Antique Porcelain

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

Friday, January 15th, 2010

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.

A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.

A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.

A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in  .

TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .

A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.

A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips  .

A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).

A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).

AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia

AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).

A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).

A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.

A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).

A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.

GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.

A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).

A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200

A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.

A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.

A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.

CABINET PLATES, ‘Vienna’, ‘NAPLES’ SHAPED OVAL BOX AND COVER, 19th Century, TWO DELFT POLYCHROME CHARGERS, Dutch, 18th/19th Century

Friday, January 15th, 2010

CABINET PLATES, ‘Vienna’, ‘NAPLES’ SHAPED OVAL BOX AND COVER, 19th Century, TWO DELFT POLYCHROME CHARGERS, Dutch, 18th/19th Century

A PORCELAIN EQUESTRIAN GROUP, German, late 19th/20th Century, modelled with a figure wearing green military uniform riding a white horse, a black moor servant at his side, blue printed mark, 19cm.; 1in., small areas of restoration.

A PORCELAIN GROUP OF PUTT , German, late 19th Century, emblematic of the Four Seasons, each modelled holding appropriate attributes on an oval base, under glaze-blue mark, 16.5cm.; 6in., small chips and areas of restoration.

A PAIR OF PORCELAIN FIGURE GROUPS, German, late 19th/20th Century, each modelled as a gallant and companion seated on a scroll moulded base, crowned W mark in under glaze-blue, 11cm.; 4in.

A FLOWER-ENCRUSTED CUP AND SAUCER, Meissen, 19th Century, each piece of lobed form, encrusted and painted with colourful flowers and insects, gilt line rims, crossed swords in under glaze-blue, small chips to applied decoration {2)    .

A PAIR OF PORCELAIN CENTREPIECES, Plauen, circa 1900, each pierced rose-encrusted bowl raised on a cornucopia supported by a winged cherub standing on a domed pierced base, coloured in tones of pastel pink and orange, cross mark in under glaze-blue, 22.25cm.; 83in.. minor chips (2).

AN OVAL PORCELAIN PLAQUE, Continental, late 19th Century, painted after A. Kauffman. with a ‘Yestalin’, 12.75 by 10cm.; 5 by 4in.. gilt wood frame.

AN OVAL PORCELAIN PLAQUE, Continental, 2nd half 19th Century, painted with a portrait of a fashionable woman, 12.25 by 9cm.: 4-A by 3in., gilt wood frame.

A POTTERY JAR, Continental, circa
1900, in the form of a Negro head, wearing a
pink striped turban and black jacket, impressed
numerals, 26cm.; 10in., chips, cover lacking.

A LARGE POTTERY JARDINIERE
AND STAND, Continental, circa 1880, the
ovoid jardiniere raised on a tall pedestal
moulded in relief with acanthus scrolls and
stylised flowers, all covered in a pale blue and
ochre glaze, 136cm.; 53in., piece missing from
rim of jardiniere, area of restoration to pedestal.

TWO CABINET PLATES, ‘Vienna’, circa 1850—70, one painted with a Bavarian interior scene and the other with a classical scene, each with shield mark in under glaze-blue and script titles, 25cm.; 97/dn. (2) .
A CABINET TRAY, ‘Sevres’, circa 1860, of shaped oval form, well painted after Boucher with a rectangular panel of children playing in a cart, reserved on a yellow cell-pattern ground, interlaced L’s in blue, 33.5cm.; 13in.

A PORCELAIN PLAQUE, German, circa 1870, after Nicholas van Negre, painted with an elderly woman warming her hands by hot coals, the reverse with impressed numerals, 16cm by 12.5cm.; 6in by 47In, framed.

A PORCELAIN PART DESSERT SERVICE, Paris, circa 1870, transfer printed and coloured with groups of flowers against a green ground, comprising: three Stands, and fourteen Plates, minor damage (17) .

A MAJOLICA FLOWER HOLDER AND STAND, Continental, 2nd half 19th Century, the circular base modelled with an African figure accompanied by a large ostrich, before a palm tree supporting a cylindrical flower holder, all raised on a stepped circular base, impressed G&St., incised ,58.5cm.; 23in, overall, some chips and repair (2).

A RELIEF-MOULDED PANEL, Italian, mid-19th Century, in Delia Rubbia style, moulded in white with the Madonna and Child below cherubs and a crown, against a blue ground inside an arched frame moulded with flowers and oak leaves, the separate bone china panel moulded with a shield and cornucopia of flowers, main panel 88cm.; 34m. high, some repair (2) .

A ‘NAPLES’ SHAPED OVAL BOX AND COVER, 19th Century, relief moulded and brightly coloured with scenes of classical figures, the knops smoulder as an apple, crowned W in blue, 11cm.; 4in. Long.

TWO DELFT POLYCHROME
CHARGERS, Dutch, 18th/19th Century, one
decorated with a bird perched amongst
flowers, the other with a stylised flower vase,
each approx. 35cm.; 133Indiam., minor rim
chips (2).

A PORCELAIN PLATE, ‘Vienna’, late
19th Century, printed with Royal portraits
against a richly gilt yellow, pink and maroon
ground, beehive mark in under glaze-blue,
impressed numerals, 24cm.; 9in. Diam.

A PORCELAIN PLATE, ‘Vienna’, late
19th Century, printed with Royal portraits on
a richly gilt yellow, pink and maroon ground,
beehive mark in under glaze-blue, impressed
numerals, 24cm.; 9in.

A PORCELAIN MODEL OF A MAGPIE, ‘Naples’, late 19th Century, the
black and white bird modelled perched on a flower encrusted stump, crowned ‘N’ mark in
under glaze-blue, 34cm.; 133In, very minor chips.

A LARGE ‘BELLARMINE’ JUG, probably German, 18th Century, the bulbous body covered in a mottled brown glaze, a bearded face moulded in relief on the neck, 38cm.; 15in., cracked.

A TIN-GLAZED METAL-MOUNTED BOX AND COVER, Samson, late 19th Century, of rectangular form, the cover painted with a pastoral scene within a purple border, the base decorated with scattered flower sprays, painted ‘Sceaux’ and interlaced ‘S’ mark, 28.5cm.; long, repair to corner.

VIENNA TEA KETTLE AND COVER painted with flower, LIVERPOOL PORCELAIN TEA-POT AND COVER, BERLIN VASES AND COVERS, BELLEEK SMALL LEAF DISHES

Thursday, January 14th, 2010

VIENNA TEA KETTLE AND COVER painted with flower, LIVERPOOL PORCELAIN TEA-POT AND COVER, BERLIN VASES AND COVERS, BELLEEK SMALL LEAF DISHES

A RARE VIENNA TEA KETTLE AND COVER painted with flower and
with overhead handle ‘beehive’
mark in under glaze-blue, c. 1760,
damaged    16cm.

A MEISSEN CHOCOLATE POT AND COVER painted with flowers, ormolu  handle to cover, right angle handle crossed swords mark, late 18th Century, cracked    22cm.

A HOCHST SUSPIDOR attractively painted with a landscape in  colours and a shipping scene in cameo, about 1755-60 impressed letter mark, handle replaced14cm.

A TEA CADDY painted with flowers in colours, damaged, German, 18th Century.

