Antique Porcelain

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

Friday, January 15th, 2010

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.

A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.

A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.

A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in  .

TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .

A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.

A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips  .

A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).

A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).

AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia

AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).

A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).

A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.

A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).

A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.

GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.

A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).

A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200

A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.

A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.

A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.

FACON DE VENISE FILIGREE BOWL, Lowlands, A GLASS EWER, 19th Century GILT AND ENAMEL BOWL

Friday, January 15th, 2010

FACON DE VENISE FILIGREE BOWL, Lowlands, A GLASS EWER, 19th Century GILT AND ENAMEL BOWL

‘VOLUBILIS’: AN OPALESCENT GLASS BOWL, Lalique, circa 1930, the underside moulded with three leaves extending to form the feet, moulded mark R Lalique, 21.5cm.; 8in. diam.

A WINE BOTTLE, early 18th Century, of mallet form, the glass of olive green colour, 29cm.

AN ART DECO FROSTED GLASS CEILING LIGHT SHADE, 1920/30’s, of circular form, moulded with a design of radiating stylised leaves, 40cm.; 153Indiam., with original fittings.

A PAIR OF CUT GLASS SPIRIT DECANTERS AND STOPPERS, early 19th Century, each of oval section, cut with diamonds beneath a stepped shoulder, matching flattened circular stoppers with notched rims, 16.5cm.; 62in., chips (4).

A PAIR OF CUT GLASS SALTS, Irish, early 19th Century, each of boat shape, cut with groups of four diamonds, raised on domed bases, 13cm.; 5m. across, chips (2)    .

A GLASS EWER, 19th Century, the shield-shaped body etched and gilt with a formal pattern of medallions and swags, all between slender faceted neck and circular foot, 30cm.; small chip under foot.

A CUT GLASS JUG, 19th Century, the
ovoid body cut with panels of diamonds beneath a slice cut neck, raised on a deep circular foot and star cut base, 25.5cm.; 10in. high, small chips under foot .

A GILT GLASS HORS D’OEUVRES SET, 2nd half 19th Century, each piece gilt with a formal border of husks linking lion mask medallions, comprising: circular Tray fitted with six segmented Dishes about a central hexagonal Dish, 40cm.; 15in., chip (8)    .

A GROUP OF FIVE DECANTERS AND THREE STOPPERS, 19th Century, comprising: a Pair of Decanters cut with diamonds, a Ewer en suite; an engraved and polished Decanter; and a Continental gilt glass Decanter, tallest 35cm.; 13in., some chips (8).

A LARGE GLASS PIPE, ‘Nail sea-type’, late 19th Century, the opaque white glass streaked in pink, 68.5cm.; 27in., small chips.

A MOULDED ‘MALACHITE’ GLASS VASE, French, 20th Century, of baluster form, moulded in relief with a frieze of naked women dancing beneath grape vines, 12.5cm.; 5in.

A PAPERWEIGHT, Clichy, mid-19th Century, enclosing a sulphide portrait of Queen Victoria against a green ground, 6.5cm.; 2in. diam.; and a Baccarat butterfly and flower Paperweight, dated 1977.

A GROUP OF CUT GLASS BOWLS
AND PLATES, mostly early 19th Century,
comprising: a Pair of rectangular Salts and
Stands; an oval Bowl cut with fan shaped
panels; two circular Plates; and a square Bowl
with shaped corners, largest 22cm.; 85In
diam., minor chips.

A FACON DE VENISE FILIGREE BOWL, Lowlands, early 17th Century, in veto a rectory, the ribbed cup-shaped bowl with narrow conical foot and two scroll handles with pincer decoration, 21cm.; 8in., handles repaired.

A MINIATURE OPALESCENT EWER, Venice or Lowlands, late 16th Century, the vertically ribbed ovoid form with flared neck and vermicular collar, shell-mauled spout and double scroll handle with pincer decoration, small disc foot, 11cm.; 43In, handle chipped.

A GILT AND ENAMEL BOWL, possibly Venetian, 17th/18th Century, the flared sides painted with a border of white enamel dots above a gilt band of formal pendant flowers, narrow trailed foot ring, 11.5cm.; 4in., diameter, slight wear to enamels.

AN ENGRAVED ARMORIAL GOBLET, circa 1745, the flared funnel bowl with solid beaded base, engraved with the arms of Anne, daughter of George II, flanked by floral sprays, set on a tea red inverted baluster stem with wide domed foot, dealer’s paper label for Arthur Churchill, 17.5cm.; 6in.

A SWEETMEAT, German, possibly Silesian, circa 1750, the naturalistic shell-shaped bowl cut with polished circles and set on a faceted inverted baluster stem with basal collar and circular foot with rosette-cut base, 12.5cm.; 5m.

A GREEN-TINTED TWO-HANDLED BOWL, possibly Lowlands or German, 17th Century, of greenish straw-tint, the wasted cup-shaped bowl with spiral moulding, translucent blue-tinted trailed rim and two blue-tinted scroll handles, trailed foot ring and kick-in base, 7.7cm.; 3in. high, minute crack.

A PAIR OF OPALINE VASES, French, circa 1850, each of depressed globular form with reverted neck and rim, enamelled with sprays of summer flowers including foxgloves, dahlias and pansies, 20cm.; 77in., gilding rubbed.

A SET OF FIVE SCANDINAVIAN WINE FLUTES, possibly Norwegian, circa 1760, each with a conical bowl above a double-series opaque twist stem and wide conical foot, 21cm.; 8in., two with minor foot rim chips.

A Japanese lacquer Figure, A Japanese bronze Model of an elephant, Meiji, Japanese sword, 19th Century

Friday, January 15th, 2010

A Japanese lacquer Figure, A Japanese bronze Model of an elephant, Meiji, Japanese sword, 19th Century

A Chinese bronze Incense Burner,
19th Century, of traditional ding tripod form
with upright handles, the bombe sides carved
with dragon-headed bats and with flower
sprays, 14.8cm.;

A Japanese bronze Model of an elephant, Meiji, trunk curved round its right flank, 14.5cm.; signed; and a bronze prunes’  trunk Ornament.

A Chinese bronze Box and sliding Cover, 19th Century, the sides silver wire inlaid with bats, waves and shout, the cover carved with a bat and flowers, 12.7cm.; 5in.; archaic bronze small Mirror; and a jade inlaid cloisonne Box and Cover of peach form.

