Antique Porcelain

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

Friday, January 15th, 2010

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.

A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.

A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.

A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in  .

TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .

A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.

A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips  .

A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).

A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).

AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia

AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).

A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).

A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.

A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).

A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.

GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.

A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).

A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200

A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.

A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.

A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.

ANTIQUE CONTINENTAL CERAMICS, EARTHENWARE AND STONEWARE: ispano-Moresque Charger, Moresque Dish, A ‘Sevres’ Vase, mid-19th Century

Thursday, January 7th, 2010

ANTIQUE CONTINENTAL CERAMICS, EARTHENWARE AND STONEWARE: ispano-Moresque Charger, Moresque Dish, A ‘Sevres’ Vase, mid-19th Century

An Hispano-Moresque Water
Vessel, 17th Century, probably Valencia,
set with three zoomorphic spouts with
green glazed features springing from the
ovoid body decorated with a ground of
foliate scrolls painted in copper luster
under a grooved strap handle with a
central suspension tube, riveted, one spout

An Hispano-Moresque Charger,
1911 Century, the central boss painted
with a serpentine motif within a rim
molded with an octagon defined by
overlapping sectors enclosing hatched
and dotted panels, hair-crack, 32.3cm.;

Hispano-Moresque
two-handled Vases, Valencia, 17th
Century, each low globular body painted
in copper luster with two large birds on a
typical whorl ground under a narrow
neck supporting a tall galleried mouth,
fluking, approx. 30cm.

Another Pair of two-handled Vase to the preceding lot, one
cracked, approx. 30cm.;

Hispano-Moresque Charger,
16th I7tti Century, the rim quartered by
blue brokered zigzag panels separating
four leaf motifs on a copper luster
ground enclosing a stylized floral band
about a central boss, restored, 40cm.;

Moresque Dish, 16th Century, the rim molded with future flowers bursting from averted leaves about blue lined well incorporating a calligraphic band, hair-crack, chip,

33cm.; 13in.

Moresque Charger,
16th 17ihCemHfy, painted in lustrous
green with bold blue outlines with
three flower sprays in relief about a well
bearing four palmettos against a finely
penciled foliate ground, riveted and chip.

Moresque Charger,
crisply molded overall1
with densely interweaving lotus scrolls
enclosing a central star boss picked out
in gold luster against a white ground,
riveted, 23cm.; 9in.

Moresque-style Charter, T9th Century, the rim molded with raise gadroons picked out in copper luster and Hue, hair-crack, 43cm.; 17in.; and a near-Eastern lead-glazed Moon flask

and Stopper.

Rehash stoneware Tankard,
circa 1720, the broad spherical body
sprigged with a crowned AR oval
medallion between incised foliate scrolls
picked out in blue and bearing applied
flower heads picked out in manganese
between vertical banding, all under a
short cylindrical neck, small hair-crack.

Porcelain Teapot and
the double ogee body
gilt with three overlapping petal bands,
each intersection enameled with an
iron-red spray of leaves, rustic handle,
damaged cover, 18cm.; 71/4in. long, anchor
mark in red.

A ‘Sevres’ Vase, mid-19th Century,
the ‘U’-form body surmounted by a
sole-form neck, standing on a spreading
foot and reserved with panels enclosing
a Watteau ensue fete champers’ and a
forest scene within chased gilt laurel and
line borders, 57cm.;

ANTIQUE PEARL WARE FIGURES

Thursday, January 7th, 2010

ANTIQUE PEARL WARE FIGURES

A rare pearl ware Figure of Van Tromp, circa 10,
standing in black hat, pale-pink jacket and yellow breeches on
a square pale-yellow base, minor restoration to base, 23cm.;

A pearl ware Figure of a female
archer, early 19th Century, standing
before a target, dressed in turquoise coat
and spotted dress, an arrow in one hand,
a bow in the other, on grass molded
square base, minor restoration, 19cm.;

‘Rural Pastimes’: A pearl ware
Group, early 19th Century, modeled as
young lovers seated on a rocky crag
beneath flowering boscage, he playing
bagpipes, she petting a lamb, on square
titled base, minor chips, impressed 166,
19cm.;

A Pair of unusual pearl ware
Figures of musicians, early 19th
Century, each seated on cabriole-legged
chair, he playing a wind instrument,
music resting on his knee, a violin case
and four books beneath his chair, she
playing a stringed instrument, a dog in
nerd lap, a further instrument and books
beneath her chair, on shaped
rectangular bases, some restoration, 14cm.;

A pearl ware quintal Vase, early 19th Century, painted in under glaze-blue with a trailing spray of flowers, each ‘mouth’ molded and heightened in blue with acanthus, 17.5cm.;

A ‘Traditional’ pearl ware Toby Jug, circa 10, seated with a pipe and foaming jug, wearing brown coat, yellow waistcoat and knee breeches, chips, flaking enamels, 25cm.;

A brown stoneware Inkstand and
Well, circa 1840, possibly Brampton, the
low cylindrical sides applied with
repeated patriotic flower sprays of
shamrock and thistles centering on roses,
the flat top impressed Mrs. I. Bacon
within grooved borders converging on a
circle of five quill-holes about the
detachable well, chipped well, 15cm.; 6in.

Apparently purchased from the Glassier Collection

A rare brown stoneware Bottle
and Stopper, mid-19th Century, in the
form of a ceremonial mallet, the domed
sides molded with cryptic devices about
a meeting of brothers about a table,
puffing pipes and pouring from a jug,
chips to stopper, 26cm.;

A Sunderland luster Jug, early
19th Century, the shouldered sides
fronted in black with ‘A west view of the room Bridge over the Wear’, the reverse with a ‘Memento Mori’, 19cm.;

A small pearl ware
Figure, circa 1820, modeled as a young
girl wearing spotted skirt, holding
flowers in her skirt, a watering can in
one hand before flowering blockage, on
tided base, glued, 14cm.;

A small pearl ware Figure of a male gardener, circa 1820, restored, 14cm.;

A small pearl ware Figure, early 19th Century, modeled as a young girl wearing floral dress and kneeling in prayer, 6.5cm.;

A pearl ware Figure emblematic of War, circa 10, modeled as a classically dressed maiden, an axe, quiver of arrows and helmet at her feet, a torch in her hand, 21.5cm.