A SAMSON ‘CHINESE ARMORIAL’ BOWL, blue and gilt
decoration and a similarly decorated
tea caddy, the bowl 25cm.

Two MEISSEN MODELS OF BIRDS, perched on tree stumps,
crossed swords mark, damaged, late 19th Century    31 cm.

A PAIR OF MEISSEN MODELSOF HORSES at full gallop with
flowing manes on cloud bases,
damaged, 18th Century    (2)14cm.

A SMALL PORCELAIN PLAQUE  painted with ‘Roman Charity’ after  Marratta, 19th Century 10cm.

A Bow CANDLESTICK GROUP OF ‘BIRDS IN BRANCHES’ with a dog
below a tree which holds a bird  and a nest of fledglings, damaged,
c. 1760    14cm.

A MEISSEN SERVING LADLE  painted with flowers in colour,  damaged, 18th Century 32cm.

A LIVERPOOL PORCELAIN TEA-POT AND COVER decorated in
under glaze-blue, about 1770-80,
damage to spout    19cm.

A Bow FRILL VASE AND COVER  encrusted and painted with flowers  and with double mask handles, chipped, finial missing, c. 1755-60.

A CHELSEA ‘STRAWBERRY LEAF’ SAUCE BOAT painted in soft
colours with flowers and insects,
stem handle applied with flowers
and strawberries, damaged and
riveted, about 1754    16cm.

A DERBY ‘RODNEY’ JUG painted  with flowers in colours, about  1765-70, cracked
25cm.

AN EARLY WORCESTER LEAF DISH with ‘Beckoning Chinaman’ in
family-rose style enamels, crack, c.1755-60; and a blue and white
example, c. 1760-65, cracked and
riveted    21cm. and 23cm.

A PAIR OF BERLIN VASES AND
COVERS, painted with butterflies
And flowers and encrusted with  ribbons, dahlia finials, some damage, 19th Century
42cm.

A WORCESTER TEA BOWL AND COFFEE CUP with ‘dry blue’
decoration and a Worcester cup and
saucer with ’spinning maiden’
pattern, about 1760-65 (cup and
saucer damaged).

A ‘CHINESE EXPORT’ PSEUDO
ARMORIAL EWER AND BASIN
decorated in a ‘Japan’ palette,
French, 19th Century.

BELLEEK

A PAIR OF BELLEEK SMALL LEAF DISHES, pink glaze, printed
mark 1890/1923    12.5cm.

A BELLEEK PARIAN BUST OF SORROW, the young girl with  downcast head, on glazed suckle,  impressed mark, Belleek, Co. Fermanagh, 1863-1890.

EUROPEAN PORCELAIN.

A CHELSEA SAUCE BOAT, painted  with flowers in colours, red  anchor mark, c. 1754, cracked
20cm.

MODEL OF A PARROT, Meissen, WHITE MAIOLICA VASE, Savona, 18th Century, A CUP AND SAUCER, Meissen

Sunday, January 10th, 2010

MODEL OF A PARROT, Meissen, WHITE MAIOLICA VASE, Savona, 18th Century, A CUP AND SAUCER, Meissen

A PAIR OF DELFTWARE MODELS OF RECLINING COWS, Dutch, circa 1900, each painted in blue with a floral cartouche, on a blue sponged base, painted monogram AG(f).

A PAIR OF LARGE PORCELAIN
VASES, Paris, 3rd quarter 19th Century,
each of flattened pear form, painted with
panels of children in a garden, within a
frame of applied fleshy leaves in underglaze
blue and green enamel, details picked out in
gilding, incised numerals, 53.25cm.; 21in., slight
gilt rubbing, minor haircrack to base.

A DELFT BLUE AND WHITE CHARGER, probably Dutch, early 18th Century, painted with a central medallion of concentric circles inside stylised leaves, 34cm.; 13′Ain., some

restoration.

A BLUE AND WHITE MAIOLICA VASE, Savona, 18th Century, the ovoid body pierced with groups of holes and painted with figures in an extensive landscape.

A PAIR OF LARGE COLOURED BISQUE FIGURES OF A GALLANT AND COMPANION, French, 2nd half 19th Century, each modelled standing, wearing colourful costume on a circular grassy base

edged in gilding, tallest 47.5cm.; I83Ain., haircracks, minor chips.

A TERRACOTTA BOX AND COVER, Continental, late 19th Century, moulded in relief with stags heads, the cover with a hound finial, impressed WS&S 36, 29cm.; ll’Ain., chips; and a

pink glass Vase, with combed aventurine bands.

AN OVAL CASKET, Naples, late 19th Century, moulded in relief and coloured with panels depicting scenes from classical mythology, within gilt scroll borders, hinged gilt metal

mounted cover, crowned N mark in underglaze blue, 19cm.

AN OVAL BOWL, Sevres’, late 19th Century, painted with oval panels filled with colourful flowers on a blue ground, the interior similarlv decorated beneath a gilt rim, painted A

within interlaced L’s, moulded no 790.3, 30.5cm.; 12in., some rubbing.

A SHAPED GILT METAL MOUNTED BOX AND COVER, Sevres’, 19th Century, painted with figure and landscape panels, gilt framed on a pink diaper patterned ground, blue painted

interlaced. L’s, 10cm.; 4in. long, small chip; a Royal Worcester Tyg, decorated with flowers, and a circular Box and Cover, similarly decorated.

A PORCELAIN GROUP
OF DANCERS, Continental, 1930’s,
modelled as a man and woman, each wearing
gilt costume, poised on a canted rectangular
base, indistinct green printed mark, 19cm.;
7′Ain., small chips to fingers.

A CUP AND SAUCER, Meissen, late
19th Century, encrusted with flowers and
painted with scattered flowers and insects,
crossed swords mark in underglaze-blue, chips;
also a puce ground Cup painted with a panel
of figures; a Sevres’ pink ground Milk Jug;
and a Paris porcelain Cabinet Cup.

A CABINET CUP AND SAUCER,
Vienna, 1820’s, painted with a titled view of
Lake Maggiore against a solid gilt ground,
shield mark in underglaze-blue, titled in French
script, chip to saucer and some wear.

A MODEL OF A PARROT, Meissen,
late 19th century, the brightly coloured bird
perched on a tree stump, crossed swords mark
in underglaze-blue, 31cm.; 12′Ain., some chips;
also another porcelain Model of a parrot.

A PORCELAIN RECTANGULAR
BOX AND COVER WITH GILT METAL
MOUNTS, German, circa 1770, the sides,
cover and interior painted with vignettes of
figures in a landscape inside scroll moulded
borders, 8.5cm.; 33Ain. diam, some damage.

A COLOURED BISCUIT PORCELAIN PLAQUE, German, circa 1900, moulded in high relief with a classical woman seated with child, 26cm.; 10′Ain. diam, framed and glazed.

AN OVAL PORCELAIN PLAQUE, Dresden, 19th Century, painted with a head and shoulders portrait of a woman wearing a white head-dress and collar, 18cm.; 7′Ain. long, gilt metal

frame.