A wire inlaid bronze Vase, Meiji/
Taisho, of upright form and octagonal sect
each facet filled with a silver wire formal wav
brocade design, 19.3cm.;

A bronze dragon Lamp, Meiji, desk
and fitted for electricity, the beast’s scaly body
twisting into the air about a central tube with
three floral sconces, the lowest with integral
switch, 49.5cm.;

A Japanese bronze Model of a lion,
Meiji/Taisho Period, prowling with sloping
hind quarters, its body twisting to the left.

A Japanese bronze Model of a tiger, Meiji/Taisho Period, preparing for attack w back arched, tail curled and teeth bared, 27cm.;

A Japanese bronze Elephant, Meiji Period, modelled in a slow forward stride wig raised trunk curled to graze a branch, ivory tusks, 25cm.;

A Japanese Tsuba, 19th Century, of near circular outline, the copper ground cast and incised with a man punting his boat, gilt detail and of a frozen river, 8cm.;

A Pair of Japanese inlaid bronze Vases, Meiji, of tapering square form with concave neck and on bracket feet, each side inlaid in variously coloured alloys with birds branches under floral medallions, 20cm.;

A Shukudo inlaid bronze Vase, Meiji,
decorated in part raised part sunken relief with scenes of birds in branches upon a shouldered ovoid body with shish head hands, some wear, elements missing, 39.5cm.;

A bronze Figure of Buddha, Qing
Dynasty, seated in vajrasana, hands.

A bronze equestrian Group of a samurai on horseback, Meiji, 30cm.; a bronze Rabbit; and an Owl.

Three Japanese sword Fittings, 19th Century, comprising: a Fuchi-Kashira Set decorated with a warrior brandishing a bow, riding through the sea, and a Fuchi decorated in gilt relief with bamboo.

A Japanese bronze Elephant, Meiji Period, walking with trunk raised, ivory tusks, 24.5cm.;

An Indian bronze monster-headed Lantern, 19th Century, strongly modelled as the moustachioed head of a pop-eyed devil grimacing with tiger-toothed grin (the light aperture), docketed, lacking separate cover, 22cm.;

Three Ginbari cloisonne enamel Vases, Meiji Period, comprising: a Pair of graduated pale-blue Vases decorated with poppy and convolvulus, 12.2cm.;  and an Ando small Vase, chip.

A Group of three Japanese bronze
Figures of boy entertainers, Meiji Period, one
performing a shish puppet dance to the beat
of another’s drum while the third brings
refreshment in the form of sake from a pail
and bottle, 4.3 to 8.8cm.;

A Pair of inlaid bronze Vases, Meiji Period, of shouldered ovoid form, applied in variously coloured metal alloys with birds flying in and out of willow branches, one dented, 16cm.;

A Japanese cloisonne Censer, Meiji, of hexagonal form, each facet filled with a bird or dragon over a wasted foot, 8cm.; 3Vsin.; and a Satsuma hatpin Head.

A Group of nine Chinese cloisonne Vases, Guangxu, two with covers, minor dents, 7 to 27cm.; and a Collection of grey pottery Shards, Han and other Dynasties.

An iron Tetsubin and Cover, 19th
Century, the sides cast in relief with a
cormorant fisherman illuminating the waters
with a torch, inlaid swing handle, bronze
cover, 23cm.;

An iron Tetsubin and Cover, 19th Century, the rough sides cast with a crab amongst mollusc, swing handle, 24.5cm.;

A bronze Model of a tiger, Meiji/ Taisho Period, of dark colour with paler well paginated stripes, 25.5cm.; long, cast mark Saiya.

A Chinese cloisonne enamelled hang haul Smoking Set, Guangxu early 20th Century, the rounded square tray fitted with compartments, three with covers, two containing ashtrays, the central compartment fitted with a burner, 32cm.;

A Garniture of three bronze Vases, Meiji Period, of high and low four-footed form, each body relief cast with birds amongst shrubs between mask handles, 18.7cm.;

A Japanese silvered and painted bronze Censer, Meiji, modelled with an eagle on a rock under the detachable vessel with tray rim, 49.5cm.;

A bronze Figure of Kanyu, Meiji
Period, the bearded figure standing with
sword held in his right hand, contemplatively
tugging his beard, loose foot, 39cm.;

A Japanese bronze Lamp, Meiji
Period, of traditional garden lantern form,
with hexagonal pagoda roof, 40cm.;
and a Pair of Satsuma Vases.

A large South-East Asian bronze
Elephant, modern, the wrinkled beast striding
with trunk raised and ears extended, 145cm.;
57in.

A Pair of Chinese cloisonne Vases, 19th Century, of mallet form, the low sides decorated with us and fruit medallions repeated on the shoulders beneath the bulbous mouth, 21cm.;

A Pair of Chinese silver wire inlay bronze Censers, 19th Century, of low bombe form, on three short pointed feet, wood covers and stand.

A cloisonne spherical Koro and Cover, Meiji Period, spirally brocaded, small chip, 10cm.; 4m.

A Persian enamelled Vase, 20th Century, moulded with birds in branches between spirally moulded borders, 43cm.; 17m.

A Shibayama inlaid lacquered Photograph Album, Meiji Period, the front inlaid with two panels, one of Kannon, the other on one vanquished by a warrior, rubbing; containing fifty good hand-coloured Photographs of Japanese men and women, shrines and sites.

A jasper Snuff Bottle, 1840-1880, with ochre skin front and back deeply carved with the have tertian and on the other side a boy on
a buffalo.

A Japanese ivory inlaid black lacquer
humidor Cabinet, Meiji, a pair of hinged
covers inlaid with kingfisher and iris, the
interior fitted for cigars, cigarettes and
accessory drawers to one side, 30.3cm.;

A Japanese lacquer Figure of a priest, Edo, seated with a rosary in his lap, splitting and lifting of lacquer, 60cm.;

A single case wood Inco, Meiji, applied with a flying bird in chased silver, element missing from cover, 5.3cm.;

A Chinese wood Handle, 19th Century, carved with the sixteen aghast in a mountain attended by a tiger and dragon, 19.4cm.;

Pair of Satsuma booted Vases, Meiji Period, An Imari Plate, A Fukagawa Vase

Friday, January 15th, 2010

Pair of Satsuma booted Vases, Meiji Period, An Imari Plate, A Fukagawa Vase

A Pair of Satsuma booted Vases, Meiji Period, each elaborately gilt and enamelled with broad scenes of samurai and begin reserved on a stout globular body under a pair of mask and tongue handles set in the brocade scattered deep blue ground, 30.3cm.; 12in.,

A Pair of Kutani porcelain Jars and
Covers, Meiji Period, each ovoid body
reserved with panels of kingfisher and
travelling entertainers under a pair of standing
boy handles, a third figure seated on the
cover, 28cm.;

A Pair of Satsuma Plates, Meiji Period,
painted en grisaille with an eagle in pine tree,
8.5cm.;

An Ao Kutani saucer Dish, 19th Century, the earthenware body covered in enamel with a pair of yellow deer upon aubergine ground against a green sky framed by a blue zig-zag under radiating seeded lappets, green underside with black meanders, yellow foot rim, interior bearing green square Kutani mark, 24.6cm.;

An Imari Charger, Meiji Period, the dense iron-red scale and trellis ground reserved with a variety of panels filled with birds, garden and sea scenes, a pine tree growing out of one under a zig-zag blue border, 45.8cm.; 18m.

