Antique Porcelain

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

Friday, January 15th, 2010

Antique Porcelain: Royal Crown Derby, Staffordshire, Royal Worcester, Bohemian, Royal Doulton Porcelain, Ceramics and Pottery

A SILVER-GILT MOUNTED GLASS INKWELL, LINER AND BOX, French, circa 1890, the square form with rounded shoulders and hobnail-cut base, mounted with two silver-gilt pierced scroll bands connected on the front and reverse by a winged female and each side with an elaborate swan-necked Aeolian harp, the neck with stamped silver-gilt hinged cover and small cylindrical liner, the silver excite French touch marks, 10cm.; 4in. high.

A GLASS DECANTER, Dutch, late 18th Century, the bulbous body applied with vertical pinched ribs over gilt vermicular ground, the tall cylindrical neck similarly decorated between applied loop handles, 25cm.; 9-in., some gilt rubbing, part of one rib lackin.

A PAIR OF BLUE OVERLAY GLASS
VASES, Bohemian, circa 1860, each of
slender baluster form, cut with elongated
arched panels and quatrefoil windows, gilt
rims, 28.5cm.; some gilt rubbing.

A ‘POMEGRANATE’ TWO-
HANDLED VASE, Moorcroft, circa 1935,
tube-lined with a broad frieze in rich colours against a deep blue ground, impressed MOORCROFT, MADE IN ENGLAND and signed in blue WM, 12cm.; 4in  .

TWO LIBERTY & CO. ‘FLAMMINIAN’ VASES, Moorcroft, circa
1903-1913, each mallet form body with tall
neck, decorated with three stylised foliate
roundels, on a red ground, each with incised
signature, W Moorcroft and printed Liberty mark,
26cm.; 10in., chip to rim of one (2) .

A TWO-HANDLED VASE, Royal Worcester, 1912, the slender ovoid body
painted by Harry Davis, signed, with three
sheep in a landscape, set with gilt loop
handles raised on a square base, puce printed
marks, shape 2063, 23cm.; 9in., damaged.

A LARGE GLAZED EARTHENWARE
PLAQUE, Burma tofts, late 19th Century,
of circular form, moulded in relief with a pair of doves perched amongst blossoming branches, all covered in a dusky pink glaze. impressed BURMANTOFTS FAIENCE, 61cm.; 2in. diam., very minor rim chips  .

A PAIR OF OVOID VASES, Royal Crown Derby, circa 1893, each gilt with flower sprays on a pale lemon ground, gilt rims, orange printed marks, 18cm.; 7in., minor hair crash to neck (2).

A LARGE MAJOLICA JARDINIERE AND MATCHED STAND, probably Staffordshire, late 19th Century, the Jardiniere moulded with foliate scrolls picked out in green and yellow against a deep blue ground, the pedestal moulded with acanthus and glazed in brown and yellow, 110cm.; 43in., minor damage (2).

AN EARTHENWARE SPILL VASE GROUP, Staffordshire, mid-19th Century, modelled as ‘Rachel and Companion at the Well’, raised on an oval rocky mound base, 33cm.; 13in., minor chips; also an equestrian Figure of William I, King of Prussia

AN EQUESTRIAN FIGURE OF COLONEL PEARD, Staffordshire, circa 1864, seated on a horse facing left in plumed hat, tunic, breeches and knee boots, the oval base titled ‘C. Peard’ in raised capitals, 26cm.; 10in.; also three equestrian Groups; and a large Pair of Spaniels (6).

A PAIR OF EARTHENWARE FIGURES OF MILTON AND SHAKES¬PEARE, Staffordshire, mid-19th Century, each standing leaning against a pile of books raided on a pedestal, octagonal titled bases, 11m.. inner damage to Shakespeare; also two Equestrian Figures, one of Colonel Bur nab, the other of The Prince of Wales’ (4).

A LARGE STONEWARE VASE, Doulton, circa 1895. incised by Hannah Barlow, with a broad frieze of figures haymaking with horses and sheep between deep blue border* decorated with stylised leaves, mark. 44cm.; 17in., repair to rim.

A PAIR OF PIERCED VASES,
Grainger and Co., Worcester, circa 1890,
each of footed pear form, intricately pierced
with scrolling stylised foliage, brown printed
shield factory mark, 19.5cm.; 73In, necks
reduced (2).

A PAIR OF ‘FLAMBE VEINED’
VASES, Royal Doulton, early 20th Century,
each of ovoid form, covered in a swirling
mottled red and blue glaze, black printed
marks, shape no. 1613, 16.5cm.; 6in.

GREY WAGTAIL AND CELANDINE’. A BIRD MODEL, Royal Worcester, circa 1968, modelled by Dorothy Doughty, perched on a rock, mounted in a glass case, black printed marks and title, impressed numerals 59, 14.5cm.; 5in., some damage and restoration.

A SET OF ELEVEN BONE CHINA PLATES, Spode, circa 1890-1900, each printed in iron-red with fleur-de-lys and arrow heads within a pendant border, scalloped gilt line rim, green printed mark, red painted, 23cm.; 9in. diam. (11).

A GROUP OF STONEWARES, Royal Doulton, early 20th Century, comprising; a Model of a cockerel, 26cm.; 10in., repaired; a natural foliage’ ware Vase and Bowl; and two Jam Pots and Covers in the form of an apple and a pear (7).200

A STONEWARE VASE,
Royal Doulton, circa 1905, the globular body
incised by Hannah Barlow, monogrammed, with
a frieze of cattle, impressed and incised marks,
14cm.; 5in.

A PAIR OF STONEWARE VASES,
Royal Doulton, circa 1905, each ovoid body
incised by Hannah Barlow, monogrammed, with
a frieze of ponies above a blue border,
impressed and incised marks, 18cm.; 7in.

A STONEWARE OVOID VASE, Doulton, circa 1886, incised by Hannah Barlow, monogrammed, with a frieze of horses against a buff ground between stylised leaf borders, impressed and incised marks, 46cm.; 18inn., chip to foot.

A PORCELAIN BOWL, Worcester, PORCELAIN FIGURES, Derby, Belleek

Friday, January 15th, 2010

A PORCELAIN BOWL, Worcester, PORCELAIN FIGURES, Derby, Belleek

A BROWN STONEWARE FLASK IN THE FORM OF A TIPSTAFF, Stephen Green, Lambeth, circa 1837, the cylindrical sides moulded in relief with a royal coat of arms and initialled ‘V R’, impressed Stephen Green, Imperial Potteries Lambeth, 28cm.; also a Group of four brown glazed Flasks, 20th Century, and a Model of a Salisbury Kettle (9).

A POTTERY VASE, Bretby, circa 1900, modelled with a stork before open bamboo shoots, all covered in a brown glaze, impressed factory mark, 29.25cm.;
cracks to stork’s leg.

A PORCELAIN BOWL, Worcester, circa 1780, printed in blue with ‘The Argument’ pattern, printed disguised numeral, 25cm.; 97in. diam., small chip.

