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Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
Friday, January 15th, 2010
Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery
A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.
A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.
A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in .TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips .A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).
A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).
AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia
AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).
A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).
A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.
A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.
A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).
A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200
A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.
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A PORCELAIN BOWL, Worcester, PORCELAIN FIGURES, Derby, Belleek
Friday, January 15th, 2010
A PORCELAIN BOWL, Worcester, PORCELAIN FIGURES, Derby, Belleek
A BROWN STONEWARE FLASK IN THE FORM OF A TIPSTAFF, Stephen Green, Lambeth, circa 1837, the cylindrical sides moulded in relief with a royal coat of arms and initialled ‘V R’, impressed Stephen Green, Imperial Potteries Lambeth, 28cm.; also a Group of four brown glazed Flasks, 20th Century, and a Model of a Salisbury Kettle (9).
A POTTERY VASE, Bretby, circa 1900, modelled with a stork before open bamboo shoots, all covered in a brown glaze, impressed factory mark, 29.25cm.;
cracks to stork’s leg.A PORCELAIN BOWL, Worcester, circa 1780, printed in blue with ‘The Argument’ pattern, printed disguised numeral, 25cm.; 97in. diam., small chip.
A TAZZA, Royal Worcester, circa 1865, the shallow bowl with pierced rim supported on a receded pedestal applied with a pair of cherubs, all raised on a circular base, with three scroll feet, details picked out in gilding, 16.5cm.; 6in., hair crack .
A PAIR OF POTTERY GREYHOUNDS, Staffordshire, late 19th Century, each modelled standing, one with a hare at its feet, the other with a hare in its mouth, 24cm,; 9in., minor flaking of enamels .
A PAIR OF ROYAL LANCASTRIAN
VASES, Pilkington’s, circa 1915, each ovoid
body covered in a blue glaze, impressed marks,
30.5cm.; 12in.; also another Royal Lancastrian
Vase; and a Chameleon ware Vase (4).A PORCELAIN FIGURE OF A LADY,
French, late 19th Century, standing holding
a fan, wearing a plumed hat, turquoise coat
and crinoline dress, raised on a scroll
moulded base, gold anchor mark, 25.5cm.;
small chips; also another porcelain
Figure of a lady wearing a green crinoline
dress (2).A FIGURE GROUP, German or
French, late 19th Century, modelled as a
young man at the side of his companion,
Cupid standing on his back, Harlequin
standing behind, raised on a shaped oval
base, 14cm.; 5in, high, some repair and chips.A FIGURE OF A YOUNG GIRL, Meissen, 19th Century, standing playing a tambourine, wearing a puce bodice and floral skirt, crossed swords mark in under glaze-blue, 12.5cm.; 47in, some damage; also a Continental porcelain Figure of a young girl with basket (2).
A STONE CHINA PART DINNER SERVICE, Spode and Copeland & Garrett, circa 1820 and later, painted with a ‘Japan’ pattern of groups of flowers painted in under glaze-blue, red and gilt, comprising: eighteen Dinner Plates, nine Soup Plates and fifteen Dessert Plates, impressed and printed marks, some chips and cracks (42) .
A SQUIRE’ POTTERY TOBY JUG, Staffordshire, mid-19th Century, of traditional form, seated holding a jug of ale wearing a blue coat, red waist jacket and yellow breeches, 28cm.; high, arm repaired; also a Staffordshire ‘Night watchman’ Toby Jug (2).
A PAIR OF PORCELAIN FIGURES OF MUSICIANS, Derby, circa 1830, a young man and companion standing wearing colourful costume, he blowing a pipe and beating a tambourine, the lady holding a triangle, each raised on a pierced scroll moulded base enriched in gilding, red painted marks, 20cm.; 77in,, chips and some repair.
A SHAMROCK BASKET, Belleek, Second Period, of trefoil form, with four strand base below pierced sides applied at the rim with three groups of flowers, impressed Belleek, Co. Fermanagh, Ireland, 13cm.; 5in. Wide.
AN ABERDEEN VASE, Belleek, Second Period, the squat body moulded with ovals below applied flowers, black printed mark, 15.25cm.; 6in. high, some chips and haircrack; also a Belleek Cup and Saucer (3) .
A SMALL BIRD’S NEST BASKET, Belleek, First Period, the three strand base and sides below a rim encrusted with flowers, impressed Belleek, Co. Fermanagh, 9.5cm.; 33in diam., small chips; also a later Belleek heart-shaped Basket applied with coloured flowers .
A SHAMROCK BASKET, Belleek, First Period, of trefoil form, with three strand base below pierced sides, the rope twist rim applied with three groups of flowers, impressed mark Belleek, Co. Fermanagh, 16cm.; 6in. divide, some damage .
A HENSHALL BASKET, Belleek, Second Period, of oval form, with four strand base beneath pierced sides set with entwined twig handle applied at the ends with groups of flowers, impressed mark Belleek, Co. Fermanagh, Ireland, 28cm.; 11in. long, very minor chips.
A PAIR OF POTTERY SPANIELS, Staffordshire, 2nd half 19th Century, each modelled seated, their fur with orange markings, 25.5cm.; Win.; and a Staffordshire pottery Spaniel with black markings; and a smaller example with copper lustre markings (4).
A PAIR OF POTTERY SPANIELS, Staffordshire, late 19th Century, modelled seated, their fur with copper lustre markings, 24cm.; 9in.; and a similar Pair (4) .
A STONEWARE VASE, Bernard Leach, circa 1950, of wasted cylindrical form, streaked in brown against a pale green ground, impressed St Ives and B L seals, 14.5cm.; 53in.
A BLUE JASPERWARE JARDINIERE, Wedgwood, early 19th century, the inverted bell-shape decorated in white relief with Classical Figures beneath swags of fruiting vines suspended from lion mask and ring handles, impressed WEDGWOOD, 23.5cm.; 9in.A GROUP OF FOUR POTTERY
FIGURES, Staffordshire, mid-19th Century,
comprising: a Group of a girl with a rabbit
before a hutch; an inkwell Figure of a Turk;
an inkwell Group of a girl and goat; and an
inkwell Group of a boy and dog, tallest 19cm.;
7in., minor damage and restoration (4). -
A POTTERY FIGURE, Staffordshire
Friday, January 15th, 2010
A POTTERY FIGURE, Staffordshire
A PARIAN GROUP OF UNA AND
THE LION, 2nd half 19th Century, the
semi-naked woman modelled seated on the back of the walking animal, all raised on a rectangular base, 26cm.; 10in.A PAIR OF POTTERY FIGURES OF A SHEPHERD AND SHEPHERDESS, Staffordshire, late 19th Century, modelled standing holding either a lamb or a puppy on shaped grassy bases, each approx. 23.5cm.; 9in., some restoration.