A PORCELAIN VASE AND COVER, Volkstedt, late 19th Century, the vase of waisted form, painted and encrusted with flowers and cherubs against a sepia tinted ground, the cover with

a cherub finial, trident mark in under glaze blue, 29.75cm.; lPAin., small chips, one cherubs wing detatched.

A PAIR OF TIN-GLAZED EARTHENWARE FLOWER HOLDERS, French, late 19th Century, each in the form of a white cockatoo perched on a mound base, signed P.B., 33cm.; 13in. high, some

restoration.

A RELIEF-MOULDED PANEL, Italian, mid-19th Century, in Delia Robbia style, moulded in white with the Madonna and Child below cherubs and a crown, against a blue ground inside an

arched frame moulded with flowers and oak leaves, the separate bone china panel moulded with a shield and cornucopia of flowers, main panel 88cm.

A LARGE MAJOLICA PEDESTAL,
Rorstrand, late 19th Century, the waisted
upper part decorated with classical masks,
raised on a tapering square section shaft and
stepped square base, glazed in blues, browns
and olive green, impressed Rorstrand and
crowns, 113cm.; 44′Ain., haircrack to base, minor
glaze chips.

STONE CHINA COFFEE CANS, Spode, PORCELAIN PLAQUE, Coalport, DELFTWARE BOWL, English, mid-18th Century

Sunday, January 10th, 2010

STONE CHINA COFFEE CANS, Spode, PORCELAIN PLAQUE, Coalport, DELFTWARE BOWL, English, mid-18th Century

A PRATT-TYPE COW CREAMER, early 19th Century, sponged in ochre and brown, standing on a green washed base with milkmaid and pail, the rear legs tied in restraint, 16.5cm.;

6′/2in. long, cover lacking, horns chipped.

A MAJOLICA GAME PIE DISH, COVER AND SMALLER LINER, Wedgwood, circa 1862, of oval form, moulded in relief with dead game suspended from fruiting vine on a cream ground, the cover

with crouching rabbit finial, impressed WEDGWOOD, NZQ incised 12.32cm.; 12Vdn., minor chips.

A SET OF SIX STONE CHINA COFFEE CANS, Spode, circa 1820-30, each printed in blue and painted in Imari colours with a Japan’ pattern, blue printed SPODE Stone China, painted

pattern no. 2061, haircracks; and an English porcelain botanical Dessert Dish.

A MODEL OF A BEGGING DOG, Brownfield, circa 1863, holding a turquoise glazed basket in its mouth, seated on its hind legs on a turquoise and gilt tassled cushion, impressed

diamond registration mark and BROWNFIELD, 19cm.; 7′/2in., turquoise glaze discoloured.

A PEARLWARE GROUP OF ‘CHARITY’, Staffordshire, early 19th Century, a female figure modelled standing in pale blue and pink draperies on a titled square base, two children at her

side and a baby in her ams, child’s hands and woman’s thumb restored, 23cm.; 9in.

A CIRCULAR PORCELAIN PLAQUE, Coalport, circa 1830, decorated with a full-length portrait of a Hindu girl after a sketch by Capt. Grindlay, puce printed COALPORT FELSPAR

PORCELAIN circular mark and bearing the inscription ‘A Hindu girl, the frontice piece of the scenery, costumes and architecture chiefly on the western side of India by Capt. R.

N. Grindlay 1826′, 15.5cm.; 6′/nin., visible surface, framed.

A TAZZA ON FLOWERED
PEDESTAL’, Belleek, First Period, the
shallow tazza raised on a bronzed and gilt
pedestal encrusted with flower swags, all on a
square base, black printed harp, hound and tower
mark, 22.25cm.; 83Ain., pieces offlower swags
detached and damaged.

A LARGE BISCUIT PORCELAIN
GROUP, possibly Minton, circa 1840,
modelled as a young maiden wearing a long
lace-trimmed dress, jacket and hat, seated in
the bough of a tree a setter by her side, all
on a domed base with scroll border, 30.75cm.;
12′Ain., repairs to dog’s paws, damage to lace.

A COMMEMORATIVE POTTERY JUG, Staffordshire, circa 1820, printed in black with a portrait of Queen Caroline, the reverse with a ‘Green-bag’ inscription, all below a wide copper

lustre border, 12.75cm.; 5in.

A DELFTWARE BOWL, English, mid-18th Century, painted in underglaze-blue with Chinoiserie plants and fencing, 21.5cm.; 8 ‘/sin., chip and hair crack.

A FELSPAR PORCELAIN INKSTAND, Copeland & Garrett, circa 1840, the rectangular tray raised on four paw feet, fitted with a central candleholder with two liners and a cover, each

piece painted with flower sprays and gilding, grey printed cartouche mark, gilt pattern no. 5130, tray 30.5cm; 12in. long, some repair.

A ‘PORTLAND VASE’, probably Wedgwood, mid-19th Century, the fully draped figures moulded in white relief against a blue painted ground, 26cm.; 10′Ain., small chip to rim of foot
AN ENCAUSTIC TWO-HANDLED VASE, Swansea Pottery, Dillwyn’s ‘Etruscan Ware’, circa 1847-50, the terracotta fabric with Greek warriors reserved on a black ground, black printed

mark, 37cm.; 14′hin., tight haircrack to one handle and small chip to foot.

A POTTERY FIGURE OF OMAR PASHA, Staffordshire, circa 1854, modelled standing beside a column wearing an ermine trimmed cloak, sparsely coloured, gilt script title, 27cm.;

lOVsin.

A PAIR OF EQUESTRIAN FIGURES OF GARIBALDI AND PEARD, Staffordshire, circa 1864, white and gilt with orange tunics, each base titled in raised gilt capitals, 39.5cm.; 15′/2in.,

slight flaking of enamels.

A POTTERY FIGURE OF THE DUKE OF WELLINGTON, Staffordshire, circa 1850, white and gilt modelled seated in a high backed chair, titled in gilt script, 31cm.

A POTTERY MODEL OF A GREYHOUND, Staffordshire, 2nd half 19th Century, modelled seated, a dead hare at its feet, all on a grassy circular base, 28cm.

A MEAT DISH, J. Maddock, circa
1842-55, printed in blue with the ‘Fairy
Villas’ pattern, blue printed cartouche mark,
55.25cm.; 2PAin.; also a Copeland Meat
Plate, restored; and a Furnivals Meat Plate.

A PAIR OF PEARLWARE FIGURES
OF ANTHONY AND CLEOPATRA,
probably Wood 8c Caldwell, circa 1815, each
well coloured and modelled reclining on a
shaped oval grassy mound base, 30cm.;
lPAin. long, one arm restored, snake’s head
restored, minor chips.

A ‘JEWELLED’ BOWL AND COVER, Coalport, circa 1893, of compressed circular form, the green ground gilt with C scrolls about a central star-shaped gilt panel covered in white

enamel dots, green printed factory mark, gilt mark CHICAGO EXHIBITION 1893′, 10.25cm,; 4m. diam.

Art Nouveau-style Vases, circa 1900-1910, Pair of Samson porcelain Parrots, late 19th Century, A ‘Vienna’ porcelain Plate

Thursday, January 7th, 2010

Art Nouveau-style Vases, circa 1900-1910, Pair of Samson porcelain Parrots, late 19th Century, A ‘Vienna’ porcelain Plate

A Continental porcelain four-light Candelabra, late 19th Century, modelled with two children pressing black grapes and drinking wine beside a vine encrusted stump, a third putty

emerging from the stump below a colourful flower encrusted three-branch candelabra, very minor chips to flowers, crossed swords and star in under glaze-bines, 36cm.