A TAZZA, Royal Worcester, circa 1865, the shallow bowl with pierced rim supported on a receded pedestal applied with a pair of cherubs, all raised on a circular base, with three scroll feet, details picked out in gilding, 16.5cm.; 6in., hair crack .

A PAIR OF POTTERY GREYHOUNDS, Staffordshire, late 19th Century, each modelled standing, one with a hare at its feet, the other with a hare in its mouth, 24cm,; 9in., minor flaking of enamels .

A PAIR OF ROYAL LANCASTRIAN
VASES, Pilkington’s, circa 1915, each ovoid
body covered in a blue glaze, impressed marks,
30.5cm.; 12in.; also another Royal Lancastrian
Vase; and a Chameleon ware Vase (4).

A PORCELAIN FIGURE OF A LADY,
French, late 19th Century, standing holding
a fan, wearing a plumed hat, turquoise coat
and crinoline dress, raised on a scroll
moulded base, gold anchor mark, 25.5cm.;
small chips; also another porcelain
Figure of a lady wearing a green crinoline
dress (2).

A FIGURE GROUP, German or
French, late 19th Century, modelled as a
young man at the side of his companion,
Cupid standing on his back, Harlequin
standing behind, raised on a shaped oval
base, 14cm.; 5in, high, some repair and chips.

A FIGURE OF A YOUNG GIRL, Meissen, 19th Century, standing playing a tambourine, wearing a puce bodice and floral skirt, crossed swords mark in under glaze-blue, 12.5cm.; 47in, some damage; also a Continental porcelain Figure of a young girl with basket (2).

A STONE CHINA PART DINNER SERVICE, Spode and Copeland & Garrett, circa 1820 and later, painted with a ‘Japan’ pattern of groups of flowers painted in under glaze-blue, red and gilt, comprising: eighteen Dinner Plates, nine Soup Plates and fifteen Dessert Plates, impressed and printed marks, some chips and cracks (42)  .

A SQUIRE’ POTTERY TOBY JUG, Staffordshire, mid-19th Century, of traditional form, seated holding a jug of ale wearing a blue coat, red waist jacket and yellow breeches, 28cm.; high, arm repaired; also a Staffordshire ‘Night watchman’ Toby Jug (2).

A PAIR OF PORCELAIN FIGURES OF MUSICIANS, Derby, circa 1830, a young man and companion standing wearing colourful costume, he blowing a pipe and beating a tambourine, the lady holding a triangle, each raised on a pierced scroll moulded base enriched in gilding, red painted marks, 20cm.; 77in,, chips and some repair.

A SHAMROCK BASKET, Belleek, Second Period, of trefoil form, with four strand base below pierced sides applied at the rim with three groups of flowers, impressed Belleek, Co. Fermanagh, Ireland, 13cm.; 5in. Wide.

AN ABERDEEN VASE, Belleek, Second Period, the squat body moulded with ovals below applied flowers, black printed mark, 15.25cm.; 6in. high, some chips and haircrack; also a Belleek Cup and Saucer (3)   .

A SMALL BIRD’S NEST BASKET, Belleek, First Period, the three strand base and sides below a rim encrusted with flowers, impressed Belleek, Co. Fermanagh, 9.5cm.; 33in diam., small chips; also a later Belleek heart-shaped Basket applied with coloured flowers .

A SHAMROCK BASKET, Belleek, First Period, of trefoil form, with three strand base below pierced sides, the rope twist rim applied with three groups of flowers, impressed mark Belleek, Co. Fermanagh, 16cm.; 6in. divide, some damage .

A HENSHALL BASKET, Belleek, Second Period, of oval form, with four strand base beneath pierced sides set with entwined twig handle applied at the ends with groups of flowers, impressed mark Belleek, Co. Fermanagh, Ireland, 28cm.; 11in. long, very minor chips.

A PAIR OF POTTERY SPANIELS, Staffordshire, 2nd half 19th Century, each modelled seated, their fur with orange markings, 25.5cm.; Win.; and a Staffordshire pottery Spaniel with black markings; and a smaller example with copper lustre markings (4).

A PAIR OF POTTERY SPANIELS, Staffordshire, late 19th Century, modelled seated, their fur with copper lustre markings, 24cm.; 9in.; and a similar Pair (4) .

A STONEWARE VASE, Bernard Leach, circa 1950, of wasted cylindrical form, streaked in brown against a pale green ground, impressed St Ives and B L seals, 14.5cm.; 53in.
A BLUE JASPERWARE JARDINIERE, Wedgwood, early 19th century, the inverted bell-shape decorated in white relief with Classical Figures beneath swags of fruiting vines suspended from lion mask and ring handles, impressed WEDGWOOD, 23.5cm.; 9in.

A GROUP OF FOUR POTTERY
FIGURES, Staffordshire, mid-19th Century,
comprising: a Group of a girl with a rabbit
before a hutch; an inkwell Figure of a Turk;
an inkwell Group of a girl and goat; and an
inkwell Group of a boy and dog, tallest 19cm.;
7in., minor damage and restoration (4).

Japanese lacquer small Trays, Meiji Period, white glass Snuff Bottle, 19th Century, A Japanese wood and ivory inlaid Panel

Friday, January 15th, 2010

Japanese lacquer small Trays, Meiji Period, white glass Snuff Bottle, 19th Century, A Japanese wood and ivory inlaid Panel

A moulded porcelain Snuff Botde, mark and period of Jialing, the rouge-de-far wave ground decorated with nine dogs-of-For gambolling with brocade balls.

An enamelled white glass Snuff Bottle, 19th Century, of slender ovoid form, painted with butterflies hovering about chrysanthemum, da Qing nian zhi .

A hard stone Snuff Botde, 19th Century, of pebble form, well hollowed out and finely grained white speckled colour.

A Pair of inlaid bamboo tube Panels,
Meiji Period, each deeply carved with a bird
amongst flowers over rocks, 186cm.; 73in.

A Japanese lacquer Snuff Botde, 191 Century, of small size and rectangular form, decorated with landscape panels between others filled with trellis.

An inside painted glass Snuff Botde, dated Winter 1895, by Gui Xianggu, signed, side painted with a landscape, the other with flower seller.

An inside painted rock crystal Snuff Botde, dated 1956, by Ye Bengi, painted with
ebony under a text, a willow overhanging a
tubs plant.

A plain glass Snuff Botde, 19th Century, of broad rectangular form.

A hair crystal Snuff Botde, carved as kidney-shaped draw-string purse of smoky colour with random inclusions.

A cinnabar lacquer Box and Cover, 19th Century, the top and bottom carved wile figures or with a deep cluster of flowers inhabited by a bird preening itself, hair-crack 18.3cm.;

An inside painted glass Snuff Botde, dated Autumn 1972, by Zhang Guanq Ping, each side a warrior overcoming a dragon or dreg.

A Japanese wood and ivory inlaid Panel, decorated with birds amongst flowerii branches, part of one bird missing, 99 by 64.

An inside painted glass Snuff Botde, dated 1956, by Ye Bengqi, signed, with three female figures on each side.