A POTTERY UNIFORMED FIGURE, Staffordshire, 2nd half 19th Century, modelled kneeling wearing a pale blue jacket with black insignia, his peaked cap with a green band, 25.5cm.; Win., restoration to hands and knee.
A POTTERY FIGURE OF A HUNTSMAN, Staffordshire, 2nd half 19th Century, modelled standing before an open stump, a dog at his side, 30.5cm.; 12in.; also a Staffordshire Group of lovers; a Figure of a Scotsman and Dog; and a Figure of a Toper seated beside a barrel (4).
A PAIR OF FIGURES OF QUEEN VICTORIA AND PRINCE ALBERT, Staffordshire, mid-19th Century, each figure modelled seated on a mound base, he wearing an under glaze-blue jacket, she a puce blouse and under glaze-blue shirt, each approx. 11.5cm.; 4in., hair crack (2) .
A POTTERY JARDINIERE AND
STAND, Staffordshire, 20th Century, in Art
Nouveau style, moulded in low relief with
stylised flowers and printed in blue with
female heads and orchids, 84cm.; 33in.; and a
Set of three Chargers, printed with a similar
subject (5).A ‘GOLDSTONE’ SINGLE-HANDLED
ISIS JUG, Clarice Cliff, circa 1933, the
ribbed body covered in a textured speckled
brown glaze and enamelled with diagonal
bands in blue, green black and white, black
printed and painted mark, 18cm.; 7in.TWO PAIRS OF POTTERY COW CREAMERS, Staffordshire, late 19th Century, each printed with the ‘Willow’ pattern in blue, each approx. 13cm.; 5in. high, minor chips and cracks (8).
A POTTERY FIGURE OF THE ‘PRINCE OF WALES’, Staffordshire, 2nd half 19th Century, standing wearing a sailor suit, both hands in his pockets, 30.5cm.; 12in., some restoration; also a Group of ‘The Wounded Soldier’, restored; a Figure of ‘Miss F Nightingale’, restored; and a Figure of ‘Field Marshal Roberts’ (4).
A POTTERY FIGURE OF LORD BYRON, Staffordshire, circa 1848, seated in bluejacket and trousers, an orange cloak draped over his shoulders, raised on a canted square base titled in gilt, 19cm.; 7in.
A PAIR OF POTTERY COW AND ATTENDANT GROUPS, Staffordshire, late 19th Century, modelled as a youth and milkmaid standing before a brown and white cow raised on oval base, 26cm.; 10in. high, some restoration; also a smaller Pair of cow and calf Groups (4) .
A PAIR OF POTTERY COW CREAMERS AND COVERS, Staffordshire, 19th Century, each cow modelled standing on a shaped base, its coat splashed with pink lustre, a milkmaid by its side, 13cm.; 5in., tail repaired, minor enamel flaking (4) .
A PORCELLANEOUS GROUP OF AN OLD WOMAN AND CHILD, Staffordshire, mid-19th Century, modelled as an old woman standing with her arm around the shoulder of a young boy, 18cm.; 7in., minor damage; also a Staffordshire Figure of a young man with his arm around
a young lady (2).A PAIR OF POTTERY FIGURES OF A SHEPHERD AND SHEPHERDESS, Staffordshire, mid-19th Century, modelled as a Highlander and companion standing on a rocky mound above lambs, 27cm.; 10in., minor damage; also a Staffordshire Group of a young man and companion; a Figure of ‘Red Riding Hood’; and a Figure of ‘Mother Hubbard’ (5) .
A POTTERY SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as a young man seated in a boat on water below a twin turreted castle, 17cm.; 63Inhigh, some repair; also two Staffordshire pottery Cottages; and a Hen Basket and Cover (5).
FOUR POTTERY FIGURE GROUPS,
Staffordshire, 2nd half 19th Century, each
raised on titled bases, comprising: ‘Fortune
Teller’, ‘Tarn O’Shanter and Sooter Johnny’,
‘Darby and Joan’ and ‘Fortune Teller’, various
sizes (4).A POTTERY FIGURE OF GARIBALDI, Staffordshire, late 19th Century, standing before a horse wearing an orange shirt and white trousers raised on a grassy oval base, 23cm.; 9in. high, restored; also a Staffordshire Figure of ‘Garibaldi at Home’; and two Figures of ‘Will Watch’ and ‘Rob Roy’(4).
TWO POTTERY EQUESTRIAN FIGURES OF TOM KING’ AND ‘DICK TURPIN’, Staffordshire, 2nd half 19th Century, each seated on a horse facing to the left or right on an oval titled base, 28cm.;
1 lin., minor restoration (2).A PAIR OF POTTERY SPANIELS,
Staffordshire, mid-19th Century, each brown
and white animal seated wearing a black
chain and gilt collar, 22cm.; 83In(2).A PAIR OF POTTERY CATS, Staffordshire, circa 1890, each black and white animal seated on a brown and green tasselled cushion, 19cm.; 7in., chips; also a Pair of Staffordshire zebras (4) .
A PEARL WARE GROUP OF A EWE AND LAMB, circa 1820, the lamb standing before a flowering tree, its back painted with the initials ‘RW, oval base, 13cm.; 5in. high, restored; also a pearl ware Figure of Elijah and the Raven (2).
TWO SIMILAR PORCELAIN PLATES, Staffordshire, circa 1840, each painted with flower studies inside a cream and green border enriched in gilding, 23cm.; 9in. (2).
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PORCELAIN BASKET, English, FIGURE CANDLESTICK, Royal Worcester, late 19th Century, RECTANGULAR TRAY, Royal Crown Derby, circa 1900
Friday, January 15th, 2010
PORCELAIN BASKET, English, FIGURE CANDLESTICK, Royal Worcester, late 19th Century, RECTANGULAR TRAY, Royal Crown Derby, circa 1900
A PAIR OF PEARLWARE FIGURES OF ANTHONY AND CLEOPATRA, probably Wood & Caldwell, circa 1815, each well coloured and modelled reclining on a shaped oval grassy mound base, 30cm.; long, one arm restored, snake’s head restored, minor chips (2).
A SMALL FOOTED JARDINIERE, Walter Moorcroft, 1960’s, decorated with large pink flowers on a deep blue ground, applied paper label, impressed MOORCROFT MADE IN ENGLAND, painted HM monogram, 12.5cm.; 5in.