An unusual Figure of a
harlequin, mid- 19th Century, dressed in
a yellow suit painted in red and green
with diamond motifs, raised on circular
molded base, restored, 19cm.;

A pearl ware Figure of Madame
Vestries as the broom girl, circa 1830,
after the lithograph by Lane, standing by a
bollard with two brooms in one hand,
another in the other, wearing puce
bodice and flower sprigged blue skirt, on
a square base outlined in yellow, restored,
16.1cm.;
Lucia Elizabeth Vestries nee Pestalozzi (1797-1856), an actress and singer, eventually went on to become the manager of Covent Garden and The Lyceum.

A salt-glazed stoneware
Moneybox, 1842, of shouldered ovoid
form, the sides sprigged with ivy,
fruiting vine and a group of putty above
a hunting frieze impressed George
Goodwin, 19th, 1842 beneath a
stepped circular knops, knops damaged,
15cm.; 6in.

A rare Frederick, Duke of York in memoriam porcelain Tea Cup and Saucer, circa 1815, each piece printed with a soldier mourning at the bannered tomb of the Duke, the cup with a

further vignette of Britannia in doleful pose.

A rare ‘Orangemen’
commemorative Jug, circa 1820, the
ovoid body color fully enameled with
two blue jacketed, yellow trouser
brothers shaking hands beneath the
crown ciphered G.i ., the other side with
the equestrian portrait of William III, all ^
within an orangey-red printed outline
under a meandering ruby luster border,
chip to rim, 14cm.;

A George III and Queen
Caroline commemorative pearl ware
Punch-Bowl, early 19th Century, the
centre printed in blue with overlapping
portrait busts of King and Queen
between the words A King Revered, a
Queen beloved and Long may they live
within six rose sprays under a complex
oriental brocade border, the exterior
decorated with four oriental landscapes,
stress crack, 28cm.; 11 in.

A Group of Princess Charlotte in memoriam tea wares, circa 1817, comprising: a Cup and Saucer, printed with an oval portrait of the Queen superimposed on a weeping willow within

ruby luster borders, and a Tea Cup with the apotheosis of the lamented Princess.

A King George IV in memoriam lusted earthenware Jug, circa 1830, the bombe sides finely printed with a portrait of the late King, a summary of his dates of accession, the Royal

coat-of-arms and patriotic flower sprays, all under a wash of ruby-color end luster, 11.8cm.; a Queen Caroline Milk Jug; and a Queen Caroline Coffee Can .

A William IV and Queen Adelaide Jug, circa 1831, of elaborate double ogee form, finely printed in puce with titled portraits of Their Gracious Majesties’ flanking the crowned

sprig of patriotic flowers, glued handle, 20.5cm.; and a William IV earthenware Mug.

Two William IV and Queen Adelaide Coronation Jugs, circa 1831, one printed in puce, the other in blue with crowned portraits of the King and Queen flanking the Order of the

Garter under a rim or patriotic flowers, one restored, the other chipped, 10.7 and 13.8cm.;

A Victoria portraits of the young Queen flanking
the words Victoria Regina, born 25th of
May 1819, proclaimed 20th of June 1837
between bands and National
flowers, inscribed in gilding D. Hooker,
20cm.;

A Victoria and Albert Marriage Jiff circa 1840, the bombe sides panned win a portrait of the Royal couple,
chorea’s coat-of-arms and a spray of patriotic flowers, 16.5cm.;

Victoria and Albert
Marriage Jug, circa 1840, printed in red
with portraits similar to the preceding
lot, stained, 13.5cm.; 5lAin.; and a Queen
Victoria Coronation Can, printed in
puce, restored .

Victorian Albert earthenware
1840, printed in blue
Royal couple, a crown and an inscription, restored.
A Queen Victoria Coronation
Temperance Jug, circa 1838,
in educe black with a portrait of the
Queen and with an angel
upholding the virtues of sobriety,
beneath the inscription The drunkard shall
not enter the Kingdom of God between
purple luster borders, pineapple
molded spout, chip and crack, 14cm.;
portraits of the
Princess Alexandra
above their respective coats-of-arms
above garlands of oak and lilies, 21.5cm.;
and a rare black printed earthenware
Mug of the Princess Royal riding in a
pony-drawn carriage before Windsor
Castle, cracks .

ANTIQUE BRITISH EARTHENWARE AND STONEWARE: An enameled cream ware Teapot, Wedgwood Vase, pearl ware shell-shaped Dish

Thursday, January 7th, 2010

ANTIQUE BRITISH EARTHENWARE AND STONEWARE: An enameled cream ware Teapot, Wedgwood Vase, pearl ware shell-shaped Dish

A slip decorated red earthenware
Moneybox, 18th/19th Century, of
compressed beehive form, with a knob
on top trailed with three groups of
honey-color end arks under the
treacle-color end glaze running
two-thirds down the red ware, 9.5cm.;

A Wielding-type Figure of a
muse, circa 1760, standing with a lyre
and splashed in green, her eyes detailed
in manganese, 12.4cm.;

A Weldon-type Group, mid-18th Century, molded as a toper seated astride a barrel, a bird in one hand, a jug of ale  in the other, the buff ware splashed with green and brown

glazes, restored, 7.5cm.; 3in.

An enameled cream ware Teapot
and Cover, circa 17, the globular body
painted in bright iron-red, translucent
green and yellow with sprays of roses
under a floral knops, between foliate
molded spout and strap handle, metal
repair to broken cover, small base crack,
21cm.;

A small cream ware Teapot and
Cover, circa 17, probably Norm Country,
the cylindrical sides painted with floral
sprays and sprigs beneath wasted neck
and between beaded borders, the cover
similarly painted beneath floral knops,
leaf molded spout, double strap handle,
chips, 12.5cm.;

A Wedgwood cane ware game pie
Tureen, Cover and Liner, 2nd half 19th
Century, the sides molded with dead
game pedant from vine swags, the
cover surmounted by a rabbit knops,
26cm.; impressed marks.

A Wedgwood and Bentley ‘porphyry’ Vase, circa 17, the shouldered ovoid body applied with curl handles and husk swags over a black dappled ground washed in a faint green glaze,

square black basalts base, repaired handles and foot, cracks, 27.8cm.; applied circular mark.

A Wedgwood black basalts Teapot and Cover, early 19th Century,
11cm.;

A Copeland green glazed
hedgehog Crocus Pot and Stand,
mid-19th Century, the bristly beast
pierced all over his well modeled body
and covered in a lustrous green glaze,
quarter lobed stand, hair-crack to stand,
30.5cm.; 12in. long, stand impressed
‘Copeland’ .