An agate Pendant, of oval outline, pierced with a shoal of four grey fish or dolphins twisting in and out of waves, 6.5cm.;

An inside painted rock crystal Snuff Botde, by Liu Shouben, signed and dated 1983, seventeen Immortals accompanied by elephant, tiger, dragon, dog-of-For, deer and other attributes.

A Japanese lacquer Bowl and Cover, 19th Century, seven matching small vessels/ covers decorated with hollyhock and chrysanthemum man, red interiors, various sizes; and a Die.

A two-fold Screen of cranes, early 20th Century, with two panel paintings of cranes on seashore mounted against gold background, ink, colour and go fun on paper, unsigned, each panel, 174 by 93cm.; with a few small repaired parts, slight stains.

A Chinese cased Mahjong Set, Guangxu/later, bone on bamboo; and a Japanese ivory tusk Box and Cover, Meiji, incised with tigers, split, 7.7cm.; 3in.

A red lacquered smoker’s Cabinet and
Stand, Meiji, a pair of gold shibayama-fronted
hinged compartments containing inner
humidors and drawers, a pair of further
drawers in the cabriole-legged stand, 42.8cm.;

A Qajar papier-mache Tray, Box and Cover, late 19th Century, each piece painted with figures on horseback or standing framed by texts, tray 62cm.; 243in., box 34.5cm.;

A Pair of soapstone ’seal’ Bookends, Guangxu, each surmounted by a boy tugging at a buffalo below, 23cm.; 9in.

A Chinese hardwood Figure of a monk, late 19th Century, seated upon an integral stand, reciting prayers with the aid of his rosary, flywhisk in his other hand, repair, 38cm.; 15in.

Three Japanese woven Baskets, early 20th Century, one hanging, two with overhead handles, various sizes; and a bamboo tube Vase.

A Group of Tibetan Artefacts, various dates, comprising: a prayer Wheel, a string of prayer Beads and a trefoil Dagger.

A mother-of-pearl inlaid haul Box and Cover, 19th Century, of square outdone upon integral stand, decorated with panels of warriors and plants, 25cm.;  square; and a smaller circular Box and Cover.

A hard stone tree Ornament, in the form of a prunes’  with amethyst-coloured petals, 30cm.;

A Chinese sectional root wood Carving of Iron Cruch Li, 19th Century, on his arm an acolyte, both supported on a gnarled wood base, approx. 100cm.; 39in.; and a soapstone Figure of Shoulao.

A Chinese tea subject export lacquer
twin Tea Caddy, 1st half 19th Century, of
rectangular form, the top and sides painted
with workshops and warehouses performing
all the stages of tealeaf production along a sea
frontage, pewter canisters and covers within,
21cm.;

A gilt lacquered wood Vase and Cover,
Meiji Period, of compressed ovoid form, upon
trefoil bracket feet, the solid gilt sides
decorated with chrysanthemum under a lappet
collar repeated on the butterfly-strewn cover,
added monkey ivory knopss, 12cm.;

Two Japanese lacquered Cabinets,
Meiji Period, one decorated with landscapes
on a pair of cupboard doors between frieze
drawers, 41.5cm.; high, the other of
smaller size 25cm.;

A Japanese lacquered shorans Cabinet,
Meiji Period, with openwork centre flanked by
asymmetric drawers, the tea-dust ground
punctuated with gilt medallions, 29cm.; nigh; accompanied by two letters from Queen
Mary (1931) indicating the cabinet to have
been in her possession and donated to a
charity auction .

A lacquer stationery and writing Bops 19th Century, of rectangular form, all sides decorated with fishing boats in bays, interior I fitted with tray and pen compartments, mm repairs, 27cm.;

A small straw plaited lacquer Cabi Meiji, 24cm.;

A Chinese lacquered Screen, 20th Century, with angled side panels, the brown I ground filled with incised bird scenes, repair 69.2cm.;

A lacquer Box and Cover, 18th Century, of oblong form, decorated on a sparse sashimi ground in gold hiramakie with ferns, the interior similarly decorated, cracks  cover, 7.2cm.;

Two Japanese lacquer small Trays, Meiji Period, of oblong or oval form, decorated with birds and dancing frogs, chip.

A wood cased Dagger (Aikuchi), the part cord textured sheath and handle gilt lacquered with wisteria; Koshira cast with a lobster handle, 34cm.; 131in. overall length, signed blade and handle.

A veined agate water Coupe, carved if a thick-walled us leaf with smaller leaf a flower carved in relief on the horizontally veined sides, 16cm.; 614in., wood stand; and ; well-turned jade wine Cup.

A veined jade water Coupe, carved an open magnolia flower resting on its own branch handle, of speckled greyish tone, mm chip repairs, 12cm.; 44in.,

A lacquer Jubako, 19th Century, of
square section, in three tiers, the sashimi grot
decorated with overlapping landscape panel
paintings, lacking fourth tier, crack, 16.5cm.;

Pair of Satsuma booted Vases, Meiji Period, An Imari Plate, A Fukagawa Vase

Friday, January 15th, 2010

Pair of Satsuma booted Vases, Meiji Period, An Imari Plate, A Fukagawa Vase

A Pair of Satsuma booted Vases, Meiji Period, each elaborately gilt and enamelled with broad scenes of samurai and begin reserved on a stout globular body under a pair of mask and tongue handles set in the brocade scattered deep blue ground, 30.3cm.; 12in.,

A Pair of Kutani porcelain Jars and
Covers, Meiji Period, each ovoid body
reserved with panels of kingfisher and
travelling entertainers under a pair of standing
boy handles, a third figure seated on the
cover, 28cm.;

A Pair of Satsuma Plates, Meiji Period,
painted en grisaille with an eagle in pine tree,
8.5cm.;

An Ao Kutani saucer Dish, 19th Century, the earthenware body covered in enamel with a pair of yellow deer upon aubergine ground against a green sky framed by a blue zig-zag under radiating seeded lappets, green underside with black meanders, yellow foot rim, interior bearing green square Kutani mark, 24.6cm.;

An Imari Charger, Meiji Period, the dense iron-red scale and trellis ground reserved with a variety of panels filled with birds, garden and sea scenes, a pine tree growing out of one under a zig-zag blue border, 45.8cm.; 18m.

An Imari Plate, Meiji Period, painted with six scroll brocades about a pomegranate centre, 37cm.;

A Fukagawa shallow Bowl, Meiji Period, of scalloped kiku flower form, the interior filled in under glaze-blue with a convolvulus design about a mallow medallion, 28.5cm.; Fuji mark and signature.

An Imari Stick Stand, Meiji Period,
enamelled with a continuous scene of a
maiden guarded by samurai, 61cm.; 24in.,
wood stand.

A lacquered Arita Vase, Meiji Period, reduced to a lamp, of barrel form with panels of birds, flaking.

A Pair of Satsuma earthenware Vases, Meiji/Taisho Period, of slender ovoid form, with enamelled birds flying through branches under applied handles, one broken, 58.3cm.; 23in.