A MODEL OF A BEGGING DOG, Brownfield, circa 1863, holding a turquoise glazed basket in its mouth, seated on its hind legs on a turquoise and gilt tasselled cushion, impressed diamond registration mark and BROWNFIELD, 19cm.; 7in., turquoise glaze discoloured.
AN OVOID VASE, Walter Moorcroft, 1960/70’s, decorated with salmon pink flowers on an olive green ground, painted WM monogram, impressed MOORCROFT MADE IN ENGLAND, 17.5cm.; 67In; and a similarly decorated Walter Moorcroft baluster Vase (2).
A PORCELAIN BASKET, English, circa 1825-30, of shaped rectangular form with twig loop handle, painted with a view of Malvern, Worcester, against a gilt vermicular ground and gilt gadroon rim, red painted ‘Malvern Worcester’, 14cm.; 5in. across, handle restored.
A FIGURE CANDLESTICK, Royal Worcester, late 19th Century, in the white, modelled with a child standing before a tree stump topped by a candleholder, impressed crowned circle mark, 19.5cm.; 7dn., chip to candleholder; and a Royal Worcester figure Group, ‘Forest Dance’, after a model by
F. Doughty (2).AN OVAL BLACK BASALTES PLAQUE, early 19th Century, after a Wedgwood original, vigorously moulded with ‘The Marriage Supper of Pursues and Andromeda’ within a moulded oval frame, 28.5cm.; chip to rim.
A SUCRIER AND COVER, Worcester, circa 1770, gilt with ‘The Queen’s pattern’, the open floral finial picked out in gilding, 12.5cm.; 47In(2).
A ‘BOTANICAL’ MUG, probably Coal port , circa 1830, finely painted with a spray of roses and a hydrangea sprig, 10.5cm.; 4in., hair crack to rim .
A PAIR OF NEO-ROCOCO VASES AND ONE COVER, probably Coal port or Minton, circa 1840—60, painted with receded panels of colourful flowers reserved on a green ground between gilt foliate scroll handles, scroll feet, 33cm.; 13in., one handle restored (3).
A TRAY, Wedgwood, circa 1864-1881; also a Minton’s Plate, each painted by W.J. Goode, signed, with a group of naked putt playing in a river, impressed marks, the tray painted by W.J. Goode June 1864, 42cm.; 16in., the plate 26cm.; Win. diam. 12.
A GROUP OF BLACK BASALTES WARES, early 19th Century, comprising: a Teapot and Cover decorated with vignettes of a mother and child within receded borders: a Bowl with engine turned decoration; a similarly decorated Jug; and a Sugar Box and Cover decorated with panels of figures within formal borders, some minor damage (6).
AN EARTHENWARE JUG, Royal Doulton, early 20th Century, the ovoid body printed in black with a rhyme and the motto ‘The pleasure of doing Good is the only one that never wears out’, printed lion crown and circle mark, 16.5cm.; 6in.; and a Royal Doulton Dewar’s Whisky Flask printed and coloured with Britannia (2).
A PAIR OF VASES, Royal Crown Derby, circa 1889, each of double gourd form, painted with ‘Japan’ pattern ‘1366′ in IMERYS colours, orange printed mark, 16cm.; 6in., neck of one vase repaired (2).
A SHAPED RECTANGULAR TRAY, Royal Crown Derby, circa 1900, painted with ‘Japan’ pattern ‘2451′ in Impair colours, orange printed marks, painted pattern number, 45cm.; 173In.
A GROUP OF PORCELAIN WARES, circa 1770—1800, comprising: a Pennington’s Liverpool Trio; two Christian’s Liverpool Tea bowls; a Worcester pickle leaf Dish; a Staffordshire porcelain Tea bowl and two Saucers; a Chinese saucer Dish; and a cream ware Coffee Can inscribed Trifle from Lowestoft’, some damage and repair.
A BISCUIT FIGURE OF HANNAH MOORE, Minton, circa 1830-40, seated in an armchair, her left foot on a stool, pierced scroll base, 16.5cm.; 6in.
TWO BISCUIT FIGURES OF A SHEPHERDESS AND A DOG, Minton, circa 1830—40, the dog on a rocky base, the shepherdess kneeling with a iamb and a basket of moss on a domed scroll base, 10cm.; 4in.. the dog with chipped tongue, the shepherdess with minor chips and repaired arm.
A BISCUIT FIGURE GROUP,
Minton, circa 1830—40, modelled with a
young girl watching a kitten at play, on a
rocky base, incised numerals, 10.75cm,;
4in.A BISCUIT FIGURE, Minton, circa
1830-40, modelled with a young girl seated
on an upturned basket, a begging dog by her
side, domed scroll base, incised ‘N’, 12cm.;
43in, small chip .A TWO-HANDLED BOWL AND COVER, Coal brook dale or Minton, circa 1835, painted and encrusted with flowers, set with branch handles, 10cm.; 4in. high, chips (2).
A GROUP OF STUDIO POTTERY, comprising: a Val Barry Dish; four Richard Batterham Bowls; two Mary Rogers Vases; two stoneware Bowls; and a pierced porcelain Bowl, some with impressed and incised marks, between 19.5cm. and 7cm.; lin. and 2in. (10).
A PARIAN FIGURE OF PRINCE ALBERT, Copeland, circa 1862, after a model by G. Abbot, the Prince modelled seated in a chair, raised on a stepped rectangular base, impressed COPELAND and G ABBOT FECIT PUBLISHED MAY 1st 1862 BY RICHARD McMichael AND CO. 5 ADAM ST. EAST PORTMAN SQUARE LONDON, 21cm.; 10in., neck restored, small chip to back corner of base.
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CABINET PLATES, ‘Vienna’, ‘NAPLES’ SHAPED OVAL BOX AND COVER, 19th Century, TWO DELFT POLYCHROME CHARGERS, Dutch, 18th/19th Century
Friday, January 15th, 2010
CABINET PLATES, ‘Vienna’, ‘NAPLES’ SHAPED OVAL BOX AND COVER, 19th Century, TWO DELFT POLYCHROME CHARGERS, Dutch, 18th/19th Century
A PORCELAIN EQUESTRIAN GROUP, German, late 19th/20th Century, modelled with a figure wearing green military uniform riding a white horse, a black moor servant at his side, blue printed mark, 19cm.; 1in., small areas of restoration.
A PORCELAIN GROUP OF PUTT , German, late 19th Century, emblematic of the Four Seasons, each modelled holding appropriate attributes on an oval base, under glaze-blue mark, 16.5cm.; 6in., small chips and areas of restoration.