A Continental porcelain rectangular Plaque, late 19th Century, painted after Rembrandt with ‘The Night watch’, 31 by 41cm.; 12 by 16in.

A Set of five Paris porcelain Cups and six Saucers, late 19th Century, each piece decorated with a band of stylised foliage in white enamel over a deep-red ground, the globular

cups with gilt double ring handles, painted mark Le Taller a Paris.

A ‘Vienna’ porcelain Plate, late 19th Century, finely painted with a portrait of a woman in a pink hat, signed Graf within a blue ground border gilt with a diaper pattern

between bands of white beading, beehive mark in under glaze-blue, gilt title Antoinette.

A Dutch Delft blue glazed baluster Vase, late 19th Century, of octagonal form, moulded with a low relief foliage panel of a figure playing a violin in a landscape, floral sprays

on the ground, glaze chips, hairline cracks and large chip to back off out, 30.5cm.; 12in.

Two Continental flower encrusted Clock Cases with movements, circa 1900, one with polychrome flower encrustations applied to gilt scrollwork, with a woman and cherub modelled

above, the other made by Plauen with a child amongst roses, modern movement to the latter, 35 and 27cm.

A Pair of Thuringia Art Nouveau-style Vases, circa 1900-1910, each in the form of open flower heads with applied flowers and foliage, raised on scroll feet, a scantily-clad

female figure and child with a swan modelled on the side, damage to fingers and toes, printed factory mark, 46.5cm.; 18m.
A French pale-blue pottery Footbath, late 19th Century, the oval body applied
with two loop handles, printed in blue and black with an elaborate monogram, two small chips
to jolt, star crack to base, red printed mark A. St. Augustan.

A French pottery Footbath, late 19th
Century, of oval form with loop handles,
printed in blue overall with a marbled
decoration, star crack to base, blue printed
monogram C. M. MARBRE, 44cm.

A Pair of German porcelain circular
Plaques, late 19th Century, each printed and
painted with a bust portrait of a woman in
medieval-style costume against a shaded grey
ground, impressed 22, 22cm.; 8in. diam.

A Pair of French pottery simulated
cloisonne Moon Flasks, circa 1885, each
with one dissocial side well painted with a
portrait of a male or female gipsy, signed
G. Amazed, the reverse with stylised foliage
outlined in gilding over a blue ground, all
beneath short cylindrical neck with gilt rim,
gilt rectangular foot, two chips to one Jolt, gilt
painted and impressed marks, 30.5cm.; 12in.

A Solway Pees pierced Charger, early 20th Century, pierced and colourfully glazed with a centralised design of stylised flowers and foliage within a lobed border of scrolls and

shells, blue printed marks, Made in Hungary, 40cm.

A Meissen Model of a woodpecker, 19th Century, modelled perched on a stump with colourful red, green and yellow plumage, chips, crossed swords in under glaze-blue, incised 55,

impressed 86; and a Meissen Model of a bullfinch, tallest 26.5cm.; 10in.

A Continental porcelain oval Plaque, late 19th Century, painted with the baby Moses lying in a basket amongst bulrushes, small chip to back, impressed, 17cm.

A Pair of Dresden figural Table Salts, late 19th Century, of a main and female figure resting on high-backed baskets wearing contemporary dress, in the white, each damaged, the

main with basket cracked and glued, 26.5cm.; 10in. high, under glaze crossed swords.

A Pair of Samson porcelain Parrots, late 19th Century, each bird with brightly coloured, predominantly green and yellow plumage, perched on a leafy stump, one repaired, gilt an

choir marks, 19cm.; 7in.

A Group of four Dwarf Figures, probably Samson, late 19th Century; and a
Continental Figure of a cherub; a Figure of a man begging; and a Figure of a woman; also a Staffordshire pottery Rabbit; and a porcelain Matchbox Case, some damage.

A Pair of Mettles circular Wall
Plaques, late 19th/early 20th Century, by
H. Slits, signed, each incised and coloured in shades of cream and brown with classical figure subjects, possibly Apollo and Marsha’s, amongst architectural and landscape

settings respectively, impressed castle mark and numerals, each approx. 39cm.; 153diam.
A German porcelain circular Plaque, late 19th Century, painted with the Madonna and Child offer Raphael, 14.5cm.; gilt frame.

A Meissen lobed rectangular Tray, circa 1880, outside decorated, painted alternately with triangular panels of figures on horseback in landscape and flower sprays against a

turquoise ground, within gilt scroll borders and gilt rim, tiny rim chip, 38cm.; 15in., cancelled crossed swords in under glaze-blue, incised.

A Pair of Meissen neo-Renaissance two-handled Vases, circa 1870, each blue ground ovoid body with moulded gilt borders, set with two entwined snake handles, gilding rubbed,

26.5cm.; 10in., crossed swords mark in under glaze-blue.

A Pair of Solway Pecs earthenware Vases, circa 1900, each ovoid body decorated with flowers and scrolling foliage in under glaze-blue, green, red, yellow and gilt against a

cream ground, hair-crack and chips, 30cm.; blue printed marks.

A Pair of German porcelain Figures,
19th Century, the main figure wearing a red
military uniform and carrying a black hat, his
female companion wearing a geometries
patterned skirt and jacket and carrying a
small grey dog under her arm, both figures
with details picked out in gilding, restored,
10.75cm.; 4in., interlinked ‘C mark in
under glaze-blue, impressed ‘R’ and 60.

A ‘Vienna’ porcelain Pate, late 19th Century, Pair of Thuringia Art Nouveau-style Vases, Dresden figural Table Salts, Dutch Delft blue glazed baluster Vase

Thursday, January 7th, 2010

A ‘Vienna’ porcelain Pate, late 19th Century, Pair of Thuringia Art Nouveau-style Vases, Dresden figural Table Salts, Dutch Delft blue glazed baluster Vase

A Continental porcelain four-light Candelabra, late 19th Century, modelled with two children pressing black grapes and drinking wine beside a vine encrusted stump, a third putty

emerging from the stump below a colourful flower encrusted three-branch candelabra, very minor chips to flowers, crossed swords and star in under glaze -bines, 36cm.

A Continental porcelain rectangular Plaque, late 19th Century, painted after Rembrandt with ‘The Night watch’, 31 by 41cm.

A Set of five Paris porcelain Cups and six Saucers, late 19th Century, each piece decorated with a band of stylised foliage in white enamel over a deep-red ground, the globular

cups with gilt double ring handles, painted mark Le Taller a Paris.

A ‘Vienna’ porcelain Pate, late 19th Century, finely painted with a portrait of a woman in a pink hat, signed Graf within a blue ground border gilt with a diaper pattern between

bands of white beading, beehive mark in under glaze-blue, gilt title Antoinette.

A Dutch Delft blue glazed baluster Vase, late 19th Century, of octagonal form, moulded with a low relief foliage panel of a figure playing a violin in a landscape, floral sprays

on the ground, glaze chips, hairline cracks and large chip to back of foot, 30.5cm.; 12in.

