal form, raised on four leaf scroll feet with flower encrustation on the shoulder, restored foot and branches, birds
missing, printed factory mark, 28.5cm.; 11in.
A Cant galls majolica Vase, circa 1900, modelled with three dolphins, their tails entwined forming the stem supporting a bulbous vase with an exaggerated flared wavy rim,
painted with a continuous landscape scene, a cherub in the foreground holding the leg of two blackbirds in flight above with some string, glaze chips to the base, to painted
cockerel mark, 29.2cm.
A Vienna two-handled Vase and Cover, late 19th Century, the tapering cylindrical body on a flared foot and a square base, painted with three classical figures in an oval panel,
the reverse with a centaur emerging from a river with a woman in his arms, on a red and gilt floral ground, with a pierced lid, finial and side of body restored, under
glaze-blue shield mark, 28cm.; 1 lin.
A German salt glazed stoneware Bella mine, 17th Century, of swelling ovoid form, applied with a small loop handle on the narrow neck and a bearded face mask below the ringed
rim, the brown glazed body impressed with five horseshoe shapes, 44.2cm.; 17in.
Six Volk steeds Classical Muses, circa 1890, each standing wearing floral patterned drapery holding symbols emblematic of the art, one arm restored, one arm glued and further
small chips, under glaze factory mark, 12 to 13cm. high; to 5in.
A five-piece blue and white Delft Garniture, late 19th Century, each octagonal moulded piece painted with a peacock displaying its tail standing on a fence within a floral and
trellis ground, comprising: three Vases with Covers and two Vases, glaze chips and chips to rims, lids glued, under glaze painted monogram, 35 and 25cm.
A Meissen ‘Japanese’-style Bowl, 19th Century, decorated outside with stylised flowers amongst rocks, cracked and worn, under glaze-blue crossed swords; a Booth’s pottery Bowl,1930’s, with stylised birds within gilt scroll borders on a blue scale ground, cracked, 24.6cm.; 9in. diam.; three Newhall Tea bowls and two Saucers and a Newhall Bowl, the bowl
and a tea bowl cracked; a Staffordshire blue and white Cup and Cover, cracked and chipped; and a Continental Cup, handle missing.
A French porcelain square Tray, 19th Century, painted in the centre with a cockerel, hens and other birds inside a border gilt with flowers, the rim pierced with blue and gilt
scrollwork, chip, possibly some repainting, 21.5cm.; 8in
A Cozen Tea bowl and Saucer, circa 1770, painted in under glaze-blue, red and gilt with flowers issuing from rocks inside a rim of blue half circles and dots, anchor mark in
red.
A ‘Sevres’ gilt-metal mounted Casket, late 19th Century, of bombe form, painted with gilt-framed panels of figures and landscapes against a pale yellow ground, the interior
painted with scattered flowers, 2ucm.; 7in., pseudo Sevres mark.
A Dutch Delft Jar and Cover, late 18th/19th Century, of gently fluted ovoid form with squat octagonal neck and foot, painted in blue with a young boy and dog beside a harbour,
all within a border of flowers and scrolls flanked by peony sprays, the domed octagonal cover with animal finial, minor glaze chips, 35cm.
A Garniture of five Dutch Dealt Vases, 19th Century, each of canted rectangular section, painted in blue with a girl in landscape within a moulded border flanked by sprays of
peony, comprising: three inverted baluster Vases and Covers and two slender trumpet Vases with bulbous bases, minor chips, one cover with lion finial repaired, painted W,
tallest 44cm.
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Chamberlain’s Worcester reticulated Jug, Staffordshire porcelain Figures, Dutch Delft Jar and Cover, late 18th/19th Century
Thursday, January 7th, 2010
Chamberlain’s Worcester reticulated Jug, Staffordshire porcelain Figures, Dutch Delft Jar and Cover, late 18th/19th Century
A Chamberlain’s Worcester biscuit
porcelain Model of a poodle, circa 1820, standing on a rectangular tasselled cushion
holding a basket in its mouth, incised marks H. Chamberlain & Sons, Royal Porcelain
Manufacturers, Worcester, small chips, 10cm.;4in. Long.A Chamberlain’s Worcester reticulated Jug, circa 1830, of pear form, the
sides pierced with gilt hexagons and iron-red flowers and reserved with a panel painted
with a bird in a branch beneath key pattern
and foliate borders, the handle modelled as bamboo, red script mark, 10.5cm.A Pair of English porcelain Models
of pug dogs, probably Derby, early 19th
Century, each animal seated wearing a collar
on a shaped oval base moulded with scrolls,6.5cm.Two Worcester blue and white shell
moulded Dishes, circa 1760, each painted in
under glaze-blue with ‘The Two-Peony Rock
Bird’ pattern, workmen’s marks, 8cm.; 3in.