A PAIR OF PORCELAIN FIGURE GROUPS, German, late 19th/20th Century, each modelled as a gallant and companion seated on a scroll moulded base, crowned W mark in under glaze-blue, 11cm.; 4in.
A FLOWER-ENCRUSTED CUP AND SAUCER, Meissen, 19th Century, each piece of lobed form, encrusted and painted with colourful flowers and insects, gilt line rims, crossed swords in under glaze-blue, small chips to applied decoration {2) .
A PAIR OF PORCELAIN CENTREPIECES, Plauen, circa 1900, each pierced rose-encrusted bowl raised on a cornucopia supported by a winged cherub standing on a domed pierced base, coloured in tones of pastel pink and orange, cross mark in under glaze-blue, 22.25cm.; 83in.. minor chips (2).
AN OVAL PORCELAIN PLAQUE, Continental, late 19th Century, painted after A. Kauffman. with a ‘Yestalin’, 12.75 by 10cm.; 5 by 4in.. gilt wood frame.
AN OVAL PORCELAIN PLAQUE, Continental, 2nd half 19th Century, painted with a portrait of a fashionable woman, 12.25 by 9cm.: 4-A by 3in., gilt wood frame.
A POTTERY JAR, Continental, circa
1900, in the form of a Negro head, wearing a
pink striped turban and black jacket, impressed
numerals, 26cm.; 10in., chips, cover lacking.A LARGE POTTERY JARDINIERE
AND STAND, Continental, circa 1880, the
ovoid jardiniere raised on a tall pedestal
moulded in relief with acanthus scrolls and
stylised flowers, all covered in a pale blue and
ochre glaze, 136cm.; 53in., piece missing from
rim of jardiniere, area of restoration to pedestal.TWO CABINET PLATES, ‘Vienna’, circa 1850—70, one painted with a Bavarian interior scene and the other with a classical scene, each with shield mark in under glaze-blue and script titles, 25cm.; 97/dn. (2) .
A CABINET TRAY, ‘Sevres’, circa 1860, of shaped oval form, well painted after Boucher with a rectangular panel of children playing in a cart, reserved on a yellow cell-pattern ground, interlaced L’s in blue, 33.5cm.; 13in.A PORCELAIN PLAQUE, German, circa 1870, after Nicholas van Negre, painted with an elderly woman warming her hands by hot coals, the reverse with impressed numerals, 16cm by 12.5cm.; 6in by 47In, framed.
A PORCELAIN PART DESSERT SERVICE, Paris, circa 1870, transfer printed and coloured with groups of flowers against a green ground, comprising: three Stands, and fourteen Plates, minor damage (17) .
A MAJOLICA FLOWER HOLDER AND STAND, Continental, 2nd half 19th Century, the circular base modelled with an African figure accompanied by a large ostrich, before a palm tree supporting a cylindrical flower holder, all raised on a stepped circular base, impressed G&St., incised ,58.5cm.; 23in, overall, some chips and repair (2).
A RELIEF-MOULDED PANEL, Italian, mid-19th Century, in Delia Rubbia style, moulded in white with the Madonna and Child below cherubs and a crown, against a blue ground inside an arched frame moulded with flowers and oak leaves, the separate bone china panel moulded with a shield and cornucopia of flowers, main panel 88cm.; 34m. high, some repair (2) .
A ‘NAPLES’ SHAPED OVAL BOX AND COVER, 19th Century, relief moulded and brightly coloured with scenes of classical figures, the knops smoulder as an apple, crowned W in blue, 11cm.; 4in. Long.
TWO DELFT POLYCHROME
CHARGERS, Dutch, 18th/19th Century, one
decorated with a bird perched amongst
flowers, the other with a stylised flower vase,
each approx. 35cm.; 133Indiam., minor rim
chips (2).A PORCELAIN PLATE, ‘Vienna’, late
19th Century, printed with Royal portraits
against a richly gilt yellow, pink and maroon
ground, beehive mark in under glaze-blue,
impressed numerals, 24cm.; 9in. Diam.A PORCELAIN PLATE, ‘Vienna’, late
19th Century, printed with Royal portraits on
a richly gilt yellow, pink and maroon ground,
beehive mark in under glaze-blue, impressed
numerals, 24cm.; 9in.A PORCELAIN MODEL OF A MAGPIE, ‘Naples’, late 19th Century, the
black and white bird modelled perched on a flower encrusted stump, crowned ‘N’ mark in
under glaze-blue, 34cm.; 133In, very minor chips.A LARGE ‘BELLARMINE’ JUG, probably German, 18th Century, the bulbous body covered in a mottled brown glaze, a bearded face moulded in relief on the neck, 38cm.; 15in., cracked.
A TIN-GLAZED METAL-MOUNTED BOX AND COVER, Samson, late 19th Century, of rectangular form, the cover painted with a pastoral scene within a purple border, the base decorated with scattered flower sprays, painted ‘Sceaux’ and interlaced ‘S’ mark, 28.5cm.; long, repair to corner.
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WEDGWOOD CREAMWARE Wine COOLERS, FAIENCE DESSERT DISHES, STAFFORDSHIRE FIGURE, WESTERWALD STONEWARE VASE
Thursday, January 14th, 2010
WEDGWOOD CREAMWARE Wine COOLERS, FAIENCE DESSERT DISHES, STAFFORDSHIRE FIGURE, WESTERWALD STONEWARE VASE
A PAIR OF WEDGWOOD CREAMWARE Wine COOLERS of
barrel shape with double handles and red line borders, late 18thCentury, impressed marks (2)22cm. High.
A CANEWARE BOUGHPOT AND
COVER moulded with basketwork
pattern picked out in green and blue
enamel, possibly Davenport, early
19th Century, cracked (2)15cm. High.Two PEARLWARE TEA CADDIES, a Mustard Pot and Cover, a Cream Jug, a Strainer and a small Tea Bowl, all late 18th Century.
A PAIR OF CONTINENTAL FAIENCE DESSERT DISHES with lilac coloured glaze and an English large salt glaze Charger, 19th Century.
A STAFFORDSHIRE RALPH WOOD ‘FAIR HEBE’ JUG with figures
and a dog in relief, glazed in blue,
grey and greens, damaged and
restored, c. 1788 24cm. High.A RALPH WOOD BUST OF
WESLEY with lilac and green cloak
over his black tunic, impressed Ra.