Two Continental flower encrusted Clock Cases with movements, circa 1900, one with polychrome flower encrustations applied to gilt scrollwork, with a woman and cherub modelled

above, the other made by Plauen with a child amongst roses, modern movement to the latter, 35 and 27cm. high;

A Pair of Thuringia Art Nouveau-style Vases, circa 1900-1910, each in the form of open flower heads with applied flowers and foliage, raised on scroll feet, a scantily-clad

female figure and child with a swan modelled on the side, damage to fingers and toes, printed factory mark, 46.5cm.

A French pale-blue pottery Footbath, late 19th Century, the oval body applied with two loop handles, printed in blue and black with an elaborate monogram, two small chips
to jot, star crack to base, red printed mark A. St. Augustine LOISEIJ95.GO. Haussmann Paris,44.5cm.

A French pottery Footbath, late 19th
Century, of oval form with loop handles,
printed in blue overall with a marbled
decoration, star crack to base, blue printed
monogram C. M. MARBRE, 44cm.

A Pair of German porcelain circular
Plaques, late 19th Century, each printed and
painted with a bust portrait of a woman in
medieval-style costume against a shaded grey
ground, impressed 22, 22cm.

A Pair of French pottery simulated
cloisonne Moon Flasks, circa 1885, each
with one dissocial side well painted with a
portrait of a male or female gipsy, signed
G. Amaze, the reverse with stylised foliage
outlined in gilding over a blue ground, all
beneath short cylindrical neck with gilt rim,
gilt rectangular foot, two chips to one Jot, gilt
painted and impressed marks, 30.5cm.; 12in.

A Solway Pees pierced Charger, early 20th Century, pierced and colourfully glazed with a centralised design of stylised flowers and foliage within a lobed border of scrolls and

shells, blue printed marks, Made in Hungary, 40cm.

A Meissen Model of a woodpecker, 19th Century, modelled perched on a stump with colourful red, green and yellow plumage, chips, crossed swords in under glaze-blue, incised 55,

impressed 86; and a Meissen Model of a bullfinch, tallest 26.5cm.

A Continental porcelain oval Plaque, late 19th Century, painted with the baby Moses lying in a basket amongst bulrushes, small chip to back, impressed E2, 17cm.

A Pair of Dresden figural Table Salts, late 19th Century, of a may and female figure resting on high-backed baskets wearing contemporary dress, in the white, each damaged, the

main with basket cracked and glued, 26.5cm.;   high, under glaze crossed swords .

A Pair of Samson porcelain Parrots, late 19th Century, each bird with brightly coloured, predominantly green and yellow plumage, perched on a leafy stump, one repaired, gilt

anchor marks, 19cm.

A Group of four Dwarf Figures, probably Samson, late 19th Century; and a
Continental Figure of a cherub; a Figure of a man begging; and a Figure of a woman; also a Staffordshire pottery Rabbit; and a porcelain Matchbox Case, some damage.

A Pair of Metcash circular Wall
Plaques, late 19th/early 20th Century, by
H. Skit, signed, each incised and coloured in shades of cream and brown with classical figure subjects, possibly Apollo and Maryssa, amongst architectural and landscape settings

respectively, impressed castle mark and numerals, each approx. 39cm.; 153dn. Dim.

A German porcelain circular Plaque, late 19th Century, painted with the Madonna and Child offer Raphael, 14.5cm.; gilt frame.

A Meissen lobed rectangular Tray, circa 1880, outside decorated, painted alternately with triangular panels of figures on horseback in landscape and flower sprays against a

turquoise ground, within gilt scroll borders and gilt rim, tiny rim chip, 38cm.; 15in., cancelled crossed swords in under glaze-blue, incised.

A Pair of Meissen neo-Renaissance two-handled Vases, circa 1870, each blue ground ovoid body with moulded gilt borders, set with two entwined snake handles, gilding rubbed,

26.5cm.; crossed swords mark in under glaze-blue.

Derby Figure of a Warden, circa1820, English porcelain rectangular Plaque, 19th Century, English porcelain lilac Pastille Burner, English porcelain matched Cups and Saucers

Thursday, January 7th, 2010

Derby Figure of a Warden, circa1820, English porcelain rectangular Plaque, 19th Century, English porcelain lilac Pastille Burner, English porcelain matched Cups and Saucers

A Derby Figure of a Warden, circa1820, the  stocky gentleman in maroon jacket
and puce breeches modelled standing on as quire base, his black hat beneath his arm,
repaired at ankles, jacket over painted, 14.25cm.; 5 in., orange painted crowned crossed batons and

An English porcelain rectangular
Plaque, 19th Century, well painted with a
single rose and buds on a stem with both
green and brown leaves against a shaded
puce ground, 15 by 12.25cm,framed and glazed.

A Derby porcelain Sauce Tureen and Stand, early 19th Century, each piece   painted with scattered pink roses reserved within oval gilt frames against a yellow ground, 23.5cm.;

orange painted crowned crossed batons and ‘D’, painted 20; a Derby ‘Impair’ pattern Side Plate; and a German cold painted terracotta Tobacco Jar, late 19th Century, modelled as

a gentleman seated in a chair, damaged.

An English porcelain lilac Pastille Burner, 2nd quarter 19th Century, conceived as a flower encrusted cottage with gilt framed windows and a porch supported by gilt columns,

raised on an irregular-shaped base, chimney restored, 11.5cm.

An English porcelain Group of
pugs, 19th Century, the mother dog
modelled seated, one front paw raised, with
her pup beneath her stomach, both with
beige fur and black facial markings, cracked,
19cm.; blue painted crossed swords mark.

An English porcelain Inkwell, early
19th Century, conceived as a naturalistically
coloured cherub seated astride a barrel
resting on the back of a sledge painted with
scattered flower sprays, the front of the
sledge modelled as the head and neck of a
swan, ail raised on a gilt rectangular base,
areas of restoration, 15.25cm.; 6in, long.

An English porcelain rectangular Plaque, circa 1820, painted with a spray of
colourful flowers against a shaded puce round, 15 by 12.5cm.

A Group of English porcelain matched Cups and Saucers, 19th Century, comprising: eight Cups and fourteen Saucers, minor damage; also a circular Sugar Bowl and Cover; an Egg Cup;

a glass Rule; a Pariah Shoe; a Figure of a Chinaman; and a pottery Child’s Plate.

A Group of English porcelain Dinner and Dessert Wares, early 19th Century, comprising: a Chamberlain’s Worcester Meat Dish, painted with flower sprays, a Derby ‘Impair’ pattern

oval Plate, a Chamberlain’s grey ground Dinner Plate, a Pair of Flight and Barr ‘Impair’ Saucers, an ‘Impair’ Meat Dish, two ‘Impair’ Soup Plates, a lozenge-shaped Dish painted

with a rose and three flower decorated Plates, one metal mounted, some damage.