An Imari Vase, Meiji Period, of true baluster form, filled with ho-o brocade panels beneath a frilled trumpet rim, 43.5cm.;

A Garniture of three Kutani Vases, Meiji Period, comprising: a Pair of ovoid Vases painted with doves, 19.4cm.; 7Vsin., and a baluster Vase painted with pheasant, 23.8cm.;

An Arita enamelled baluster Jar and Cover, Meiji Period, painted with figures in a garden between lappet and bird filled pink ground borders, 41 cm.; 16in.
A Pair of Kutani beaker Vases, Meiji/Taisho Period, of wasted form, each enamelled with quail amongst millet, 30.8cm.; 12m.

A Kutani Vase, Meiji Period, of
slender ovoid form, painted with a continuous garden scene inhabited by birds under applied mask-and-ring handles on the iron-red shoulder, rim repair, 35.8cm.;

A Pair of Imari Vases, Meiji Period, of
vertically ribbed ovoid form, panelled with ho-o
between bat/bird medallions, chip, 25 cm.;

A Fukagawa Vase, Meiji Period, ovoid
with wasted neck, attractively painted in
under glaze-blue with a ho-o bird amongst
wisteria against a vertically brocaded ground
picked out in enamels, 37.8cm.; 147in., Fuji
rebus.

An Imari Jar, Meiji Period, ovoid, brocaded and panelled with a lady with a parasol, a ho-o bird and garden elements, 32cm.;

A Pair of Kutani Vases, Meiji, of wasted form with low angular bodies, typically painted in orangy-red and gilding with figure panels set in a brocade, 33cm.; 13in.

A Satsuma circular Box and Cover,
Meiji Period, the brocade ground reserved
with fan panels of geisha, aghast and samurai,
11cm.;

A Pair of Satsuma Vases, Meiji Period,
of slender ovoid form, the richly brocaded ground filled with figure panels of courtiers and samurai, 46.5cm.;

VIENNA TEA KETTLE AND COVER painted with flower, LIVERPOOL PORCELAIN TEA-POT AND COVER, BERLIN VASES AND COVERS, BELLEEK SMALL LEAF DISHES

Thursday, January 14th, 2010

VIENNA TEA KETTLE AND COVER painted with flower, LIVERPOOL PORCELAIN TEA-POT AND COVER, BERLIN VASES AND COVERS, BELLEEK SMALL LEAF DISHES

A RARE VIENNA TEA KETTLE AND COVER painted with flower and
with overhead handle ‘beehive’
mark in under glaze-blue, c. 1760,
damaged    16cm.

A MEISSEN CHOCOLATE POT AND COVER painted with flowers, ormolu  handle to cover, right angle handle crossed swords mark, late 18th Century, cracked    22cm.

A HOCHST SUSPIDOR attractively painted with a landscape in  colours and a shipping scene in cameo, about 1755-60 impressed letter mark, handle replaced14cm.

A TEA CADDY painted with flowers in colours, damaged, German, 18th Century.

A SAMSON ‘CHINESE ARMORIAL’ BOWL, blue and gilt
decoration and a similarly decorated
tea caddy, the bowl 25cm.

Two MEISSEN MODELS OF BIRDS, perched on tree stumps,
crossed swords mark, damaged, late 19th Century    31 cm.

A PAIR OF MEISSEN MODELSOF HORSES at full gallop with
flowing manes on cloud bases,
damaged, 18th Century    (2)14cm.

A SMALL PORCELAIN PLAQUE  painted with ‘Roman Charity’ after  Marratta, 19th Century 10cm.

A Bow CANDLESTICK GROUP OF ‘BIRDS IN BRANCHES’ with a dog
below a tree which holds a bird  and a nest of fledglings, damaged,
c. 1760    14cm.

A MEISSEN SERVING LADLE  painted with flowers in colour,  damaged, 18th Century 32cm.

A LIVERPOOL PORCELAIN TEA-POT AND COVER decorated in
under glaze-blue, about 1770-80,
damage to spout    19cm.

A Bow FRILL VASE AND COVER  encrusted and painted with flowers  and with double mask handles, chipped, finial missing, c. 1755-60.

A CHELSEA ‘STRAWBERRY LEAF’ SAUCE BOAT painted in soft
colours with flowers and insects,
stem handle applied with flowers
and strawberries, damaged and
riveted, about 1754    16cm.

A DERBY ‘RODNEY’ JUG painted  with flowers in colours, about  1765-70, cracked
25cm.

AN EARLY WORCESTER LEAF DISH with ‘Beckoning Chinaman’ in
family-rose style enamels, crack, c.1755-60; and a blue and white
example, c. 1760-65, cracked and
riveted    21cm. and 23cm.

A PAIR OF BERLIN VASES AND
COVERS, painted with butterflies
And flowers and encrusted with  ribbons, dahlia finials, some damage, 19th Century
42cm.

A WORCESTER TEA BOWL AND COFFEE CUP with ‘dry blue’
decoration and a Worcester cup and
saucer with ’spinning maiden’
pattern, about 1760-65 (cup and
saucer damaged).

A ‘CHINESE EXPORT’ PSEUDO
ARMORIAL EWER AND BASIN
decorated in a ‘Japan’ palette,
French, 19th Century.

BELLEEK

A PAIR OF BELLEEK SMALL LEAF DISHES, pink glaze, printed
mark 1890/1923    12.5cm.

A BELLEEK PARIAN BUST OF SORROW, the young girl with  downcast head, on glazed suckle,  impressed mark, Belleek, Co. Fermanagh, 1863-1890.

EUROPEAN PORCELAIN.

A CHELSEA SAUCE BOAT, painted  with flowers in colours, red  anchor mark, c. 1754, cracked
20cm.

MODEL OF A PARROT, Meissen, WHITE MAIOLICA VASE, Savona, 18th Century, A CUP AND SAUCER, Meissen

Sunday, January 10th, 2010

MODEL OF A PARROT, Meissen, WHITE MAIOLICA VASE, Savona, 18th Century, A CUP AND SAUCER, Meissen

A PAIR OF DELFTWARE MODELS OF RECLINING COWS, Dutch, circa 1900, each painted in blue with a floral cartouche, on a blue sponged base, painted monogram AG(f).

A PAIR OF LARGE PORCELAIN
VASES, Paris, 3rd quarter 19th Century,
each of flattened pear form, painted with
panels of children in a garden, within a
frame of applied fleshy leaves in underglaze
blue and green enamel, details picked out in
gilding, incised numerals, 53.25cm.; 21in., slight
gilt rubbing, minor haircrack to base.

A DELFT BLUE AND WHITE CHARGER, probably Dutch, early 18th Century, painted with a central medallion of concentric circles inside stylised leaves, 34cm.; 13′Ain., some

restoration.

A BLUE AND WHITE MAIOLICA VASE, Savona, 18th Century, the ovoid body pierced with groups of holes and painted with figures in an extensive landscape.

A PAIR OF LARGE COLOURED BISQUE FIGURES OF A GALLANT AND COMPANION, French, 2nd half 19th Century, each modelled standing, wearing colourful costume on a circular grassy base

edged in gilding, tallest 47.5cm.; I83Ain., haircracks, minor chips.