Wood no. 81, c. 1780, base restored
23cm. High.AN AMUSING STAFFORDSHIRE
‘FROG’ MUG with double handle,
inscribed ‘John Mytton, Halston’
and painted with flowers, early 19th
Century, small crack 13cm. highA STAFFORDSHIRE FIGURE of a
Woman, holding a cockerel, green
glazed, slight repair, late 18th Century Hem. highA SALTGLAZE TANKARD with
Gothic motifs in relief, with Dublin
silver mounts, 19th Century, handle
broken 23cm. High.Two TURKISH IZNIK EWERS, a
large plate (damaged) and two
Turkish tiles.A WESTERWALD STONEWARE VASE, the discoid body with tall tubular neck and double handles moulded with elaborate patterns in blue and manganese, 19th Century 45cm.
A LONDON SALTGLAZED OVIFORM JAR, applied with hunting scenes and topers, late 18th Century 12cm. highA STAFFORDSHIRE PEARLWARE
OVAL PLAQUE moulded in relief with
a bust portrait of a classical philosopher picked out in yellow and black, c. 1800 19cm.
A SALTGLAZE TEA-POT AND COVER with moulded reliefs after
Adam Buck, picked out in blue and
green possibly Davenport, early 19th
Century (2).A PAIR OF WEDGWOOD BLACK JASPER VASES of cylindrical shape decorated in white relief, after Flaxman, silver mounts, one vase damaged, impressed marks22cm. High.
A BLACK JASPER JUG with
hunting scenes in white relief; a
Copeland stoneware Jug similarly
decorated and a black jasper Bowl
with classical figures, white relief,
early 19th Century (3)
13cm. high and 16cm. High.BLACK BASALTES. A small Wedgwood Tea Pot and Cover with scrolling foliage, impressed mark; a Cream Jug; a Sugar Bowl and Cover commemorating Trafalgar and a large Teapot and Cover commemorating Wellington and dated 1813, damaged.
A WEDGWOOD ROSSO ANTICO TEAPOT AND COVER with flowers in family-rose enamels, impressed mark, early 19th Century, cover chipped.
A PAIR OF IRONSTONE
OCTAGONAL TUREENS, COVERS AND
STANDS with lion finials, gilt Chinese style flowers on a rich blue ground,first half of 19th Century, one damaged (6)
22cm. Diameter.AN OVAL POTTERY WHISKY BARREL, decorated with a stag, inscribed in gilt, “Special Malt”, damage to the tap, c. 1900, 34cm. high.
A POTTERY MUG, with a photo-transfer of General Michael Collins, 10cm. high, c. 1920.
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DERBY PORCELAIN SQUARE DISH, DUTCH DELFT PLATES, BRISTOL DELFT BOWL
Thursday, January 14th, 2010
DERBY PORCELAIN SQUARE DISH, DUTCH DELFT PLATES, BRISTOL DELFT BOWL
A WORCESTER ‘CABBAGE LEAF’ JUG with mask spout, printed in black with Freemasons arms, c. 1760, restored around handle 21cm.
A NEW HALL TEA-POT AND COVER painted with flowers and trellis design, about 1810-15 and a Spode octagon shape Tea-Pot and Cover, cracked about 1815-20 .
A CONTINENTAL POT-POURRI
painted with birds and a Chinaman
(damaged); and a plate depicting
Louis XIV, 19th Century .A WORCESTER PLATE with
‘Japan’ pattern, a Worcester Saucer
with gilt decoration, a New Hall
Saucer; a Liverpool Tea Bowl, five
various Tea Bowls, a Saucer and
three Coffee Cups, mid-18th and
early 19th Centuries.A WORCESTER TEA-POT AND COVER printed in under glaze-blue with flowers and a Bristol (hard paste) porcelain Tea-Pot and Cover painted with flowers, about 1775-80 (restored).
A CHAMBERLAIN’S WORCESTER MUG with pierced ‘double wall’ body, painted with birds, yellow border, mark in sepia, about 1815, handle damaged 11.5cm.
A DERBY PORCELAIN SQUARE DISH with pierced rims and painted with flowers in colour, c. 1810 21cm.
A DELFT TANKARD painted in
blue on a spirally moulded body
with Chinese figure below a
cylindrical neck, handle missing,
cracked, early 18th Century
21cm.A PAIR OF DUTCH DELFT
PLATES painted in blue with
flowering trees in Chinese style,
mark of De Bloemen pottery,
chipped, 18thCentury
35cm.A DUTCH DELFT VASE AND
COVER, painted in blue with an
angler; and another with Chinese
style flowers and trellis pattern, late 18th Century, damaged 28cm.A DUTCH DELFT VASE painted in blue in Chinese style with sages in a mountainous landscape, early 18th Century, chipped 29cm.
A BRISTOL DELFT BOWL painted with stylised flowers in yellow, red and blue below a trellis border, c. 1760, damaged 26cm.
A LIVERPOOL DELFT PLATE
decorated in blue with a Chinese
lady and her servant beneath a tree within a trellis border, c. 1760
35cm.A PAIR OF DUTCH DELFT FLUTED VASES painted in colours
with birds and flowering trees, 19th Century ,18cm.
AN UNUSUALLY LARGE DELFT CHARGER, painted in blue with a
central bowl of flowers in Chinese
style within a border of Buddistic pa kuaka symbols, chips to rim, c. 1760,
probably Dublin 51cm. Gosford Castle CollectionANOTHER, with a petal design on a dark blue ground with a central group of flowers, edge repaired, possibly Dublin or Liverpool, c. 1760 57cm.
A BRISTOL DELFT FLOWER BRICK decorated with Chinese figures in bright colours, c. 1760, damaged 14cm.
A SET OF FOUR DUBLIN DELFT DINNER PLATES painted in blue in Chinese style with bowls of flowers, Buddhistic symbols (chips), c. 1760 (4)
24cm.A DUBLIN DELFT PLATE
painted in blue in Chinese style with
bowls of flowers, marked ‘5′ on
reverse (chips), c. 1760 30cm.A LARGE DUTCH DELFT
CHARGER with a Chinese design in
blue and another with panel of
flowers, chipped, 18th Century 35cm.A DUTCH DELFT SMALL PLATE
with ‘peacock’ pattern in blue, B.P.mark, 18th Century 20cm. Diameter.A LARGE DUTCH DELFT PLATE
with a Chinese river scene, and another with an amusing Chinese
stag hunting scene, chipped, 18th Century (2) 36cm. Diameter. -
‘VIENNA’ PLATES, circa 1900, CIRCULAR BASKET, Meissen, PORCELAIN MIRROR, PORCELAIN CLOCK GARNITURE, German
Sunday, January 10th, 2010
‘VIENNA’ PLATES, circa 1900, CIRCULAR BASKET, Meissen, PORCELAIN MIRROR, PORCELAIN CLOCK GARNITURE, German
A POTTERY FIGURE OF A BOY ON A SEAL, Continental, early 20th Century, signed C.L. Doman, the seal covered in a pale blue glaze, raised on a circular wooden base, incised
signature, 25cm.; 97Ain.; and a pottery Model of the Madonna and Child by the same artist, raised on an ebonised wood base.