A rare white stoneware Bust of
Cupid, circa 1820, possibly Castleford, the
blue lined square plinth enameled on
the front with an oval English landscape,
the sides applied with neo-classical relief
medallions, chipped, glued, 26cm.;

A Spode’ stone china’ Basin, circa
1810, of canted rectangular section, the
interior printed and painted in
‘family-rose’-style enamels with peony
and other flowers amongst pierced
rockwork within flower spray borders,
40.8cm.; 16in., printed black mark.

Two Mason’s ironstone Jugs, 19th
Century, one printed with dragons
enameled in green, small crack, 17cm.;
printed and painted mark .

A Garniture of three ironstone
Vases, circa 1830, comprising: a central
and two smaller flanking vases, each
double ogee body decorated with two
color full birds among leaves between
scroll handles rising to the blue-ground
trumpet neck paneled with flowers, the
blue pedestal foot penciled with gilt
scrolls, 22cm.;

A rare pearl ware ‘Mansion House
Dwarf, early 19th Century, inspired by a
Derby original, standing with a staff in his
left hand, wearing a yellow hat and
striped shirt, 16.5cm.;

An earthenware Egg Stand and six
Cups, early 19th Century, covered
overall in a splashed pink luster, 12.5cm.;

A pearl ware shell-shaped Dish,
late 18th Century, printed with a
formalized fenced garden within a trellis
border, damaged, 14cm.;

A Pratt-type pearl ware Group, circa 10, a young boy in yellow breeches, blue coat an brown hat seated beside two sheep before a flowering tree bearing ochre-color end fruit,

11cm.;

A pearl ware Pug, early 19th Century, the pink-color end dog seated on a green cushion with red tassels looking to his right and wearing a black collar with yellow studs,

chipped tassel, 9cm.;

A ‘New Marriage Act’ pearl ware Group, early 19th Century, the parson, happy couple and diminutive witness standing about a yellow-fringed red table before gothic windows

incorporating the title, under a red-bricked arch over a red and blue veined stepped base, couple glued to base, parson’s hand missing, chip, 15cm.; 6m.

A Pratt-type Model of a deer, late 18th Century, of hollow construction, at lodge on a green mound and looking over its back, sponged in ochre, restoration to horns, ears and

neck, crack, 14cm.; 51/2in.

A Pair of pearl ware Deer, circa
10, each spotted iron-red doe or stag
standing before a short tree growing
from an oblong base molded with
flowers picked out in blue and yellow,
one head restored, minor restoration and chips
to tree    .

ANTIQUE BRITISH EARTHENWARE AND STONEWARE: Bristol delftware Plate, London delftware Drug Jar, blue and white delftware Mug, blue and white delftware Dish

Thursday, January 7th, 2010

ANTIQUE BRITISH EARTHENWARE AND STONEWARE: Bristol delftware Plate, London delftware Drug Jar, blue and white delftware Mug, blue and white delftware Dish

A rare Agateware Cat, circa 1740,
seated and looking to its left with pricked
ears picked out in blue, beady brown slip
eyes and nostrils, its white coat inlaid
with vertical and horizontal bands
striped in dark-chocolate-brown and
dabbed with two dark-blue patches, small
chip to one ear, 11.7cm.;

A blue and manganese Bristol delftware Plate, circa 1770, painted in blue with an oriental hut beneath a willow tree within three single flower head panels reserved on a

manganese ‘cracked ice’ ground, 23cm.;

A Bristol delftware Plate, circa 1765, painted with two figures in a boat and a fisherman on a promontory before a cluster of houses, beneath a conical tree within a

bianco-sopra-bianco flower and fruit border, 22.8cm.;

A polychrome delftware Plate,
circa 1750, probably Lambent, painted with
pale iron-red and manganese flowers
among green and blue leaves
occasionally touched in egg-yolk yellow
within a rim bearing five cross-hatched
panels separated by further flowers, row-edged rim, 22.8cm.;

A polychrome delftware Plate,
circa 1750, probably Liverpool, painted in
manganese with a large tree towering
above an oriental pavilion and bearing
yellow flower heads on its lower
branches, further  structures
floating in the distance, 23cm.;

An attractive polychrome
delftware Plate, mid-18th Century,
painted in strong color s with an
oriental gentleman seated on a
manganese rock upon a green mound
before yellow-leafed bamboo by a blue
fence behind, the rim bearing a band of
blue flashes between evenly spaced
panels cross-hatched in manganese,
20cm.;

A manganese delftware Plate,
2nd quarter 18th Century, painted with
a central flower whorl within a band of
eight fruits placed alternately on the
inner and outer border lines under a
narrow rim painted with continuous
chevrons, 22.4cm.; 83Ain.

A London delftware Drug Jar,
circa 17′20, possibly Lambert, the ovoid
sides bearing a label titled
:CFL.AURANT: in scroll borders
embellished with shell and flower motifs
and ‘marine’, crack and frit-chipping,
18.5cm.;

An English delftware Puzzle Jug, circa 1760, the low body painted in blue with a spray of peony under a pierced cylindrical neck and an overhanging triple-spouted rim, chips to

spouts, crack to base, 19cm.;

A Pair of delftware flower Bricks, circa 1750, probably Bristol, of rectangular form, painted with flowers before a distant Church, the ends with flower heads, the pierced top

washed in blue, minor chips, 12.5cm.;

An English delftware Plate,
mid-18th Century, painted in
polychrome with a peacock strutting
amongst sponged manganese trees,
minor chips to nm, 22cm.;

A delftware blue and white
Sweetmeat Dish, circa 1750, divided into
three compartments, each penciled with
a peony within a raised divider and
undulating rim with whorl border, on
three conical feet, 17cm.;

A Pair of blue and white delftware shipping subject Plates, circa 1730, each painted with a gaff-rigged barge, further boats on the horizon, the border painted with three

demy-florets, 21.5cm.;

A blue and white delftware Mug, late 17th Century, of stoneware inspiration, with baluster body and ribbed cylindrical neck, painted with a stylized spray of flowers, chips,

13.8cm.;

A blue and white delftware
Punch-Bowl, circa 1750, inscribed One
bowl more and then, the exterior with
flower sprays, chips and crack, 23cm.; 9in.

An English delftware Plate,
mid-18th Century, painted in blue with
peony and bamboo amongst stylized
pierced rocks within floral border, 23cm.;

A Sadler & Green printed
delftware Tile, circa 1765, a corpulent
butcher standing beside a vat and a
foaming mug of beer, joints of meat
round about, printed in black/sepia,
12.5cm.;

A rare Sadler & Green printed
delftware Tile, circa 1765, a woman
leaning out of a window to observe a
troop of children play-acting before
other figures, printed in a
greenish-brown, 12.8cm.; 5in.