An Imari Plate, Meiji Period, painted with six scroll brocades about a pomegranate centre, 37cm.;

A Fukagawa shallow Bowl, Meiji Period, of scalloped kiku flower form, the interior filled in under glaze-blue with a convolvulus design about a mallow medallion, 28.5cm.; Fuji mark and signature.

An Imari Stick Stand, Meiji Period,
enamelled with a continuous scene of a
maiden guarded by samurai, 61cm.; 24in.,
wood stand.

A lacquered Arita Vase, Meiji Period, reduced to a lamp, of barrel form with panels of birds, flaking.

A Pair of Satsuma earthenware Vases, Meiji/Taisho Period, of slender ovoid form, with enamelled birds flying through branches under applied handles, one broken, 58.3cm.; 23in.

An Imari Vase, Meiji Period, of true baluster form, filled with ho-o brocade panels beneath a frilled trumpet rim, 43.5cm.;

A Garniture of three Kutani Vases, Meiji Period, comprising: a Pair of ovoid Vases painted with doves, 19.4cm.; 7Vsin., and a baluster Vase painted with pheasant, 23.8cm.;

An Arita enamelled baluster Jar and Cover, Meiji Period, painted with figures in a garden between lappet and bird filled pink ground borders, 41 cm.; 16in.
A Pair of Kutani beaker Vases, Meiji/Taisho Period, of wasted form, each enamelled with quail amongst millet, 30.8cm.; 12m.

A Kutani Vase, Meiji Period, of
slender ovoid form, painted with a continuous garden scene inhabited by birds under applied mask-and-ring handles on the iron-red shoulder, rim repair, 35.8cm.;

A Pair of Imari Vases, Meiji Period, of
vertically ribbed ovoid form, panelled with ho-o
between bat/bird medallions, chip, 25 cm.;

A Fukagawa Vase, Meiji Period, ovoid
with wasted neck, attractively painted in
under glaze-blue with a ho-o bird amongst
wisteria against a vertically brocaded ground
picked out in enamels, 37.8cm.; 147in., Fuji
rebus.

An Imari Jar, Meiji Period, ovoid, brocaded and panelled with a lady with a parasol, a ho-o bird and garden elements, 32cm.;

A Pair of Kutani Vases, Meiji, of wasted form with low angular bodies, typically painted in orangy-red and gilding with figure panels set in a brocade, 33cm.; 13in.

A Satsuma circular Box and Cover,
Meiji Period, the brocade ground reserved
with fan panels of geisha, aghast and samurai,
11cm.;

A Pair of Satsuma Vases, Meiji Period,
of slender ovoid form, the richly brocaded ground filled with figure panels of courtiers and samurai, 46.5cm.;

ANTIQUE WINE GLASS

Thursday, January 14th, 2010

ANTIQUE WINE GLASS

An attractive Bristol white
opaque glass Tea Caddy, circa 1765,
painted in the manner of Michael Adkins
with a bullfinch perched in a tree
beneath a puce cartouche labeled Green,
the reverse with a spray of flowers
including a rose, the sides and canted
corners with further sprays of flowers
and leaves, the short neck set with an
engine-turned gilt-copper cover
incorporating a contemporary enamel
with figures on a veranda, restored chips to
one corner, 13.2cm.;

For two similarly enameled tea caddies, see W. A. Thorpe, A History of English and Irish Glass, Vol. I, frontispiece. Both the illustrated caddies bear a finch on the front and ’swirled’ flower painting on the reverse. Both specimens (one from the collection of William Eakins, grandson of the painter, the other in the Schreiber Collection), are now in the Victoria and Albert Museum.

A Pair of engraved ‘Jacobi’ Wine
Glasses, circa 1750, each ogee bowl
decorated with a winged insect and rose
spray over a hexagonally faceted stem
and plain foot, 14cm.;

A mixed twist Wine Glass, with
wasted ogee bowl over a pair of
air-spirals about a lace corkscrew, conical
foot, 19cm.;

An engraved air-twist Cordial
Glass, mid-18th Century, the trumpet
bowl rising from a stem containing a pair
of air-spirals.

Two air-twist Wine Glasses, 18th
Century, one with bucket bowl over a
slider inverted baluster stem with a
multiple spiral air-twist, 17.5cm.;

An opaque-twist Wine Glass, circa 1760, with ribbed bucket bowl over a pair of spirals about an opaque gauze, 15.2cm.; 6m.

A double-series opaque-twist Wine Glass, mid-18th Century, with vine engraved funnel bowl over a six-ply spiral band outside a column of three spirals, 15cm.;

A double-series opaque-twist Wine
Glass, mid-18th Century, two pairs of
opaque-twists about a double ribbon
column, beveled, 14.5cm.; 53/4n.; and two
Continental opaque-twist Glasses.

A Group of eight opaque-twist
Wine Glasses, 18th and 19th Centuries,
including a rare Deceptive, all chipped or
restored, 12.5 to 17.5cm.; 5 to 67/sin.

A Group of five trumpet Wine Glasses, various dates, including a pair engraved WTE and one with an enclosed tear over a folded foot, 12 to 20.5cm.; 43A to 8m.

An Ale Glass, mid-18th Century, the narrow bowl on plain stem and folded foot, 20.5cm.; 8in.; and a multiple air-twist spiral Glass, damaged.

Two faceted Wine Glasses, circa 1760, one on short stem, the bowl engraved and polished with an ‘Oxon’ border.