high; also a Worcester blue and white leaf
moulded Pickle Dish; and a blue and white Cream Boat.A Pair of Staffordshire porcelain
Figures of musicians, possibly Lloyd of
Shelton, circa 1825, each seated on a tree-
stump with a dog and a lamb at their feet,
the young man holding a pipe, his
companion playing a lute, raised on a shaped
circular base picked out in gilding, very minor chips, 15cm.A Pair of Mason’s ironstone Tami’
pot poured Vases and Covers, circa
1890-1900, each located ovoid body with a
flared rim applied with blue and gilt leaf
moulded handles, decorated with typical
Japanese-style flowers and foliage in bands,
surmounted by a high domed pierced lid,
with flower finial and inner lid, one lid glued,
chips to the other lid, chip under rim of a vase,
under glaze-blue printed factory mark, 30in.;A small Flight Barr and Barr porcelain Vase, circa 1813—1840, of cylindrical form with a flared rim, on a square base, applied with birds’ head and ring handles in gilt, painted
with a portrait entitled Saint Cecilia within a gilt border on a blue and gilt foliate ground, a band of beading below the lip, restored, painted mark Flight Barr and Barr,
Royal Porcelain Works Worcester, London House, Coventry Street, Saint Cecilia, 8.6cm.
A Belles shell moulded Dish, second period, modelled with a shell forming the dish supported on a variety of shells and coral, in cream with a mother-of-pearl lustre interior,
minor chip to the edge of a shell on the base, printed factory mark, 13.5cm.
A Pair of attractive English porcelain Jugs, circa 1830, each bulbous
body and neck profusely painted with colourful garden flowers between gilt line
border, one with restoration to neck and spout,24cm.A Belles panel Flower Pot, second period, of octagonal form, raised on four leaf scroll feet with flower encrustation on the shoulder, restored foot and branches, birds missing,
printed factory mark, 28.5cm.; 11in. high.
A majolica Vase, circa 1900, modelled with three dolphins, their tails entwined forming the stem supporting a bulbous vase with an exaggerated flared wavy rim, painted with a
continuous landscape scene, a cherub in the foreground holding the leg of two blackbirds in flight above with some string, glaze chips to the base, to painted cockerel mark,
29.2cm.
A Vienna two-handled Vase and Cover, late 19th Century, the tapering cylindrical body on a flared foot and a square base, painted with three classical figures in an oval panel,
the reverse with a centaur emerging from a river with a woman in his arms, on a red and gilt floral ground, with a pierced lid, finial and side of body restored, under
glaze-blue shield mark, 28cm.; 1 in. high.
A German salt glazed stoneware Bella mine, 17th Century, of swelling ovoid form, applied with a small loop handle on the narrow neck and a bearded face mask below the ringed
rim, the brown glazed body impressed with five horseshoe shapes, 44.2cm.
Six Classical Muses, circa 1890, each standing wearing floral patterned drapery holding symbols emblematic of the art, one arm restored, one arm glued and further small chips,
under glaze factoid mark, 12 to 13cm. High.
A five-piece blue and white Delft Garniture, late 19th Century, each octagonal moulded piece painted with a peacock displaying its tail standing on a fence within a floral and
trellis ground, comprising: three Vases with Covers and two Vases, glaze chips and chips to rims, lids glued, under glaze painted monogram, 35 and 25cm.
A Meissen ‘Japanese’-style Bowl, 19th Century, decorated outside with stylised flowers amongst rocks, cracked and worn, under glaze-blue crossed swords; a Booth’s pottery Bowl,
1930’s, with stylised birds within gilt scroll borders on a blue scale ground, cracked, 24.6cm.; 9′in. diam.; three Newhall Tea bowls and two Saucers and a Newhall Bowl, the
bowl and a tea bowl cracked; a Staffordshire blue and white Cup and Cover, cracked and chipped; and a Continental Cup, handle missing.
A French porcelain square Tray, 19th Century, painted in the centre with a cockerel, hens and other birds inside a border gilt with flowers, the rim pierced with blue and gilt
scrollwork, chip, possibly some repainting, 21.5cm.
A Cozen Tea bowl and Saucer, circa 1770, painted in under glaze-blue, red and gilt with flowers issuing from rocks inside a rim of blue half circles and dots, anchor mark in red
A ‘Sevres’ gilt-metal mounted Casket, late 19th Century, of bombed form, painted with gilt-framed panels of figures and landscapes against a pale yellow ground, the interior
painted with scattered flowers, 2ucm., pseudo Sevres mark.
A Dutch Delft Jar and Cover, late 18th/19th Century, of gently fluted ovoid form with squat octagonal neck and foot, painted in blue with a young boy and dog beside a harbour,
all within a border of flowers and scrolls flanked by peony sprays, the domed octagonal cover with animal finial, minor glaze chips, 35cm..
A Garniture of five Dutch Delta Vases, 19th Century, each of canted rectangular section, painted in blue with a girl in landscape within a moulded border flanked by sprays of
peony, comprising: three inverted baluster Vases and Covers and two slender trumpet Vases with bulbous bases, minor chips, one cover with lion finial repaired, painted W,
tallest 44cm.