A PAIR OF PORCELAIN CORNUCOPIA WALL POCKETS, German, late 19th Century, each applied with two putti amongst encrusted flowers, 31cm.; 12′Ain., some restoration and chips.
FOUR ‘SEVRES’ PLATES, probably Limoges, circa 1900, painted with portraits, putti and figure subjects against blue grounds, various pseudo Sevres marks, largest 33.5cm.:
13′Ain.; also a pair of German porcelain figures of children carrying baskets.
TWO ‘VIENNA’ PLATES, circa 1900, each painted with Classical figure subjects titled Achilles’ and ‘Endymion’, inside deep blue and gilt borders, shield marks in blue, 24cm.: 9
one chipped.
A SET OF THREE ‘VIENNA’ PLATES, circa 1900, each painted with Classical females inside a maroon border enriched in gilding, shield mark in blue. ”
A PORCELAIN GROUP, German or French, circa 1900, modelled as a young woman stepping out of a sedan, attended by three gallants, factory mark in blue, 25.5cm.; Win. high, minor
chips and repair.
A PORCELAIN FLOWER HOLDER, Royal Dux, 1920’s, modelled with a boy and girl seated at either end of a large open basket, typically coloured, applied pink triangle mark, green
printed Made in Czechoslovakia, impressed 2357, 30cm.
A SET OF FIVE PORCELAIN TAZZE, Paris, mid-19th Century, each well painted with a central flower spray, the exteriors with a green ground border reserved with flower vignettes,
gilt rims, comprising: three tall Tazze and two low Tazze, slight gilt rubbing, one with small restored chip.
A CIRCULAR BASKET, Meissen,
19th Century, of circular form painted with a
central flower spray, the pierced sides applied
with small blue flower heads, all between
applied twig handles with flower terminals,
crossed swords in underglaze- blue, impressed
numerals, 21cm.; 8′Ain. diam., small chips and
area of repair.A SET OF FOUR DELFT PLATES,
probably Dutch, 18th/19th Century, each
painted in blue with a different religious
subject, within a scroll border, each approx.
22.5cm.; 87Ain. diam., minor rim chips.A GROUP EMBLEMATIC OF SPRING, Meissen, late 19th Century, depicting four putti seated above a gilt scroll moulded base playing with garlands of flowers, pieced out in bright
enamels, crossed swords in underglaze-blue and incised 2502, 16cm.; 6′Ain., minor restorations on some flowers.
A SET OF SIX PORCELAIN KNIFE HANDLES, Mennecy, circa 1750, of pistol form, moulded and pieced out in puce with scrolls, painted in soft enamels and flower sprays, 7.5cm.; 3in.,
four damaged, one haircracked, silver-mounted and
with contemporary steel blades stamped with
a crowned C poinon.A PORCELAIN MIRROR, Plaue, late 19th Century, of oval form, encrusted with sprays of pink and yellow roses, applied above with two cherubs holding a flower garland, cross mark
in underglaze-blue, 27cm.; lOVxin. high, minor chips.
A PORCELAIN CLOCK GARNITURE, German, circa
1900, comprising: a flower encrusted Clock
Case surmounted by a female figure attended
by two cherubs, and a Pair of Candlesticks
applied with cherubs and flowers on a pink
and green ground, height of clock overall
54.5cm.; 21′Am., chips.A LARGE PLAQUE, Continental,
circa 1898, painted by A. Luzinger after F.B.
Greuze with a scantily-clad maiden looking
heavenwards, script mark A. Luzinger d’apres
F.B. Greuze, Paris, 43 by 34cm.A PLATE, Vienna, circa 1827, painted
with two Classical figures in an interior
within a complex rust red ground border
interrupted by Classical figure panels, richly
gilded, signed with a monogram CH, titled
L’origine delta pittira’, shield mark, impressed date
code, 24cm.; 9′Ain. wide, minor enamel.A ‘SEVRES’ ICE PAIL, late 19th Century, painted with swags of fruit and flowers entwined with green ribbons, set with short scroll and acanthus moulded handles.
A PAIR OF PORCELAIN FIGURES OF A GALLANT AND COMPANION, probably French, late 19th Century, each modelled wearing flowered costume on domed grassy bases, she holding a sheet of
music, he playing a lvre, impressed ML 498, 30.5cm.; 12in., her neck and hands restored, his hands and lyre restored.
A MAJOLICA FLOWER HOLDER
AND STAND, Continental, 2nd half 19th
Century, the circular base modelled with an
African figure accompanied by a large
ostrich, before a palm tree supporting a
cylindrical flower holder, all raised on a
stepped circular base, impressed G&St., incised
2267, 58.5cm.; 23in. overall, some chips and
repair.A FLOWER ENCRUSTED PORCELAIN CENTREPIECE, Sitzendorf, late 19th/early 20th Century, comprising a pierced basket printed with flower sprays supported on a scroll moulded stem
applied with cherubs playing musical instruments, cross mark in underglaze blue, impressed S and numerals, 33cm.; 13in., some damage and repair to applied decoration.
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MODEL OF A SWAN, Meissen, PORCELAIN PART DINNER SERVICE, Sevres’, circa 1900, POTTERY PART TEA SERVICE, Staffordshire, DINNER SERVICE, Chamberlains Worcester
Sunday, January 10th, 2010
MODEL OF A SWAN, Meissen, PORCELAIN PART DINNER SERVICE, Sevres’, circa 1900, POTTERY PART TEA SERVICE, Staffordshire, DINNER SERVICE, Chamberlains Worcester
A PORCELAIN LIGHT BOWL AND GILT METAL FITTINGS, French, late 19th Century, the exterior painted with three gilt framed royal portraits, flanked bv flower garlands, 29.5cm.; 775
sin. diam.
A PORCELAIN MODEL OF A SWAN, Meissen, 20th Century, the white bird with black features modelled perched amongst reeds picked out in turquoise enamel, crossed su’ords in
underglaze blue, impressed 1069. 22.75cm.
A PAIR OF OVAL PORCELAIN PLAQUES, German, late 19th Century, each painted with a portrait of a young woman in medieval-style costume, each approx 13.5 by 11cm; 5′A by 4′Ain.;
with gilt wood frames.