A Group of three engraved Wine Glasses, mid-18th Century, all on a folded foot, approx. 14.5cm.;

A balustrade Wine Glass, 2nd
quarter 18th Century, the drawn
trumpet bowl springing from a central
knap, plain foot, 17cm.;

Four Glasses, 18th/19th Century,
including a Deceptive, a hollow stemmed
Glass and two others, various sizes.

A Drinking Glass, mid-18th Century, the bucket-shaped bowl engraved with a carnation, on double-series opaque-twist stem and conical foot, 15cm.; 6in.

Two trumpet Wine Goblets, early 18th Century, each of slightly flared form rising from plain stem and conical foot, small chip to one, 23cm.; 9in.

An engraved Ale Glass, circa 1750, the straight-sided bowl decorated with hops and barley, on plain stem and folded foot, 20.5cm.; 8m.

A Group of five air-twist stemmed Wine Glasses, mid-18th Century, comprising: two Pairs of Glasses, each trumpet bowl raised on a multiple air-twist stem, one damaged, 16.5cm.; 6V4n. and a heavier air-twist stemmed Glass, chipped.

A Group of three opaque-twist stem Wine Glasses, mid-18th Century, comprising: an ogee Glass on a stem enclosing a fifteen-ply thread band about two spiraling ribbons, chipped foot, 15cm.; 57/8in. and two other Glasses.

A rare Cordial Glass, circa 1760, the double ogee bowl supported on a honeycomb faceted wasted stem over a conical foot, 13.3cm.;

An engraved Wine Glass, 1750’s, the bell bowl cut and part polished with birds perched between baskets of flowers on an elaborate fence, over a honeycomb faceted cusped stem and conical foot, slightly beveled foot, 15.1cm.; 6in.

A Group of three Wine Glasses, mid-18th Century, comprising: a baluster stemmed bell funneled Glass upon a domed foot, 14.8cm, a bell funneled Wine Glass upon a plain stem and folded conical foot and an engraved drawn trumpet Wine Glass on an air-twist stem .

A Group of three Wine Glasses, 18th and early 19th Centuries,
comprising: a rose engraved Glass upon
a cushioned and knapped hollow stem,
a gadrooned and faceted
Wine Glass and a swag engraved Soda
Glass, chips.

A Group of Glasses, 18th and 19th
Centuries, comprising: a Pair of
opaque-twist stemmed Wine Glasses, one
damaged, 16.6cm.; 61hin., two Goblets and
seven small Glasses.

A Group of four trumpet bowl
Wine Glasses, 1st half 19th Century,
including a slider Glass on a folded
conical foot, approx. 15.2cm.; 6in.

A blue glass Cruet Ewer, late 17th
Century, of teardrop form, with
pincer handle and sliders spout with
a flanged mouth, 14cm.;

A Group of six gilt decorated
Liqueur Glasses, early 19th Century,
9.5cm.; 37/dn.; and three other Glasses.

A Facon-de-Venise opalescent Wine Glass, 19th Century, on a hollow lion masked stem, 17cm.; 63/4n.; and a diamond etched Glass, 17th Century, reduced foot. A Group of Glass, various dates, comprising: a Toddy Lifter and a ‘Lace Maker’s Lamp’ .

A glass Tisza, mid-18th Century, the ribbed top on a composite ball and inverted baluster stem above a domed and folded foot, 17.5cm.;

A glass Bowl, 18th Century, of plain shallow form, 36cm.; A glass Bowl, mid-18th Century,
raised on a domed foot, 30cm.;

A Pair of cut-glass Epergne
Dishes, early 19th Century, each of oval
outline with hobnail cut sides under a
denticulate rim, 25cm.;

A Group of five Goblets and
Glasses, 19th Century, including a Pair
of Goblets inscribed Mc.D. over a hollow
stem, each enclosing a silver
three penny-piece, 19.8cm.;

An engraved commemorative Goblet, 1860’s, dedicated to George Parsons, 1852, within patriotic flowers over a hollow stem enclosing an 1866 sixpence, 23.5cm.;

An engraved goblet Glass, early 19th Century, decorated with a hunter pursuing deer and rabbits, on a hollow stem, 27cm.;

A Set of six engraved hollow stemmed Champagne Glasses, early 20th Century.

A German gilt glass Goblet, 1725-1750, the bell-form bowl gilt with a man and woman out hunting, the latter pointing to a deer pursued by a dog, faceted below and on a faceted triple knapped stem over a pedestal foot, chips to rim, 22cm.;

A Bohemian gilt and enameled glass overlay Vase, mid-19th Century, of goblet form, the green glass overlaid with white painted panels rising about the bowl and finely enameled with roses or crises-cross cut, on a knapped stem and domed circular foot, 34.2cm.;

A Pair of enameled and gilt Bohemian overlay glass Luster’s, mid-19th Century, each galleried rim decorated with gilt-ground classical portrait medallions between white-ground flower ovals against the transparent body and hung with prisms down to the spreading circular foot, minor chips to prisms, 31.5cm.;

A color end overlay Bohemian glass Vase, circa 18, of goblet form, the cranberry ground overlaid with white panels alternately hatched and enameled with flowers between gilt borders, 26cm.;

Ten Bohemian engraved and color end cut-glass Goblets, 2nd half 19th Century, comprising: eight small Goblets and two large Goblets, five engraved with allegorical panels representing Faith, Hope, Charity and other virtues and five engrave with flowers within red or amber circular panels, 13 and 19cm.; 5 and 71/2in.

A Bohemian/Austrian enameled
and engraved Goblet, 19th/20th
Century, decorated with goldfish and
insects in circular facets against the clear
glass, 14.5cm.;

A Bohemian engraved amber
flashed Goblet, mid-19th Century, of
hexagonal section and engraved with
five facets of stags and dogs, 17.8cm.;

A Pair of Bohemian pale-blue
and white overlay Vases, circa 1870,
each ovoid body cut with vertical flutes
heightened with gilt scrollwork on a
seeded ground, between a pair of
upright acid etched gilt handles, 32cm.;

A Bohemian enameled and gilt white overlay glass Bottle and Stopper, 2nd half 19th Century, decorated with crises-cross cut lappets between others of painted flowers, 17.8cm.;

A Bohemian engraved blue
flashed Vase and Stand, mid-19th
Century, finely worked by F. Zach, signed,
with a deep intaglio engraving of a stag
attacked by wolves framed by fruiting
vine, the stem possibly reduced, 34cm.;

ANTIQUE BRITISH AND CONTINENTAL GLASS

Thursday, January 14th, 2010

ANTIQUE BRITISH AND CONTINENTAL GLASS

A Pair of cut-glass Lustres, late 19th Century, each with a fluted bowl, with a faceted knapped  stem raised on a flared faceted stem hung with cut-glass droppers alternating in size, some chipping, 31cm.; 12in. high.