A TERRACOTTA BOX AND COVER, Continental, late 19th Century, moulded in relief with stags heads, the cover with a hound finial, impressed WS&S 36, 29cm.; ll’Ain., chips; and a

pink glass Vase, with combed aventurine bands.

AN OVAL CASKET, Naples, late 19th Century, moulded in relief and coloured with panels depicting scenes from classical mythology, within gilt scroll borders, hinged gilt metal

mounted cover, crowned N mark in underglaze blue, 19cm.

AN OVAL BOWL, Sevres’, late 19th Century, painted with oval panels filled with colourful flowers on a blue ground, the interior similarlv decorated beneath a gilt rim, painted A

within interlaced L’s, moulded no 790.3, 30.5cm.; 12in., some rubbing.

A SHAPED GILT METAL MOUNTED BOX AND COVER, Sevres’, 19th Century, painted with figure and landscape panels, gilt framed on a pink diaper patterned ground, blue painted

interlaced. L’s, 10cm.; 4in. long, small chip; a Royal Worcester Tyg, decorated with flowers, and a circular Box and Cover, similarly decorated.

A PORCELAIN GROUP
OF DANCERS, Continental, 1930’s,
modelled as a man and woman, each wearing
gilt costume, poised on a canted rectangular
base, indistinct green printed mark, 19cm.;
7′Ain., small chips to fingers.

A CUP AND SAUCER, Meissen, late
19th Century, encrusted with flowers and
painted with scattered flowers and insects,
crossed swords mark in underglaze-blue, chips;
also a puce ground Cup painted with a panel
of figures; a Sevres’ pink ground Milk Jug;
and a Paris porcelain Cabinet Cup.

A CABINET CUP AND SAUCER,
Vienna, 1820’s, painted with a titled view of
Lake Maggiore against a solid gilt ground,
shield mark in underglaze-blue, titled in French
script, chip to saucer and some wear.

A MODEL OF A PARROT, Meissen,
late 19th century, the brightly coloured bird
perched on a tree stump, crossed swords mark
in underglaze-blue, 31cm.; 12′Ain., some chips;
also another porcelain Model of a parrot.

A PORCELAIN RECTANGULAR
BOX AND COVER WITH GILT METAL
MOUNTS, German, circa 1770, the sides,
cover and interior painted with vignettes of
figures in a landscape inside scroll moulded
borders, 8.5cm.; 33Ain. diam, some damage.

A COLOURED BISCUIT PORCELAIN PLAQUE, German, circa 1900, moulded in high relief with a classical woman seated with child, 26cm.; 10′Ain. diam, framed and glazed.

AN OVAL PORCELAIN PLAQUE, Dresden, 19th Century, painted with a head and shoulders portrait of a woman wearing a white head-dress and collar, 18cm.; 7′Ain. long, gilt metal

frame.

A PORCELAIN VASE AND COVER, Volkstedt, late 19th Century, the vase of waisted form, painted and encrusted with flowers and cherubs against a sepia tinted ground, the cover with

a cherub finial, trident mark in under glaze blue, 29.75cm.; lPAin., small chips, one cherubs wing detatched.

A PAIR OF TIN-GLAZED EARTHENWARE FLOWER HOLDERS, French, late 19th Century, each in the form of a white cockatoo perched on a mound base, signed P.B., 33cm.; 13in. high, some

restoration.

A RELIEF-MOULDED PANEL, Italian, mid-19th Century, in Delia Robbia style, moulded in white with the Madonna and Child below cherubs and a crown, against a blue ground inside an

arched frame moulded with flowers and oak leaves, the separate bone china panel moulded with a shield and cornucopia of flowers, main panel 88cm.

A LARGE MAJOLICA PEDESTAL,
Rorstrand, late 19th Century, the waisted
upper part decorated with classical masks,
raised on a tapering square section shaft and
stepped square base, glazed in blues, browns
and olive green, impressed Rorstrand and
crowns, 113cm.; 44′Ain., haircrack to base, minor
glaze chips.

ANTIQUE AUSTRIAN VIENNA PORCELAIN

Thursday, January 7th, 2010

ANTIQUE AUSTRIAN VIENNA PORCELAIN

A Vienna porcelain Cup and
Saucer, 1830, the saucer moulded with
swags and painted Bacchic masks
centring a painted bird on a branch, all
scattered with brightly coloured insects
and flower sprays, the cup similarly
decorated with classical puce and gilt
scroll handle, tiny chip, impressed Beehive
mark, date code and numerals.

A ‘Vienna’ arched rectangular
Tea Caddy, late 19th Century, one side
painted with Venus and Cupid, the
reverse painted with a maiden seated and
inscribing the initials ‘AM’ onto a tree
trunk, small chips to gilding, 10.5cm.;
41/sin., shield mark in blue.

A ‘Vienna’ Cabinet Tray, late
19th Century, of oval form, with two
pierced handles painted with a lion and a
lioness beside a riverbank surrounded by
date palm trees inside a wide burnished
gilt border, restoration to handles, shield
mark in underglaze-blue, impressed numerals.

A ‘Vienna’ porcelain Plate, late
19th/20th Century, painted with a titled
portrait of Lady Hamilton after Romney,
signed Hanats inside a circular gilt frame
and gilt line border, some flaking of
enamels, 24.5cm.; 95/sin., shield mark in
underglaze-blue, impressed Hutschenreuther
shield mark.

A Pair of small ‘Vienna’ bottle Vases, late 19th Century, painted with titled panels ‘Hector’ and ‘Venus’, signed Riemer inside an oval gilt frame against a dark blue ground

enriched in gilding and white ‘jewelling’, 14.5cm.; 53Ain., black painted shield mark and titles.

A ‘Vienna’ two-handled maroon ground Vase, circa 1900, the
shield-shaped body painted each side
with classical figures on a solid gilt band
against a maroon ground enriched in
gilding, raised on a square plinth base,
32.5cm.; 123Ain., shield mark in blue, black
painted titles.

A Pair of ‘Vienna’ campana
Vases, circa 1900, each painted with a
panel of Venus and Cupids, signed
Rosier, within an oval gilt frame against a
maroon ground enriched in gilding,
raised on square plinth bases, one base
repaired, 40.5cm.; 16in.

A good ‘Vienna’ porcelain
Cooler, 19th Century, the drum-shaped
body painted with two panels of classical
figures and gods and goddesses amongst
clouds inside octagonal gilt frames
against a purple ground gilt and
enamelled with two panels enclosing
cornucopiae and scrolling foliage, raised
on three fluted gilt monopodia supports
and stepped circular base, the body
surmounted by a separate waisted section
and low domed cover, finial repaired,
47cm.; 18V2in., shield mark in
underglaze-blue.