A Group of sixteen blue and white Tiles, musty 18th Century, each painted with figures, shipping or mills within a dotted frame and flower spandrel corners or within an

octagonal panel on a powder-blue ground with carnation corners, 13cm.; 5in.

Twelve blue and white tin-glazed Tiles, 18th/19th Century, each painted with a fisherman or women in an octagonal panel reserved on a trellis ground, 12.5cm.; 5in.

A blue and white delftware Dish, circa 1750, freely painted in a Chinese manner with giant peony and chrysanthemum growing under a pine an above a fence enclosing a rock beside

a pool of lotus, 39.3cm.;

A Wedgwood majolica Dish, Staffordshire white salt glazed stoneware Sauceboat, large majolica Jardiniere, late 19th Century

Thursday, January 7th, 2010

A Wedgwood majolica Dish, Staffordshire white salt glazed stoneware Sauceboat, large majolica Jardiniere, late 19th Century

An English porcelain Ointment Pot
and Cover, circa 1830, of circular section,
painted with flower sprays, the cover
encrusted with a pink rose, very minor chips,
4cm.; and a Group of Miniature
Wares, 2nd quarter 19th Century, comprising: a
Cup and Saucer painted with an Impair
pattern, a pink ground Cup and Saucer and
two circular Stands painted with flowers.

An English porcelain Model of a poodle, circa 1840, modelled crouching on a tasselled rectangular base, a bone in its mouth, bone damaged, chip inside base, 11.5cm.; and a

Staffordshire Model of a parrot, brightly coloured, perched on a moss sprigged stump; and a Continental pottery Model of a pug.

A Coal brook dale porcelain Inkwell and Taper stick Cover, circa 1820—30, moulded and painted to simulate flower encrusted shell and coral, the base with an open well and shell

dish flanked by two penholders, the cover with foliate taper holder and coral loop handle, painted in pale pink and green enamels picked out in gilding, minor chips and

hair-cracks, under glaze-blue CD., 14cm.

A part Toilet Set, circa 1900, each piece   of shaped square section, printed in blue and gilding with roses beneath lacy borders, comprising: Jug, Basin, Chamber Pot,

Toothbrush Holder, Soap Dish, Cover and Drainer, and a larger Dish and Drainer, cracks to large drainer, blue printed rosette mark, jug 26cm.; 10-tin.

A Wedgwood majolica Dish, 2nd half 19th Century, modelled as a naked cherub pulling out a large net, ail raised on a lozenge-shaped base glazed in tones of mottled green and

brown, small chip to cherub’s foot, impressed WEDGWOOD and indistinct year code, 21cm.; long.

A majolica Figure of a boy carrying a basket, circa 1870, probably Minton, the young lad wearing a purple jacket and yellow breeches carrying the large basket in front of him,

raised on a mottled green glazed circular base, small chip to buff, basket damaged, painted ‘R’, 20.25cm.; 8in.

An English porcelain Basket, 1830’s, of shaped oval form, on a low scroll moulded foot, the interior painted with a flower spray within a deep puce border, ail below foliate

loop handle picked out in gilding, 14cm.

A Wedgwood ’solid agate’ Game Pie
Dish, Cover and Liner, 2nd quarter 19th
Century, of oval form, the body moulded in
relief with dead game amongst fruiting vine,
the cover similarly decorated with crouching
rabbit knops, chip and hair-crack to liner,
impressed WEDGWOOD and indistinct year code,
19cm.

A Remiss cylindrical Vase, early
20th Century, painted with pink cabbage
roses beneath a green rim, chip and
discolouration, impressed WEMYSS, painted
T. Goode Co., 5cm.; 2in.; and a Group of
Remiss-type Pottery, early  20th Century, each
piece   painted with various fruit subjects,
comprising: five cylindrical Pots, a
Marmalade Pot, two Jugs, a Tizzy and a
Bowl.

A Staffordshire white salt glazed
stoneware Sauceboat, mid-18th Century, the
oval body with wavy rim on three lions’
masks, set with greyhound
handle, chips and hair-crack, 20.25cm.; 8in.
long; also a Continental solid agate Plate, 19th
Century; and a Dutch Delft Plate, 18th
Century, decorated with stylised flowers.

A Pair of Pariah Figures of
classically-draped women, late
19th Century, each modelled standing on a
circular base, one holding a shell up to a bird
perched on her Shoulder, the other holding a
hat by her side, minor chips, impressed ,
each 37cm.; 14in. approx.
A majolica Garden Seat, circa 1870, probably Staffordshire, of Japanese inspiration, hexagonal section, decorated with six arched rectangular panels moulded in low relief with

prunes against a blue ground, riveted, hair-crack, 45cm.

A Minton ironstone Garden Seat, mid-19th Century, of hexagonal section and barrel form, printed in under glaze-blue and enamelled with a repeating pattern of Chinese motifs,

moulded studs and pierced cash handles, minor chip and hair-crack, slight wear, 47cm.; 8in.

A large majolica Jardiniere, late 19th Century, probably Staffordshire, the mottled green glazed bowl applied with two cherub busts terminating in lilac glazed drapery, pink

glazed interior, head of one cherub restored, restored crack to bowl, 51cm.; 20in.

A Pair of English porcelain Models
of Dogs, circa 1840, each hound modelled
seating facing to left or right, on a rocky gilt
line base, their fur with liver and white
markings, one with restored hair-cracks to base,
the other with minor restoration to paws, 9cm.;
3in.

A George Jones majolica Salmon
Dish and Cover, circa 1880, the base in the
form of a shallow oval basket with pink
glazed interior, the cover moulded with a
scaly grey Fish lying on a bed of ferns, cover
restored, restored chip to base, painted
impressed registration diamond, 48cm.;
19m.

An oval black basalts Portrait Medallion, late 18th/early 19th Century, moulded in relief with a portrait bust of Josiah Wedgwood in profile to Dexter, 9.5cm.

A Continental Clock and Movement, 1880’s, in Oriental style, the circular body applied with loop animal heads surmounted with a dog-of-For, decorated with a turquoise and black

repeated foliate face, the sides with a green and black repeated motif, damaged and chipped teeth, glued ear and foot of stand, impressed factory mark, 42cm.; 16in.

A Booths King George V and Queen
Mary Coronation Beaker, 1911, printed and
coloured with a portrait of the Royal couple,
the reverse with the name BRY.ANSTON, cracked,
10cm.; 4in.; and a Group of three enamel
commemorative Beakers.