A Bohemian engraved ruby-flash Goblet, circa 1860/80, the tapering cylindrical bowl raised on a scallop-edged flared foot, the bowl engraved with two stags amongst trees and bushes, 12.7cm.; 5in, high.

A Pair of Decalcomania Spheres, late
19th Century, each internally decorated with
cut-out printed children and animal heads on
a speckled white ground, 13cm.; 5in. diam.

A gilt-metal mounted filigree Ewer, late 19th Century, the globular body and slender neck in pink and white filigree glass within an elaborate gilt-metal mount embellished with foliage masks and scrolls and set with small jasperware portrait medallions, 37.75cm.; 14m.

A Bohemian amber-flashed Goblet and Cover, circa 1845, the ovoid body amber flashed and cut with oval panels, one engraved with sparring stallions, the reverse with a lens inscribed CWL, raised on a faceted stem with sliced bladed knops and sliced spreading foot with lobed rim, the underside star out, with matching cover, bowl repaired, minor chips to foot and knops, 28cm.

A Bohemian engraved two-handled Bowl and Cover, 18th Century, the cup-shaped bowl engraved with flower and foliate sprays above a moulded base, the slightly domed cover similarly decorated below writhen bowl cracked, 16cm.; 6in.

A St. Louis filigree Scent Bettie, circa 1850, the depressed globular body cut with broad facets in clear glass over swirling red, white and blue threads, applied clear neck ring, 9cm.; 3in.; and a splashed Vase, probably German, 19th Century.

A Bohemian pink flashed Goblet and Cover, circa 1840, the hexagonal bowl with alternate panels of classical figures within foliate oval garland, facet cut  stem, thick foot cut through from the base to form six radiating shields, the faceted cover with flashed faceted finial, chips to rim and cover.

A Wine Glass, 2nd half 18th Century,
the bell bowl raised on a knapped  stem and
domed foot, small chip to foot, 19cm.; 7in.

A Pair of engraved glass Rammers, 19th Century, each conical bowl engraved with flower swags tied by ribbons, raised on a squat knapped  stem and plain foot, 14.5cm.; 53Ain.; and a similar Rammer, engraved with fruiting vine.

An enamelled and gilt white glass Carafe and Stopper, mid-19th Century, probably French, the flattened globular body with tapering neck and dice foot decorated with a central gilt medallion enamelled with the head of a classical warrior in profile within a chain border, reserved on a matt sky-blue ground, matching stopper, 26cm.; Win.

A large black glass Vase, circa 1870, of flattened ovoid form between conical neck and circular foot, the body enamelled in white with a seated classical woman painting a vase between bands of stylised foliage and fleur-de-laves, gilt rims, 49.5cm.; 14in.

A Bohemian ruby glass Beaker, 2nd
half 19th Century, the wasted faceted bowl
enamelled with a formal repeating pattern of
scrolls and foliage beneath a gilt rim, ail
raised on a squat stem and octagonal foot
with deeply cut  base, 14.25cm.

A Pair of Dutch engraved glass
Decanters, late 18th Century, each of
shouldered form and rectangular section,
engraved on either side with a bird within a
star, 24cm.; 9in.

A Pair of Bohemian white overlay
green glass Vases, 20th Century, of thistle
shape, each bowl cut with three rows of
printers and enamelled with floral garlands,
the reverted base and circular foot with bands
of printers and flowers, 23.25cm.

A Group of three pieces of coloured Glass, various dates, comprising: a Nail sea-type opaque white glass Flask combed in purple, 11.5cm.; a filigree glass Flask and a Stopper, 13.5cm.; 5in., and a blue glass hanging Ornament.

A Pair of cut-glass Sweetmeats, early 19th Century, each of octagonal section tapering towards the base, cut with panels of fan shapes and diamonds, star cut base, very minor chips, 10.5cm.; 4in.; and a Pair of cut-glass Salts, early 19th Century, each boat-shaped bowl raised on a stepped lozenge-shaped lemon squeezer foot.

A Pair of Bohemian ruby-flashed Decanters and Stoppers, 2nd half 19th Century, each of mallet form, cut with bands of printers, conical stoppers, 26cm.; 10in.

A cut-glass Water Jug, circa 1820, of squat baluster form, horizontal slice cut with star cut base, 16.5cm.; 6in.
A cut-glass Water Jug, early 19th Century, probably Irish, of shouldered ovoid form beneath wavy rim, cut with a band of diamond and stylised foliage forms between faceted neck and fluted base, loop handle, chip to inner rim, 16.5cm.; 6in.; and a cut-glass Ladle, with slice cut stem and fluted bowl.

A cut-glass Bowl, Cover and Stand, 19th Century, the bowl of circular section and tapering form, with domed cover and deep stand, each piece cut with alternating panels of fine and strawberry diamonds, minor chips, 15cm.; 5in.

A blue glass ‘Gretna Green’ Goblet, early 20th Century, the cup-shaped bowl engraved with oval panels depicting a coach racing to Gretna Green and a marriage taking place over the anvil, interspersed with appropriated mottoes, dated 1642, raised on a squat clear glass knapped  stem and plain foot, 24.5cm.; 9dn.

A Sevres ‘chalcedony’ glass Vase, early 20th Century, of tapering form, decorated in gilding with stylised plant forms, gilt painted Sevres, 19.5cm.

A Pair of Continental grey ground glass two-handled Vases, late 19th Century, each ovoid body enamelled with ducks, set with gilt trellis pattern handles, printed crowned shield mark in red, 12cm.

A Pair of cut-glass ovoid Decanters and Stoppers, circa 1820, each cut with a band of raised diamonds above base flutes, triple ring neck and mushroom stopper, one stopper repaired, 23cm.; 9in.

A Pair of cut-glass Jars and Covers, 19th Century, each compressed circular body cut with flutes below a notched rim, step cut domed lid and mushroom knops, small chips, 14cm.; 5m.; also another glass Jar and Cover.

A Pair of cut-glass Sweetmeats, 19th Century, each shallow bowl cut with diamonds below a notched rim, raised on a faceted baluster stem and petal foot, small chips, 15.5cm.; 6in.