An English porcelain armorial rectangular Plate, circa 1820, possibly Coal port, painted in the centre with the crest of Thomas Lyon of Cheshire, a grey lion’s head erased below

the motto Pro Rage et Patria on a pink ribbon, the border moulded in low relief with foliage and flowers picked out in gilding against a pale blue ground, 33cm.; 13in.; also a

Flight, Barr and Barr oval Plate, painted with an armorial; a pink border Plate; a square section Punch-Bowl; a Set of five Spode gadroon-edged Plates; and
a Chinese armorial Cup.

A Chelsea Red Anchor Plate, circa 1755, painted with fruit and vegetables within a feathered rim picked out in turquoise and iron-red, some damage and wear, 21.25cm.
A Worcester Saucier and Cover, circa 1765, the fluted body finely painted with scattered sprays of flowers and foliage, the gently domed cover similarly painted and applied with

an open floral finial, gilt line rim, restored chip under rim, fretted square mark in under glaze-blue, 11.5cm.

An English porcelain Punch Bowl,
circa 1820, probably Coal port, the blue ground
gilt with foliage reserved with colourful
boldly painted flower panels, gilt rims, two
hair-cracks, small areas of paint flaking, 27 cm.

A Spode Feldspar porcelain Dessert
Plate, circa 1820, gadroon shape, the apple
green ground reserved with a gilt-framed
tripartite panel painted with a tulip and a
rose, puce printed mark, 22.5cm.; 8. diam.;
also a Coal port Teapot Stand, early 19th
Century, painted with a band of flowers
against a gilt ground; a Saucer, red painted
Swansea, green printed Pattern 27; and a
Chinese ‘family -vertex’ Saucer, 18th Century.

An English porcelain leaf-shaped
Dish, mid-18th Century, possibly Langton Hall,
coloured in pale-green with puce veining, the
centre painted with a butterfly and a
caterpillar, green twig loop handle, areas of
restoration to leaf and handle, 17.25cm.

A Grainger, Lee & Co., Worcester
oval Meat Dish, circa 1812—20, possibly
painted by David Evans, the centre with a
colourful spray of flowers within an oval gilt
dentil frame, reserved on a deep blue
ground, gilt with a border of lambrequins
and ‘C’-scrolls, gilt dentil and line rim, riveted
hair-crack, 38cm.; 15in., early red script mark.

A Wedgwood majolica pot poured
Vase and Cover, 1860’s, the compressed
circular bowl supported by three dolphins
above a wasted triangular base, the stepped
circular cover pierced with diamonds below a
mushroom knops, ail glazed in tones of
mottled green and yellow, small chips to
dolphins, minor hair-crack to cover, impressed
WEDGWOOD, AAS, 496, 13.5cm.

A Wedgwood black basalts Inkwell,
Cover and Liner, 19th Century, the fluted
compressed circular bowl supported by three
dolphins on a wasted triangular base, fitted
with a removable well with scroll handle, the domed cover with acorn knap, cover
and repaired, impressed WEDGWOOD, 14cm.
A Pair of Wedgwood relief moulded Hunting Jugs, early 20th Century, moulded in low relief and coloured with huntsmen in landscape, chip, 15.25cm.; 6in.; also three fruit

decorated Comports; a Meissen blue ground Plate; a Wedgwood jasperware Jug; a Pair of Continental porcelain Urns and Covers; two Pieces of ruby Glass; and an onyx Ashtray

mounted with a metal Scottie dog   .

A Pair of unusual Staffordshire pottery Models of greyhounds, mid-19th Century, each lithe reddish-brown coated animal modelled lying on an oval grassy base, tin y chips,

11.5cm.;. long; also a Pair of Models of seated greyhounds; a reclining greyhound Pen Rest; a Pair of colourful French porcelain Models of cockerels; and a Pair of French

porcelain black and white Dogs.

A Pair of blue ground ironstone
Urns, 19th Century, probably Masons, each
decorated in gilding with butterflies between
gilt handles, 13cm.; also a matching
ironstone Jug.

A Group of four Chamberlain’s
Worcester gadroon-edged Plates, circa
from the service presented by
Queen Victoria to the Grand Duchess of
Hessen, each piece   well painted with a central
flower spray within a blue ground border
reserved with three or four flower panels
within richly gilt frames, comprising: two
circular Plates and two oval Plates, puce
printed, impressed and red painted script marks.

An English porcelain Ointment Pot
and Cover, circa 1830, of circular section,
painted with flower sprays, the cover
encrusted with a pink rose, very minor chips,
4cm.; and a Group of Miniature
Wares, 2nd quarter 19th Century, comprising: a
Cup and Saucer painted with an impair
pattern, a pink ground Cup and Saucer and
two circular Stands painted with flowers.

FRENCH PORCELAIN: Vienna porcelain Tea Canister and Cover, French porcelain Basin, 18th Century, Pair of French porcelain Groups, Jacob Petit Paris porcelain Mantel Clock

Sunday, January 3rd, 2010

FRENCH PORCELAIN: Vienna porcelain Tea Canister and Cover, French porcelain Basin, 18th Century, Pair of French porcelain Groups, Jacob Petit Paris porcelain
Mantel Clock

A Vienna porcelain Tea Canister
and Cover, circa 1844, the ribbed ovoid
body moulded in relief and painted with a
frieze of Oriental figures in a garden
inhabited by birds and insects that fly
above the bushes, the crown-shaped cover
painted with flowers and insects below the
pommel knop, minor chips and restoration,
15.5cm, impressed shield mark
and numerals.

A French porcelain Basin, 18th Century, possibly Chantilly, the broad shallow body painted in the centre with a Chinoiserie group of flowers clustered around a rock within a

wave moulded rim, painted with a border of smaller floral sprigs in underglaze-blue, 40.5cm.; 16in. diam., incised numeral ‘2′    ?300—400
A Pair of Paris white biscuit porcelain caryatid Supporters, late 18th/ early 19th Century, of neo-classical inspiration, each conceived as a naked female form rising from a

single hoof foot and covered by a single acanthus leaf, with two wings raised vertically which join a short pillar that sits in the middle of each garlanded head, minor

restoration, 77cm.; 30Vsm. high.

A Pair of Paris porcelain framed oval Plaques, 2nd half 19th Century, each painted with a pair of young lovers in an arcadian garden within a gilt framework of floral sprays and

scrollwork over a bleu celeste ground, plaques measure approx. 22.25cm.; 83Mn. high (2).

A Pair of French porcelain Figures of a gallant and companion, late 19th Century, each standing before a pillar wearing colourful 18th Century costume, raised on circular scroll

moulded bases, chips, 39cm.; 15Vsin., crossed swords mark in blue.

A Paris porcelain Teapot, circa 1820, of cylindrical form, gilt with a band of Gothic arches above a band of ovals picked out in blue, set with gilt handle and bird mask spout,

17cm.; 6V4n.

A Paris Empire porcelain Coffee Pot and Cover, circa 1820, of ovoid ribbed form, outlined in gilding, set with gilt palmette and scroll handle, bird mask spout, 26cm.; 10′/4n.

A Paris porcelain Mantel Clock, mid- 19th Century, of rococo inspiration, the enamel and gilt-metal dial housed within a flattened arched pierced and scroll moulded case above

an oval panel painted with a colourful spray of flowers within a gilt dentil frame, all over a Royal-blue ground, gilt with scrolls and fretwork, spreading rectangular scroll

moulded base, minor restoration, 35cm.; 13V4n. high, iron-red printed mark.