A large and impressive ‘Vienna’
two-handled Vase and Stand, late 19th
Century, the generous ovoid body
painted with a panel depicting the ‘Toilet
of Venus’, signed G. Sachs, the reverse
painted with Aeneas and Venus by a
military encampment against a complex
ground reserved with two small circular
panels painted en grisaille with Jupiter
riding a chariot, the waisted neck
decorated with two further figurative
panels, set with gilt entwined snake
handles, raised on socle and separate
square plinth base, small chip to base and to
handle, some wear to gilding, 75cm.; 291/2in.,
shield mark in blue.

BERLIN AND OTHER ANTIQUE PORCELAIN PLAQUES

Thursday, January 7th, 2010

BERLIN AND OTHER ANTIQUE PORCELAIN PLAQUES

A German porcelain rectangular Plaque, late 19th Century, painted with a young woman in a red dress carrying putti, two in a basket and one in her right hand, all against

a sky blue ground, signed Liebmann, 19 by 12.75cm.; 7V2 by 5in., pencil inscription and paper label.

A German porcelain oval Miniature, 19th Century, painted with a bust-length portrait of a blonde-haired woman, reading, a blue cloak around her bare shoulders,

gilt-metal frame, 8.5cm.; 33/dn. high, impressed numerals.

Two oval German porcelain Miniatures, 19th Century, each painted with a child subject, one a bust portrait of a young blonde-haired boy in fashionable costume, the

other a winged cupid inscribing a tablet with his arrow, gilt-metal frames, 8.25cm.; 3l/4n. high, impressed numerals.

A German porcelain oval Miniature, 19th Century, painted with a bust-length portrait of a scantily-clad female, possibly The Penitent Magdalene, gilt-metal frame,

8.5cm.; 33/sin. high, impressed numerals.

A German porcelain miniature
oval Plaque, 19th Century, painted after
Titian with a head and shoulders portrait
of a young woman, possibly Venus,
depicted sleeping, one arm behind her
head against a blue/grey ground,
gilt-metal frame, 11.1cm.; 43/sin. long,
impressed numerals.

A Royal Worcester bottle
Vase, 1902, the bulbous body painted
with an arrangement of red and pink
roses by Flaxman, signed, beneath
moulded and fluted gilt trumpet neck,
21.5cm.; 8V2in., puce printed mark, Shape
No. HI103, painted 15-54.

A large Continental Plaque, circa
1898, painted by A. Luzinger after J. B.
Greuze with a scantily-clad maiden
looking heavenwards, 43 by 34cm.; 17 by
133/dn., script mark A. Luzinger dapres
F. B. Greuze, Paris 1898.

A Berlin oval Plaque of a ‘Vestalin’, 2nd half 19th Century, after A. Kaufmann, the young woman in gauzy dress and veil, seated holding a lamp, her other hand on her

shoulder, 17.5cm.; 67/8in. long, impressed K.P.M. and sceptre, framed and glazed.

A Berlin porcelain Plaque of Beatrice Cenci, 2nd half 19th Century,
after Guido Reni, oval, the young beauty wearing a silken head-band and shirt and with her head turned towards the artist, 17.5cm.; 67/dn. long, impressed K.P.M. and sceptre

mark, framed and glazed.

A Berlin Plaque, circa 1880,
painted with a monk holding a staff and wearing a folded brown robe consoling a classical maiden dressed in white robes and holding a blue cape, 28 by 22.5cm.; 11 by 87Mn.,

impressed K.P.M. and sceptre.

A Pair of German porcelain oval
Plaques, late 19th Century, painted with
bust-length portraits of an elderly lady
and gentleman in black clothing, each
signed Krantz, in purple velvet frames,
each approx. 11.5cm.; 4*/2in.

A German porcelain oval Plaque,
2nd half 19th Century, painted with a
head and shoulders portrait of ‘The
Penitent Magdalene’ looking upwards,
17 by 12.5cm.; 63A by 5m.

A K.P.M. oval porcelain Plaque, circa 1880, painted with a head and shoulders portrait of St. Paul meditating, after Rembrandt, 18 by 13.25cm.; 7′/s by 5′Ain., framed.

A German porcelain oval Plaque, 2nd half 19th Century, painted with a blue cloaked Madonna, bust-length, her head inclined and her hands clasped, black velvet frame,

slight scratches, 17.2cm.; 63Ain. long, impressed K/3.

An oval German porcelain Plaque, 19th Century, painted with the Madonna and Child, the seated Virgin shown half-length in blue and red robes holding the Child on her

knee, gilt frame, 12.75cm.; 5in. long, impressed Kl12.

A Continental porcelain Plaque, late 19th Century, probably German, painted with a scene of lovers amongst ruins against an extensive landscape vista across a lake, 28

by 21.8cm.; 11 by 89/i6in.

A German rectangular porcelain
Plaque, 2nd half 19th Century, titled on
a paper label Bei Hochwilrten (At the
Rectory), painted with a scene of figures
around a dining room table, a clergyman,
a monk and two gentlemen toast a
woman in a purple dress as she clears
away plates, 22.25 by 14.5cm.; 83A by
53Ain., impressed 324, and paper label,
framed.

A Continental porcelain rectangular Plaque, dated 1884, probably German, painted with a bust portrait of a gipsy lady wearing a maroon cap hung with gold discs over long

black hair, her chin resting on one hand, small chip, 30.25 by 20cm.; HVs by 77/sin., painted monogram S.M.J., framed.

A French rectangular ceramic Plaque, late 19th Century, painted with an inn scene, a cavalier seated at a table eating and drinking, a young woman standing beside

holding a flagon, signed W. Lavigner, 28 by 38.5cm.; 11 by 15′Ain., carved oak frame.

A Pair of Berlin oval Plaques,
2nd half 19th Century, the first painted
after Rembrandt with the artist and his
wife, Saskia, the other painted with a
man seated holding a glass flute, his arm
around a woman sitting holding a plate
of cherries, 23 by 17cm.; 9 by 63Ain.,
impressed sceptre and K.P.M. marks, framed.

A German porcelain rectangular
Plaque, circa 1885, painted by H. Muller
and after Richter with a full-length portrait
of Princess Louise walking down steps in
front of a balustrade wearing a long
white dress and white trimmed blue
cloak, 14.5 by 9.5cm.; 53A by 33Ain.,
framed.

A Berlin rectangular Plaque,
dated 1860’s, painted probably after
Rubens with a half-length portrait of a
fashionable young woman, inscribed
Original copie V. E. Meisel, Munchen
1861(1), 25.5 by 19cm.; 10 by 7V2in.,
impressed K.P.M. and sceptre, impressed
letter ‘H’.

‘Gute Nacht’: A Vienna
decorated Berlin Plaque, 2nd half 19th
Century, painted with a young maid
holding a candle wearing a white chemise
and red skirt, signed overglaze R. Dittrich,
33 by 19.75cm.; 13 by 73Ain., impressed
K.P.M. and sceptre, numerals 33-20, painted
title and shield, framed.

A large Berlin porcelain
rectangular Plaque, late 19th Century,
painted after Murillo with two peasant children seated by ruins counting their takings, a basket of fruit by their side, 31 by 25.25cm.; 12*Aby Win., impressed K.P.M. and

sceptre, framed.