An attractive Pair of pink trailed yellow tinted glass Vases, possibly Webb, circa 1890, each of globular form with wasted neck and crimped rim, overlaid with opaque white thread decoration, standing on three clear glass scroll feet, a print overlying the pintail, 11cm.; 4in.

A Lynn Wine Glass, circa 1760, set on a double-series opaque twist stem and conical foot, 14.5cm.

A part Suite of Glasses, early 20th ‘Century, each fluted bowl engraved with a frieze of roses above a faceted base, the stem and foot gilt with spirals, gilt rims, comprising: five large conical Wines, seven medium conical Wines, eight small conical Wines, eight Tumblers, eight Champagnes, eight Liqueurs, eight small Sherries, eight Finger Bowls and eight Stands.

A Clichy sodden snow ground Paperweight, mid- 19th Century, the white ground set with various scattered mille fiery canes, 9cm.; 3in.

A baluster stem Wine, circa 1740, the wasted bowl raised on a knapped  baluster stem and plain foot, very small chip to foot, 17.5cm.

MODEL OF A PARROT, Meissen, WHITE MAIOLICA VASE, Savona, 18th Century, A CUP AND SAUCER, Meissen

Sunday, January 10th, 2010

MODEL OF A PARROT, Meissen, WHITE MAIOLICA VASE, Savona, 18th Century, A CUP AND SAUCER, Meissen

A PAIR OF DELFTWARE MODELS OF RECLINING COWS, Dutch, circa 1900, each painted in blue with a floral cartouche, on a blue sponged base, painted monogram AG(f).

A PAIR OF LARGE PORCELAIN
VASES, Paris, 3rd quarter 19th Century,
each of flattened pear form, painted with
panels of children in a garden, within a
frame of applied fleshy leaves in underglaze
blue and green enamel, details picked out in
gilding, incised numerals, 53.25cm.; 21in., slight
gilt rubbing, minor haircrack to base.

A DELFT BLUE AND WHITE CHARGER, probably Dutch, early 18th Century, painted with a central medallion of concentric circles inside stylised leaves, 34cm.; 13′Ain., some

restoration.

A BLUE AND WHITE MAIOLICA VASE, Savona, 18th Century, the ovoid body pierced with groups of holes and painted with figures in an extensive landscape.

A PAIR OF LARGE COLOURED BISQUE FIGURES OF A GALLANT AND COMPANION, French, 2nd half 19th Century, each modelled standing, wearing colourful costume on a circular grassy base

edged in gilding, tallest 47.5cm.; I83Ain., haircracks, minor chips.

A TERRACOTTA BOX AND COVER, Continental, late 19th Century, moulded in relief with stags heads, the cover with a hound finial, impressed WS&S 36, 29cm.; ll’Ain., chips; and a

pink glass Vase, with combed aventurine bands.

AN OVAL CASKET, Naples, late 19th Century, moulded in relief and coloured with panels depicting scenes from classical mythology, within gilt scroll borders, hinged gilt metal

mounted cover, crowned N mark in underglaze blue, 19cm.

AN OVAL BOWL, Sevres’, late 19th Century, painted with oval panels filled with colourful flowers on a blue ground, the interior similarlv decorated beneath a gilt rim, painted A

within interlaced L’s, moulded no 790.3, 30.5cm.; 12in., some rubbing.

A SHAPED GILT METAL MOUNTED BOX AND COVER, Sevres’, 19th Century, painted with figure and landscape panels, gilt framed on a pink diaper patterned ground, blue painted

interlaced. L’s, 10cm.; 4in. long, small chip; a Royal Worcester Tyg, decorated with flowers, and a circular Box and Cover, similarly decorated.

A PORCELAIN GROUP
OF DANCERS, Continental, 1930’s,
modelled as a man and woman, each wearing
gilt costume, poised on a canted rectangular
base, indistinct green printed mark, 19cm.;
7′Ain., small chips to fingers.

A CUP AND SAUCER, Meissen, late
19th Century, encrusted with flowers and
painted with scattered flowers and insects,
crossed swords mark in underglaze-blue, chips;
also a puce ground Cup painted with a panel
of figures; a Sevres’ pink ground Milk Jug;
and a Paris porcelain Cabinet Cup.

A CABINET CUP AND SAUCER,
Vienna, 1820’s, painted with a titled view of
Lake Maggiore against a solid gilt ground,
shield mark in underglaze-blue, titled in French
script, chip to saucer and some wear.

A MODEL OF A PARROT, Meissen,
late 19th century, the brightly coloured bird
perched on a tree stump, crossed swords mark
in underglaze-blue, 31cm.; 12′Ain., some chips;
also another porcelain Model of a parrot.

A PORCELAIN RECTANGULAR
BOX AND COVER WITH GILT METAL
MOUNTS, German, circa 1770, the sides,
cover and interior painted with vignettes of
figures in a landscape inside scroll moulded
borders, 8.5cm.; 33Ain. diam, some damage.

A COLOURED BISCUIT PORCELAIN PLAQUE, German, circa 1900, moulded in high relief with a classical woman seated with child, 26cm.; 10′Ain. diam, framed and glazed.

AN OVAL PORCELAIN PLAQUE, Dresden, 19th Century, painted with a head and shoulders portrait of a woman wearing a white head-dress and collar, 18cm.; 7′Ain. long, gilt metal

frame.

A PORCELAIN VASE AND COVER, Volkstedt, late 19th Century, the vase of waisted form, painted and encrusted with flowers and cherubs against a sepia tinted ground, the cover with

a cherub finial, trident mark in under glaze blue, 29.75cm.; lPAin., small chips, one cherubs wing detatched.

A PAIR OF TIN-GLAZED EARTHENWARE FLOWER HOLDERS, French, late 19th Century, each in the form of a white cockatoo perched on a mound base, signed P.B., 33cm.; 13in. high, some

restoration.

A RELIEF-MOULDED PANEL, Italian, mid-19th Century, in Delia Robbia style, moulded in white with the Madonna and Child below cherubs and a crown, against a blue ground inside an

arched frame moulded with flowers and oak leaves, the separate bone china panel moulded with a shield and cornucopia of flowers, main panel 88cm.

A LARGE MAJOLICA PEDESTAL,
Rorstrand, late 19th Century, the waisted
upper part decorated with classical masks,
raised on a tapering square section shaft and
stepped square base, glazed in blues, browns
and olive green, impressed Rorstrand and
crowns, 113cm.; 44′Ain., haircrack to base, minor
glaze chips.