A Grainger’s Worcester Mug, circa 1850-60, the cylindrical body painted with a
rectangular panel depicting two greyhounds chasing a hare, with a gilt border, with gilt
foliage either side, cracked and minor gilt rubbing, painted mark Grainger Co., Worcester,
11.5cm.; 4in.

A Pair of English porcelain Models
of hounds, circa 1840, probably Samuel Adcock, each animal with liver and white markings
reclining on a pale yellow rocky base with gilt rim, impressed numerals 115, each approx. 9cm.;
3in. long.

An English porcelain Pod of Peas,
circa 1830, probably Coal port, the naturalistic
green painted pod with one seam split to
reveal the pale cream-coloured peas inside,
minor chips at either end, 9cm.

Antique Porcelain Jugs, Mugs and Ewers

Monday, December 14th, 2009

Antique Porcelain Jugs, Mugs and Ewers

The material for the body was by no means fixed and one design can be found in soft earthenware, stoneware and parian; in fact, it is occasionally difficult to decide between the last two, the body looking like a fine stoneware or a proto-parian body. Those illustrated on p. 146 could be examples of these and the price would be about the same for each assuming the quality of casting was constant. An earthenware example would be considerably less, mainly due to the lack of definition. Colouring was occasionally
undertaken, either self-colour in sage, pale blue or buff, or enamelled over the design, often to the detriment of the piece, but superb examples do tum up and are unlikely to fetch as much as they should. Indeed, the whole of the moulded jug market is in need of more serious consideration. One could predict that there would shortly be a sharp rise in price for good examples.
Also neglected are the porcelain jugs and mugs produced as gifts for retiring mine owners, christening presents, records of marriages or dedications of the heart with appropriate gilt script, messages, bright flowers and occasional emblems. The factories that produced them remain anonymous, as do the decorators, but a collection of the different types of person to whom and by whom they were given would show a fascinating cross section of Victorian sentiment. Most important of ail, they are nearly always dated.
Large ewers from washing sets are not common in porcelain, most being made of earthenware. Those that do occur are rarely of much value since little regard was paid to them.
They are, however, very good for flower decoration. Jugs from tea and coffee services are dealt with under that heading.
Samuel Alcock.
Samuel Alcock made a large number of classically-influenced wares from the 1840s-60s. The majority of the products were in stoneware and will be dealt with in the forthcoming.
Price Guide to 19th Century English Pottery. The colours used here are a typical royal-blue ground and a transfer-printed black outline, peach and orange coloured. One of the problems that Alcock’s porcelain suffers from is visible in the photograj| - the ground colour is too thin and soft with the result that it wears badly.

W. Brownfield 1863
Elaborate moulded mark and registration.
A crisply moulded parian jug commemorating the marriage of Albert Edward, later Edward VII, to Princess Alexandra of Denmark. A well designed piece possibly by W. Harry Rogers,
It is less commonly found with the background enamelled, usually in buff or chocoiate, badly applied and fired, but a superb example has been noted raising the price to ?15—?20.
The price differential should be greater. Further moulded commemorative jugs will be found in the forthcoming Price Guide to Commemorative Pottery.

Caughley/Coalport first quarter of the 19th century.
A rare pair of jugs with good flower painting and a gilt JH in a wreath, the bodies cabbage-leaf moulded, probably from 18th century moulds, and with gilt mask spouts. The Caughley factory sold out to Coalport 1799.

Chinese decorated E & С Challinor 1862-80.

An English Staffordshire porcelain jug decorated in Canton. It is almost impossible to explain the reason for its existence possibly it was a sample sent from England to test the possibility о utilising the cheap labour for decorating in China, or it may have been sent by a member of a ship’s company on the spot. It is probably the only example, but even so, not of much value.

Coalport first half of the 19th century.
A quite well moulded and painted jug but difficult to display. Good flowers. Originally from a bedroom washing set.

Copeland mid-19th Century. Impressed name and C.P. Art Union
An exceptionally high quality parian goblet with matt and burnished decoration. With the interest in parian being revived, at the present mainly in busts and figures, it will probably not be long before really good wares such as this rise fast in price.

Possibly Davenport с.1835.

A hand-painted mug with pink cabbage roses and gilt leaves. Attractive but not sought after.

Doulton 1897. Printed green rosette.
A good quality Diamond Jubilee piece with the additional interest of an inscription on the side recording its presentation to J.C. Bailey from Sir Heniy Doulton. Had the mug been anything but commemorative, but with the same dedication, it would probably have fetched more.

Аn interesting jug with a black transferred view of the 1851 Exhibition building (the Crystal Palace) from pot-lids, the Exhibition wares are strangely unappreciated.

Much rare thing coronation commemoratives and mostly of better quality. Should be more expensive!

A ‘Gothic’ jug moulded in stoneware and therefore not strictly entitled to appear in this book at all but it serves to show how similar these jugs are to the parian examples. The price of a similar example in parian would be about the same but less sharp moulding could reduce the price to 12.

Described in the Minton shape book as a “Sevres Ewer” since the shape is based on a Sevres original, this jug is well nioulded and gilt but of an unappreciated period and not flamboyant enough to fetch a high price.

Paragon 1937. Elaborate gilt mark including name.
A well-printed  coloured   design  commemorating the non-event Coronation of Edward VIII. This is a limited edition of five hundred numbered on the base and in a fitted box.
Most commemorative wares since 1902 were issued in vast quantities, often given to school children as souvenirs along with the one-day holiday. These were cherished by their owners and have entered the family folk history usually on the theme that only three were made, one of which is in a museum, one in America and theirs is the other. The truth is that they survive in quantity and are usually sold for between.

Rockingham 1830-42. Printed griffin in puce.
The handle of this mug is in the unusual form of a horse’s hoof and the upper part a horse’s tail, which is unique to Rockingham. Many such mugs occur unmarked but can be differentiated from almost identical Derby mugs, in that the latter do not have the upper part of the handle as a tail, i.e. moulded to simulate hair, but are quite smooth.
The mug illustrated is very rare and extremely well painted with a portrait of the Duke of Wellington in a gilt panel on a claret ground. Altogether the quality, subject matter,
factory and condition add up to an expensive piece of porcelain. A crack would reduce the price to a

Royal Worcester at its bizarre best. A rose-water sprinkler, vaguely Persian-influenced. The gilt ground painted with squirrels and birds and all of high quality.