ANTIQUE GERMAN PORCELAIN: Potschappel Vases, ‘Dresden’ Basket, late 19th Century

Thursday, January 7th, 2010

ANTIQUE GERMAN PORCELAIN: Potschappel Vases, ‘Dresden’ Basket, late 19th Century

A small Group of German
porcelain Cups and Saucers, late
19th/early 20th Century, comprising:
three Cups and Saucers, each painted
with gilt framed panels of flowers and
figures against a turquoise ground, two
Dresden Cups and Saucers, painted with
flowers against a green scale ground and
a covered Cup and Saucer, decorated
with harbour scenes, minor chips, various
printed and painted marks.

A Pair of Potschappel pierced Vases and Covers, 2nd half 19th Century, each pear-form body painted with panels of classical figures framed by encrusted flower swags, set with

female mask handles, the cover with tall floral finial, raised on a trefoil base, some restoration and chips, 33cm.; 13in., factory mark in blue.

A Pair of Volkstedt four-light Candelabra, late 19th Century, a gallant and companion standing holding fruit before a tree stump, a dog and lamb at their feet, below three

flower encrusted scroll arm branches, raised on a scroll moulded base, some damage, 51cm.; 20in., blue printed and impressed marks.

Two German porcelain pagoda
Figures, 2nd half 19th Century, each
corpulent figure seated cross-legged, she
with blue neck ribbon, flowered robe,
blue shoes and bun, he in flowered robe
and green shoes, the heads, hands and
tongues pivoted to rock back and forth,
tiny chips, her foot restored, three hands
detached, 29.25cm.; HV2in. high, impressed
and blue printed marks.

A German two-handled Vase, late
19th Century, relief moulded and
coloured with two classical figures riding
in a chariot drawn by swans, the reverse
decorated with a maiden seated on the
back of a sea creature, caryatid handles,
cracks, 20.5cm.; 8in., crossed swords mark in
underglaze-blue; also a Pair of tin glazed
earthenware baluster Vases with
Chinoiserie decoration.

A Carl Thieme, Potschappel
Centrepiece, 2nd half 19th Century, two
putti around a flower encrusted column below a pierced basket encrusted and painted with scattered flowers, raised on a scroll moulded base, minor repair and chips, 36cm.;

141/4in., factory mark in blue.

A Pair of German porcelain Cassolettes and Stoppers, 2nd half 19th Century, possibly each urn-shaped body with Egyptian thask handles, on a short fluted column on a square base

with bun feet, decorated with scattered floral sprays and small vignettes around a relief moulded swag heightened with yellow and gilt, with reversible candlestick stoppers, one

cracked and with finial missing.

A miniature ‘Dresden’ two-handled pierced Basket, late 19th Century, decorated in the Meissen style, the centre painted with a pair of courtly lovers in an Arcadian landscape

within a gilt scroll frame, the pierced flaring sides moulded on the outside with puce flowerheads, each with a yellow centre, between gilt rope-twist rims and a pair of gilt

twisted loop handles, 9.5cm.; 33Ain. across, crossed swords mark in underglaze-blue.

A Dresden Ecuelle and Cover, late
19th Century, each piece painted with
vignettes of figures in a landscape, set
with gilt scroll moulded handle, the low
domed cover with bird finial, repair and
chip to bird, chips to flower, 20.25cm.; 8in.
wide, blue AR mark.

A Dresden two-handled Cup,
Cover and Stand, late 19th Century, of
quatrefoil form, each painted with
alternate panels of figures in a landscape
and flower groups against a turquoise
ground, chips, stand 14cm.; 51/2in. wide,
blue AR mark; also a similar Dresden Cup,
Cover and Stand.

A Berlin porcelain two-handled ovoid Vase, 1849-1870, well painted with the Four Evangelists in their guise of Angel, Lion, Ox and Eagle surrounding the figure of God or Christ

supported by two putti against a shaded blue/grey ground, between flaring foot and rim painted with fluting and two applied serpent handles, minor chips and restoration, 42cm.;

161/2in. high, blueprinted mark.

A Pair of Dresden Wall Brackets, late 19th Century, painted with vignettes of Watteauesque lovers and scattered flowers against a green scale ground applied beneath with a

cherub holding grapes or flowers, ebonised wood tops, some chips and restoration.

A Set of nine Volkstedt monkey
Bandsmen, late 19th Century, including
a conductor, each brightly dressed
musician raised on a scroll moulded
circular base highlighted in gilt, some
damage, each approx. 13.5cm.; 51/4in.,
scissors mark in underglaze-blue.

A Volkstedt Model of a parrot,
20th Century, the brightly painted bird
perched on a white glazed flower and
branch moulded base, 24.5cm.; 95/sin.,
blue printed E/N/S mark, impressed numerals.

A Hohenberg, Bavaria, oval
porcelain Plaque, late 19th Century,
painted with a three-quarter-length portrait of a classically draped woman holding a child and a small goat, framed, 15.9cm.; 61Uin. long, impressed mark.

A Pair of Dresden Vases and
Covers, late 19th Century, of tapered
cylindrical form, each side painted with a
military camp scene within an elaborate
gilt frame, set with caryatid handles, the
pierced cover with artichoke finial, raised
on three reeded gilt supports and
rectangular feet, one cover restored, finial
glued, 42cm.; 16′/2in., ‘AR’ marks in blue.

A German porcelain Table Mirror, late 19th Century, conceived as two winged putti drawing back a pair of white glazed curtains to reveal an oval mirror, the frame applied with

encrusted roses below, all topped by a flower painted cartouche, chips and restoration, 42cm.; 161/2in. high.

Three German coloured bisque porcelain female Busts, late 19th Century, each allegorical of a country, comprising: a pair titled ‘Amerika’ and ‘Europa’, each raised on a marble

effect base moulded with three blue ribs, and another, untitled, probably representing Prussia, modelled wearing a crown and eagle crested breastplate, raised on a similar base,

chips, each approx. 28cm.; llin. high, painted ‘RR’ monogram, impressed numerals.

A large Dresden Vase, Cover and Stand, circa 1900, the pear-shaped body painted with Watteauesque figures, the reverse with a flower group, with flower encrusted frames, the

shoulders set with four putti holding garlands, the domed cover surmounted by two putti flanking the arms of Augustus the Strong, the base with painted panels and floral

encrustations, minor damage, 68.5cm.; 27in., blueprinted ‘Dresden’ mark.

A Pair of Dresden double gourd vases, late 19th Century, each painted with colourful birds in branches against a yellow ground, 35cm.; 133/4in., ‘AR’ mark in blue.
A Plaue porcelain Centrepiece, late 19th Century, two mermen emerging out of the waves and supporting a standing scantily draped maiden supporting a shell moulded and lattice

pierced bowl reserved with tv/o panels of flower sprays, scroll moulded base, minor damage, 53.5cm.; 21in., Factory mark in blue.
A Rosenthal porcel ain Plate, 20th Century, painted with a titled head and shoulders portrait of Mme. Recamier against a white ground elaborately gilt with birds, crowns and

flower swags, 25cm.; 97Mn., green printed mark.