TWO SIMILAR MAIOLICA ARMORIAL VASES, probably Abruzzi, 18th Century, of slightly tapered cylindrical form and painted with a crest against a cream ground, 27cm.; 10′Ain.
A FAIENCE JAR AND COVER, possibly French, 19th Century, the cylindrical sides painted in blue with a girl beside a tree, 27cm.; 10′Ain., chip to rim; also a tin glazedearthenware blue and white Bottle Vase; and an octagonal Dish.
A ‘VIENNA’-STYLE PART FISH SERVICE, Continental, early 20th Century, each piece printed with a different fish subject within a purple ground border reserved with vignettes of
figures in eighteenth century costume, comprising: large oval serving Dish, five Plates and six kidney shaped Dishes, printed beehive mark, green printed factory mark, gilt
decorators mark, minor gilt rubbing.
A BLUE AND WHITE PART TEA SERVICE, German, late 19th Century, painted in underglaze-blue with flower sprigs, comprising: Teapot and Cover, Hot Water Jug and Cover, Milk Jug,
Sugar Bowl and Cover, six Cups and six Saucers, repair to handle of teapot.
A PORCELAIN PART DINNER SERVICE, Sevres’, circa 1900, each piece gilt with a crest, gilt line rims, comprising: twenty six Dinner Plates, seven Soup Bowls and four Saucers, some
damage.
A PORCELAIN PART SERVICE, Derby, 19th Century, each piece painted with scattered flower sprigs in blue, pink and gilding, comprising: four lozenge shaped Dishes, four
quatrelobed Dishes, two shaped oval Dishes, a kidney shaped Dish, two shallow circular Bowls, a Muffin Dish Cover, a slop Bowl, two Sauce Tureens and Covers, twelve Plates, two
large Cups, seven large Saucers, seven Coffee Cups and eight Saucers, some damage.
A PART TEA AND COFFEE SERVICE, Derby, circa 1820, each piece painted with puce and gilt scrolls, comprising: Teapot, Cover and Stand, Slop Bowl, two Sandwich Plates, nine
Teacups, six Coffee Cans and six Saucers, red painted crowned crossed batons and D, some damage and repair; also a part Tea Service decorated with the same pattern, late 19th
Century, comprising: Muffin Dish and Cover, Jug, four Sandwich Plates, two Teacups, twelve Saucers and eleven Side Plates.
A PORCELAIN COMMEMORATIVE
PART TEA SERVICE, circa 1845, each
piece printed in puce with named figures of
Albert and Victoria, the teapot cover with the
Princess Royal and Prince of Wales,
comprising Teapot and Cover; Teacup and
Saucer and a Plate, some repair and cracks.A PORCELAIN PART TEA SERVICE, Staffordshire, circa 1840, each painted with landscape vignettes inside a maroon and gilt border, comprising: a Milk Jug, six Cups, six Saucers,
six Tea Plates and a Cake Plate.
A CHILD’S POTTERY PART TEA SERVICE, Staffordshire, mid 19th Century, each piece printed and colured with an Imari pattern, comprising: Teapot and Cover, Sugar Bowl and Cover,
Jug, three Cups and three Saucers, brown printed scroll mark, painted pattern no H99, some chips.
A TEA SERVICE, Royal Crown Derby, circa 1899 and later, each piece printed in blue with the ‘Mikado’ pattern within gilt rims, comprising: Sandwich Plate, six Cups, six Saucers
and six Side Plates, also a Jug and Sugar Basin, similarly decorated, without gilt rims, green printed factory marks.
A PART TEA SERVICE, Royal Crown Derby, circa 1906, each piece printed in blue with sailing boats, comprising: six Cups, six Saucers and six Plates, green printed factory mark,
painted pattern no 4613.
A BONE CHINA TEA SERVICE, Shelley, circa 1930, ‘Mode’ shape, each piece of conical form with solid triangular handles, decorated with a block motif in black and orange enamel,
comprising: Jug. Sugar Bowl. Teaplate, six Cups, six Saucers and six Side Plates, green printed factory mark, Rd 756533, painted pattern no. R 11792, some haircracks.
A BONE-CHINA DESSERT SERVICE, Coalport, circa 1900, each centre painted with a titled landscape inside cream and deep blue borders enriched in gilding comprising: two square
Dishes, two circular Dishes, two oval Dishes and twelve Plates, printed factory mark, pattern XI995′, two dishes cracked.
A PORCELAIN PART DINNER SERVICE, Chamberlains Worcester, circa 1840, each piece painted in underglaze-blue, iron-red and gilding with a ‘Japan’ pattern, comprising: oval Meat
Dish, six Dinner Plates, six Dessert Plates and six Soup Plates, red printed address mark for 155 New Bond St., minor chips.
A PORCELAIN PART COFFEE SERVICE, French, circa 1900, each piece moulded and printed with poppies within gilt rims, comprising: Coffee Pot and Cover, Sugar Bowl and Cover, four
Cups and four Saucers, gilt pattern no. 5516/23, knop repaired, minor chips and hairc racks.
A PORCELAIN PART DESSERT SERVICE, Paris, Lahoche & Pannier, L’Escalier de Cristal, circa 1854-74, each piece painted with a central fruit or flower spray within a purple border
gilt with a monogram, comprising: one large tall Tazza, two smaller tall Tazze, four low Tazze, a Sauce Tureen and Cover, and a shaped oval Stand, red painted and gilt
decorator’s marks Lahoche and Pannier, chips.
A SET OF TWELVE DESSERT
PLATES, Wedgwood, circa 1881, each well
painted with a different orchid subject by
T. Dean, signed and dated ‘81, against a pale
blue ground within a narrow gilt rim, each
titled on the reverse, impressed WEDGWOOD,
gilt pattern no. X415, painted titles, each
23.25cm. -
PORCELAIN PART DESSERT SERVICE, Coalport, COFFEE SERVICE, Royal Crown Derby, PORCELAIN PLATES, Paris, 19th Century
Sunday, January 10th, 2010
PORCELAIN PART DESSERT SERVICE, Coalport, COFFEE SERVICE, Royal Crown Derby, PORCELAIN PLATES, Paris, 19th Century
A PORCELAIN PART DESSERT SERVICE, Coalport, circa 1825, painted in iron-red and gilt with scattered flowers inside a gadroon moulded rim, comprising: a Comport, two Sauce
Tureens, Covers and Stands, four square Dishes, three oval Dishes, a circular Dish and eighteen Plates, minor damage and some wear.