Royal Worcester 1887. Printed crowned circle, date code.
The dragon handle is loosely based on the chih-lung that crawls round the shoulders of Chinese Canton-decorated vases of the 1860s on. Not a particularly good example with heavy-handed gilding on brown leaves.

Royal Worcester 1889
A neauy and attractively painted pair of jugs with named views of the Rhine and Black Mountain NA, framed by gilt leaves. The upper handle terminal is in the form of a dolphinesque bird’s head. Touches of this sort add to the desirability of what could have been a simple loop handle.

Royal Worcester 1890. Printed crowned circle, registration, date code.
A rather ugly jug, printed and coloured with an epiphyllum flower.

Royal Worcester 1892. Printed crowned circle, date code A good ewer of Persian inspiration, having an ivory body with pale whip-lash floral enamelling. The neck and cover are pierced and the spout removable.

Royal Worcester 1894. Printed crowned circle, registration, date code.
Typical of numerous shapes of jugs or ewers produced by the factory in the last quarter of the 19th century and continuing the shapes well into the 20th. The decoration coloured and printed in gilding on apricot, shading to yellow, bodies.

Royal Worcester 1902. Printed crowned circle, date code
A very good little ewer with fine landscape painting by Harry Davis, signed. The rest of the body a clear apple green, making this a most desirable piece.

Royal Worcester 1907. Printed crowned circle, date code
A well cast ewer with bronzed borders and a scene of sheep by Harry Davis, signed. Davis was known for his sheep, which fetch high prices. His less common landscapes, see p. 147, are painted with greater care but are not much more expensive.

Royal Worcester 1915. Printed crowned circle, date code
A pair of ewers of extreme ugliness, the pierced spouts and over-ornate handles doing nothing to help. The paintings by John Stinton, signed, are of his usual standard and his usual Highland cattle.

An attractive ewer, well printed and painted with flowers, but not collectable item. Originally made with matching basin for use as a washing set in bedrooms before plumbing. In the early 19th century these sets were often of good quality for use by the gentlemen and ladies of the household, but by the middle of the century the gentry were usually ‘on tap’ and only poor quality sets were made for the use of the servants in their garret rooms. They can be found as late as the first world war. Although very good for floral
arrangements the ewers are still poor sellers.

Unattributed mid-19th century. No mark large and decorative tankard transfer-printed with a puce outline and brightly enamelled design of a highly degenerate but amusing variation of the 18th century quail pattern originally itself based on the Chinese. The ground is also reminiscent of the Companie-des-Indes porcelain exported to this country from Canton.

Unattributed c. 1850. Moulded registration.
A well known parian jug with a cleverly thought-out ans wer to the handle problem, usually a dissatisfactory element in the design of these jugs. This example is cast in self-colour sage green, but can be foundin other pastel tones or white. It is also known in stoneware at roughly the same price, or crude pottery and worth only. The scene, entitled “The Gamekeeper” was issued in biscuit and porcelain by Minton and it is possible that this jug is also from the factory although the standard is not as high as usual.

Moulded registration
A parian jug with the attractive decoration well set off by the coloured ground which has, in this case, been well applied and fired. The exterior has a matt finish whilst the interior is glazed.

A Doulton stoneware Jug - A Staffordshire majolica Pedestal - A Set of three English porcelain Cups and Saucers - A Wedgwood dragon lustre Bowl

Wednesday, December 2nd, 2009

A Doulton stoneware Jug - A Staffordshire majolica Pedestal - A Set of three English porcelain Cups and Saucers - A Wedgwood dragon lustre Bowl