A PAIR OF VASES, Minton, A PORCELAIN FIGURE CANDLESTICK, Minton, CYLINDRICAL MUG, Worcester, POTTERY MODELS OF POODLES, Staffordshire

Sunday, January 10th, 2010

A PAIR OF VASES, Minton, A PORCELAIN FIGURE CANDLESTICK, Minton, CYLINDRICAL MUG, Worcester, POTTERY MODELS OF POODLES, Staffordshire

A PEARL WARE FIGURE OF ‘HOPE’,
Staffordshire, early 19th Century, modelled
resting against an anchor wearing a brown
robe, all raised on a square base, 17.75cm.;
7in., anchor restored.

A PAIR OF VASES, Minton, circa 1870, each footed ovoid form painted with colourful swags of flowers reserved on a turquoise ground between gilt satyr mask handles, one with

impressed factory mark, 26cm.; WAin., one restored.

A GROUP OF SIX BOWLS AND VASES, Moore Bros., 1880’s, each modelled as an open cactus plant, with applied pale yellow buds and gilt twig feet, comprising: a pair of flower Vases

and four shallow bowls, puce printed and impressed marks, tallest 12cm.; 4V4n., some chips.

A TWO-HANDLED VASE, Crown Derby, circa 1891, the ovoid body gilt with an elaborate brocade pattern on a deep blue and pale yellow ground, orange printed, mark, 17cm.; 63/4in.,

slight gilt rubbing.

A GRADUATED SET OF THREE IRONSTONE CHINA JUGS, Masons, 2nd half 19th Century, each of octagonal section with twig handles, printed and coloured with Chinoiserie figures against

an orange cell pattern ground, printed crown mark, Masons Ironstone China, tallest 16.5cm.; 6′/zin., haircracks.

A PORCELAIN FIGURE CANDLESTICK, Minton, circa 1835, modelled with Venus and Cupid seated in an arbor, all raised on a scroll moulded base picked out in turquoise and gilding,

crossed swords in underglaze blue, 29cm.; ll’/iin., candleholders missing, extensive damage and repair.

A TALL CYLINDRICAL MUG, Worcester, circa 1770-85, printed in blue with ‘La Pache’ and ‘La Promenade Chinoise’, grooved strap handle, hatched crescent mark in underglaze blue,

12cm.; 43/dn.

A POTTERY ‘FROG’ MUG, probably Sunderland, circa 1830—40, of cylindrical form, printed in black and coloured with The Sailor’s Farewell’, the reverse with a seafaring verse,

within a pink lustre border, the interior applied with a brown frog, 10cm.

A SALTGLAZED OVAL SERVING PLATE, Staffordshire, mid 18th Century, of sliver-form, the shaped rim enclosing a border of reeded panels.

A PAIR OF POTTERY MODELS OF POODLES, Staffordshire, 2nd half 19th Century, each modelled seated, applied with sherds to simulated clipped fur, 20.25cm.; 8in., front leg of one

restored.

A NIGHTLIGHT BASE, Belleek, 1st Period, in the form of a tower raised on a rocky base, black printed factory mark and registration diamond, impressed BELLEEK, 20cm.; 77/dn.,

upper part missing, restoration around rim.

A PEARLWARE FIGURE OF ‘THE WIDOW AND ORPHANS’, Staffordshire, circa 1810—20, modelled with the Widow standing beside a tree wearing a red cloak, one orphan in the hood of her

cloak, another at her feet, all raised on a grassy mound base, titled in black within an oval frame, 28cm.; llin., some damage, one child missing.

A SECESSIONIST VASE, Minton,
1908, the gently swollen body tube lined and
decorated with vertical spiral bands and
groups of stylised flowers against a sky-blue
ground, impressed and black printed marks,
24cm.

A GROUP OF THREE POTTERY CASTLES AND COTTAGES, Staffordshire, mid-19th Century, comprising: a well-modelled castle with a soldier on guard; a flower-encrusted rambling cottage;

and a castle with an underglaze-blue roof and flower encrusted porch, tallest 19.75cm.; 73/4in., minor chips.

AN OVAL POTTERY MEAT DISH, Dunderdale & Co., Castleford, circa 1820, transfer printed in sepia with a chinoiserie landscape including three figures, a willow tree and ruins,

impressed marks, 48.5cm.

A COW CREAMER, circa 1760-80, creamware covered in a mottled brown glaze and standing foursquare on a watery green base, 18cm.; 7′/dn. long, cover lacking, tail and horns

restored.

A COW CREAMER AND COVER, late 18th Century, with swollen udders, sponged predominantly in brown with patches of green, green washed base with frill rim, 16.5cm.; 6′/2in. long,

tail re-stuck, cover and horns restored.

A COW CREAMER AND COVER, circa 1780-90, sponged with horizontal manganese and ochre bands, seated milkmaid with pail, green washed base, 16cm.; 6′/4in. long, cover and horns

restored.

A COW CREAMER, late 18th Century, with swollen udders, the cream body with mottled patches of dark brown and watery green, green washed base, 17cm.; 63/4in. long, cover lacking,

chips to horns and one ear.

ANTIQUE CONTINENTAL CERAMICS, EARTHENWARE AND STONEWARE: ispano-Moresque Charger, Moresque Dish, A ‘Sevres’ Vase, mid-19th Century

Thursday, January 7th, 2010

ANTIQUE CONTINENTAL CERAMICS, EARTHENWARE AND STONEWARE: ispano-Moresque Charger, Moresque Dish, A ‘Sevres’ Vase, mid-19th Century

An Hispano-Moresque Water
Vessel, 17th Century, probably Valencia,
set with three zoomorphic spouts with
green glazed features springing from the
ovoid body decorated with a ground of
foliate scrolls painted in copper luster
under a grooved strap handle with a
central suspension tube, riveted, one spout

An Hispano-Moresque Charger,
1911 Century, the central boss painted
with a serpentine motif within a rim
molded with an octagon defined by
overlapping sectors enclosing hatched
and dotted panels, hair-crack, 32.3cm.;

Hispano-Moresque
two-handled Vases, Valencia, 17th
Century, each low globular body painted
in copper luster with two large birds on a
typical whorl ground under a narrow
neck supporting a tall galleried mouth,
fluking, approx. 30cm.

Another Pair of two-handled Vase to the preceding lot, one
cracked, approx. 30cm.;

Hispano-Moresque Charger,
16th I7tti Century, the rim quartered by
blue brokered zigzag panels separating
four leaf motifs on a copper luster
ground enclosing a stylized floral band
about a central boss, restored, 40cm.;

Moresque Dish, 16th Century, the rim molded with future flowers bursting from averted leaves about blue lined well incorporating a calligraphic band, hair-crack, chip,

33cm.; 13in.