A Continental porcelain figure
Group, late 19th Century, probably Paris,
based on a Meissen original, centred
around an ornate birdcage that sits on a
table, a courtly lady stands with a dog
tucked under her arm, a parasol in the
other hand, her male companion sits by
the table playing a pipe, a young page
stands by the table between the other two,
all raised on a triangular scroll moulded
base picked out in gilding, minor chips, one
hand restored, 14.5cm.; 5V4n. high

A framed rectangular Paris porcelain Plaque, 19th Century, painted with an oval panel depicting a courting shepherd and shepherdess in an arcadian landscape, framed by gilt

scrollwork, flowers and foliage over a bleu celeste ground, restored, 25 by 50cm.;

A Pair of French porcelain Groups, late 19th Century, in Meissen style, each modelled with four figures in 18th Century costume, on an oval scroll moulded base, minor chips,

20.25cm.; 8in., blue crossed swords mark.

A French bisque porcelain tazza Column, late 19th Century, two classical maidens holding fruiting vine about a column, raised on a blue base and four black and gilt scroll

moulded feet, chip, 34cm.

A Paris porcelain Garniture of one tall and two smaller Vases, 2nd half 19th Century, each painted with groups of flowers between acanthus and scroll moulded borders enriched in

gilding, chip, some wear to gilding

A Pair of white glazed porcelain Models of elephants, late 19th Century,
probably Samson, each animal modelled in a standing position, one tail glued, 9cm.;

‘The Judgement of Paris’: A French
gilt-metal mounted porcelain lamp Base,
19th Century, modelled with a white
biscuit porcelain group of the three
scantily-clad classical goddesses standing
back-to-back, together with a peacock and
Cupid offering the apple, all on a white
glazed reeded column base between gilt-
metal mounts, 48cm.; 187/sin. high, signed
Pradier.

A Pair of Paris porcelain two-
handled Vases, 1st half 19th Century,
each of campana form, the central Royal-
blue ground decorated in gilding with a
band of foliate scrollwork and vertical slats
between a gilt body and flaring gilt rim,
raised on a short gilt stem and gilt square
base, minor chips and restoration, 29.5cm.;
HVdn. high.

A French porcelain Cream Jug,
19th Century, probably Paris, of squat true
baluster form, with gilt handle and shaped
gilt lip, painted with an oval panel of
flowers within a gilt frame, all over a bleu
celeste o-ronnd, 8.5cm.; 3Vnin. high

A Paris porcelain Mantel Clock,
19th Century, possibly Jacob Petit, the
rococo baluster body raised on a pierced
domed base with four scroll feet, the
enamel and gilt-metal dial at the centre of
a scrolling device painted with flowers and
gilding between two gilt scroll handles and
the pierced gilt scroll rim, all over a Royal-
blue ground, further gilt with scrolls and
foliage, 46.75cm.; 183Mn. high, incised mark

A Jacob Petit Paris porcelain
Mantel Clock and Stand, 19th Century, of
rococo inspiration, the circular face and
movement housed within a swirl of scrolls
picked out in gilding and encrusted with
colourful sprays of flowers above a central
oval scroll medallion painted with a
colourful spray of flowers and four gilt
scroll feet, the base of bombe commode
shape painted with panels containing
colourful sprays of flowers within a gilt
scroll frame, all over a bleu celeste ground
picked out in gilding, raised on four
further gilt scroll feet, minor restoration,
51.5cm.; 20′Ain. overall, J.P. mark in
underglaze-blue

A Pair of Paris porcelain two-
handled Vases, 2nd half 19th Century,
each footed amphora raised on a square
base, painted at the shoulders with a
colourful band of flowers over a salmon
pink ground between gilt borders, flanked
by two handles each conceived as a swan
with arched wings and gilt body and neck,
22.75cm.;

A Pair of ‘Brianchon’ Paris
porcelain Figures, 2nd half 19th Century,
modelled as a Turkish man and woman wearing decorative costume picked out in pink, pale-blue and gilding, each standing beside a large conch-shell, on a shell strewn rocky pad

and circular socle base, minor chip and restoration, approx. 30.5cm.; 12in., black printed mark, incised numerals (2)

An impressive Pair of Paris
porcelain two-handled Vases, 2nd. half
19th Century, each decorated with a
rectangular panel depicting an historic
wedding and christening within a border
of iron-red and gilt scrollwork, flanked by
two white and gilt scroll handles, all over a
salmon pink ground between gilt rims,
50.5cm.;

A Continental porcelain Vase, 2nd
half 19th Century, probably Paris, painted
with a single portrait bust of a young
woman against an oval gilt ground within
a frame of gilt shells and scrolls, all over
an iron-red ground between borders of
gilt key frets and gilt rims, 24.75cm.

A Samson porcelain Group of a
lady and cavalier, late 19th Century,
modelled in the Meissen style, the pair seated
side-by-side on a naturalistic rocky oval
base with gilt scroll rim, minor chips, 16cm.;
6′Ain. high, crossed swords and ‘S’ mark in
underglaze-blue.

A Pair of French porcelain Figures of a gallant and companion, late 19th Century, each standing in 18th Century costume on a stepped circular base, some repair and chips, 24cm.;

9′Ain., pseudo Meissen crossed swords mark.

A French porcelain ‘crinoline’ figure Group, 2nd half 19th Century,
modelled in the Meissen style, a young courtly gentleman seated behind a table book¬keeping, pausing to talk to his young lady companion who stands by his side wearing a

voluminous floral dress, a cat stands to one side of the table, all on a naturalistic oval base, small chip, 20cm.; 77/dn. high, incised and painted marks in underglaze-blue.

BERLIN AND OTHER GERMAN PLAQUES, ANTQUE AUSTRIAN PORCELAIN

Sunday, January 3rd, 2010

BERLIN AND OTHER GERMAN PLAQUES, ANTQUE AUSTRIAN PORCELAIN

Two Pairs of small German
porcelain oval Plaques, 2nd half 19th
Century, each painted with religious
subjects, including Madonna and Child,
each approx. 8 by 6cm.; 3′A by 2Vsin., carved
wood frames.

A German oval porcelain Plaque,
circa 1870, painted with a head and
shoulders portrait of a Tyrolean youth,
13.5 by 11cm.; 5′A by 4′Ain., gilt frame.

An oval Berlin porcelain Plaque, 2nd half 19th Century, painted with a portrait of a young girl praying, her body covered by a white drape and the long brown locks of hair that

fall over her shoulders, chip to underside, 23cm.; 9′/sin. high, impressed K.P.M. and sceptre marks with numerals    ?200—300
890    A German porcelain Plaque, circa 1850,’ finely painted with an angel protecting a scantily-clad maiden who sits wearing a diaphanous white robe, a mountainous and wooded

landscape in the distance, 18.5 by 15.5cm.; 7′A by 6′/sin.

A K.P.M. oval porcelain Plaque,
circa 1880, painted after G. Reni with a
portrait of Christ holding a staff, a thin
drape hung over his shoulder, his wrists
bound and the crown of thorns on his
head, 23cm.; 9in. high, impressed K.P.M. and
sceptre mark.