A Doulton stoneware Jug, 1890’s, the shouldered sides decorated with Coptic motifs, 18cm.; 7in.; a miniature hunting subject Bowl; and a red Wemyss Basket
Five Prattware dessert Plates, comprising: ‘11 Penseroso’ (235), ‘The Cavalier’ (356), ‘Lend a Bite’ (316), ‘Deer Drinking’ (321) and ‘Cattle and Ruins’ (315), each with the ‘123′ border; together with a Comport ‘The Spanish Dancers’ (431), haircrack (6)
A Royal Worcester candle snuffer Figure of a Monk, 1911, the peach coloured body standing reading an open book picked out in gilding, 12.5cm.; 47/sin.; and a smaller Royal Worcester candle snuffer Figure of a Nun,
1917
A large Thomas Parr pottery Figure of Little Red Riding Hood, 1860’s, the girl wearing red cloak and carrying a basket under her arm, modelled seated with a wolf at her side, on oval grassy base, restored, An English
pottery relish Pot, mid-19th Century, of churn shape, with a polychrome print of a fish market scene, in the style of F. & R. Pratt, I 1.5cm.; 41/2in.; a pearlware Mug, printed with a polychrome oriental scene, restored;
and a maiolica-type Jug, chipped
A Minton’s majolica Jardiniere, 1873, of bell form, the body moulded and painted with white flowers against a deep blue ground, raised on three scrolled supports and circular base, cracks to bowl, impressed marks
A Staffordshire majolica Pedestal, 1870’s, the fluted cylindrical column moulded and coloured with leaves against a deep blue ground between borders of white palmettos outlined in ochre, on circular spreading base
Two Staffordshire spaniel Groups, late 19th Century, each moulded as two dogs, one seated on a barrel, both facing forward, with orange muzzles and shaggy white coats spotted in gilding coats
A Pair of unusual English porcelain Inkwells, circa 1830, each in the form of a mound of brightly coloured shells, on octagonal gilt lined base, cracks to bases, slight chips
A Pair of English porcelain baluster Vases, early 19th Century, each painted in the Imari style with flowering shrubs in underglaze-blue, red, green and gilt
A Mason’s ironstone sauce Tureen, Cover and Stand, 1830’s, painted in the Imari palette with a vase of flowers, bird and flower designs, flower knop, knop repaired, 17cm.; 63/4in., puce printed marks (3)    A rare Goss portrait Bust of H.R.H. Prince of Wales on his Investiture at Caernarvon, 1911, the young boy finely modelled in the bisque in sailor’s uniform, on a glazed podium, printed in black with a view of Caernarvon Castle and painted with the Arms of Caernarvon, 14.4cm.; 57/8in., printed title, date and Gosshawk mark
A Set of three Dewsbury Derby Cups and two Saucers, late 18th Century, painted with cornflower sprays against an incised whorl ground, crowned batons
A Set of three English porcelain Cups and Saucers, circa 1790; and nine Saucers
Eleven English ‘Compagnie-des-Indes’- style Saucers, circa 1800, including a set of four; and four Teabowls
Three Caughley blue printed Teabowls and Saucers, circa No, printed with classical ruins, disguised numeral marks; and five other English Teabowls and three Saucers
A Worcester slop Bowl, circa 1770, possibly painted in the atelier of James Giles, with four carmine sprays of flowers, two in gilt ,mirror’ frames, amongst scattered insects, chip to rim
See, G. Coke, In Search of James Giles, p. 178, and S. Spero, Worcester Porcelain in the Kiepser Collection.
A Set of four Belleek Cups and five Saucers, late 19th Century, moulded with reeds and bulrushes picked out in colours,
printed marks in black; a Bowl en suite; and a Pair of Cups decorated with shamrock
A Pair of Royal Worcester Figures `Liberty’ and ‘Captivity’, circa 1880, each modelled as a classical maiden wearing a long brown robe, both holding aloft a dove, on circular gilt lined bases, one arm broken and
repaired, chips
A Spode ‘Beaded New Shape Jar’, circa 1810-20, the baluster body painted with brightly coloured flowers and foliage against a blue and gilt scale ground, the loop handles with mask terminals, handles restored,
A Paragon bone-china Loving Cup, made to commemorate the Coronation of Edward VIII, 1937, the sides printed and coloured with a crown within a wreath amidst flags of the nations, the reverse bearing the Royal
coat-of-arms, set with gilt lion handles
A Copeland’s bone-china beaded Vase, modern, of flared form, decorated with a panel of flowers and scattered sprays on a deep blue ground enriched with gilt leaves, raised on three gilt paw feet, chip to one foot, printed and painted marks A Set of three Royal Worcester Cups and Saucers, circa 1870, each painted with flower sprays on a green, apricot or yellow ground, impressed and puce printed marks
A ’scratch blue’ salt-glazed white stoneware Jug, mid-18th Century, of barrel form, sprigged with an oval medallion
moulded with a GR cypher under a crown centrein& an incised flowerhead between leafy fronds picked out in blue between turned hoops, strap handle, small chip to spout
A Wedgwood black basaltes portrait Medallion of Lord Jervis, Earl St. Vincent, circa 1800, modelled by John de Vaere, crisply modelled*    file to sinister, impressed Xygzlod
A Bailey stoneware Jardiniere and Stand, dated 1894, the flared sides applied with a pair of female masks hung with laurel festoons
A Wedgwood fairyland lustre Bowl, 1920’s, the exterior decorated with the `Firbolgs’ pattern of elves, hobgoblins and other creatures amongst trees against a vivid blue/green ground, the interior decorated with the ‘Thumbelina’ pattern on a green ground beneath a floral border, chip to rim, 20cm.; 8in., printed urn mark
A Wedgwood dragon lustre Bowl, circa 1920’s, of octagonal form, the exterior painted with dragons on mottled blue ground between gilt key pattern borders, 10cm.; 4in., printed urn mark; together with a lustre Vase, circa 1920’s, decorated with butterflies, neck repaired, 14cm.; 51/2in., with Printed urn mark
A Rogers blue and white oval meat Dish, early 19th Century, printed with the `Elephant’ pattern within floral border, impressed marks; together with four similar Plates, all chipped
A tin-glazed pottery Study, 1926, by Stanley Nicholson-Babb, a young woman seated wearing sleeveless dress, her hair bobbed, on wooden base, incised S. Nicholson-Babb

A Bloor Derby Figure of a boy - A Chelsea Derby Teabowl - English breakfast Cups and Saucers - A Doulton stoneware Jug - Two Royal Worcester oyster Plates

Wednesday, December 2nd, 2009

A Bloor Derby Figure of a boy  - A Chelsea Derby Teabowl - English breakfast Cups and Saucers - A Doulton stoneware Jug - Two Royal Worcester oyster Plates

A Chelsea Derby Teabowl and Stand, circa 1770, each piece of spiral moulded form and painted with flower sprigs in green and gilt with black outlines, anchor and D mark in puce, painted Nos. 102 and 144; together

with four Derby Teabowls; two Cups and four Saucers; and a Cup and Saucer painted with a band of acorns and leaves, some restoration and damage
A Derby Trio, each spiral and acanthus mouldedlece painted with gilt flower sprigs beneath due and gilt borders, crowned batons; and a Derby coffee Can and Saucer, each piece painted ‘in’,It with the initial S within a surround of gilt    sprigs,’It stars and green dots, crowned batons
A large oval meat Dish, attributed to Derby, circa 1800, decorated in blue with the `Chantilly’ pattern, pseudo Chinese seal mark in blue; together with an Oude Loosdrecht (Holland) oval Dish, painted with flower sprigs, restored
A Group of four silver mounted glass Toilet Jars, circa 1928, each inset with Royal Worcester panels by H. Stinton of two
Highland cattle in a landscape, one broken jar, various shapes and sizes, painted signatures and hallmarked Birmingham, 1928
A Bloor Derby Figure of a boy flower seller, 1820’s, seated holding a hatful of flowers on his lap, on a scroll moulded base, some damage, blue crossed swords mark, incised No. 8; together with a Pair of Chelsea red
anchor floral painted Pots, restored, 6cm.; 21/4in.; and a Coalport-type pot pourn Basket and Cover
Two large Worcester cabbage leaf moulded jugs, circa 1775, one printed with the ‘Pine Cone Group’ pattern, the other printed with the ‘Gilliflower Print’ pattern, both chipped and restored, hatched crescent mark in
underglaze-blue
A Pair of Derby ice Pails, Covers and one Liner, early 19th Century, the sides painted with French flower sprigs in gilt, blue, green and puce, acorn finials, some damage, red painted marks; also another ice pail Cover
A Parian figure Group titled ‘Power of Love’, late 19th Century, after I. M. Mohr, modelled as Cupid trying to wrest his quiver of arrows from the mouth of a reclining lion, on oval baseM. Mohr Sc.; also another Parian
Group bearing the same title, modelled as Cupid riding on the back of a lion, sow damage
A Royal Worcester Model of a green budgerigar, 20th Century, seated on a floral and gilt tree-stump, 17.5cm; and a Royal Copenhagen bearded white Budgerigar, repaired, printed marks
A Collection of five large earthenware English breakfast Cups and Saucers, 19th Century, comprising: a Pair of blue and white pearlware Cups and Saucers with floral panel decoration, one with a Japan’ pattern
decoration, one printed in blue with the `Willow’ pattern and one other with floral and gilt decoration
A Worcester polychrome Mug, circa 1770, the bell-shaped body painted with sprays of flowers, loop handle, some wear.
A Staffordshire pottery cottage money Box, 19th Century, the front inscribed Saving Bank below a blue washed roof, the door, windows and roof outlined in ochre, each side moulded and coloured with trees, cracked
A Group of English Creamwares, early 19th Century, comprising: a lozenge-shaped Dish painted in purple lustre with oak leaves, a Pair of Wedgwood basket moulded Plates with pierced borders, two fan-shaped supper
Dishes and Covers, a Wedgwood Plate with brown painted leaf border and a Wedgwood pearlware Plate
A Set of three George Jones & Sons porcelain Plates, circa 1880, each printed and coloured with two figures engage is within gilt lined rims, pursuits marks, painted No. 5441
Royal Worcester ‘Stuart’ rose Jar, Lid and Cover, 1892, the lobed ovoid body decorated with flowers against a shaded apricot  ground, domed and pierced cover,
chip to finial, 28cm.,- 11 in.,Pure printed marks, ‘The Stuart’, Manufactured Specially for Stonier & Co., Liverpool, Shape No. 1312
Two Royal Worcester oyster Plates, 1893/94, each of ivory colour with gilt outlines, moulded with seven shell-shaped recesses on a basketwork ground, puce printed marksA Pair of Wedgwood & Co. ‘Imperial porcelain’
Plates, 1950’s, each decorated in the centre with paintings after Landseer, ‘Dignity and Impudence’ and ‘Busy Bodies and Busy Bees’, printed and impressed marks, framed and glazed
A Doulton stoneware Jug, 1890’s, the shouldered sides decorated with Coptic motifs, 18cm.; 7in.; a miniature hunting subject Bowl; and a red Wemyss Basket
A Royal Worcester candle snuffer Figure of a Monk, 1911, the peach coloured body standing reading an open book picked out in gilding; and a smaller Royal Worcester candle snuffer Figure of a Nun, 1917
A large Thomas Parr pottery Figure of Little Red Riding Hood, 1860’s, the girl wearing red cloak and carrying a basket under her arm, modelled seated with a wolf at her side, on oval grassy base, restored, An English pottery relish Pot, mid-19th Century, of churn shape, with a polychrome print of a fish market scene, in the style of F. & R. Pratt,.; a pearlware Mug, printed with a polychrome oriental scene, restored; and a
maiolica-type Jug, chipped
A Minton’s majolica, 1873, of bell form, the body moulded and painted with white flowers against a deep blue ground, raised on three scrolled supports and circular base, cracks to bowl, impressed marks,
Shape No. 1076