Moresque Charger,
16th 17ihCemHfy, painted in lustrous
green with bold blue outlines with
three flower sprays in relief about a well
bearing four palmettos against a finely
penciled foliate ground, riveted and chip.

Moresque Charger,
crisply molded overall1
with densely interweaving lotus scrolls
enclosing a central star boss picked out
in gold luster against a white ground,
riveted, 23cm.; 9in.

Moresque-style Charter, T9th Century, the rim molded with raise gadroons picked out in copper luster and Hue, hair-crack, 43cm.; 17in.; and a near-Eastern lead-glazed Moon flask

and Stopper.

Rehash stoneware Tankard,
circa 1720, the broad spherical body
sprigged with a crowned AR oval
medallion between incised foliate scrolls
picked out in blue and bearing applied
flower heads picked out in manganese
between vertical banding, all under a
short cylindrical neck, small hair-crack.

Porcelain Teapot and
the double ogee body
gilt with three overlapping petal bands,
each intersection enameled with an
iron-red spray of leaves, rustic handle,
damaged cover, 18cm.; 71/4in. long, anchor
mark in red.

A ‘Sevres’ Vase, mid-19th Century,
the ‘U’-form body surmounted by a
sole-form neck, standing on a spreading
foot and reserved with panels enclosing
a Watteau ensue fete champers’ and a
forest scene within chased gilt laurel and
line borders, 57cm.;

ANTIQUE BRITISH EARTHENWARE AND STONEWARE: An enameled cream ware Teapot, Wedgwood Vase, pearl ware shell-shaped Dish

Thursday, January 7th, 2010

ANTIQUE BRITISH EARTHENWARE AND STONEWARE: An enameled cream ware Teapot, Wedgwood Vase, pearl ware shell-shaped Dish

A slip decorated red earthenware
Moneybox, 18th/19th Century, of
compressed beehive form, with a knob
on top trailed with three groups of
honey-color end arks under the
treacle-color end glaze running
two-thirds down the red ware, 9.5cm.;

A Wielding-type Figure of a
muse, circa 1760, standing with a lyre
and splashed in green, her eyes detailed
in manganese, 12.4cm.;

A Weldon-type Group, mid-18th Century, molded as a toper seated astride a barrel, a bird in one hand, a jug of ale  in the other, the buff ware splashed with green and brown

glazes, restored, 7.5cm.; 3in.

An enameled cream ware Teapot
and Cover, circa 17, the globular body
painted in bright iron-red, translucent
green and yellow with sprays of roses
under a floral knops, between foliate
molded spout and strap handle, metal
repair to broken cover, small base crack,
21cm.;

A small cream ware Teapot and
Cover, circa 17, probably Norm Country,
the cylindrical sides painted with floral
sprays and sprigs beneath wasted neck
and between beaded borders, the cover
similarly painted beneath floral knops,
leaf molded spout, double strap handle,
chips, 12.5cm.;

A Wedgwood cane ware game pie
Tureen, Cover and Liner, 2nd half 19th
Century, the sides molded with dead
game pedant from vine swags, the
cover surmounted by a rabbit knops,
26cm.; impressed marks.

A Wedgwood and Bentley ‘porphyry’ Vase, circa 17, the shouldered ovoid body applied with curl handles and husk swags over a black dappled ground washed in a faint green glaze,

square black basalts base, repaired handles and foot, cracks, 27.8cm.; applied circular mark.

A Wedgwood black basalts Teapot and Cover, early 19th Century,
11cm.;

A Copeland green glazed
hedgehog Crocus Pot and Stand,
mid-19th Century, the bristly beast
pierced all over his well modeled body
and covered in a lustrous green glaze,
quarter lobed stand, hair-crack to stand,
30.5cm.; 12in. long, stand impressed
‘Copeland’ .

A rare white stoneware Bust of
Cupid, circa 1820, possibly Castleford, the
blue lined square plinth enameled on
the front with an oval English landscape,
the sides applied with neo-classical relief
medallions, chipped, glued, 26cm.;

A Spode’ stone china’ Basin, circa
1810, of canted rectangular section, the
interior printed and painted in
‘family-rose’-style enamels with peony
and other flowers amongst pierced
rockwork within flower spray borders,
40.8cm.; 16in., printed black mark.

Two Mason’s ironstone Jugs, 19th
Century, one printed with dragons
enameled in green, small crack, 17cm.;
printed and painted mark .

A Garniture of three ironstone
Vases, circa 1830, comprising: a central
and two smaller flanking vases, each
double ogee body decorated with two
color full birds among leaves between
scroll handles rising to the blue-ground
trumpet neck paneled with flowers, the
blue pedestal foot penciled with gilt
scrolls, 22cm.;

A rare pearl ware ‘Mansion House
Dwarf, early 19th Century, inspired by a
Derby original, standing with a staff in his
left hand, wearing a yellow hat and
striped shirt, 16.5cm.;

An earthenware Egg Stand and six
Cups, early 19th Century, covered
overall in a splashed pink luster, 12.5cm.;

A pearl ware shell-shaped Dish,
late 18th Century, printed with a
formalized fenced garden within a trellis
border, damaged, 14cm.;

A Pratt-type pearl ware Group, circa 10, a young boy in yellow breeches, blue coat an brown hat seated beside two sheep before a flowering tree bearing ochre-color end fruit,

11cm.;

A pearl ware Pug, early 19th Century, the pink-color end dog seated on a green cushion with red tassels looking to his right and wearing a black collar with yellow studs,

chipped tassel, 9cm.;

A ‘New Marriage Act’ pearl ware Group, early 19th Century, the parson, happy couple and diminutive witness standing about a yellow-fringed red table before gothic windows

incorporating the title, under a red-bricked arch over a red and blue veined stepped base, couple glued to base, parson’s hand missing, chip, 15cm.; 6m.

A Pratt-type Model of a deer, late 18th Century, of hollow construction, at lodge on a green mound and looking over its back, sponged in ochre, restoration to horns, ears and

neck, crack, 14cm.; 51/2in.

A Pair of pearl ware Deer, circa
10, each spotted iron-red doe or stag
standing before a short tree growing
from an oblong base molded with
flowers picked out in blue and yellow,
one head restored, minor restoration and chips
to tree    .