Meissen porcelain Cups and Saucers, Meissen Clock, Meissen porcelain Dinner Plate, 20th Century

Thursday, January 7th, 2010

Meissen porcelain Cups and Saucers, Meissen Clock, Meissen porcelain Dinner Plate, 20th Century

A miniature Meissen Turkey, circa 1880, its tail feathers splayed, picked out in grey and brown, the head tucked back and coloured in blue and red, 6.5cm.; 21/2in.; a Meissen

Great Tit, late 19th Century, with white cheeks, black band on the yellow breast and a green back, 13cm.; 5Vsin.; and a Meissen Bullfinch, late 19th Century, after J.J.

Kaendler, with red, brown and black markings, 9.5cm.; 33Ain., some chips and restoration, crossed swords in underglaze-blue, impressed numerals.

A large Meissen green Woodpecker, late 19th Century, crimson crown, bright green upper parts, grey-green under parts, black white-spotted wings, beak restored, some chips,

27cm.; 10V2in., crossed swords in underglaze-blue, impressed and incised numerals.

A Meissen Bird, late 19th Century, with a brown and black hooked beak, yellow tips to the wings, the head crested, restored beak, 23cm.; 9in., crossed swords in underglaze-blue

and incised 274X; and a Meissen Bird, late 19th Century, possibly a grasshopper warbler, with long tail and brown and streaked beak, restored beak and tail, 16.5cm.; 6V2in.,

crossed swords in underglaze-blue and incised 11.

A large Meissen Ewer allegorical of ‘Air’, 19th Century, after a model by J. J. Kaendler and J. F. Eberlein, the shoulder surmounted by the crowned figure of Juno with her

peacock, moulded clouds parting to reveal birds of prey pursuing storks and fowl, a winged zephyr blowing a blast of air at cherubs gambolling with a bagpipe above a billowing

scarf handle, the spout and foot moulded with colourful feather gadroons, repairs to two legs, 65cm.; 251/2in., crossed swords in underglaze-blue, incised model No. 327,

impressed 40.

A fine Meissen Clock, 2nd half
19th Century, the circular gilt dial
applied with blue and white enamel
Roman numerals, set in a drum-shaped
case moulded with scrolls and applied
with a border of leaves inhabited by birds
and squirrels surmounted by the figure
of Diana seated with two hounds beside,
the base depicting a hunting party
standing over dead game, raised on scroll
moulded feet, enriched in puce,
turquoise and gilt, some restoration and
chips, 71cm.; 28in., crossed swords mark in
underglaze-blue, impressed No. 137.

A Set of eight Meissen porcelain Cups and Saucers, circa 1900, each piece painted with scattered flower sprays, gilt rims, also a matching Side Plate, crossed swords in

underglaze-blue, impressed numerals.

A Meissen ‘kakiemon’ Wall Plate, 20th Century, decorated with a mythological beast amongst a chrysanthemum spray, with a heron, 17cm.; 63Ain. wide, cancelled crossed swords mark

in underglaze-blue.

A Meissen Tete-a-Tete Service, 20th Century, each piece painted with rose sprays, comprising: a Coffee Pot and Cover, a Sugar Bowl and Cover, a Milk Jug, two Cups and Saucers

and two Side Plates, all with cancelled crossed swords mark in underglaze-blue.

A white glazed Meissen moulded Plate, late 19th/early 20th Century, the
folded rim with three scrolled cartouches,
with plain centre, 30.5cm.; 12in. wide,
cancelled crossed swords mark in
underglaze-blue.

A Meissen white glazed Figure of
a boy with a bow, early 20th Century,
he crouched naked on a dome holding a bow, 13.5cm.; 51/iin., crossed swords mark in underglaze-blue and impressed numerals.

A Meissen Coffee Cup and Saucer, late 19th Century, the tapering bowl with gilt serrated rim, decorated with a floral panel within gilt cartouche on a deep blue ground, with

plain blue saucer, both with crossed swords mark in underglaze-blue.

A Group of three Meissen porcelain Cups and Saucers, 20th Century, comprising: ‘Onion’ pattern Cup and Saucer, a flower painted example and a white leaf moulded Cup and Saucer,

tiny chips to one cup, crossed swords and cancelled crossed swords in underglaze-blue, various impressed numerals.

A Pair of Meissen shaped Dishes,
20th Century, both printed in blue with’
a scene of a German town and cathedral,
one dish with blue line rim, 18.75cm.;
73/dn. long, crossed swords in
underglaze-blue, impressed numerals; and a
flower painted example, gilt rim.

A small Group of Meissen porcelain wares, 20th Century, each painted with flower sprays, gilt rims, comprising: Jug, three small Vases, two covered circular Dishes, a shaped Pin

Tray and three circular Pin Trays, cancelled crossed swords in underglaze-blue, various impressed numerals.

A Meissen porcelain egg-shaped Vase and Cover, 20th Century, painted with small flower sprays, raised on three gilt scroll feet, under circular cover with gilt acanthus and

berry knop, 15.5cm.; fr/sin., cancelled crossed swords in underglaze-blue.

A Group of three Meissen white glazed porcelain child Figures, 20th Century, two girls and a boy, each dressed in 18th Century costume and carrying baskets of flowers, on

circular scroll moulded bases, one figure with traces of colour, minor chips, each approx. 13.25cm.; 51Ain., crossed swords and cancelled crossed swords in underglaze-blue,

impressed numerals.

A Meissen porcelain oval Coffee Pot and Cover, 20th Century, painted with purple and yellow flowers beneath short cylindrical neck and circular cover with stylised flower knop,

23.25cm.; 9Vsin., cancelled crossed swords in underglaze-blue, incised and impressed numerals.

A Meissen porcelain Dinner Plate, 20th Century, painted with 6range flowers within shaped rim, 22.25cm.; 83Ain. diam., cancelled crossed swords in underglaze-blue, painted

signature
G. Kemath; and five pieces of Meissen
white glazed Porcelain, 20th Century,
comprising: ovoid Vase, circular Dish
and Cover with rose knop, two Pipe
Bowls and a Thimble.

‘Tanzerin’: A Meissen porcelain Figure of a dancer, modern, the young woman wearing a flowered top, ruffled skirt and ballet shoes, modelled with arms outstretched, one foot

raised on an oval base, 27.5cm.; lOVsin. high, crossed swords in underglaze-blue, painted ‘44′, impressed numerals, with Meissen factory certificate.

A Meissen porcelain flower encrusted Bo*-and Cover, early 20th Century, the compressed circular body applied with colourful flower sprays and painted with insects, gilt rims,

tiny chips to flowers, 9.5cm.; 33/4in., crossed swords in underglaze-blue, impressed numerals 81/31.

A Meissen porcelain oval
two-handled pierced Basket, 20th
Century, decorated with the ‘Onion’
pattern within cartouche moulded and
pierced border, 28.5cm.; lVAin., blue
printed mark, impressed Meissen and
numerals.