A German porcelain rectangular
Plaque, 2nd half 19th Century, painted
with the Madonna and Child seated, 28 by
20.25cm.; 11 by 8in., ebonised wood frame

A good Meissen rectangular
Plaque, 2nd half 19th Century, painted
with ‘La Belle Jardiniere’, after Raphael,
27.5 by 19.5cm.; WVsby 7Vdn., crossed
swords mark in blue, ebonised wood frame

A German porcelain rectangular
Plaque, 2nd half 19th Century, painted
after Murillo with a young couple seated
with a basket of grapes, she counting
monev in her left hand, 31 by 21.5cm.;
12′A by 8′Ain., framed.

A German porcelain rectangular
Plaque, 2nd half 19th Century, probably
after Murillo, painted with a Tyrolean
woman attending to a child’s hair, the boy-
sitting in front of her, a dog at his side,
31 by 21.5cm.; 12′A by 8′Ain., framed

A Vienna porcelain Figure of a flower vendor, 2nd half 18th Century, a
young woman in puce bodice and striped skirt holding out an apron full of flowers, on a shaped oval pad base encrusted with flowers, some repair, 11.5cm.; 4′Ain.

An Austrian porcelain Figure of a
peasant girl, circa 1900, signed Doebrich,
in the Royal Dux style, standing bare-foot on
a naturalistic rocky base, bending over, her
right arm raised as she mops her brow,
her left hand restraining the folds of her
skirt as it flutters in the wind, the whole
group coloured with bronzed pale pastel
shades and matt flesh tones, minor chips,
36.5cm.; 14Vdn. high, black painted and
impressed marks.

A white glazed ‘Vienna’ porcelain
figure Group of a music lesson, circa
1780, modelled as a young man seated on
a fluted plinth playing a pipe, a female
companion standing by his side looking
down at a young girl reading from a score,
two other children amuse themselves
about the naturalistic flower encrusted
base, firing crack, minor chips and restoration,
30.5cm.; 12in. high, beehive mark in
underglaze-blue.

A Vienna porcelain Hot Water Jug
and Cover, late 18th Century, the true
baluster body and domed cover painted
with scattered sprays of fruit and foliage
between a band of foliate ovolos picked
out in gilding with a central band tied with
ribbons, scattered foliage and scrolls and a
dentil rim, minor chip, knop restored,
20.75cm.; 8Vdn. high, beehive mark in underglaze-blue, impressed numerals.

A ‘Vienna’ porcelain two-handled Vase and Stand, 19th Century, the main body painted with a continuous frieze depicting ‘Adonis and Ariadne, and Hero and Leander’ in

an arcadian landscape, signed F. Lippold, beneath two gilt griffin head handles, all over a deep blue ground decorated in gilding with foliate scrollwork and lambrequins, raised

on a footed square base with similar blue and gilt decoration, cover lacking, 36.25cm.; 14′Ain. overall, shield mark in underglaze-blue, titles in red script.    ”

A matched Pair of ‘Vienna’ Plates, late 19th Century, one titled ‘Venus bei Volkan’, painted with Venus in the Vulcan’s cave, the other showing five classical figures

in discussion, each signed F. Koller, within deep blue and gilt borders reserved with five panels enclosing classical females, one with star crack to base, 24cm.; 9′Ain., shield

mark in underglaze-blue, impressed shield and crown mark.

A ‘Vienna’ porcelain octagonal
Platter, 2nd half 19th Century, the centre
decorated with ‘Pericles and Aspasia’
seated on a chaise in a room by a window
overlooking a mountain landscape, signed
D. Shaol(f), all within a pale-pink and gilt
frame and an elaborate border of
alternating puce and purple segments
decorated in gilding over a pale-green
ground and gilt rim, 35cm.; 133Ain. across,
beehive mark in underglaze-blue, script title

A Vienna porcelain Group of a
gallant and companion, 2nd half 19th
Century, the young man standing with a
dove resting on his tricorn hat, the maiden
seated beside holding a birdcage, some
repair, 19cm.; Vhin., impressed shield mark
and numerals.
A ‘Vienna’ two-handled Vase and
Cover, 19th Century, the shield-shaped
body painted with a panel of two classical
figures, titled ‘Pandora und Prometheus’
against a deep blue ground, gilt with
borders of stylised leaf and scrollwork,
raised on socle and square plinth base,
34cm.; 133Ain., shield mark in blue, impressed
numbers 808.

‘Under the Moonlight’: A Vienna porcelain Plate, mid-19th Century, signed F. Hiebel, decorated in the centre with a courtly gentleman kneeling in front of a young maiden

in the prow of a boat on a lake with mountains behind, all by the light of a silvery/white moon, within a claret border decorated in gilding with scroll devices and diaperwork,

26cm.; 10′Ain. diam., beehive mark in underglaze-blue, title in iron-red script.

A Vienna porcelain two-handled Bowl, 19th Century, the interior decorated with a titled scene of ‘Flora and Zephier’, signed J. Herget, together with Cupid and
a muse all in an arcadian garden, the
exterior decorated with gilt floral
scrollwork over a deep blue ground
between two gilt hoop handles, 19.5cm.;
73Ain. across, beehive mark in underglaze-blue,
title in black script.

A Vienna porcelain Plate, late 19th
Century, decorated in the centre with
young maidens about to begin bathing
being watched by a man from behind a
bush, all within a claret border decorated
in gilding and a gilt rim, 25cm.; 9V4n.
diam., beehive mark in underglaze-blue

A Vienna porcelain Plate, 2nd half
19th Century, decorated in the centre with
a titled classical scene of ‘Cupid’s Betrayal’,
the young infant asleep, a young man and
woman stoop over him as she commences
to clip Cupid’s wings, a mountain
landscape beyond, all within a gilt frame
and deep blue border decorated in gilding,
small hair-crack, 24.75cm.; 9V4n. diam.,
beehive mark in underglaze-blue, title in black
script.

A Pair of ‘Vienna’ porcelain two-handled Vases, Covers and Stands, late 19th Century, each shield-shaped body flanked by two gilt

handles and decorated with two scenes of classical figures in a landscape, the verso with a Cupid on a gilt panel, all over a pale-pink, blue and claret ground picked out in

gilding, on a pedestal stem and matching square section stand with spreading gilt rim, each pierced domed cover with a gilt laurel wreath ring handle, minor restoration, beehive

mark in underglaze-blue, inscription in script.

A gilt-metal mounted ‘Vienna’ porcelain Mantel Clock, 2nd half 19th Century, the drum-shaped dial and movement housed beneath a dome,

raised on two rows of five blue glazed pillars, all on a spreading square base and four gilt-metal bun feet, the dome and base each decorated with four arched panels depicting

two young girls pursuing various activities, all over a deep blue ground decorated in gilding, 40cm.; 15V4n. high, shield mark in underglaze-blue.

A Vienna porcelain Plate, 2nd half 19th Century, the centre decorated with a square panel depicting a young maiden finding a young warrior asleep beneath a tree in an

arcadian landscape, possibly allegorical of Venus and Mars, all within a gilt frame and decorative gilt border of green and claret panels over a pale-blue and yellow ground,

gilt rim, 24.5cm.; 9Vsin. diam., beehive mark in underglaze-blue