A Doulton Vase - A Goldscheider pottery Model of a Borzoi - Coalport Cup and Saucer

Wednesday, December 2nd, 2009

A Doulton Vase - A Goldscheider pottery Model of a Borzoi - Coalport Cup and Saucer

A Group of six Staffordshire ‘Toby’ Cruets; three small Jugs; and a Toby Teapot and Cover, some chips and restoration.
An Elton Jug and Cover, 1890’s, the baluster body decorated in blue, green and buff slips with stylised flowers, the cover with frilled finial.
A porcelain Vase, late 19th Century, in,,, the form of a shell applied with a bead encrusted bird beside berries and leaves, chips and repair.
A Charles Vyse circular Dish, 1932, of low squat form, with green and brown mottled glaze, 15cm.; 6in. diam., incised mark
A Doulton Burslem. Vase, circa 1900, of egg shape, painted in blue with spray of flowers between gilt line rim and foot, 21 cm.; 81/4in., brown printed factory mark,ainted and impressed numbers
A British porcelain Cup and Saucer, possibly Coalport, early 19th Century, each  with roses and pansies between painted piece high loop handle, hair-cracks
A German oval porcelain Plaque, late 19th Century, painted with a half-length portrait of a youth playing the recorde in ornate leafage carved frame
An Italian (Milan) porcelain toy Teaset, late 19th Century, each piece encrusted with flowers and painted with insects and flower sprays, comprising: Tray, Teapot and Cover, Jug and Cover, sugar Box an
two Cups and two Saucers, minor chips, factory mark in blue
A Berlin porcelain rectangular Plaque, 2nd half 19th Century, painted after Rembrandt with a portrait of the artist’s mother, impressed K.P.M. and sceptre
A Galle-style tin-glazed Model of a cat, early 20th Century, modelled seated with self-satisfied expression, its yellow coat decorated with blue hearts and spots, glass bead eyes, one leg repaired, minor restorations,
signed JR and the Cross of Lorraine
Three Jon Douglas plaster face Masks: `Marguerite’, the stylised head of a young woman wearing a green striped hat, chips to enamel, incised marks, ‘Vicky Lesli’, a young woman with long golden hair and wearing a hat, 33cm.; 13in., incised marks, and ‘Madonna’, a young woman with hands to her face, wearing a green headscarf, finger glued., incised marks.
A Continental porcelain flower Vase, late 19th/early 20th Century, the exterior moulded with four classical maidens and a stag, on a scroll moulded base, small chips and repair.
A Westerwald stoneware Flask, 18th Century, the flattened ovoid body incised with two stylised birds and a stag amongst foliage, against a cobalt blue ground.
A German porcelain Plaque, 2nd half 19th Century, painted after Murillo with two urchins eating fruit by Decklemann, Munchen, signed.
A Goldscheider Model of a spaniel, modern, the animal in standing pose, its coat spotted in dark-brown, 34.5cm.; 131/tin. long, black printed mark and impressed numbers
A Goldscheider pottery Model of a Borzoi, 20th Century, after Beaume, signed, standing with one forepaw raised upon an elliptical base, stress crack in forepaw;
impressed and printed marks
A large French porcelain Plaque, late 19th Century, painted with a full-length portrait of a gipsy girl looking out to sea holding a mandolin in her hands, indistinct inscription to back
A Westerwald stoneware quart Mug, early 19th Century, the ribbed cylindrical body incised with a band of scrolling foliage framing a cypher GR picked out in cobalt blue
A Westerwald stoneware Mug, late 18th/19th Century, the globular body incised with foliate motifs framing a crowned cypher GR picked out in cobalt blue under a cylindrical ribbed neck.
A Mettlach stoneware Ewer, circa 1887, the cylindrical sides incised and coloured with three hunting scenes, signed Worth, between oak leaf moulded borders and branch handle, restored, impressed marks
A German porcelain eight-piece frog Band, circa 1900, each ‘musician’ seated on a tree-stump wearing colourful attire, some damage, 12.5cm.; 5in., painted and impressed numbers