A COMPOSITE ‘ROYAL LILY’ PATTERN PART TEA SERVICE, Worcester, circa 1800, comprising: Teapot and Cover, Sugar Bowl and Cover, Milk Jug, two Plates, two Cups and two Saucers, a
Bowl and a large Saucer, one saucer repaired, chips to teapot.
A PART DESSERT SERVICE, Copelands China, circa 1923, each piece decorated with a wide underglaze-blue border, the rim moulded with flower heads picked out in gilding,
comprising: one shaped oval Dish, one shaped square Dish, one shaped circular Dish and six Plates, green printed marks SPODE COPELANDS CHINA, impressed COPELAND SPODE N/23,
painted pattern no. 9708.
A BONE CHINA PART TEA SERVICE, Copelands China, circa 1918, each piece of shaped square outline decorated u ith a band of gilt scales on a deep blue ground, all within a formal
gilt border, comprising: Jug, Sugar Bowl, Tea Plate, eleven Cups, ten Saucers and eleven Side Plates, green printed mark
SPODE COPELANDS CHINA ENGLAND, haircrack to jug and one plate.A PART TEA SERVICE, Royal Crown
Derby, 1920/30’s, each piece painted in Imari
colours with the ‘1128′Japan pattern,
comprising: six Cups, six Saucers, eight
shaped circular Side Plates and four circular
Side Plates, orange printed marks.A PART TEA SERVICE, Royal Crown Derby, 1920’s, each piece painted in Imari colours with the ‘1128′Japan pattern, comprising: Sugar Bowl, twelve Cups, twelve Saucers and twelve
Plates, orange printed marks, painted pattern no.
A COFFEE SERVICE, Royal Crown Derby, circa 1919, each piece painted in Imari colours with the ‘2451′ Japan pattern, comprising: Jug, Sugar Bowl, six Cups, six Saucers and six
Plates, orange printed marks.
A SET OF EIGHTEEN PORCELAIN PLATES, Paris, 19th Century, gilt with flower sprigs inside a green rope twist border, 23cm.; 9in., chips and some wear.
A STONE CHINA PART DINNER
SERVICE, Masons, 2nd quarter 19th
Century, printed and coloured with exotic
birds amongst flowering shrubs against a
deep blue ground, scattered with
chrysanthemum, comprising: two Soup
Tureens, two Covers and one Stand; Sauce
Tureen and Cover; and two large Meat
Dishes, puce printed mark, retailer’s mark Thomas
& Higginbotham of Dublin, one meat dish riveted,
chips to sauce tureen.A POTTERY PART DESSERT SERVICE, English, circa 1830, each piece printed in blue and painted in orange and gilding with a ‘Japan’ pattern, comprising: one tall Tazza, two shaped
oval Dishes, two shaped square Dishes, two heart-shaped Dishes and eleven Plates, painted pattern No. 327, small chips.
A’FELSPAR’PORCELAIN PART TEA SERVICE, Spode, circa 1830, the apricot borders gilt with foliate designs, comprising: Teapot, Cover and Stand, Sucrier and Cover, Cream Jug, twenty
Cups and ten Saucers, puce printed marks, pattern 4108′, some damage; also four similar Dessert Dishes.
A PORCELAIN PART TEA SERVICE, English, circa 1835-40, each piece painted with a wide pink ground band gilt with shells, all within foliate moulded gilt rims, comprising: Teapot
Cover and Stand, Sugar Bowl and Cover, Cream Jug, Slop Bowl, two Plates, five Coffee Cups, five Teacups and nine Saucers, gilt pattern no 1194, some damage.
A PORCELAIN PART TEA SERVICE, Ridgway, circa 1850-55, each piece moulded in relief with overlapping leaves and gilt with floral sprays and diaper panels, comprising: Jug, Tea
Plate, eleven Cups and twelve Saucers, red painted pattern no 511801, minor haircrack to one cup.
A PORCELAIN PART DESSERT SERVICE, Staffordshire, 2nd quarter 19th Century, each piece printed and coloured with groups of flowers inside a floral moulded border, comprising: a
Comport, a pair of shell-shaped Dishes, a rectangular Dish and five Plates, pattern 547, some staining and haircracks.
AN IRONSTONE CHINA PART DINNER SERVICE, Ashworths, early 20th Century, decorated in underglaze-blue, red and gilt with shaped panels of flowers, comprising: two oval Meat
Dishes, three oval Serving Dishes, two Vegetable Tureens and Covers, a Sauce Tureen, two Covers and two Stands, twelve Soup Plates, eighteen Dinner Plates and twelve Dessert
Plates, printed and impressed marks, some cracks and chips.
A PART TEA SERVICE, Chamberlains Worcester, circa 1797, each piece of sprial fluted form, painted in brown enamel and gilding with pattern no ‘64′, comprising: Teapot and Cover,
Sugar Bowl, Cover and Stand and two Saucers, the covers painted inside Chamberlains Worcester No 64, some restoration to sugar bowl and base of teapot, star crack to saucer;
also a Trio and a Teabowl circa 1795, painted with a similar pattern.
A NEW STONE’ PART DINNER SERVICE, Minton and Hollins, 1840’s, each piece printed and painted with peonies in chinoiserie style, comprising: Soup Tureen, Cover and Stand,
Circular Bowl, oval Serving Dish, Vegetable Dish Cover, two Sauce Tureen Stands, four graduated Meat Dishes, three Side Plates, four Soup Bowls and eighteen Dinner Plates,
printed cartouche mark, painted pattern no 6034, impressed BB New Stone, some cracks and chips.
A PORCELAIN PART TEA SERVICE, Staffordshire, circa 1840, of roccoco form, gilt with flowers on a deep ro: pink ground, comprising: Teapot and Cover. Sucrier and Cover, Milk Jug,
Slop Bowl, two Cake Plates, a circular Stand, twelve Cups and nine Saucers, pattern 7146, some chips and cracks.
A BONE CHINA PART TEA
SERVICE, Copeland, circa 1883, each piece
moulded with a gilt fish scale pattern inside a
deep blue border, gilt with diamonds
jewelled’ with flowers, comprising: Teapot
and Cover, Milk Jug, Sugar Bowl, Slop Bowl,
two Cake Plates, ten Cups, twelve Saucers
and twelve Tea Plates, printed mark, impressed
registration lozenge, some cracks and chips.A FELSPAR PORCELAIN PART
DESSERT SERVICE, Copeland & Garrett,
circa 1835, each piece painted with named
botanical studies inside a turquoise border
edged in gilding, comprising: a Sauce
Tureen, Cover and Stand; two shaped oval
Dishes; a shell-shaped Dish; a rectangular
Dish and six Plates, green printed mark, pattern
5263, some damage.